Society Novel Quotes & Sayings

There are many of us who live alongside others, less fortunate, watching them go through everyday suffering for one reason or another, and we're not moving even our little finger to help them. It's in human nature, unfortunately: for the most part, the only people we genuinely care about are ourselves. However, once in a while we encounter different species, different kind of human beings among us: full of compassion, willing and wanting to help, and doing so with joy and happiness. Those are a rarity. But you know what, my dear? Being one of them is not a special calling- it's a choice. So what will you choose, huh? — Yoleen Valai

You don't read Gatsby, I said, to learn whether adultery is good or bad but to learn about how complicated issues such as adultery and fidelity and marriage are. A great novel heightens your senses and sensitivity to the complexities of life and of individuals, and prevents you from the self-righteousness that sees morality in fixed formulas about good and evil. — Azar Nafisi

Novel technologies and ideas that impinge on human biology and their perceived impact on human values have renewed strains in the relationship between science and society. — Paul Berg

All this simply shows us that communalism and terrorism are nothing but opposite sides of the same coin. They keep feeding on each other in a vicious cycle, resulting in a society full of violence, hatred, sorrow and intolerance. Every communal act is used as a justification for mindless acts of terrorism . Similarly , each act of terrorism is used as a justification for such horrible atrocities like genocide and ethnic cleansing. And, it is always the innocent who get killed. This is the sad truth. — Vivek Pereira

I went to an all-girls Catholic high school. The three things that they focused on were reading, writing, and arithmetic. My goodness, this is a novel idea in this modern society. I was really good at all three of these things. I was particularly good at math. — Ursula Burns

The ideology of liberal humanism found expression in the earliest reviews of Hardy's writing and remained a dominant force until the explosion of literary theory in the 1980s. It is a broad and still influential category. It endorses the moral value of the individual, and the strength of the human spirit. It prefers the integrity of an organic rural society to the anonymity and materialism of an urbanised and technological world. Applied to fiction, this ideology involves the naturalisation of the novel's world and its values, and the recognition of fictional character as presenting a unified subject. — Geoffrey Harvey

We have never been more detached from one another, or lonelier. In a world consumed by ever more novel modes of socializing, we have less and less actual society. We live in an accelerating contradiction: The more connected we become, the lonelier we are. — Stephen Marche

Those are life-and-death-type experiences he goes through in the mines. Eventually he gets out and goes back to his old life. But nothing in the novel shows he learned anything from these experiences, that his life changed, that he thought deeply now about the meaning of life or started questioning society or anything. You don't get any sense, either, that he's matured. You have a strange feeling after you finish the book. It's like you wonder what Soseki was trying to say. It's like not really knowing what he's getting at is the part that stays with you. — Haruki Murakami

In daily life we never understand each other, neither complete clairvoyance nor complete confessional exists. We know each other approximately, by external signs, and these serve well enough as a basis for society and even for intimacy. But people in a novel can be understood completely by the reader, if the novelist wishes; their inner as well as their outer life can be exposed. And this is why they often seem more definite than characters in history, or even our own friends; we have been told all about them that can be told; even if they are imperfect or unreal they do not contain any secrets, whereas our friends do and must, mutual secrecy being one of the conditions of life upon this globe. — E. M. Forster

We live in a complicated society, Bromley - one that is changing and which does indeed need to change. But do you not think any change must begin within our own family gathering? — P.J. Parker

The appropriation of history, the historicization of the past, the narrativization of society, all of which give the novel its force, include the accumulation and differentiation of social space, space to be used for social purposes. — Edward W. Said

It was his experience that life worked under the same guidelines as a capitalistic society. In order to get what you wanted, it was usually necessary to give up something in return. Sometimes gaining what you defined as everything meant losing what you most needed. — Roy L. Pickering Jr.

Imagination, which is the Eldorado of the poet and of the novel-writer, often proves the most pernicious gift to the individuals who compose the talkers instead of the writers in society. — Marguerite Gardiner, Countess Of Blessington

Fiction is an antidote, a reminder of the power of individual choice. Every novel has at its core a choice by at least one of its protagonists, reminding the reader that she can choose to be her own person, to go against what her parents or society or the state tell her to do and follow the faint but essential beat of her own heart. — Azar Nafisi

There is nothing novel or comedic or righteous about men using the threat of sexual violence to control non-compliant women. This is how society has always functioned. Stay indoors, women. Stay safe. Stay quiet. Stay in the kitchen. Stay pregnant. Stay our of the world. IF you want to talk about silencing, censorship, placing limits and consequences on speech, this is what it looks like. — Lindy West

[Kafka] transformed the profoundly antipoetic material of a highly bureaucratized society into the great poetry of the novel; he transformed a very ordinary story of a man who cannot obtain a promised job ... into myth, into epic, into a kind of beauty never before seen. — Milan Kundera

Warning: This read will cause lack of sleep! You wont want to put it down!

