So You Know It's Real Quotes & Sayings

Katniss, it's just hunting. You're the best hunter I know." Gale

"It's not just hunting. They're armed, they think." --Katniss

"So do you. And you've had more practice. Real practice. You know how to kill." --Gale

"Not people." --Katniss

"How different can it be, really?" --Gale

The awful thing is that if I can forget they're people, it will be no different at all. --Katniss — Suzanne Collins

Fourteen, fifteen, sixteen, seventeen, lemme tell you. Those are big years. Everybody always thinks of it as a time of adolescence - just getting through to the real part of your life - but it's more than that. Sometimes your whole life happens in those years, and the rest of your life it's just the same story playing out with different characters. I could die tomorrow and have lived the main ups and downs of life. Pain. Loss. Love. And what you all so fondly refer to as wisdom. Wanna know the difference between adult wisdom and young adult wisdom? You have the ability to look back at your past and interpret it. I have the ability to look at my present and live it with my whole body. — Lidia Yuknavitch

Most of you will probably never really discover anything. You may not contribute anything to the great equations that describe the universe to the world. But you will have the good fortune of encountering people of exceptional intelligence. People who are much smarter than you. Never get in their way, never group together in disgruntled circles and play games. Respect talent, real talent. Worship it. Clever people will always be disliked. Don't exploit that to crawl your way to the top. By the laws of probability most of you are mediocre. Accept it. The tragedy of mediocrity is that even mediocre people shake their heads and mull over how "standards are falling". So don't mull. Just know when you've to get out of the way. Most of you will be sideshows, extras in the grand unfolding of truth. That's all right. Once you accept that and let the best brains do their jobs, you will have done your service to science and mankind. — Manu Joseph

I'm not hopeless, that's the problem. I'm too hopeful, if anything ... I'm so thick-headed it's taken me this long to give up on men, but I can't give up completely, you know? So I ... I channel all my hope into an idea, to someone who can't reject me because he isn't real! — Shannon Hale

Well, you know, News Corp is the only real media global - that has a global presence that's involved in TV production, in movies, in publishing, in newspapers, digital media, et cetera. So for a company like that to function, clearly it does not depend only on Rupert Murdoch or James Murdoch. — Al-Waleed Bin Talal

That's what I was thinking about before you came. I was thinking about your mattering business. I feel like, like, how you matter is defined by the things that matter to you. You matter as much as the things that matter to you do. And I got so backwards, trying to make myself matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do."
"You don't even know why you need to be world-famous; you just think you do. — John Green

Memorial Day, the reason for it, fewer and fewer people know. It's just the first real weekend of summer, three-day weekend and so forth, barbecues, what have you. That's why I think education is important. I'm really glad my dad drilled into me these things that he had lived through and it helped me relate to him better and understand the things he thought were important and why he was raising me the way he was. — Rush Limbaugh

If I ever have to cast an acting role, I want the wrong person for the part. I can never visualize the right person in a part. The right person for the right part would be too much. Besides, no person is every completely right for any part, because part in a role is never real, so if you can't get someone who's perfectly right, it's more satisfying to get someone who's perfectly wrong. Then you know you've really got something. — Andy Warhol

I have seen conversations that I had three years ago, when I was young, in love, and naive. I've grown a lot since those days. I now know that love isn't just that abstract feeling, because there are so many other sides to it. Sometimes you learn that to truly love someone you have to just support them as a person, and step out of their view finder. Be their friend and nothing else. Sometimes you learn to walk away and find what you need. You learn you knew nothing and that's when you grow up and change your ways. There may be no fairy take endings, but that is okay, because love is much more real than that. So much less superficial. — Jennifer Megan Varnadore

Okay, my man, in a minute you are gonna hear a bunch of shit that's gonna knock your socks off. So, two seconds to prepare, Ivey is my best friend, outside you my only real one, as you know. What you don't know, she is not my lover. She's my friend. And I'm gay. You tell anyone, I'll shoot you and you know I'm not fucking with you about that. Deal with it. We gotta move on, like, now. — Kristen Ashley

When the writing is really working, I think there is something like dreaming going on. I don't know how to draw the line between the conscious management of what you're doing and this state ... I would say that it's related to daydreaming. When I feel really engaged with a passage, I become so lost in it that I'm unaware of my real surroundings, totally involved in the pictures and sounds that that passage evokes. — John Hersey

I recently lost someone. Someone so integral to me, it's like a part of me is gone. And now I don't know how to be anymore. If there's even a me without her. It's like she was my sun, and then my sun went out. Imagine if the real sun went out. Maybe there'd still be life on Earth, but would you still want to live here? Do I still want to live here? — Gayle Forman

Now then, Mr. Crab," said the zebra, "here are the people I told you about; and they know more than you do, who live in a pool, and more than I do, who live in a forest. For they have been travelers all over the world, and know every part of it."
"There's more of the world than Oz," declared the crab, in a stubborn voice.
"That is true," said Dorothy; "but I used to live in Kansas, in the United States, and I've been to California and to Australia
and so has Uncle Henry."
"For my part," added the Shaggy Man, "I've been to Mexico and Boston and many other foreign countries."
"And I," said the Wizard, "have been to Europe and Ireland."
"So you see," continued the zebra, addressing the crab, "here are people of real consequence, who know what they are talking about. — L. Frank Baum

Aw, honey - you sound real ready for it. You always get like this? All on edge like this, just about a second away from coming, before we've even started?"

