Someone Else S Skin Quotes & Sayings

I wake up.
Immediately I have to figure out who I am. It's not just the body - opening my eyes and discovering whether the skin on my arm is light or dark, whether my hair is long or short, whether I'm fat or thin, boy or girl, scarred or smooth. The body is the easiest thing to adjust to, if you're used to waking up in a new one each morning. It's the life, the context of the body, that can be hard to grasp.
Every day I am someone else. I am myself - I know I am myself - but I am also someone else.
It has always been like this. — David Levithan

For me it is essential to understand that everyone is alone. Not in the sense of loneliness, but rather in the sense that no one can completely understand someone else. I know very well what Diane Arbus means when she says that one cannot crawl into someone else's skin, but there is always an urge to do so anyway. I want to awaken definite sympathies for the person I have photographed. — Rineke Dijkstra

It's good to have to put yourself in someone else's skin. It's all-consuming. — Natalie Imbruglia

Try to overcome your doubt. Believe you are beautiful. Look at yourself through someone else's green eyes. Believe someone out there will find you and kiss your skin until you can feel it blister with the heat. Believe in something bigger than your problems and you will be saved. — Max Bemis

I've missed you," Christopher commented in a tone of mild surprise. "Though I can't decide why. It must be the glare--it bring me back to my childhood."
"You were ever a hellion," Annandale informed him, "and selfish to the bone. When I read Russell's reports of your battlefield heroics, I was certain they had mistaken you for someone else."
Christopher grinned. "If I was heroic, it was purely accidental. I was only trying to save my own skin. — Lisa Kleypas

Hate is love on fire, set out to burn like a flare on the side of the road. It says, stop here. Something terrible has happened. Envy is like, the skin you're in burns. And the salve is someone else's skin. — Alexander Chee

Tread lightly, little one." He warned. "You don't want to push me. Not tonight." Her eyes darkened with anger, narrowing as she met his gaze. "Really? And why is that Raj?" ... "I am tired of you thinking you have the right to control me. You are not my boyfriend, and you sure as hell are not my keeper, so from where I stand, you've got no claim on me what so ever. Like the song says, you don't want me for yourself so let me find someone else. It's shit or get off the pot time, Raj. It's now or never, Time to-" She gave a shriek as Raj swung an arm around her waist and lifted her off her feet. He threaded the fingers of one hand through her hair and pulled it aside, freeing the long line of her neck. "Then I choose now," he growled and sank his fangs into the velvet skin of her neck puncturing the fragile walls of her jugular. — D.B. Reynolds

For all her culture's attention to the physical, it seemingly has little to salve the creatural anguish of losing someone else's body, their touch, their heat, their oceanic heart ... she doesn't want another body, she wants the body she loved, the forceps scar across his cheek that she traced with her hand, his penis, its elegant sweep to the side, the preternaturally soft skin. One wants what one has loved, not the idea of love. — Michelle Latiolais

We're married now. We're married.
You don't know when you're twenty-three.
You don't know what it really means to crawl into someone else's life and stay there. You can't see all the ways you're going to get tangled, how you're going to bond skin to skin. — Rainbow Rowell

You don't know what it really means to crawl into someone else's life and stay there. You can't see all the ways you're going to get tangled, how you're going to bond skin to skin. How the idea of separating will feel in five years, in ten - in fifteen. When Georgie thought about divorce now, she imagined lying side by side with Neal on two operating tables while a team of doctors tried to unthread their vascular systems. — Rainbow Rowell

She wasn't here to make memories. She was here for the flashing lights and the sweat and the smoke and the feel of someone else's skin against hers. — Amy Zhang

An accident you're in? It marks you on the outside, maybe. Scars your face or your skin-breaks bones,crushes skulls,leaves the body changed.
An accident witnessed? You're different on the inside. Maybe there's no cut someone else can see, bu there're always injuries on the inside.
Those take a long time to heal. — Carol Lynch Williams

In its essence, the transitional stage of Shifting is when we wonder if maybe there is much more to the spiritual life than we've ever been taught, if the wild ways of Jesus are even really possible, or if we could possibly find life outside of going to church. We start dreaming of a place or way we could use our creativity and gifts without being controlled by the church or someone else's leadership. We long to engage in more meaningful relationships instead of superficial ones. We want to spend time hanging out with our neighbors instead of only church people (and without any kind of evangelism agenda). While desires look different for each of us, Shifting is about no longer feeling comfortable in our spiritual skin. — Kathy Escobar

Writers are great lovers. They fall in love with other writers. That's how they learn to write. They take on a writer, read everything by him or her, read it over again until they understand how the writer moves, pauses, and sees. That's what being a lover is: stepping out of yourself, stepping into someone else's skin. — Natalie Goldberg

