Slashes In Quotes & Sayings
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Top Slashes In Quotes

I paused finally and watched the trees for slashes of light, but saw none. As my heart settled and my ears became less occupied I listened and heard nothing but the thready pulse of the night. And I sensed that the hunt was over. I'd been prey and now I was not. Prey knows this. Prey knows when it has escaped. — Augusten Burroughs

Dangerous as a winter wind, which freezes the marrow from within, and not like a blade, which slashes the throat from without — S. Jae-Jones

Broken glass showered from the windows. Chunks of the walls bounced off the pavement and the cars parked along the curb, crushing into smaller pieces. The asphalt on the street split in places into long ribbon-like slashes. The ground continued rolling like the deck of a ship. The noise of the destruction, screams of terrified people, and the car alarms mixed into a concerto of horror. — A.O. Peart

Amel slashes at the consonants so that they hop about like naughty children caught inside the sentence. — Fredrik Backman

I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines. Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem - just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc. — Adrienne Rich

The King and Queen hid in a secret cupboard in their bedroom for two hours, listening to the searchers grow cold, then warm, then cold again, then warm, and at last hot, and burning hot. The weakly King was hard to kill: when they threw him from the balcony they thought him doubly dead from bullet wounds and sword slashes, but the fingers of his right hand clasped the railing and had to be cut off before he fell to the ground, where the fingers of his left hand clutched the grass. — Rebecca West

Some day there is going to be a man sitting in my present chair who has not been raised in the military services and who will have little understanding of where slashes in their estimates can be made with little or no damage. If that should happen while we still have the state of tension that now exists in the world, I shudder to think of what could happen in this country — Dwight D. Eisenhower

A government decision that slashes spending at the wrong time and sends a weak economy into a tailspin can be just as undisciplined as one that unleashes a wasteful spending spree in an overheated environment. — Peter Blair Henry

Every week or so, a gay kid somewhere jumps off a bridge or slashes his wrists. I am told that a boy near here hanged himself because his father could not accept who he was. On television, I listen to the things they say, the right-wingers, and fundamentalists, and all the people who consolidate their power by hurting other people. I want to cover up the ears of kids and say, "Do not take it in." I took it in. I really did. I heard everything that people in the world around me said about who I was. It hurt me, but I thought I had no right to say anything because I was wrong. I didn't know what silence would cost, how it would change my life. It takes a long time to outrun the things that the world drills into you. Our — George Hodgman

The fellows who amuze me are the Albanians. An Albanian on the mash is almost exactly like the medieval swells of the Italian frescoes & the first ones we met quite startled us. They wear the tight-fitting trunk hose made of woolen stuff hooked up the back of the leg. It is white with long black stripes of embroidery down the leg & at the top in front the shirt is pulled through slashes. They are long slim chaps with dandy little moustaches & are most theatrical in effect. — Edith Durham

If it rushed he'd slash. Stabbing is a fool's move, the blade gets caught. Ben knew that quick slashes could fend off even a big hound or a boar. — Jonathan Maberry

It wasn't the many slashes and scars marring his chest that caused her sudden gasp, though she felt the pain of each one. It was the unparalleled beauty of his physique that stole her breath. Dorian's body was rendered by some ancient god of war. No Greek sculpture could compare, no artist could re-create the sleek, predatory masculinity rippling through the complex landscape of his torso. — Kerrigan Byrne

[Inigo corners Count Rugen, knocks his sword aside, and slashes his cheek, giving him a scar just like Inigo's]
Inigo Montoya: Offer me money.
Count Rugen: Yes!
Inigo Montoya: Power, too, promise me that.
[He slashes his other cheek]
Count Rugen: All that I have and more. Please ...
Inigo Montoya: Offer me anything I ask for.
Count Rugen: Anything you want ...
[Rugen knocks Inigo's sword aside and lunges. But Inigo traps his arm and aims his sword at Rugen's stomach]
Inigo Montoya: I want my father back, you son of a bitch! — William Goldman

For four days straights, I sit at my typewriter in my bedroom. Twenty of my typed pages, full of slashes and red-circled edits, become thirty-one in thick Strathmore white. — Kathryn Stockett

REBEL
by Tatyana Dias
I have the might of separating the fight between darkness and light.
With ashes that surpasses my sight, crime in time slashes, isolating my rights.
I speak with my eyes, and visualize with my mind.
I'm on a quest that has left me possessed and stressed 'cause I envy the blessed and pity the depressed.
You can whip me, strip me, crucify me to a cross; my imagination within my deepest destination will not fall! — Susane Colasanti

For instance, in one play the palace of Lord Hosokawa, in which was preserved the celebrated painting of Dharuma by Sesson, suddenly takes fire through the negligence of the samurai in charge. Resolved at all hazards to rescue the precious painting, he rushes into the burning building and seizes the kakemono, only to find all means of exit cut off by the flames. Thinking only of the picture, he slashes open his body with his sword, wraps his torn sleeve about the Sesson and plunges it into the gaping wound. The fire is at last extinguished. Among the smoking embers is found a half- consumed corpse, within which reposes the treasure uninjured by the fire. Horrible as such tales are, they illustrate the great value that we set upon a masterpiece, as well as the devotion of a trusted samurai. — Okakura Kakuzo