How did he know? She didn't even know and she was the one about to do it.

"You know, most women can't come easy, this way. But it's good to know you can, 'cause baby I'm gonna work you so good on my cock, I swear to God. — Charlotte Stein

You know good and well that you don't want a problem like that, you gon' make someone around me catch a body like that. Ohhh, don't do it! Please don't do it. Cause one of us goes in and we all go through it. And Drizzy got the money, so Drizzy gonna pay it. Those my brothers, I aint even gotta say it, that's just something they know — Drake

Lancelot: Morgaine, Morgaine - kinswoman, I have never seen you weep.
Morgaine: Are you like so many men, afraid of a woman's tears? ( ... )
Lancelot: No ( ... ) it makes them seem so much more real, so much more vulnerable - women who never weep frighten me, because I know they are stronger than I, and I am always a little afraid of what they will do. — Marion Zimmer Bradley

At Least I Am Free

At last I am free
I can hardly see in front of me
I can hardly see in front of me

And now love please listen
To what I say
I can't go on living life this way
I've tried and I've tried
To make you see
You call this love
All this lying, my friend, it just can't be

At last I am free
I can hardly see in front of me
I can hardly see in front of me

And now love, please hold me
Come closer, my dear
It feels so good, just having you near
But who am I fooling
When I know it's not real?
I can't hide
All this hurt and pain inside I feel — Elisabeth Fraser

Sometimes touring can warp reality because you're never in one place long enough to get a feel for it. You don't interact with people long enough to know what real life is. That's why a lot of artists write songs about longing and missing people when they're on the road. I do my best to keep my mind open and I read a lot when I'm on tour, so I hope I have good things to write about. I'm constantly in the songwriting process. — Jason Mraz

Stupid cupid you're a real mean guy, I'd like to pick your wings so you can't fly, I am in love and it's a crying shame, and I know that you're the one to blame, hey, hey set me free, stupid cupid, stop picking on me. — Mandy Moore

Reading all my old love letters was disorienting. You remember thinking the thoughts and writing the words but, man, you can't TOUCH those feelings. Its like they belonged to someone else. Someone you don't even know. I'm aware, in an intellectual way. That I felt all those things about him, but this emotions are far away now.
What's so strange to me is that I can't even force my heart back to that place where I felt that all consuming passion. That makes me feel distant from myself. Who WAS I then? Will I ever be able to get back to that place? Reading the letters again made me wonder: Which is the real me? The one who saw the world in that emotionally saturated way, or the me who sees it the way I do now? — Bill Shapiro

BISMILLAH
It's a habit of yours to walk slowly.
You hold a grudge for years.
With such heaviness, how can you be modest?
With such attachments, do you expect to arrive anywhere?
Be wide as the air to learn a secret.
Right now you're equal portions clay
and water, thick mud.
Abraham learned how the sun and moon and the stars all set. He said, No longer will I try to assign partners for God.
You are so weak. Give up to grace.
The ocean takes care of each wave
till it gets to shore.
You need more help than you know.
You're trying to live your life in open scaffolding.
Say Bismillah, In the name of God,
as the priest does with a knife when he offers an animal.
Bismillah your old self
to find your real name. — Rumi

I think that's very significant that we're so attached to the idea now of - it was something I advocated for years, that you can make music in studios, music doesn't have to be made as a real-time experience. But now you see the results of that in people who are completely crippled unless they know that they have the possibility of "cut and paste" and "undo." And "undo" and "undo" and "undo" and "undo" and "undo" again. — Brian Eno

In this culture, it's so important to find a loving relationship with someone because so much of the culture does not give you that. But the poor kids today, either they're too selfish to take part in a real loving relationship, or they rush into marriage and then six months later, they get divorced. They don't know what they want in a partner. They don't know who they are themselves - so how can they know who they're marrying? — Mitch Albom

I've seen him before you know. In real life." "What? When?" I catch a twinge of hurt in her voice for not filling her in on it earlier. "When I was at Sephora," I tell her. "So he's a metrosexual ghost as well?" Dex asks. — Karina Halle

Most simply, 'present shock' is the human response to living in a world that's always on real time and simultaneous. You know, in some ways it's the impact of living in a digital environment, and in other ways it's just really what happens when you stop leaning so forward to the millennium and you finally arrive there. — Douglas Rushkoff

Look, I'm a realist and I just had my heart ripped out. I don't want to be involved with anyone right now. You've been so kind to me and I don't know why. It's just that things like this don't happen in real life. Prince Charming doesn't come to the rescue all the time. Most of the time, he's too busy with perfect freakin' Cinderella and her teeny-tiny perfect feet to even notice the rest of us. — Sherrilyn Kenyon

You know, I couldn't imagine living somewhere without seasons."
Yeah?"
Real seasons, I mean. I'd miss the changes, the variety. Especially spring. I couldn't live without spring. Days like today are worth every snowstorm and slush puddle. By March, it seems like winter will never end. All that snow and ice that seemed so wonderful in December is driving you crazy. But you know spring's coming. Every year, you wait for that first warm day, then the next and the next, each better than the last. You can't help but be happy. You forget winter and get the chance to start over. Fresh possibilities."
A fresh start. — Kelley Armstrong