I use acting to get away from myself and to live in someone else's skin, and I do singing to get inside my own skin. I need them both for my emotional health. — Lindsey Haun

I feel like you come in under a cloak of someone else's skin for a while, but then you can shrug it off - you have to find your own voice, if you want to keep doing it. That became a really conscious thing for me. — Bill Callahan

Love isn't an obligation. You don't owe someone your loyalty and you damn well don't owe them your heart. It's an emotion, and it's born from mutual respect and generosity. It is not cruel and it is not judging. It comes from a willingness to live in complete and utter misery for the benefit of another. But when it's real, you don't feel that misery at all. The thought of their face, the scent of their skin brings a light to that darkness so bright that it drives out everything else.
- Ren Waya — Sherrilyn Kenyon

Kate's unhappiness was like weather, a storm rolling constantly toward or away from her, a force she could feel approaching like a hum of electrical current across her skin before it broke open, soaking her in sadness, and she would have no choice but to brace against the misery until it wore itself out on her and passed on to someone else. — Aryn Kyle

I needed my own territory, and I didn't know how I was going to get it. And so I took my frustrations and plugged them into someone entirely different from me. I wanted to see if I could slip into someone else's skin. — Jane Hamilton

You never learned the secret," said Roberta. "How to be a crazy motherfucker and get away with it. Everybody else does it. What, you didn't think they were all sane, did you? Not a one of them. They're all crazier than you and me put together. They just know how to fake it. You could too, but you've chosen to torture all of us instead. That's the definition of evil right there: not faking it like everybody else. Because all of us crazy fuckers can't stand it when someone else lets their crazy show. It's like bugs under the skin. We have to destroy you. It's nothing personal. — Charlie Jane Anders

If you flinch," Four says, slowly, carefully. "Al takes your place. Understand?" I nod. Four's eyes are still on mine when he lifts his hand, pulls his elbow back, and throws the knife. It is just a flash in the air, and then I hear a thud. The knife is buried in the board, half a foot away from the my cheek. I close my eyes. Thank God. "You about done Stiff?" asks Four. I remember Al's wide eyes and his quiet sobs at night and shake my head. "No." "Eyes open, then." He taps the spot between his eyebrows ...
"Come on, Stiff," he says. "Let someone else stand there and take it." Why is he trying to goad me into giving up? Does he want me to fail? "Shut up, Four!"
...
My body goes rigid. This time, when it hits the board, my ear stings, and blood tickles my skin. I touch my ear. He nicked it. And judging by the look he gives me, he did it on purpose. — Veronica Roth

I wonder if it's putting on someone else's skin for a while that she likes so much, or if it's the option of being able to send back a circumstance that just doesn't suit you. — Jodi Picoult

Trying to be white? What the hell does that mean? I've never understood that. How could anyone be white when they aren't white? Seems like a simple enough thing to prove, right? Hold out your arm next to someone else's arm and do a simple swatch test. Of course, what people mean when they say that is that there's some kind of authentic black experience that the accused isn't properly expressing. But what is the authentic experience? Clothes that wannabe gangbangers wear on the street? Hood style? What's authentic about that? For that matter, is fashion even a good marker of authenticity or race, anyway? Aren't clothes a second skin you wear over your real skin to obscure who you really are? Can they also express who you really are? — Ahmir Questlove Thompson

You don't know when you're twenty-three.
You don't know what it really means to crawl into someone else's life and stay there. You can't see all the ways you're going to get tangled, how you're going to bond skin to skin. How the idea of separating will feel in five years, in ten - in fifteen. When Georgie thought about divorce now, she imagined lying side by side with Neal on two operating tables while a team of doctors tried to unthread their vascular systems.
She didn't know at twenty-three. — Rainbow Rowell

I love being someone I'm not for a period of time. I love every minute of being in someone else's skin. — Jessica Biel

It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn't have known. There was smoke in her nose, thick and black, and she couldn't breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn't her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol' hands with scars on the fingers. Men's hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and- — Angele Gougeon

The instinct to tell our children that they are better than someone else's children, based on nothing more than the color of their skin, is now a fossilized aberration that serves no useful purpose. — Aberjhani

I was no stranger to bar fights. You'd think they'd be rare in a place like the University, but liquor is the great leveler. After six or seven solid drinks, there is very little difference between a miller on the outs with his wife and a young alchemist who's done poorly on his exams. They're both equally eager to skin their knuckles on someone else's teeth. — Patrick Rothfuss

When you sit at your desk, if you're lucky, there's a moment when you feel empowered to be someone or something else, to leap into another skin. — John Updike

There are technical tricks that may help you create more effective characters. My approach to characterization is not at all technical. I can't really analyze how I do it, but I am sure of one thing. To write convincing characters, you must possess the ability to think yourself into someone else's skin. — Juliet Marillier