Cold has a thousand ways of moving in the world: on the sea it gallops like a troop of horses, on the countryside it falls like a swarm of locusts, in the cities like a knife-blade it slashes the streets and penetrates the chinks of unheated houses. — Italo Calvino

One of the arguments that authoritarian governments use to ward off the call for greater political freedom is to argue that American-style democracy is no guarantee of good policy ... Over the years, I've grown used to these arguments, and my response has rarely wavered: Sure, we might make dumb choices sometimes, but we will defend, to the end, the right to make choices at all, because we believe that our collective conscience, freely expressed, will eventually lead us in the right direction. When it comes to guns, it is getting harder to muster that argument abroad. Every new shooting, every new failure of will and citizenship, slashes another hole in our credibility as a way of life. — Evan Osnos

In the years since The Life and Extraordinary Adventures of Private Ivan Chonkin, Voinovich has sharpened his satire, and Monumental Propaganda is a novel that slashes and rips
but not on every page. He expands his narrative to accommodate shrewd philosophy and inventive portraiture, a very amusing disquisition on Soviet latrines and a number of outlandish plot developments. In his translation, Andrew Bromfield deftly shifts his tone and tools as required, remaining true to Voinovich's Vonnegut-like playfulness and appreciation of the absurd. — Ken Kalfus

The child affixes one of her little pictures to my refrigerator.
She asks, Can you detect the radiation?
There is a house, one tree, and grass in dark slashes. A sun
shining. Beneath, in her child letters, she has written Chernobyl.
At kindergarten they must be having nuclear energy week.
One could look at the picture and say everything is in order.
No, I say, I cannot see the radiation.
The radiation poison, she says, sits
inside the apple and the apple looks pretty. Then singsongs,
Bury the apple and bury the shovel that buried the apple
and put the apple-burier person in a closet forever.
We are both thinking Then bury the burier.
Both thinking of her picture with no people.
The poison sits inside the people and the people
still look pretty, she says. — Darcie Dennigan

That's when I got it. The rough canvas. God paints our bodies over that, over our heart and soul. It's the eyes that tell us what we're really seeing, what's underneath. So all I painted in the picture were greens. Patterns, random slashes, shapes over shapes, shadows, emotions, it's all there. — Joey W. Hill

The dark breaks wide in fragile rays. Dawn on Ithiss-Tor is more subtle than other sunrises. I have lost count of the worlds where I have stood and watched the light rise, peeling away the sky, sometimes in quiet colors, and sometimes in raw, violent slashes, as if the goddess I don't believe in has cut her veins. And sometimes, as on Gehenna, the sky changes not at all, just endless night, or endless brilliance
and after a time, the constant uniformity makes you feel as if you are the thing that must give way. — Ann Aguirre

Every first-rate editor I have ever heard of reads, edits and rewrites every word that goes into his publication ... Good editors are not 'permissive'; they do not let their colleagues do 'their thing'; they make sure that everybody does the 'paper's thing.' A good, let alone a great editor is an obsessive autocrat with a whim of iron, who rewrites and rewrites, cuts and slashes, until every piece is exactly the way he thinks it should have been done. — Peter Drucker

She was not unacquainted with these sudden shocking illuminations, but they were among those experiences which are ever-new - like love, orgasms, or barking your shin. You never really got used to them.
This one wasn't the light that cleaves the darkness, the one bright shining truth that slashes through the murk and banishes all doubt, the divine radiance that heals all wounds before plodding Father Time gets his boots on. She had no faith in those counterfeit notions, though it wasn't the thing itself that was false. It was the yearning for it - the yearning that must cleave to something (anything) because it was bright, not because it was true; that confused letting go with running away; that believed healing was the mere dead absence of pain. — Owen R. O'Neill

The plastic surgeon's knife slashes at time, which may seem to retreat, but then keeps on coming. — Mason Cooley

The heavy scent of perfume and the red slashes of lipstick, so strong in the fifties, revolted me. For a time I resented her. She was the messenger and also the message — Patti Smith

I guess you could say there are two Slashes. There's the crazy, rock-and-roll Slash, he's wild. And then there's the real Slash- he collects miniature soaps and treats his hookers real nice. — Slash

I glanced down at the floorboards again and was finally able to make out the craved words without Raymond's shadow darkening the floor. In large unsteady slashes, it read: Nunzio & Michael '94. — Santino Hassell

A great free joy surges through me when I work ... with tense slashes and a few thrusts the beautiful white fields receive their color and the work is finished in a few minutes. — Clyfford Still

I tended to find lines of poetry beautiful only when I encountered them quoted in prose, in the essays my professors had assigned in college, where the line breaks were replaced with slashes, so that what was communicated was less a particular poem than the echo of poetic possibility. Insofar as I was interested in the arts, I was interested in the disconnect between my experience of actual artworks and the claims made on their behalf; the closest I'd come to having a profound experience of art was probably the experience of this distance, a profound experience of the absence of profundity. — Ben Lerner

Literature is that which denounces and slashes apart the repressing machine at the level of the signified. — Kathy Acker

Night from a railroad car window
is a great, dark, soft thing
Broken across with slashes of light. — Carl Sandburg

In idyllic small towns I sometimes see teenagers looking out of place in their garb of desperation, the leftover tatters and stains and slashes of the fashion of my youth. For this phase of their life, the underworld is their true home, and in the grit and underbelly of a city they could find something that approximates it. