Soft But Dark Soft Quotes & Sayings

Did you really think we wouldn't fight back? That we'd just wallow here until the Unified Pacific decided to kill us off?" His voice was soft, his words sending a chill through her. No, she wanted to say, but the truth was, she had never really thought much about Chinese resistance before, even with Mr. Sakaguchi's frequent observations on the subject. After all, she wasn't one of the elite, one of the persecutors of the Chinese. She was a dark-skinned woman who didn't even know where her father came from, why she looked as she did. Ingrid always felt that she and Lee were bound in friendship, and because of that, their differences didn't matter. "I don't know," she said in a whisper, feeling like a fool. Like she'd been a fool for years. — Beth Cato

The sky clenched, a mountain of mud convulsed, earth and sky bellowed at each other, there was a horrible pinkness, a sudden greenness, a lingering orangeness that stained the clouds, and then the light sank and the night at last was deeply, hideously dark. There was no further sound other than the soft tinkle of water. But — Douglas Adams

When night comes, something speaks
from that soft, fragrant wilderness.
It says, the heart is not a door. But it opens.
We feel in the dark for the hinge. — Carole Glasser Langille

His agony somehow became an invisible hand, stretching out through the Force, a hand that found her, far away, alone in her apartment in the dark, a hand that felt the silken softness of her skin and the sleek coils of her hair, a hand that dissolved into a field of pure energy, of pure feeling that reached inside her
And now he felt her, really felt her in the Force, as though she could have been some kind of Jedi, too, but more than that: he felt a bond, a connection, deeper and more intimate than he'd ever had before with anyone, even Obi-Wan; for a precious eternal instant he was her ... he was the beat of her heart and he was the motion of her lips and he was her soft words as though she spoke a prayer to the stars - — Matthew Woodring Stover

I slept far more heavily than I had expected or intended, waking when the room was dark.
Surprised that Luke hadn't made a sound, I reached for him and felt a thrill of panic as my hand found nothing but empty space. "Luke!" I scrambled upward, gasping.
"Hey ... " Jack entered the room and turned on the light. "Easy. It's okay, Ella." His voice was soothing and soft. "The baby woke up before you did. I took him to the other room to let you get a little more sleep. We've been watching a game."
"Did he cry?" I asked thickly, rubbing my eyes.
"Only when he realized the Astros were having another first-round play-off flameout. But I told him there's no shame in crying over the Astros. It's how we Houston guys bond."
-Ella & Jack — Lisa Kleypas

Tugging at his collar to loosen it, he pushed at the half-open door and entered the room.
Miss Hathaway stood near the doorway, waiting with tightly leashed impatience, while Merripen remained a dark presence in the corner. As Cam approached and looked into her upturned face, the panic dissolved in a curious rush of heat. Her blue eyes were smudged with faint lavender shadows, and her soft-looking lips were pressed into a tight seam. Her hair had been pulled back and pinned, dark and shining against her head.
That scraped-back hair, the modest restrictive clothing, advertised her as a woman of inhibitions. A proper spinster. But nothing could have concealed her radiant will. She was ... delicious. He wanted to unwrap her like a long-awaited gift. He wanted her vulnerable and naked beneath him, that soft mouth swollen from hard, deep kisses, her pale body flushed with desire. — Lisa Kleypas

The rain has held back for days and days, my God, in my arid heart. The horizon is fiercely naked---not the thinnest cover of a soft cloud, not the vaguest hint of a distant cool shower.

Send thy angry storm, dark with death, if it is thy wish, and with lashes of lightning startle the sky from end to end.

But call back, my lord, call back this pervading silent heat, still and keen and cruel, burning the heart with dire despair.