But I guess I still have this fear that you can catch invisible things from other people. That someone else's insanity can creep under your skin and fry your brain. — Kathleen Hale

May walked slowly around the body, studying it. Putrefaction had been halted in its advance, but the corpse's skin had turned green and black, producing an acrid odour. He found it hard to imagine that this man had recently been walking around, eating in restaurants, watching TV. He was someone's lover, someone's son, but there was almost nothing human left. Without a head his trunk bore an unsettling similarity to something you would find in a meat locker. How would his loved ones feel if they could see him like this? 'Get anything else?' 'It's tricky because the usual decay process has been interrupted by the relatively sterile storage of the body. Usually, after two to three days you get staining on the abdomen. The discolouration spreads, veins grow dark, the skin blisters after a week, tissue starts softening and nails fall off at around the three-week stage, and finally the face becomes unrecognisable as the skin liquefies - — Christopher Fowler

You're breaking my heart."
At the sound of Rider's voice, I wheeled around, clutching my bag to my side. First thing I noticed was the faded Ravens emblem stretched over his broad chest, and then I forced my eyes up. The slight scruff along his jaw was gone. Nothing but smooth skin today.
No notebook. Hands shoved into the pockets of his jeans, a familiar, crooked grin pulled at Rider's lips, causing the dimple in his right cheek to pop. He stepped forward, and my heart did a backflip as he dipped his chin. I felt his warm breath on the side of my cheek as he spoke.
"You didn't respond to my text last night," he said, and there was a light, teasing tone I didn't remember from before. "I thought maybe you didn't realize it was me, but that would mean someone else would be texting you good-night and calling you Mouse. I'm not sure how I feel about that. — Jennifer L. Armentrout

With Instagram and Twitter, you're constantly looking at other people and comparing yourself to them, and it's just not beneficial. There is always going to be someone skinnier or prettier or with better skin, and that same girl you're looking at is comparing herself to someone else. — Brittany Snow

Posing as someone, or something, else is the story of many women and men who have experienced repression and made a bid for freedom. It is the story of a gay U.S. Marine who had to pretend he was straight. It is the story of a Jewish family in Nazi Germany posing as Protestants. It is the story of a black South African who tried to make his skin lighter under apartheid. — Jenny Nordberg

But the thought of laying a hand on someone brings back a world of memories, feelings, a flush of power I experience only when I make contact with skin not immune to my own. It's a rush of invincibility; a tormented kind of euphoria; a wave of intensity flooding every pore in my body. I don't know what it will do ti me. I don't know if I can trust myself to take pleasure in someone else's pain. — Tahereh Mafi

I find that's one of the great things about acting-you have the opportunity to stand in somebody else's shoes. Each character faces a dilemma in her life, and as an actor you're able to step into that character's skin, look through her eyes. You leave transformed, a different person, because once you live a little bit of someone's life, it changes you. — Sally Field

I recommend Avon Skin-So-Soft. It's a bath product. It smells like someone fed a Disney Princess through a juicer, but it works better than anything else on the market. — Mira Grant

I love everything about you, Emma. I love the way I can recognize your footsteps in the hallway outside my room even when I didn't know you were coming. No one else walks or breathes or moves like you do. I love the way you gasp when you're asleep like your dreams have surprised you. I love the way when we stay together on the beach our shadows blend into one person. I love the way you can write on my skin with your fingers and I can understand it better than I could understand someone else shouting in my ear. I didn't want to love you like this. It's the worst idea in the world that I love you like this. But I can't stop. Believe me, I tried. — Cassandra Clare

The conversation between your fingers and someone else's skin. This is the most important discussion you can ever have. — Iain Thomas

I have to figure out why I worked at a job I hated for years. I have to find out why I can't see what everyone else sees in me. I don't feel beautiful. When I look in the mirror, I never saw beautiful. For this to happen to someone like me, it's devastating, Jonas. I don't want you to think it's vanity, it isn't. I can't see me and I need to be able to do that. I need to find out what I'm like and what I want. I have to be comfortable in my own skin before I can be in a relationship the way you want. — Christine Feehan

I'd never made love with anyone but Nico. This thought occurred to me as we were lying in my bed, touching each other. Touching is the difference between making love and having sex. The physical act of making love expresses the desire to touch someone and to be touched in return. A hunger for your partner consumes you. It's an insatiable craving. It's a need for his skin, his hands, his mouth; it's a need to see his eyes. It must be fed every second or else it builds into something unmanageably urgent and ferocious. — Penny Reid

Sometimes if you're lucky, someone comes into your life who'll take up a place in your heart that no one else can fill, someone who's tighter than a twin, more with you than your own shadow, who gets deeper under your skin than your own blood and bones. -SNOOP DOG — Snoop Dogg