Slaughtering Cattle Quotes & Sayings

The happiness state, when examined more closely, turns out not to be a point but a range, with contentment at the bottom and exaltation at the top ... there are probably as many forms of happiness as there are of depression. — Michael Foley

Selling is not a static activity. — Scott Kahn

Moinous reaches for Sucette's hand and squeezes it. Oh but I do love you, I do, I swear, in spite of them. However, for the first time in his life Moinous understands what quicksand love is. — Raymond Federman

I take a step closer to her because that's my impulse - to be near her. — Emery Lord

Funny how I always thought the world would dilate and then snap back with a loud bang the day a boy happened to me. But there was no explosion, no fireworks, no sudden shift in the tectonic plates of the earth. It was more of a Zen moment - Quiet. Everything was instantly quiet. The world, my mind, the flux of time - all still. And in the middle of it was him. — Ramona Wray

'New' movies are almost always hipper, faster, they mix genres aggressively, they smother their genre origins in new form, there are fewer of them, and they tend to cost a lot more money because you usually make more money on the megahit than you do on the steady progression of break-eveners. Except for the horror movie. — Stephen Hunter

As a manager you know when someone is below his or her usual performance. What is harder to know is whether people are giving everything they have to give. Asking whether people are giving their best gives them the opportunity to push themselves beyond their previous limits. — Liz Wiseman

If you don't fix latent failures in your system, you're asking for trouble. — John Gould

I thought sooner or later someone would start saying it had gone too far, but it just kept on, and no one said anything. I — Kazuo Ishiguro

I have waited for this, Beth, this moment," he whispered as he took her hands in his and brought her fingertips to his mouth, kissing each fingertip before placing her palms on either side of his face. "When Sussex, Black and I returned from the East, I watched you as you did this - touched Sussex, then Black. And I waited, holding my breath, barely able to control my feelings, waiting to feel your touch on my face. But you did not. You made a polite enquiry after my health and left me standing alone by the hearth. And, then, the other afternoon with Sheldon, you touched him, and I was alone, and apart again. Remembering what it was like to await your touch, and then never to feel it. Beth," he whispered as he moved closer to her, "won't you touch me? See me? — Charlotte Featherstone

Opera is everything rolled into one - music, theater, the dance, color and voices and theatrical illusions. — Sarah Caldwell

It's a nice challenge to escape your reality. I think that's why actors do what we do. We like to play other people. It's therapeutic. — Stella Maeve

He saw a chair, and a ship that was not a ship; he saw a man with two shadows, and he saw that which cannot be seen - a concept; the adaptive, self-seeking urge to survive, to bend everything that can be reached to that end, and to remove and to add and to smash and to create so that one particular collection of cells can go on, can move onward and decide, and keeping moving and keeping deciding, knowing that - if nothing else - at least it lives. And it had two shadows, it was two things: it was the need and it was the method. The need was obvious: to defeat what opposed its life. The method was that taking and bending of materials and people to one purpose, the outlook that everything could be used in the fight; that nothing could be excluded, that everything was a weapon, and the ability to handle those weapons, to find them and choose which one to aim and fire; that talent, that ability, that use of weapons. A chair, and — Iain M. Banks