Let the cloud of grace bend low from above like the tearful look of the mother on the day of the father's wrath — Rabindranath Tagore

She is beautiful, soft hair nearly midnight in color, large eyes nearly as dark, and ivory skin like the petals of the lily, and she wore a fragrance of jasmine. But 'tis her willfulness that I enjoyed the most. And her resourcefulness. — Terry Spear

As we reached the turning of the hall, Randall spoke behind us. "Jamie," he said. The voice was hoarse with shock, and held a note halfway between disbelief and pleading. Jamie stopped then, and turned to look at him. Randall's face was a ghastly white, with a small red patch livid on each cheekbone. He had taken off his wig, clenched in his hands, and sweat pasted the fine dark hair to his temples. "No." The voice that spoke above me was soft, almost expressionless. Looking up, I could see that the face still matched it, but a quick, hot pulse beat in his neck, and the small, triangular scar above his collar flushed red with heat. "I am called Lord Broch Tuarach for formality's sake," the soft Scottish voice above me said. "And beyond the requirements of formality, you will never speak to me again - until you beg for your life at the point of my sword. Then, you may use my name, for it will be the last word you ever speak. — Diana Gabaldon

The past is a tricky thing. Sometimes it's etched in stone. And other times, it's rendered in soft memories. But if you meddle too long in deep, dark things... Who knows what monsters you'll awaken? — Emily Thorne

The long lids of her eyes closed halfway, like a basking cat's, but the smile remained on that wide, soft mouth - those lips that hurt, then healed. The light glowed in her skin, bronzed the tiny brown mole beneath her right ear. He could have watched her forever, but the match was burning low. Just before the flame touched his fingers, she leaned forward and blew it out. And in the smoke-wisped dark, whispered in his ear, "The heart of her husband doth safely trust in her. She will do him good and not evil all the days of her life. So there. — Diana Gabaldon

It was still dark when Jack left on Friday morning. He sat beside me on the bed and pulled my sleeping body upward, holding me. I awakened with a murmur, and he held my head in one hand, long fingers cupping firmly around my skull. His rich baritone was soft in my ear. "You do what you have to. I won't stand in the way. But when I come back, you're not shutting me out, you hear? I'm going to take you somewhere . . . a nice long vacation . . . and we're going to talk, and I'm going to hold you while you cry until you feel better. And we'll get you through this." He kissed my cheek and smoothed my hair, and lowered me back to the mattress. — Lisa Kleypas

Boy, it sure was some strange Christmas, she told herself as she opened the living room door. And then she stopped dead. Because her present wasn't under the huge lighted Christmas tree. It was sitting on the sofa, looking toward her furiously, with a glass of whiskey in one lean hand. "Merry Christmas," Winthrop said curtly.
Her mouth flew open. He had a bow stuck on the pocket of his gray vested suit, and he looked hung over and pale and a little disheveled. But he was so handsome that her heart skipped wildly, and she looked into his dark eyes with soft dreams in her own.
"You've got a bow on your pocket," she said in a voice that sounded too high-pitched to be her own.
"Of course I've got a bow on my pocket. I'm your damned Christmas present. Didn't you listen to your father? — Diana Palmer

The carpet is too soft. Also the palm tree in the lobby is unbelievable. For a long time the Maitre looks at our faces, shuffling passports in his hands. "Such dark-ringed eyes, such dark-ringed eyes. I knew a merchant from Smyrna, who also had a false front tooth. Nowadays one has to be terribly careful: informers and scorpions are everywhere."

In the elevator we stand facing the mirror, but already at the first jerk we see silvery mildew in the place of our faces. — Zbigniew Herbert

With restraint she didn't realize she had, she tore her mouth from his.
He let out a growl of protest, his eyes dark and filled with hunger. The thought of getting devoured by him had all her muscles pulling taut.
"I don't want to be with your brother," she blurted.
She'd come to terms with the fact that when she mated it might be with two males. Unlike some of her friends, she'd adjusted to that part of this culture. But she and Con weren't getting mated and she didn't want to be with anyone else. She needed that to be clear to him.
"Good." The word came out as a rumble. "Do you want to be with anyone else?"
Did he seriously have to ask?
She shook her head.
He nipped at her jaw. "Say it." A soft, dominant demand.
Another rush of heat flooded her at the command in his tone.
"No. Just you."

