Solaris Operating Quotes & Sayings

Jay glanced up at Violet, and there was something about the expression on his face that made her pause. He gave her a look that told her, without saying a single word, that he wasn't at all happy about what she'd done, and that he had plenty to say to her once he got her alone.
And there was something else.
It happened just as he was turning his head back toward her father: Violet could have sworn - and she would have bet money on it - that she saw Jay smile. Just a little one ... almost unnoticeable, maybe completely imperceptible to anyone but her. She was sure that her dad had missed it entirely, as he continued his discussion without taking a breath. — Kimberly Derting

I like fiction that deals with matters that are of burning importance to us in our private lives. And not all short stories are like that. In general, short stories - and maybe this is a little bit off-topic - but I think short stories have this bad association with, like, waiting rooms. — Lorin Stein

Time is always now. Everybody who has ever thought about his own life knows this. You don't make resolutions about something you are going to do next year. No! You decide to write a book: the book may be finished twenty years from now, but you've got to start it now. — James Baldwin

Chronicler froze. 'So you're saying I work for you?'
'I'm saying you belong to me.' Bast's face was deadly serious. 'Down to the marrow of your bones. — Patrick Rothfuss

It's your life story if you're a mathematician: every time you discover something neat, you discover that Gauss or Newton knew it in his crib. — Steven Levy

There's a different kind of beauty that comes with humility and honesty — Kiera Cass

When it comes to trying to manage how our entire planet-wide market and all the people and businesses in it deal with nature and our natural resources - we first and foremost need to change the incentives. — Ramez Naam

All ideologies end up killing people. If you separate love from nonviolence you turn nonviolence into an ideology, a gimmick. Structures that are not inhabited by justice and love have no liberating or reconciling force, and are never sources of life. — Jean Goss

I'm not sure I am a politician. I would say that I am still an artist, and I'm trying to use politics as an instrument for change. — Edi Rama

When you are struggling to make both ends meet no one especially your close ones sees you but when everything is okay and beautiful then you will start seeing their faces. That is people and life . — Osunsakin Adewale

Don't, he says and then places his free hand underneath mine. — J.A. Redmerski

It is necessary to realize that the most sacrosanct article of sexual politics in the period, the Victorian doctrine of chivalrous protection and its familiar protestations of respect, rests upon the tacit assumption, a cleverly expeditious bit of humbug, that all women were "ladies" - namely members of that fraction of the upper classes and bourgeoisie which treated women to expressions of elaborate concern, while permitting them no legal or personal freedom. The psycho-political tacit here is a pretense that the indolence and luxury of the upper-class woman's role in what Veblen called "vicarious consumption" was the happy lot of all women. The efficacy of this maneuver depends on dividing women by class and persuading the privileged that they live in an indulgence they scarcely deserve ... To succeed, both the sexual revolution and the Woman's Movement which led it would have to unmask chivalry and expose its courtesies as subtle manipulation. — Kate Millett

Close to the Gates a spacious Garden lies, From the Storms defended and inclement Skies; Four Acres was the allotted Space of Ground, Fenc'd with a green Enclosure all around. Tall thriving Trees confessed the fruitful Mold: The reddening Apple ripens here to Gold, Here the blue Fig with luscious Juice overflows, With deeper Red the full Pomegranate glows, The Branch here bends beneath the weighty Pear, And verdant Olives flourish round the Year. — Homer

Although the assembly of the shots is responsible for the structure of the film, it does not, as is generally assumed, create its rhythm; the distinct time running through the shots makes the rhythm of the picture, and the rhythm is determined not by the length of edited pieces, but by the pressure of the time that runs through them. The pieces that 'won't edit', that can't be properly joined, are those which record a radically different kind of time — Andrei Tarkovsky