I guess there's so much more I have to learn,
But if you're here with me, I know which way to turn
You always give me somewhere, somewhere I can run,
You make it real for me — James Morrison

You've got the people you know, which are problematic. Always. They're rich but they're also real people living their lives alongside you. Then you've got the people that you make-up completely, who are often missing a dimension if they don't have some reference to real people. So strangers exist in this in-between space, where in not knowing them, you are creating a fiction for them, even in passing, but at the same time, there they are, with their actual bodies and their actual clothes. It's totally enticing. — Miranda July

And since we all came from a woman
Got our name from a woman and our game from a woman
I wonder why we take from our women
Why we rape our women, do we hate our women?
I think it's time to kill for our women
Time to heal our women, be real to our women
And if we don't we'll have a race of babies
That will hate the ladies, that make the babies
And since a man can't make one
He has no right to tell a woman when and where to create one
So will the real men get up
I know you're fed up ladies, but keep your head up — 2Pac

You know, and so, I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything. — Brene Brown

Good design allows things to operate more efficiently, smoothly, and comfortably for the user. That's the real source of advantage. Businesses have started to understand this, so good design will become the price of entry ... Customers appreciate good design. While they can't necessarily point out what specifically makes it good, they know it feels better. There's a visceral connection. They are willing to pay for it, if you give them a great experience. — James P Hackett

I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way. — Lauren Graham

I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her ... I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart. — Harlan Coben

Just don't. Don't tell me whatever reason you managed to cook up after last night, because whatever it is, we both know the real reason, the real problem is that you won't even entertain the idea of letting me in. That's just fucked up because I could have fallen in love with you. Hell, I probably already did. I have shit to take care of, so I guess I'll see you around. — Jay Crownover

It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something. — Don Cheadle

the voices are so persuasive, you don't know what's real and what's not. You know the voices aren't talking into your ears, but they're not exactly in your head either. They seem to call to you from another place that you've accidentally tapped into, like a cell phone pulling in a conversation in some foreign language - yet somehow you understand it. They linger there on the edge of your consciousness like the things you hear just as you're waking up, before the dream collapses under the crushing weight of the real world. But what if the dream doesn't go away when you wake up? And what if you lose the ability to tell the difference? — Neal Shusterman

Kind of why I can't always go along with everyone's happy attitude all the time. Life sucks sometimes and most people don't get it. They think - well all of the people at this school anyway, they think everything is just handed to them. Real easy, ya know? Like, the day is never something you have to fight through.
I placed my hand on top of Tony's and let it rest there for a moment. What could I say? I was a death giver. Happy to do it. I had been so good at being dead. — Rebecca Maizel

Malinda moved so we were eye-level. "Forget the people who've hurt you. You don't have them anymore, but you have two others that'll do anything to you. Mason and Logan would move mountains for you. I see how you are with them. You love them, but you're scared to let yourself be happy. Why? Because that's when they'll leave? Is that what you think? You've got it all wrong. Those two will never leave you." She tapped my chest. Once. Twice. "You. You're the one that's going to hurt them. You have that power, and you don't know it. You could rip those two apart in a second, and they're the ones who are scared of you. Not the other way around. You need to recognize the real situation. — Tijan

But real-world questions aren't like word problems. A real-world problem is something like "Has the recession and its aftermath been especially bad for women in the workforce, and if so, to what extent is this the result of Obama administration policies?" Your calculator doesn't have a button for this. Because in order to give a sensible answer, you need to know more than just numbers. What shape do the job-loss curves for men and women have in a typical recession? Was this recession notably different in that respect? What kind of jobs are disproportionately held by women, and what decisions has Obama made that affect that sector of the economy? It's only after you've started to formulate these questions that you take out the calculator. But at that point the real mental work is already finished. Dividing one number by another is mere computation; figuring out what you should divide by what is mathematics. — Jordan Ellenberg

After so many drive-in waitresses becoming movie stars, there has been this real drought, when along come class; somebody who actually went to school, can spell, maybe even plays the piano. She may be a wispy, thin little thing, but when you see that girl, you know you're really in the presence of something. In that league there's only ever been Garbo, and the other Hepburn, and maybe Bergman. It's a rare quality, but boy, do you know when you've found it. — Billy Wilder

I don't know if you've ever seen some of the Sidney Lumet movies, like Dog Day Afternoon [1975] or Network [1976]. They're real events that happen in real time, and there are all of these different characters experiencing the same thing in different parts of the movie ... I am so bad at explaining my films. But it's in the world of finance and the world of media, and how they connect. It was a big undertaking. A big, mainstream movie, which stars Julia Roberts and George Clooney. But for me, it's really just a small story about character and people. — Jodie Foster

is how he printed up all of this fake money and threw it into a crowd. People thought it was real and tried to spend it in shops, and they were so angry when they found out it was fake. But now, those bills sell for a fortune on eBay. It's simultaneously real and not real, you know? Worthless as currency, but not as art . . . my brother asked for one of those bills for Christmas a few years ago, and my mom assumed he wanted it framed, and he said he'd just stick it in his wallet because it was one of the few works of art you could carry in your pocket. — Robyn Schneider