-Leilani & Con — Savannah Stuart

Puck and Ironhorse each grabbed a rope and began drawing the platform up the side of the building. The dark, mirrored walls reflected a strange party back at us: a cat, two elf-boys, a girl in a slightly tattered gown, and a monstrous black man with glowing red eyes. I contemplated how strange my life had become, but was interrupted by a soft hiss overhead. — Julie Kagawa

But he would have to say that it had been years since he had felt the way he had these past few days - so alive and energized. Anna was his first thought every morning and his last thought every night. Even in his sleep she seemed to drift across the dark background of his mind, radiating a soft, warm glow and a sense of quiet contentment. In fact, had he ever felt this way? Even in his youth? Maybe he had forgotten, but it seemed to him that all of this was new. His life was just beginning, and the heavy summer air felt rich with promise.
If it turned out she didn't love him back, he would still treasure the knowledge that he was capable of such feelings. — Anne Tyler

I won't ask for forgiveness, but I am so very sorry," he said, with the simple brevity she was learning to expect. She pressed her lips into his soft, dark hair. "I know." He — Renee Ahdieh

It's a two-way street," Emma murmured, her words soft, but fierce at once. "Sometimes you have to take what you need and hope the other person can handle the invasion."
"Invasion?"
"That's what love is, isn't it? Families, friends, lovers. It's an invasion of each other's space, minds, hearts. Someone's always jockeying for control. For it to truly work, there has to be equality. Each side has to be strong enough to handle it."
Invasion. An oddly perfect way to describe it. "Yet again, I ask, who are you, Emma Strickland? — Kate Meader

Rhys threw his arms around his twin, holding him, hugging him. "He is my mate, brother. I could not kill him. I feel a strong bond with him."
"Stronger than ours?" Ceri asked as he embraced Rhys.
"No." Rhys shook his head. "Not stronger. Equal, but not stronger."
Rhys felt Ceri's lips on his cheek. His twin gave him a soft kiss and then turned his head. "Thank You for the beautiful lie," he said right before he bit into Rhys's neck, almost tearing his throat. — Lynn Hagen

I wonder if he still hates me," Silas says as the cat edges out from the couch, pale green eyes like little limes in the dark. As if to answer Silas's question, Screwtape takes a flying leap onto his lap and begins to purr wildly.
"I'm not falling for this anymore," Silas says firmly. He moves to push Screwtape away, but as soon as his palms are within a few inches of Screwtape's wild fur, the cat extends his claws into Silas's thighs. Silas winces and muffles a yelp.
"Need some help?" I say, trying to hide my laughter.
"That'd be great," he answered tensely. I hurry over and scoop Screwtape into my arms. The cat instantly melts against me and rubs his face against mine, the scent of catnip on his breath. I crinkle my nose.
"Thanks." Silas sighs in relief. "I can hunt wolves, but it's a cat I can't handle. Not terrible manly of me, is it?"
"I won't tell anyone," I answer with a soft smile that he returns. — Jackson Pearce

She came naked behind him as the soft melancholy yearning of the song filled the dark. Her hand stroked his hair, gathered it tight at the nape of his neck. She swayed, and he felt her press against his back, her breasts soft now, yielding and warm through his shirt, her breath tickling his ear. Her hand rested on his shoulder briefly, then slid down inside his shirt, fingers cool on his chest. He could feel the warm hard metal of her ring on his skin, and felt a surge of possession that pulsed through him like a gulp of whisky, a heat suffusing his flesh. He ached to turn and take hold of her, but pushed the urge down, heightening anticipation. He bent his head closer to the strings, and sang until all thought left him and there was nothing left but his body and hers. He could not have said when her hand closed over his on the frets, and he rose and turned to her, still filled with the music and his love, soft and strong and pure in the dark. — Diana Gabaldon

Weirdly, all the wood, dark walls, moody lighting, and oxblood leather makes the room kind of soft and romantic ... I know it's anything but; this is Christian's version of soft and romantic. — E.L. James

When we don't like to face up to hard facts, we use soft words. We do not speak about killing a baby within the womb, but about "termination of potential life." Words are often multiplied to try to cover dark deeds. — Neal A. Maxwell