July 13, 2016 by Francine Baia
This was a long awaited novel in the Sword of the God series and it was most definitely well worth the wait. The author provides an all encompassing look into the inner thoughts and machinations of each character which is commanding. She tackles several serious subjects that are current in today's society, including PTSD and how it affects people differently and the devastation it causes on family. Several love stories are explored which keeps the readers on edge and wanting more. The integration of languages and cultures are seamless and readily understandable which bolsters the depth of the multiple storylines and at times is masterfully interlaced with comic relief. This is truly an enjoyable read that you will find difficult to put down. Anxiously anticipating the next installment! — Anna Erishkigal

It is one of the many merits of this admirable biography of Proust's mother that it invites one to return to the novel with perhaps a fuller understanding of Proust's heredity, hinterland, and upbringing ... This fascinating book is full of interesting social and cultural observation, of information about French Jewish life, the position of Jews in society and, of course, the Dreyfus case. But it is essentially a study of one of the most remarkable and fruitful of mother-son relationships. As such it is a book that every Proustian will want to read. — Allan Massie

Orwell's 1984 [ ... ] is political thought disguised as a novel; the thinking is certainly lucid and correct, but it is distorted by its guise as a novel, which renders it imprecise and vague. [ ... ] the situations and the characters are as flat as a poster.
The pernicious influence of Orwell's novel resides in its implacable reduction of a reality to its political dimension alone, and in its reduction of that dimension to what is exemplarily negative about it. I refuse to forgive this reduction on the grounds that it was useful as propaganda in the struggle against totalitarian evil. For that evil is, precisely, the reduction of life to politics and of politics to propaganda. So despite its intentions, Orwell's novel itself joins in the totalitarian spirit, the spirit of propaganda. It reduces (and teaches others to reduce) the life of a hated society to the simple listing of its crimes. — Milan Kundera

Physicists often quote from T. H. White's epic novel The Once and Future King , where a society of ants declares, 'Everything not forbidden is compulsory.' In other words, if there isn't a basic principle of physics forbidding time travel, then time travel is necessarily a physical possibility. (The reason for this is the uncertainty principle. Unless something is forbidden, quantum effects and fluctuations will eventually make it possible if we wait long enough. Thus, unless there is a law forbidding it, it will eventually occur.) — Michio Kaku

I'm not the sort of writer who can walk into a party and take a look around, see who's sleeping with whom and go home and write a novel about society. It's not the way I work. — E.L. Doctorow

Used to all kinds of society, she watched people as one reads the pages of a novel, with a certain disinterested amusement. — D.H. Lawrence

It was terrifying, liberating, and risky. But one day I woke up and decided to try it." (On writing her first novel, "Miss Dreamsville and the Collier County Women's Literary Society") — Amy Hill Hearth

We live in a cluttered culture, a culture of information in which even our computers can't tell us what's worth knowing and what is merely cultural scrap. In such a society, we don't have the experience of contemplative space, of the time or mood to engage a book of poetry or even read a novel. Who can achieve the unconscious-conscious state of the reader when everything is stimulation, everything is movement and information? — T.C. Boyle

Put your hand on your heart to keep it from flying off to the lovely magical literary island Mary Ann Shaffer and Annie Barrows have created in The Guernsey Literary and Potato Peel Pie Society. This novel is a delightful mix of fine writing, powerful emotions, glorious settings and amazing characters who deal with life in a way that will have readers falling in love on every single page. — Kris Radish

Traditionally, people have been adapting novels and short stories forever. Now, they're doing it simultaneously, with an eye towards writing the movie before the novel has even come out or been finished. It's a function of this hyper-accelerated society we live in, where everyone is trying to short circuit the process. — Howard Gordon

Books have always been my escape - where I go to bury my nose, hone my senses, or play the emotional tourist in a world of my own choosing... Words are my best expressive tool, my favorite shield, my point of entry...When I was growing up, books took me away from my life to a solitary place that didn't feel lonely. They celebrated the outcasts, people who sat on the margins of society contemplating their interiors. . . Books were my cure for a romanticized unhappiness, for the anxiety of impending adulthood. They were all mine, private islands with secret passwords only the worthy could utter. If I could choose my favorite day, my favorite moment in some perfect dreamscape, I know exactly where I would be: stretched out in bed in the afternoon, knowing that the kids are taking a nap and I've got two more chapters left of some heartbreaking novel, the kind that messes you up for a week. — Jodie Foster