That guy back there had a gun," Christopher went on. "Brandon Stark didn't even have a gun, and he managed to kidnap you just by threatening to do mean things to your friends. How do you think you're going to cope with his dad, who's a real gangster?"
"Well," I said. Suddenly, I didn't feel quite so encouraged. There were actual tears in my eyes. "That's why this time I'm asking you for help. I know I can't do it alone anymore. I need you, Christopher."
"You're damn right you do," he said. "It's about time you realized it. — Meg Cabot

Why do you like jellyfish so much?" I asked.
"I don't know. I guess I think they're cute," she said. "But one thing did occur to me when I was really focused on them. What we see before us is just one tiny part of the world. We get into the habit of thinking, This is the world, but that's not true at all. The real world is in a much darker and deeper place than this, and most of it is occupied by jellyfish and things. We just happen to forget all that. Don't you agree? Two thirds of the earth's surface is ocean, and all we can see of it with the naked eye is the surface: the skin. We hardly know anything about what's beneath the skin. — Haruki Murakami

In real life, you don't know what's going to happen to you, so why would your character know? It's liberating to play the emotion your character is feeling at the time and not know what's coming up. I like it. — Erin Richards

You're with Hunter." It was more of a question than a statement.
Tears welled up in my eyes. "But it hasn't been right. It hasn't been you. I can't ... I haven't been able to - " I sucked in a deep breath. "I can't be a real girlfriend to him when all I can do is think about you."
"Ah, shit, Pepper." Still holding my face, he lowered his forehead to mine. "I'm not going through this again with you just so you can run when you get scared that I'm not like some ideal you built up in your head. I love you. I'm fucking in love with you, but it's all or nothing. I won't do this again unless it's going to be like that."
Now I was crying, choking on my sobs. "I know. I want that. It took me so long to figure that out, but I know now. You are the safest thing I'll ever find." I deliberately repeated his words, holding his gaze and letting them sink in. "Because you love me. Because I love you. — Sophie Jordan

The point of art is not to give you what you already feel comfortable with; that's reporting, not art, that TV, not art, that's magaziney art, not art. Art gives you so personal an interpretation that it compels you to say, This here is more real than what I know is really out there. — Andre Aciman

But you are crazy."
"I know." She lifted a small box from the basket. "Do you know how I know?"
Scarlet didn't answer.
"Because the palace walls have been bleeding for years, and no one else sees it." She shrugged, as if this were a perfectly normal thing to say. "No one believes me, but in some corridors, the blood has gotten so thick there's nowhere safe to step. When I have to pass through those places, I leave a trail of bloody footprints for the rest of the day, and then I worry that the queen's soldiers will follow the scent and eat me up while I'm sleeping. Some nights I don't sleep very well." Her voice dropped to a haunted whisper, her eyes taking on a brittle luminescence. "But if the blood was real, the servants would clean it up. Don't you think? — Marissa Meyer

What makes a shamrock so special anyway?
One leaf for love, one leaf for hope, one leaf for faith, and one leaf for luck. The fourth leaf is a teeny bit smaller than the other three. That's how you know it's real ...
... people have looked to clovers to ward off evil spirits. — Ellery Adams

Think it's so unfair when people think that you're not a "real artist" unless you're getting paid for it ... I personally know so many poets that work a 9 to 5 in a cubicle and come home and write poetry. Their poetry is just as powerful and moving as anything that I've ever written, if not more. — Sarah Kay

To me a real patriot is like a real friend. Who's your real friend? It's the person who tells you the truth. That's who my real friends are. So, you know, I think as far as our country goes, we need more people who will do that. — Bill Maher

To hell with your money
No no come on I belong to the family now see I know how it is with a young fellow he has lots of private affairs it's always pretty hard to get the old man to stump up for I know haven't I been there and not so long ago either but now I'm getting married and all specially up there come on don't be a fool listen when we get a chance for a real talk I want to tell you about a little widow over in town
I've heard that too keep your damned money
Call it a loan then just shut your eyes a minute and you'll be fifty
Keep your hands off of me you'd better get that cigar off the mantel — William Faulkner

Think about what it is you're after."
"Understanding," she said slowly.
"Good," Bill said. "What else?"
A nervous energy was coursing through her, as if she was on the brink of something important. "I want to find out why Daniel and I were cursed. And I want to break that curse.I want to stop love from killing me so that we can finally be together-for real."
"Whoa,whoa,whoa." Bill started waving his hands like a man stranded on the side of a dark road. "Let's not get crazy. This is a very long-standing damnation you're up againat here. You and Daniel,it's like ... I don't know, you can't just snap your pretty little fingers and break out of that. You gotta start out small. — Lauren Kate

So we did the only thing we knew to do. We got in the car and drove to Dallas to be at the funeral with Jen. As she and her family walked down the center aisle behind her dad's casket, she smiled at us despite the big tears that were rolling down her cheeks. And that's when I learned one of the most important lessons I've ever learned about what it means to be a good friend: you show up for your people. You don't wait for your friend to ask you to come; you get in your car and go. You don't have to know the right words to say, you don't have to offer sage wisdom about loss and love; you just show up. You hold her hand and hug her neck and wipe her tears. You let her know that you hurt because she is in pain, and you'd do anything to take it from her if you could. You listen.... You show up for your friend, in the good times and the bad times. — Melanie Shankle