He stopped and took my hand. "If we die, or if I die ... "
He was speaking of dying, and I couldn't stop smiling.
In the dark he must not have noticed, because he said in a rush, "I must tell you that I love you, and if I live I will ask for your hand, but you needn't say anything now if it distresses you, and I might rather die without knowing that you don't love me if that's how you feel."
I tried to speak, but nothing came. I had gained courage during my adventures, but not for this.
"Addie?"
Too soft to hear, I whispered, "I do love you."
But he heard. He cupped his hand under my chin and tilted my face up so I had to meet his eyes. He was smiling too, with a smile as happy as mine. "Oh, Addie!" He leaned down to kiss me ... — Gail Carson Levine

There are times you run off a cliff. It is like one of those Looney Tunes cartoons, where Wile E. Coyote sprints really hard and he's still running even though he's already gone off the cliff and then he stops and looks down and knows he will plummet and that there is nothing he can do to stop it. But sometimes, maybe most times, it isn't that clear. It is dark and you are near the edge of the cliff but you're moving slowly, not sure what direction you're heading in. Your steps are tentative but they are still blind in the night. You don't realize how close you are to the edge, how the soft earth could give way, how you could just slip a bit and suddenly plunge into the dark. This — Harlan Coben

The world ain't so bad, when you got Japhies, I thought, and felt glad. All the aching muscles and the hunger in my belly were bad enough, and the surroundant dark rocks, the fact that there is nothing to soothe you with kisses and soft words, but just to be sitting there meditating and praying for the world with another earnest young man
'twere good enough to have been born just to die, as we all are. Something will come of it in the Milky Ways of eternity stretching in front of all our phantom unjaundiced eyes, friends. I felt like telling Japhy everything I thought but I knew it didn't matter and moreover he knew it anyway and silence is the golden mountain. — Jack Kerouac

Fine. But remember, little rabbit, not a word to anyone." He moved close enough that the dark heat of him lapped against her in a quiet threat that made her glad for the blade. "I'm not a nice man when I'm angry."
She held her position, a ragged attempt to erase the humiliation of the panic attack. "I'm fairly certain you're not a nice man at all."
His answer was a slow smile that whispered of silk sheets, erotic whispers, and sweat-damp skin. The unhidden intent of it had her heart slamming hard against her ribs. "No" she said. Voice raw.
"A challenge." He wasn't touching her and yet she felt caressed by a thousand ropes of fur, soft and lush and unmistakably sexual. "I accept — Nalini Singh

What do you think for dinner? I know it's important I don't show you up." Something soft and red filled his lust-hazed vision. "With this first one, I can't wear a bra because it's backless ... " She swapped it out for something dark. " ... but this second one is a little low-cut. Bra or no bra?"
Think, man, think. The fate of the universe depended on the answer to this question. — Kate Meader

Or ... maybe I'm not going crazy. "Maybe I'm some sort of android-cyborg-clone-thing, and I'm just breaking down.
I'm not sure which way is worse.
Dad laughs. "You're not in your right mind, dear," he says. "No, no, no, you're not."
And then
- Silence.
Dad fades away. The reverie chair disappears.
There's just blackness. I remember then that I am in the reverie of something dead. Whatever that thing was, it was dead.
And, just as I'm starting to wonder if, perhaps, I have died, too, I see a light, far away in the corner of the dreamscape. The light isn't soft; it's not glowing. It crackles like silent lightning, burning with electricity, sparks flying out and fizzling in the dark.
I don't know why - it makes no sense, the way dreams often don't - but I want to touch the light.
So I do. — Beth Revis

She spoke in a calm, soothing voice. Likely the same tone she employed to soothe her sister through a breathing crisis. Colin's pride bristled. He didn't need coddling. But he quite enjoyed the smoky, entrancing quality of her voice and her tender touch against his cheek. His pounding heart began to slow.
Eventually the white specks overhead diffused to a faint, milky glow that illuminated her features. Soft, dark calf eyes with inky lashes. Rounded cheeks and pale skin. Those lips, wet with seawater. — Tessa Dare

Finally, still kneeling, he looked up at the woman.
Sturm caught his breath as the woman removed the hood of her cloak and drew the veil from her face. For the first time,human eyes looked upon the face of Alhana Starbreeze.
Muralasa, the elves called her-Princess of the Night. Her hair, black and soft as the night wind, was held in place by a net as fine as cobweb, twinkling with tiny jewels like stars. Her skin was the pale hue of the silver moon, her eyes the deep, dark purple of the night sky and her lips the color of the red moon's shadows.
The knight's first thought was to give thanks to Paladine that he was already on his knees. His second was that death would be a paltry price to pay to serve her, and his third that he musk say something, but he seemed to have forgotten the words of any known language. — Margaret Weis