Peace will not occur magically because one or two individuals awaken to the truth of the nature of harmony and order. Peace will only prosper when the principle of harmonious order becomes common sense rather than a novel idea. — Ilchi Lee

Expecting a novel to bear the weight of our whole disturbed society - to help solve our contemporary problems - seems to me a peculiarly American delusion. To write sentences of such authenticity that refuge can be taken in them: isn't this enough? Isn't it a lot? — Jonathan Franzen

Letting a maximum number of views be heard regularly is not just a nice philosophical notion. It is the best way any society has yet discovered to detect maladjustments quickly, to correct injustices, and to discover new ways to meet our continuing stream of novel problems that rise in a changing environment. — Ben Bagdikian

I went and looked at one of these great cathedrals one day, and I was blown away by it. From there I became interested in how cathedrals were built, and from there I became interested in the society that built the medieval cathedral. It occurred to me at some point that the story of the building of a cathedral could be a great popular novel. — Ken Follett

When I pretended to be precocious, people started the rumor that I was precocious. When I acted like an idler, rumor had it I was an idler. When I pretended I couldn't write a novel, people said I couldn't write. When I acted like a liar, they called me a liar. When I acted like a rich man, they started the rumor I was rich. When I feigned indifference, they classed me as the indifferent type. But when I inadvertently groaned because I was really in pain, they started the rumor that I was faking suffering. The world is out of joint. — Osamu Dazai

Utopian fiction is really boring. I had to read a lot of it, and it's not that much fun. But they're fascinating to me as historical documents. Cabet [Icaria's founder and author of the utopian novel, Travels in Icaria], is writing in the 1830s, and his idea of the perfect society reveals a lot about his time. But his book is uniquely bad. — Christine Jennings

My favorite records are, like, The Pretty Things' 'Parachute' and 'S.F. Sorrow' and The Mothers of Invention's 'We're Only in It for the Money' and The Kinks' 'Village Green Preservation Society' - these records that have a story - even if it's not a literal story - because of how they're sequenced and flow. It's like a novel with sound. — Ty Segall

The contemporary memoir is playing an important role in at least just bringing certain relationships out into the open in American society, and also it's a place where the novel of development, the novel of consciousness, has gone. — Marco Roth

There is nothing novel about trying to become happy. And one can become happy, within certain limits, without any recourse to the practice of meditation. But conventional sources of happiness are unreliable, being dependent upon changing conditions. It is difficult to raise a happy family, to keep yourself and those you love healthy, to acquire wealth and find creative and fulfilling ways to enjoy it, to form deep friendships, to contribute to society in ways that are emotionally rewarding, to perfect a wide variety of artistic, athletic, and intellectual skills - and to keep the machinery of happiness running day after day. There is nothing wrong with being fulfilled in all these ways - except for the fact that, if you pay close attention, you will see that there is still something wrong with it. These forms of happiness aren't good enough. Our feelings of fulfillment do not last. And the stress of life continues. — Sam Harris

Richardson, however, remains a vital figure in the history of the novel, and of ideology. He initiates a discourse on sexual roles which, in all its ambiguities, is as relevant to today's society as it was in the mid-eighteenth century and which fills the pages of hundreds of novels after Pamela and Clarissa. — Ronald Carter

The Society of North American Magic Realists welcomes its newest, most dazzling member, Louis Maistros. His debut novel is a thing of wonder, unlike anything in our literature. It startles. It stuns. It stupefies. No novel since CONFEDERACY OF DUNCES has done such justice to New Orleans. If Franz Kafka had been able to write like Peter Straub, this might have been the result. — Donald Harington

Edward Bellamy's eugenic utopian novel, "Looking Backward" was the inspiration for American Progressivism. — A.E. Samaan

I think, we can only write very personal matters through our experience. When I named my first novel about my son A Personal Matter, I believe I knew the most important thing: there is not any personal matter; we must find the link between ourselves, our personal matter, and society. — Kenzaburo Oe

He writer has a grudge against society, which he documents with accounts of unsatisfying sex, unrealized ambition, unmitigated lo neliness, and a sense of local and global distress. The square, overpopulation, the bourgeois, the bomb and the cocktail party are variously identified as sources of the grudge. There follows a little obscenity here, a dash of philosophy there, considerable whining overall, and a modern satirical novel is born. — Renata Adler