It's a great idea to analyze how screen time has changed your life and how it alters your behavior. If you don't like what you see, implement changes. Get comfortable again with real human connection and don't give so much power to the screen and what is behind it. Real life is in the present moment, happening right now. We never know how many days we have in front of us. Let's live them fully, not virtually. — Jennifer L. Scott

In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living. — Sam Shepard

Most people don't know what they're talking about. They move their mouth and say things because they don't want to admit they don't know. Or they think they know, but it's just confabulation and biases. So ignore them unless what they say resonates with some real wisdom inside of you. Assume they're a fool and find out the truth for yourself. — Derek Sivers

You been forgetting Who's in charge and who ain't. So here's what I'm gone do: I'm gone send a storm so big it rips the roof off the shed where you keep that mule you so proud of. Then I'm gone send hail big as walnuts down on that mule, making it break its leg trying to bust out of there. Then, just so you know for sure it's Me you dealing with, the next morning after you put that mule down and buried it and you up on the ladder trying to nail the roof back onto the shed I'm gone to let that weak top rung, the one you ain't got around to fixing yet, I'm gone let it rot all the way through so you fall off and break your own leg, and I'm gone to send Florence and Lilly Mae to a birthing and the twins out to the far end of the field so you laying there half the day. That'll give you time to think real hard on what I been trying to tell you. — Hillary Jordan

English and Gym. That's it. Look, do you know how difficult it is to write about being at school convincingly? It's been years since Stephfordy graduated, so it'll save us all a lot of time and effort if we just stick to two real subjects... — Stephfordy Mayo

I'm just a girl from Flatbush, Bo. There's nothing special here.""You're so wrong.""I know what people think. To friends and family I'm sweet and helpless. To guys I'm a body.""Your body is spectacular. I'm not going to pretend I don't see that. But I can have any body. You've lit something inside me. And it's you, not your assets.""You don't know me. We've hardly scratched the surface.""That's why I need time. I want to know your story, your dreams, your longings. Every part I see makes me want more." He was speaking her own desire to understand him, because his real self called to her more strongly than anyone she'd known , even people she'd known for years. — Kristen Heitzmann

I loved them in the way one loves at any age - if it's real at all - obsessively, painfully, with wild exaltation, with guilt, with conflict; I wrote poems to and about them; I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening, don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world - and in a way, I suppose they were." She had spoken rapidly, on the defensive ... if he thought she didn't know what she was talking about! "Love opens the doors into everything, as far as I can see, including and perhaps most of all, the door into one's own secret, and often terrible and frightening, real self. — May Sarton

I like the adventures because you know that when they say, "I've got a plan," and then they tell you, you know it's not going to work. And when they say, "I've got a plan," and they don't tell you, you know it is going to work, and it's all very exciting. I thought real life might be like that for a while, so I didn't tell anybody what I wanted to happen, but it didn't make any difference. I knew I was kiddin' meself. — Dave McKean

Peter Gibbons: The thing is, Bob, it's not that I'm lazy, it's that I just don't care.
Bob Porter: Don't... don't care?
Peter Gibbons: It's a problem of motivation, all right? Now if I work my ass off and Initech ships a few extra units, I don't see another dime; so where's the motivation? And here's something else, Bob: I have eight different bosses right now.
Bob Slydell: I beg your pardon?
Peter Gibbons: Eight bosses.
Bob Slydell: Eight?
Peter Gibbons: Eight, Bob. So that means that when I make a mistake, I have eight different people coming by to tell me about it. That's my only real motivation is not to be hassled; that, and the fear of losing my job. But you know, Bob, that will only make someone work just hard enough not to get fired. — Mike Judge

I do lay in some opinions here and there. For example, I don't think it should be socially acceptable for people to say they are "bad with names." No one is bad with names. That is not a real thing. Not knowing people's names isn't a neurological condition; it's a choice. You choose not to make learning people's names a priority. It's like saying, "Hey, a disclaimer about me: I'm rude." For heaven's sake, if you don't know someone's name, just pretend you do. Do that thing everyone else does, where you vaguely say, "Nice to see you!" and make weak eye contact. So, — Mindy Kaling

It is easy to jump out of the village, move to the cities, and spend your time poking fun at the little places we hail from and their routine ways, but deep down inside you know that's where the real people are, the truly decent souls, and you fight and fight to deny it, until you need them so bad it hurts. p.223
Brendan ... I get it! — Brendan Cowell

It's good you have something to keep you occupied." I smile stiffly and turn away from her. Because I'm this far from asking what the fuck she thinks I do all day. But even through the surge of anger that's rising, I remind myself of what I know is true: she means well. They all do. These women want me to receive all of God's blessings, many of which can be bestowed only after my temple marriage, which should be my first objective. Everything I've done so far (my two graduate degrees, my international travels, my teaching career, my friendships, my creative pursuits), is "preparing." Treading water, keeping time, staying busy until real life begins. — Nicole Hardy

Braeden sighed and looped his arm across my shoulders again and steered me toward a stack of books. "So innocent," he mused. "Tutor girl, as your man's best friend and your self-appointed big brother, I feel like it's time I teach you about the real world."
"You're my self-appointed big brother?" I asked, looking up at him.
He nodded like it was obvious. "You and Rome ... you're an exception to the rule. You two are the real deal, but most guys, guys like me, aren't looking to settle down. They like - "
"To have fun?" I finished for him, slightly amused.
"Exactly."
"But what about the girls?" I asked.
He gave me a clueless look.
I sighed. "Maybe it's me who needs to teach you, brother."
He lifted an eyebrow.
"Guys might want to have fun," I said, using his words, "but girls have a harder time keeping their feelings from getting involved."
"Relax, tutor girl," Braeden said. "I know how to handle things."
-Braeden & Rimmel — Cambria Hebert