The forest smelled fresh here and the ground was soft, carpeted by leaves and fallen pine needles. It was tranquil and enchanting in its way. Ursula was lovely; she just wasn't a naiad. Her hair was dark and sleek, and so long it fell below her waist, swaying this way and that as she walked. Her eyes were a piercing blue, always aware, and she had a keen eye for the smallest details. She may have been a merchant, but she'd also trained as an archer for the city militia, and she could easily spot movement at a distance. That was her intention now; it was just a different kind of movement. — Cailee Francis

The very falsehood that stained her, was a proof how blindly she loved another
this dark, slight, elegant, handsome man
while he himself was rough, and stern, and strongly made. He lashed himself into an agony of fierce jealousy. He thought of that look, that attitude!
how he would have laid his life at her feet for such tender glances, such fond detention! He mocked at himself, for having valued the mechanical way in which she had protected him from the fury of the mob; now he had seen how soft and bewitching she looked when with a man she really loved. He remembered, point by point, the sharpness of her words
'There was not a man in all that crowd for whom she would not have done as much, far more readily than for him.' He shared with the mob, in her desire of averting bloodshed from them; but this man, this hidden lover, shared with nobody; he had looks, words, hand-cleavings, lies, concealment, all to himself. — Elizabeth Gaskell

His hand came to her neck, his fingers tracing the corded muscle there, and she knew he could feel her pulse racing. "You think I did not miss you?" She froze at the words, her breath coming shallow, desperate for him to say more. "You think I did not miss everything about you? Everything you represented?" He pressed against her, his breath soft against her temple. She closed her eyes. How had they found themselves here, in this place where he was so dark and so broken? "You think I did not want to come home?" His voice was thick with emotion. "But there was no home to which I could return. There was no one there." "You're wrong," she argued. "I was there. I was there . . . and I was . . ." Alone. She swallowed. "I was there. — Sarah MacLean

But at the end of the white board, the edge, where you'll come down with your weight to make it send you off, there are two areas of darkness. Two flat shadows in the broad light. Two vague black ovals. The end of the board has two dirty spots. They are from all the poeple who've gone before you. Your feet as you stand here are tender and dented, hurt by the rough wet surface, and you see that the two dark sports are from people's skin. They are skin abraded from feet by the violence of the disappearance of people with real weight. More people than you could count without losing track. The weight and abrasion of their disappearance leaves little bits of soft tender feet behind, bits and shards and curls of skin that dirty and darken and tan as they lie tiny and smeared in the sun at the end of the board. They pile up and get smeared and mixed together. They darken in two circles. — David Foster Wallace

An Evening Air
I go out in the grey evening
In the air the odor of flowers and the sounds of lamentation.
I go out into the hard loneliness of the barren field of grey evening
In the air the odor of flowers and the sounds of lamentation.
In the gathering darkness a long, swift train suddenly
Passes me like a lighting.
Hard and ponderous and loud are the wheels.
As ponderous as the darkness, and as beautiful.
I look on, enchanted, and listen to the sounds of lamentation
In the soft fragrant air.
The long rails, grey-dark, smooth as a serpent, shiver, and
A soft, low thing cries out in the distance,
But the sounds are hard and heavy,
In the air the odor of flowers and the sounds of lamentation. — Samar Sen

By the by ... " He glances at Jeb's back and leans closer, murmuring low. "Tumtum juice alters a person's inhibitions, magnifies their hunger. But it's not hunger for food. It's experiences they crave. Had it been me instead of your toy soldier, I would've found a means to slake your ravenous hunger without resorting to berries." His arrogance simmers my blood. "You don't have the equipment to satisfy anything. Moth. Remember?" He laughs, dark and soft, under his breath. "I am a man in every way that counts. Just like you are a woman, even if some people believe you're nothing more than a scared little girl in constant need of saving. — A.G. Howard