At last an authentic voice from Saudi Arabia. Al-Mohaimeed has written a remarkable, rhythmic, genuine novel. Wolves of the Crescent Moon throbs with sensuality and moral courage, as if it didn't take place in a society that denies the tick of the heart. — Hanan Al-Shaykh

I think that crime is a good vehicle for looking at society in general because the nature of the crime novel means that you draw on a wide group of social possibilities. — Val McDermid

Fpr ome aftermppm a week leading up to the formal, the entire senior school body would pile into our massive gymnasium and learn dances that we would NEVER DANCE AGAIN, except at our own children's formals, perhaps. Nevertheless, we threw ourselves into the task as if we were living in a Jane Austen novel and this was the only way we would ever fit into society. (from How to Be Happy: A Memoir of Love, Sex and Teenage Confusion) — David Burton

Vronsky meanwhile, in spite of the complete fulfilment of what he had so long desired, was not completely happy. He soon felt that the realization of his longing gave him only one grain of the mountain of bliss he had anticipated. That realization showed him the eternal error men make by imagining that happiness consists in the gratification of their wishes. When first he united his life with hers and donned civilian clothes, he felt the delight of freedom in general, such as he had not before known, and also the freedom of love - he was contented then, but not for long. Soon he felt rising in his soul a desire for desires - boredom. Involuntarily he began to snatch at every passing caprice, mistaking it for a desire and a purpose. — Leo Tolstoy

I find three basic characteristics that fundamentally distinguish the novel in principle from other genres: (i) its stylistic three-dimensionality, which is linked with the multi-languaged consciousness realized in the novel; (2) the radical change it effects in the temporal coordinates of the literary image; (3) the new zone opened by the novel for structuring literary images, namely, the zone of maximal contact with the present (with contemporary reality) in all its openendedness.
These three characteristics of the novel are all organically interrelated and have all been powerfully affected by a very specific rupture in the history of European civilization: its emergence from a socially isolated and culturally deaf semipatriarchal society, and its entrance into international and interlingual contacts and relationships. — Mikhail Bakhtin

It [fiction] allows us to see the world from the point of view of someone else and there has been quite a lot of neurological research that shows reading novels is actually good for you. It embeds you in society and makes you think about other people. People are certainly better at all sorts of things if they can hold a novel in their heads. It is quite a skill, but if you can't do it then you're missing out on something in life. I think you can tell, when you meet someone, whether they read novels or not. There is some little hollowness if they don't. — Philip Hensher

You don't write a novel out of sheer pity any more than you blow a safe out of a vague longing to be rich. A certain ruthlessness and a sense of alienation from society is as essential to creative writing as it is to armed robbery. — Nelson Algren

Time will solve all the problems Chinese school graduates face. In our bilingual society, there are no more Chinese school graduates, only English school graduates who can speak Mandarin. These English school graduates probably can also read and write Chinese, but they did not go to a Chinese school, and they act and think differently from us. Drawing a line between us, they would never say they graduated from a Chinese school, because former Chinese school graduates, that is, the vanishing group of people that includes us, are second-class citizens. They, on the other hand, belong to the first class, the Chinese elite, English school graduates who are fluent in Chinese. — Yeng Pway Ngon

Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now. — Allan Massie

Whenever I come across someone speaking negatively about escapism or looking down on those who seek a temporary escape from this world, I can't help but look at them as absolute fools. To deny someone the right to find temporary peace in escapism is to deny human nature itself as well as all the benefits of such a beautiful concept. Often times, these instances show them saying that "it'll only make things worse" or "it's not gonna change anything", except, a lot of times, that's not the case at all. How many times has someone shut themselves away from the world by listening to a song they hold dear only to return more ready to face the world than before, how many times has someone learned something about themselves through the fictional events of a novel that they wouldn't have other wise, how many times has society experienced great change through people who dreamed of making the world a better place, only to eventually make those dreams into a reality. — Justin Allen

If a novelist were so uncouth and possessed of so little moral sense that he should write of illicit love, his book would be barred from the public libraries and he woukd be ostracized by society. — Clyde Brion Davis

The novel has become a function of the fragmented society, the fragmented consciousness. Human beings are so divided, are becoming more and more divided, and more subdivided in themselves, reflecting the world, that they reach out desperately, not knowing they do it, for information about other groups inside their own country, let alone about groups in other countries. It is a blind grasping out for their own wholeness, and the novel-report is a means toward it. — Doris Lessing