Do you know the real secret of how Presidents become Presidents?" Before I can answer, he explains, "It's because they're good at getting people to do things for them. In fact, they're not just good at it. They're maestros. Virtuosos. To get that title of President, you need thousands of people doing thousands of different things, all for your benefit. It's a massive churning machine. And y'know what feeds that machine?" he asks. "People like you, Beecher. It's fed with your life, and your family, and your reputation. Because when things go wrong ... and they always go wrong ... the President isn't allowed to have that skunk smell around him. So when that happens, he doesn't just replace you. He crumples you up, tosses you out back, and ... chomp goes the woodchipper. — Brad Meltzer

When I walk into a room, you're the only person I see. My brain doesn't get a choice anymore, because there's something inside you so rare it radiates out and blocks everyone else. You have the kind of beauty that can't be manufactured - the kind that comes from in here." He tapped a finger against her chest. "I didn't know what real beauty was before I met you, but I get it now. So trust me when I say you're the most breathtaking girl in my world. — Melissa Landers

You matter as much as the things that matter to you. And I got so backwards trying to matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do. — John Green

Yes! Yes. Thank you. I'm on my way right now, so I'll see you later, you know, like, in five minutes. And I'll just wait in the car - you can send them out so we don't take up any more of your time. So say hi to Clark for me, you know, since I might not get a chance to talk to you from the car. But thanks so much for watching the kids for me, and I'll see you later . . . in five."

There was a pause. Then Angela's voice piped up, as enthusiastic as ever.

"Okay, see you later in five!"

Oh great, Becky thought as she jogged back to her car. Now Angela would be using that phrase, convinced it was a real idiom. And it would be all Becky's fault. As if the poor lady didn't have enough communication problems as it was, what with the excessive exclaiming. — Shannon Hale

Why is it Americans are socially permitted to say 'fricking' when in fact everyone knows the word they're actually saying is 'fucking'?
... here you have some bland ho-bag telly presenter saying 'I'm so fricking mad' about whatever, while you, the home viewer, know she's three millimeters away from saying 'I'm so fucking mad'. But instead of being outraged because she basically said 'fucking' on TV, everyone giggles, like she's being cute.
... it's like ten times worse because the public is thinking 'fucking, fucking, fucking'. They're so full of shame or so socially conditioned that the mental effect of saying the word 'fucking' is technically amplified. By actually saying the word 'fucking' in real life, instead of 'fricking', you're doing American society a favor. — Douglas Coupland

It's all sort of dreams and it's all illusion. It's theater; it's not real. We're making up stories, you know, and people tend to run into you and believe you are your characters. And I suppose the funny thing is the longer you go, you do become sort of some version of [your characters]. You both diverge from them - you know - you live, but you also permanently inhabit that geography and that mental space - and so you do morph a little bit. We do become what we imagine. — Bruce Springsteen

Keesha looked at me for a long time. "I did leave you alone. We all did. But you didn't get better. You didn't stop. You're still doin' all your weird shit. And I think it's time to stop."
"You think it's time to stop!" I exploded, and lunged at her with my hands outstretched. I pushed her real hard. She almost fell down. "I don't care what time you think it is!" I screamed. "Do you think I want to do this! Do you think I like it?"
"You pushed me!"
"Yeah. So what?"
"You're so afraid of being interrupted that you pushed me!"
"I'm not scared of being interrupted, you jerk! I'm ... I'm scared ... I'm scared of being." I crumpled into a ball and sat down where I was standing. I sat on a crack. Unevenly.
"Who are you anymore, Tara?"
Tears spilled over my frozen lashes and disappeared across my cheekbones. I had never felt so defeated. "I don't know. — Terry Spencer Hesser

It's only sixteen ninety-five," I say with a flutter of my lashes.
"You're serious."
I prop my hands on my waist and stick out a hip, striking a pose worthy of a supermodel. "Look at me. Don't I look serious?"
She collapses into the chair outside the dressing room in a fit of giggles so cute they make my insides fizz. "No! You must be stopped," she says.
"Why?" I strut down an aisle of yellowed lingerie, swiveling my hips, batting bras with flicks of my fingers. "I will be the king of the disco. I will be - " I spin and strike another pose. "An inspiration."
She sniffs and swipes at her eyes. "The real Dylan would die before he'd be seen in public in something like that."
"The real Dylan is boring." I brace my hands on the arms of her chair and lean down until our faces are a whisper apart. "And he's not one fourth the kisser I am."
"Is that right?" Her lips quirk.
"You know it is."
Her smile melts, and her breath comes faster. "Yeah. I do. — Stacey Jay

If you dread tomorrow it's because you don't know how to build the present, and when you don't know how to build the present, you tell yourself you can deal with it tomorrow, and it's a lost cause anyway because tomorrow always ends up being today don't you see ... We have to live with the certainty that we'll get old and that it won't look nice or be good or feel happy. And tell ourselves that it's now that matters: to build something now at any price using all our strength. Always remember that there's a retirement home waiting somewhere and so we have to surpass ourselves every day, make every day undying. Climb our own personal Everest and do it in such a way that every step is a little bit of eternity. That's what the future is for: to build the present with real plans made by living people. — Muriel Barbery

I want to know something real. Something that not everyone in the world knows about you." His puppy face deepens, his mouth sagging at the corners.