Then she laughed, kind of soft, and she gave me a kiss. That was the best kiss I ever had in my whole life. It was just on the cheek, and it was the chaste kiss of a married woman, but it was as ripe as a peach, or like those flowers that open in the dark, and when her lips touched my skin I felt like...I don't know exactly what I felt like, because a man can't easily hold on to those things that happened to him with a girl who was ripe when the world was young or how those things felt...Those things all get a red cast to them in your memory and you cannot see through it at all. — Stephen King

She wanted to get a better look at Levi's too-dark eyebrows, she wanted to admire his crazy, vampire hairline - she had a feeling this was never going to happen again and that it might even ruin what was left of her life, so she wanted to open her eyes and bear some witness.
But she was so tired.
And his mouth was so soft. — Rainbow Rowell

know," Maris sighed. "I'm disgusting." "No. You're very beautiful like this." Stunned, Maris looked up, unsure of what to expect. But he saw truth in Ture's eyes, not horror. Ture cupped Maris's cheek as he stared in awe of the man's current appearance. He'd never seen anything like this. Mari's skin reminded him of a sleek, silvery fish's. Only it wasn't scaled and it was as soft was warm velvet. Even his eyes were now an eerie glowing silver color. Not their normal dark chocolate. The neatest part was the beautiful design that was now visible around his eyes. Like someone had used dark gray and black eye shadow and liner to draw an intricate flowing scroll pattern. He — Sherrilyn Kenyon

I'm so sorry," she says, and she's wringing her hands, looking away from me. "I'm so, so sorry."
I notice what she's wearing.
It's a dark-green dress with fitted sleeves; a simple cut made of stretch cotton that clings to the soft curves of her figure. It complements the flecks of green in her eyes in a way I couldn't have anticipated. It's one of the many dresses I chose for her. I thought she might enjoy having something nice after being caged as an animal for so long. And I can't quite explain it, but it gives me a strange sense of pride to see her wearing something I picked out myself.
"I'm sorry," she says for the third time.
I'm again struck by how impossible it is that she's here. In my bedroom. Staring at me without my shirt on. Her hair is so long it falls to the middle of her back; I have to clench my fists against this unbidden need to run my hands through it. She's so beautiful. — Tahereh Mafi

Before I can over-think it, I lean in and kiss her. She's stunned at first, and then her lips come to life under mine. She's so soft and warm. Her arms wrap around my neck, bringing her closer.
I pull away slowly, holding her bright blue gaze. I feel as if I can't breathe, my hands are shaking. I don't know what I was expecting, but that definitely wasn't it. The kiss was short and quick, but it was different. I swallow and take a step back, turning my face away from her.
"I..."
She presses her finger to my lips, silencing me.
"Don't Kristian. You'll ruin it." She watches me for a moment longer and then takes a slow step back, before spinning around and dashing away into the dark rain. — Dannielle Wicks

But at some point in her passage, the trees began to change. They stretched taller, and the soft, pale bark darkened, roughened. She put her hand to a tree and touched the lichen growing dark green upon brown, and it felt like old cork, dry and crumbling. Here the sun mellowed, took on the cast of late afternoon, and the shadows seemed to fall a bit longer; the forest had sunk into a deeper silence, magnifying what sounds did arise. The sudden, quick crash of a fox bounding through the brush was as loud as the slam of a great wooden door. — Malinda Lo

But sometimes, maybe most times, it isn't that clear. It is dark and you are near the edge of a cliff, but you're moving slowly, not sure which direction you're heading in. Your steps are tentative but they are still blind in the night. You don't realize how close you are to the edge, how the soft earth could give away, how you could just slip a bit and suddenly plunge into the dark. — Harlan Coben

I picked up the butter-soft suede shirt and slacks and held them toward Martucci, but he bent over, grabbing at his stomach, and made it into the dark little cubicle in time to vomit into the toilet. He ran the small trickle of water in the sink over his hands, dabbed water on his face, then blotted himself on the rough paper towels. Within the next five minutes, he was dressed and deposited in the rear seat of my car between Haley and Finn. Vito, who had scared the living hell out of the hustler before giving him a kick in the ass out the hotel's side door, sat next to me as I drove. Vito was breathing heavily; it was the only sound in the car. — Dorothy Uhnak