I always joke that every novel is really about the same thing: one person's struggle against society. — Joshua Mohr

Always in the short story there is this sense of outlawed figures wandering about the fringes of society ... As a result there is in the short story at its most characteristic something we do not often find in the novel
an intense awareness of human loneliness. — Frank O'Connor

The class's favorite
book was Nabokov's Invitation to a Beheading. In this novel, Nabokov differentiates
Cincinnatus C., his imaginative and lonely hero, from those around him through his
originality in a society where uniformity is not only the norm but also the law. — Azar Nafisi

The master of ceremonies asked people to say what they thought the function of the novel might be in modern society, and one critic said, "To provide touches of color in rooms with all-white walls." Another one said, "To describe blow-jobs artistically. — Kurt Vonnegut

The novel at its nineteenth-century pinnacle was a Judaized novel: George Eliot and Dickens and Tolstoy were all touched by the Jewish covenant: they wrote of conduct and of the consequences of conduct: they were concerned with a society of will and commandment. — Cynthia Ozick

American literature has, since the time of the Puritans, featured the jeremiad as a prolonged complaint, a prophet's indictment of his society characteristic of work such as the muckrakers' novels or Allan Ginsberg's "Howl." Doctorow struggles to accommodate this form to his artistry (as successful practitioners of the work have always done). To this end, he has repeatedly adapted genres such as the Western, the romance, and the detective novel, often playing with accepted conventions, and thus avoiding didacticism. — Michelle M. Tokarczyk

Ah, now,' the count said casually, 'you must do as you wish, Viscount, because this is your business and you are in charge; but I must say that in your place I should say nothing of all these adventures. Your life story is a novel; and people, though they love novels bound between two yellow paper covers, are oddly suspicious of those which come to them in living vellum, even when they are as gilded as you are capable of being. Allow me to point out this difficulty to you, Monsieur le Vicomte, which is that no sooner will you have told your touching story to someone, that it will travel all round society, completely distorted. You will have to play the part of Antony, and Antony's day has passed somewhat. You might perhaps enjoy the reputation of a curiosity, but not everyone likes to be the centre of attention and the butt of comment. It might possibly fatigue you. — Alexandre Dumas

However novel it may appear, I shall venture the assertion, that, until women assume the place in society which good sense and good feeling alike assign to them, human improvement must advance but feebly. — Frances Wright

Since I have come to America, I am often asked whether my next novel will be set in America. I don't think it will. I think I will be living in America for some time to come, but while living in America, I would like to write about Japanese society from the outside. — Haruki Murakami

Since the moment when, at the sight of his beloved and dying brother, Levin for the first time looked at the questions of life and death in the light of the new convictions, as he called them, which between the ages of twenty and thirty-four had imperceptibly replaced the beliefs of his childhood and youth, he had been less horrified by death than by life without the least knowledge of whence it came, what it is for, why, and what it is, Organisms, their destruction, the indestructibility of matter, the law of the conservation of energy, development - the terms that had superseded these beliefs - were very useful for mental purposes; but they gave no guidance for life, and Levin suddenly felt like a person who has exchanged a thick fur coat for a muslin garment and who, being out in the frost for the first time, becomes clearly convinced, not by arguments, but with the whole of his being, that he is as good as naked and that he must inevitably perish miserably. — Leo Tolstoy

For me the novel is a social vehicle, it reflects society. — Margaret Atwood

The novel as a form is usually seen to be moral if its readers consider freedom, individuality, democracy, privacy, social connection, tolerance and hope to be morally good, but it is not considered moral if the highest values of a society are adherence to rules and traditional mores, the maintenance of hierarchical relationships, and absolute ideas of right and wrong. Any society based on the latter will find novels inherently immoral and subversive. — Jane Smiley

The novel should tell the truth, as I see the truth, or as the novelist persuades me to see it. And one more demand: I expect the novelist to aspire to improve the world ... As a novelist, I want to be more than one more dog barking at the other dogs barking at me. Not out of any foolish hope that one novelist, or all virtuous novelists in chorus, can make much of a difference for good, except in the long run, but out of the need to prevent the human world from relaxing into something worse. To maintain the tension between truth and falsity, beauty and ugliness, good and evil ... I believe the highest duty of the serious novelist is, whatever the means or technique, to be a critic of his society, to hold society to its own ideals, or if these ideals are unworthy, to suggest better ideals. — Edward Abbey