"I can't get to sleep when I have socks on, but my feet are always cold so it's kind of a problem. — Jasmine Warga

What if I can't do this, Gregori?" She sounded close to tears. "What if I can never do this?"
"No one is making you do anything, ma petite," he replied gently, kissing her stomach. "We are just exploring possibilites."
"But,Gregori," she tried to protest, attempting to bring his head back up so that he could see her very real fear for him, for their life together.
"If I cannot persaude you otherwise, mon amour, I am not much of a lifemate, now am I?" The words were muffled in the tight silky curls, the intriguing little triangle at the apex of her thighs.
"You don't understand,Gregori." Savannah closed her eyes against the waves of fire racing through her. "It's me who is no real lifemate.I don't know how to please you, and I'm so afraid of this."
"Relax,bebe." He breathed warm air against her, inhaled her scent. "You please me far more than you will ever know. — Christine Feehan

You think I like this?" I say defensively. "Trust me, I don't need this headache in my life." I swallow a mouthful of beer. "Hey. You know Twilight?" He blinks. "Excuse me?" "Twilight. The vampire book." His wary eyes study my face. "What about it?" "Okay, so you know how Bella's blood is extra special? Like how it gives Edward a raging boner every time he's around her?" "Are you fucking with me right now?" I ignore that. "Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he's attracted to his mother or some shit? Or is there actually a biological reason why we're drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?" "Are you seriously dissecting Twilight right now?" God, I am. This is what Allie has reduced me to. A sad, pathetic loser who goes to a bar and forces his friend to participate in a Twilight book club. — Elle Kennedy

Anxiety!" he said. "I've been there, plenty of times! And, you know, it's particularly hard during the first one, especially, because you're so invested in that idea of self. You grew up with that concept - you think there's a real you - and you have some longstanding attachments, people you've known, and you start to think about them. — Dan Chaon

I don't really know,' I heard myself say. I felt a deep shock, hearing myself say that, because the minute I said it, I knew it was true. It sounded true, and I recognized it, the way you recognize some nondescript person that's been hanging around your door for ages and then suddenly comes up and introduces himself as your real father and looks exactly like you, so you know he really is your father, and the person you thought all your life was your father is a sham. — Sylvia Plath

If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far. — Olivia Colman

Wiping his mouth and tossing the napkin on the table, Wake leaned on his elbow and studied Kabe, long and hard.

Long and hard enough that Kabe started to stare back.

Finally, Wake blurted out, "So have you found God?" I thought Kabe was going to swallow his straw.

Kabe licked his lips. "Joe's been talking to me about religion." I had no idea what was about to come out of his mouth. "Out alone, having some real deep, personal conversations. I think Joe has figured out how to get right inside me and know what I need."

"We all need to hear it."

"Touched me real far inside," My chest tightened up. I twisted my ankle and dropped my boot heel onto the arch of his foot. He yanked it back and leaned over the table a little.

"All burning with it."

My chair scraped the floor as I stood. "Know what, we need to be heading out. — James Buchanan

Blast it! Where is that letter?"
Sophia pulled it from her pocket. "I have it here."
Sir Reginald's voice lifted with amazament. "You took that from me? When we were-"
"Yes," she said, her color high. "I thought you'd sold my jewelry and that the envelope contained the payment. I wanted proof,so I took it."
"By kissing me?"
Outside, lightning cracked.
"You kissed him?" Dougal demanded.
"Only once."
"Actually, it was twice," Sir Reginald said softly.
Dougal punched him, sending the dandy flying into the wall, where he slid to the floor.
"B'God, that's a nice one!" Red cried. "MacLean, I'd like to see you in a real mill."
"Aye," the earl agreed. "He's got a good solid left."
"What do you know about boxing? Red asked rudely.
"I've seen every large match for the last-"
Thunder crashed as lightning sent shards of light flashing into the great hall.
"That's enough," Dougal said firmly, noting Sophia's pale face. — Karen Hawkins

How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense? — Ethan Hawke

Don't make this harder than it already is. I like her so much it's killing me, but I don't know how to be the guy she wants me to be."

"Yes, you do. Real relationships are just like bull riding. You have to be willing to risk getting hurt, and you have to hang it all out, and never give up no matter how scary or hard it gets. You know how to do it. You're just too much of a coward to try. — D.R. Graham

This is real. So real I feel it everywhere, like a million tiny vibrations under my skin. This ... this urgency to protect you ... " My breath burst in and out, and my voice thickened with the messy, unfiltered truth. "It's a crazy need inside me, driving me to be near you, to watch over you, to undo the hurt I put in your eyes. I don't fucking know what it is, but I feel it now, spinning me around - around you - and knocking me way the fuck off track. — Pam Godwin