Let me repeat with quite force: I was, and still am, despite mes malheurs, an exceptionally handsome male; slow moving tall, with dark soft hair and a gloomy but all the more seductive cast of demeanour. — Vladimir Nabokov

The candle flame is too hot. It flickers and dances in the over-warm breeze, a breeze that brings no respite from the heat. Soft gossamer wings flutter to and fro in the dark, sprinkling dusty scaled in the circle of light. I'm struggling to resist, but I'm drawn. And then it's to bright, and I am flying too close to the sun, dazzled by the light, fried and melting from the heat, weary in my endeavers to stay airborn. I am so warm. The heat ... It's stiffling, overpowering. It wakes me. — E.L. James

What was this yearning, tearing at her insides like hunger and thirst? It couldn't be love. Love was warm and soft, like a bed of leaves. But this was dark, like the shade under a poisonous shrub, and it was hungry. So hungry. It must have some other name, just as there couldn't be the same word for life and death, or for moon and sun — Cornelia Funke

And so, at Christmas, how are we called to imitate Mary, as we treasure up in our hearts the wonderful revelations given to us in God's Word? First, we should focus on the gospel: in one sense, of course, Jesus is the reason for the season. But in another fundamental sense, sin is the reason for the season. We have not entered into a season of feel-goodism, where we think about soft snow and candlelight, with silver bells in the distance. Remember Ramah weeping for her children, remember our abortion mills, remember how dark this world is without Christ, and then cling in faith to the death, burial, and resurrection of Jesus Christ. Mary's only Savior is our only hope for salvation as well. — Douglas Wilson

He enjoyed the soft sound of night wind and the knowledge that he was the only boy - perhaps the only human being - out there in the dark on the windy, frozen-grass meadows on this night that smelled of coming snow, alienated from the lighted windows and the warm hearths, very aware that he was of the village but not part of it at that moment. It was a thrilling, almost erotic feeling - an illicit discovery of self separated from everyone and everything else in the cold and dark — Dan Simmons

But here there were houses full of *stuff*, fancy sheets woven with silk floss as soft as a baby's bum; fancy washstands carved of dark wood that glowed like cherries where the light hit it; curtains the shade of the summer sky, heavy and glossy and smooth to the touch. The velvet-flocked wallpaper was so soft beneath her fingertips that had her eyes been closed, she might have thought she was brushing the belly of a rabbit.
And the stool in the corner! One wouldn't imagine you'd get too fancy with such a piece, but this stool was covered with embroidery so fine that her knuckles ached just looking at the stitches. Unbelievable. The rich even spoiled their arses! — Meredith Duran

She'd been trained to survive many things: starvation and bullet wounds. Winter nights and scouring sun. Double-tied knots and interrogations at knifepoint. But this? A boy's lips on hers. Moving and melding. Soft and strength, velvet and iron. Opposite elements that tugged and tor Yael from the inside. Feelings bloomed, hot and warm. Deep and dark. — Ryan Graudin

You're everything. You're... You're chaos and order and everything between. Like sunshine kept back by clouds. Like the entire world's imploded inside you, but all I see are the stars are sewn into your skin. You're filled with soft, dark music. I hear it all the time. Your music. — Tara Sim

Water is the most versatile of all elements. It isn't afraid to burn in fire or fade into the sky, it doesn't hesitate to shatter against sharp rocks in rainfall or drown into the dark shroud of the earth. It exists beyond all eginnings and ends. On the surface nothing will shift, but deep in underground silence, water will hide and with soft fingers coax a new channel for itself, until stone gives in and slowly settles around the secret space.
Death is water's close companion, and neither of them can be separated from us, for we are made of the versatilitiy of water and the closeness of death. Water doesn't belong to us, be we belong to water: when it has passed through our fingers and pores and bodies, nothing separates us from earth. — Emmi Itaranta

Do you remember the sight we saw, my soul,
that soft summer morning
round a turning in the path,
the disgusting carcass on a bed scattered with stones,
its legs in the air like a woman in need
burning its wedding poisons
like a fountain with its rhythmic sobs,
I could hear it clearly flowing with a long murmuring sound,
but I touch my body in vain to find the wound.
I am the vampire of my own heart,
one of the great outcasts condemned to eternal laughter
who can no longer smile.
Am I dead?
I must be dead. — Charles Baudelaire

