Sleeping Pattern Quotes & Sayings

I'll get into a pattern where I start sleeping only between 12 and 3.30, and go for weeks like that. — Trisha Goddard

Anyhow," she went on, "so long as my mother forced me to embroider, I insisted on choosing a pattern that interested me. I've never understood why girls are always made to stitch insipid flowers and ribbons." "Well, just to hazard a guess ... " Colin straightened his edge. "Perhaps that's because sleeping on a bed of flowers and ribbons sounds delightful and romantic. Whereas sharing one's bed with a primeval sea snail sounds disgusting." Her jaw firmed. "You're welcome to sleep on the floor." "Did I say disgusting? I meant enchanting. I've always wanted to go to bed with a primeval sea snail. — Tessa Dare

He awoke at five, to the whine of the television test pattern, turned off the set, and listened for the wind. It had moderated and seemed to be coming from a different quarter, but it still carried rain. He debated calling Quint, but thought, no, no use: we'll be going even if this blows up into a gale. He went upstairs and quietly dressed. Before he left the bedroom, he looked at Ellen, who had a frown on her sleeping face. "I do love you, you know," he whispered, and he kissed her brow. He started down the stairs and then, impulsively, went and looked in the boys' bedrooms. They were all asleep. — Peter Benchley

Now, for the moment, we are safe. The only kind of international violence that worries most people in the developed countries is terrorism: from imminent heart attack to a bad case of hangnail in fifteen years flat. We are very lucky people
but we need to use the time we have been granted wisely, because total war is only sleeping. All the major states are still organized for war, and all that is needed for the world to slide back into a nuclear confrontation is a twist of the kaleidoscope that shifts international relations into a new pattern of rival alliances. — Gwynne Dyer

Sometimes it seems that half of the fairy tales of the world are some form of Cinderella, ugly duckling, or poor boy story, telling of the little person who has no power or possessions who ends up being king or queen, prince or princess. We write it off as wishful dreaming, when it is actually the foundational pattern of disguise or amnesia, loss, and recovery. Every Beauty is sleeping, it seems, before it can meet its Prince. The duckling must be "ugly," or there will be no story. The knight errant must be wounded, or he will never even know what the Holy Grail is, much less find it. Jesus must be crucified, or there can be no resurrection. It is written in our hardwiring, but can only be heard at the soul level. It will usually be resisted and opposed at the ego level. — Richard Rohr

We have gone on too long blaming or pitying the mothers who devour their children, who sow the seeds of progressive dehumanization, because they have never grown to full humanity themselves. If the mother is at fault, why isn't it time to break the pattern by urging all these Sleeping Beauties to grow up and live their own lives? There never will be enough Prince Charmings or enough therapists to break that pattern now. It is society's job, and finally that of each woman alone. For it is not the strength of the mothers that is at fault but their weakness, their passive childlike dependency and immaturity that is mistaken for "femininity." Our society forces boys, insofar as it can, to grow up, to endure the pains of growth, to educate themselves to work, to move on. Why aren't girls forced to grow up - to achieve somehow the core of self that will end the unnecessary dilemma, the mistaken choice between femaleness and humanness that is implied in the feminine mystique? — Betty Friedan

When I had my first boy it all started and that male energy seemed to keep me awake but since my daughter, who's incredibly serene, I can't seem to stop sleeping because she's asleep all the time. It's a pattern. — Sadie Frost

Adam was in the dream, too; he traced the tangled pattern of ink with his finger. He said, "Scio quid hoc est." As he traced it further and further down on the bare skin of Ronan's back, Ronan himself disappeared entirely, and the tattoo got smaller and smaller. It was a Celtic knot the size of a wafer, and then Adam, who had become Kavinsky, said "Scio quid estis vos." He put the tattoo in his mouth and swallowed it.
Ronan woke with a start, ashamed and euphoric.
The euphoria wore off long before the shame did.
He was never sleeping again. — Maggie Stiefvater