Did you know that only a tiny minority of viruses cause illness in humans? No one knows how many viruses there are, but their real role, when you get right down to it, is to aid in mutations, to create diversity among life forms. I've read a lot of books on the subject-when you don't need much sleep you have a lot of time to read-and I can tell you that if it weren't for viruses, mankind would never have evolved on this planet. Some viruses get right inside the DNA and change your genetic code, did you know that? And no one can say for sure that HIV, for example, won't one day prove to have been rewriting our genetic code in a way that's essential to our survival as a race. I'm a man who consciously commits murders and scares the hell out of people and makes them reconsider everything, so I'm definitely malignant, yet I think I play a necessary role in this world. — Ryu Murakami

Vanity's a debilitating affliction. You're so absorbed in yourself it's impossible to love anyone other than oneself, leaving you weak without realization of it. It's quite sad. You've no idea what you're missing either. You will never know real love and your life will pas you by. — Fisher Amelie

I'm going with Charlotte Rampling. In 45 Years [movie], you start out feeling so bad for her, and then it kind of shifts. I don't know how long you have to act to be able to say everything when you say nothing. The acting feels so real. It's not a fluke that a movie that probably no one's heard of, an actress performance comes out of it. — Bun B.

When you're young, you say it how it is, and even your views are, like, 'This is totally the truth', 'cos you don't know any difference, so there's a real confidence in your way of thinking. — Agyness Deyn

Sunshine, you and Jake had sex, but trust me when I tell you, tonight's going to be your first time. The first time you know what it feels like for someone to own your body. The first time a real man makes love to you until you scream so loud the heavens hear you. And the first time you'll understand exactly what you mean to me. — K.J. Bell

One of my obsessions in life is that we have the tools to manufacture moments and real things, but it's overwhelming and there's a lot of fear and you think maybe you'll be rejected or embarrassed or somehow hurt emotionally. So we don't do the things we know we can do, but we can make people feel better and make people happier with compliments or just being positive and that sort of thing and sending it their way. — Pete Holmes

Do you ever think about it? About nothingness. I do, I think about it all the time. Because of course it's nothingness that awaits us. Of course it is. If it weren't why would our hearts keep pumping any longer than they had to? Why wouldn't we all emerge into the world pure and innocent, and then before we had a chance to get in any trouble, before we had a chance to take our first oily shit, just immediately shut down our systems and head straight to the hereafter? If there were a better life after death, why bother getting fitter for survival's sake? Why would evolution even be a thing? Why fight for something second best? If death was really awesome, in a life or death situation, our bodies wouldn't muscle up with epinephrine and cortisol. Our brains would hit us up instead with sloppy, sleepy happy love. Hannibal Lecter would be our Mickey Mouse. No, there's fuckall to look forward to. Our bodies understand this. The real problem is, it's unbearable to know this. So we cope. — Elizabeth Little

So what are you supposed to do with it?"
He eyed her incredulously. "For real? It's called a butt plug. What do you think you're supposed to do with it?"
She scratched her nose and nodded, trying not to let the apprehension show. "Okay. I'll do it. But if it hurts, just let me know and I'll take it out, stat. Don't be a hero."
He gaped at her and shook his head. "Aw, no. Sweetie. That's not for me. — Christine Bell

Not that I say,"Oh,I'm not going to associate with certain people.," but I have my world,and I only want to be around people who I feel stimulated by. I have to be honest I do have a new quest: I want to meet more vegetarians,people who are more like minded. There's something real neat about that feeling. It makes you feel so settled to know there's somebody else sitting right there,being so passionate about what I'm passionate about. I don't want to be around selfish people. I try to keep myself surrounded by deep people who will move me. — Alicia Silverstone

You are in love, at a point where pride and apprehension scuffle within you. Part of you wants time to slow down: for this, you say to yourself, is the best period of your whole life. I am in love, I want to savour it, study it, lie around in languor with it; may today last forever. This is your poetical side. However, there is also your prose side, which urges time not to slow down but hurry up. How do you know this is love, your prose side whispers like a sceptical lawyer, it's only been around for a few weeks, a few months. You won't know it's the real thing unless you (and she) still feel the same in, oh, a year or so at least; that's the only way to prove you aren't living a dragonfly mistake. Get through this bit, however much you enjoy it, as fast as possible; then you'll be able to find out whether or not you're really in love. — Julian Barnes

Am I a fruitcake? I don't know. Perception is reality, so if I sit here and say, "I'm not a fruitcake, I'm a lemon cake," it doesn't matter. What you see me as in your world is what I am; it doesn't matter what I am - do you know what I mean? To me, I know what my real problems are - and they're certainly not about cake. And that's just the way it is. — Macy Gray

I think we've met our quota for tearful reunions," she chuckled against the top of my head.
"When this is done, I promise I'm never going to leave the house ever again. We'll just stay in and order pizza and watch bad television."
Mom pulled away and looked over my shoulder. "Oh, I think you might want to get out every now and then," she said.
I felt the warm weight of Archer's hand on my waist. "Hey, I like pizza and bad TV."
I turned to him, surprised. "Your chest-"
"Cal," he said by way of explanation. "I owe that guy, like, a mountain of burgers. It's getting embarrassing."
Mom flashed me a little smile before saying, "You know, this isn't how I imagined meeting Sophie's first real boyfriend."
"Mom."
Archer gave me a little squeeze. "You mean I'm the first guy your parents have rescued from an enchanted island via use of a magic mirror? I feel so special. — Rachel Hawkins