A soft pulse of desire went through me, not for sex or pain or humiliation or some other release, but for this, this quiet closeness. Someone to hold in the dark. — Alexis Hall

I think I appear very innocent and soft, but I'm actually very dark and edgy. It's a weird dichotomy. — Rebel Wilson

I was at this guy's house. I met this girl who was hanging out there. She was real pretty, she had brown eyes and dark hair. She was soft-spoken and real nice. I know that everyone has their own life and they can do what they want and you shouldn't think anything of it or anything. But man, I couldn't help but flinch a little when I saw all those needle marks in her arm, they looked so sore. Hateful little holes. I wanted to say something, but I didn't. — Henry Rollins

A girl stood before him in midstream, alone and still, gazing out to sea. She seemed like one whom magic had changed into the likeness of a strange and beautiful seabird. Her long slender bare legs were delicate as a crane's and pure save where an emerald trail of seaweed had fashioned itself as a sign upon the flesh. Her thighs, fuller and soft-hued as ivory, were bared almost to the hips, where the white fringes of her drawers were like feathering of soft white down. Her slate-blue skirts were kilted boldly about her waist and dovetailed behind her. Her bosom was as a bird's, soft and slight, slight and soft as the breast of some dark-plumaged dove. But her long fair hair was girlish: and girlish, and touched with the wonder of mortal beauty, her face. — James Joyce

I spoke it soft, but close enough to brush against her lips. I spoke it quiet, but near enough so that the sound of it went twining through her hair. I spoke it hard and firm and dark and sweet. — Patrick Rothfuss

Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown are widely distributed, but there are no joyful swatches of either, or any of exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright thin quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling. — William H Gass

As the sky behind the Eddy Match Factory across the river filled with light, the steady timbre of the water and rapids became sentences spoken in a soft female voice and Eileen accepted, without surprise, the presence of her mother's lost words. So this is what it is to be away, her mother's voice told her. You are never present where you stand. You see the polished dishes in your kitchen cupboard throwing back the hearth light, but they know neither you nor the meals you have taken from their surfaces. Your flagstones are a series of dark lakes that you scour, and the light that touches and alters them sends you unspeakable messages. Waves arch like mantles over everything that burns. Each corner is a secret and your history is a lie. — Jane Urquhart

He calls me his Queen of the Night. He shows me the wonders in this incredible city. He encourages me to find my own way, and to choose what I think is right or wrong.
And the sex, God, the sex! I never knew what sex was until him! It's not soft music and candlelight, a choice, a deliberate action.
It's as involuntary as breathing, and as impossible not to do. It's slammed up against a wall in a dark alley, or flat on my back on cold concrete because I can't stand one more second without him. It's on my hands and knees, dry-mouthed, heart-in-my-throat, waiting for the moment he touches me, and I'm alive again. It's punishing and purifying, velvet and violent, and it makes everything else melt away, until nothing matters but getting him inside me and I wouldn't just die for him - I'd kill for him, too.
Like I did tonight. — Karen Marie Moning

When alone in a dark forest waiting for an audience with an evil god, the most prudent course of action is to be quiet and wait. 'Prudent' wasn't one of my favourite words.
"Hello? I've come to borrow a cup of sugar. Anybody? Perhaps there is an old woman with a house made of candy who could help me?"
"Marrying for love isn't wise."
The voice came from somewhere to the left. Melodious, but not soft, definitely female and charged with a promise of hidden power. Something told me that hearing her scream would end very badly for me.
I stopped and pivoted toward the voice.
"Marry for safety. Marry for power. But only fools marry for love."
When a strange voice talks to you in the black woods, only idiots answer.
I was that idiot. "Thank you, counsellor. How much do I owe you for this session? — Ilona Andrews

Instinctively, I shoved my arm into the void in front of my face and backed up. I heard heavy breathing, a soft grunt, and then I was roughly thrown aside. As the footsteps retreated, I tried to see who it was, but it was too dark. — Suzanne M. Trauth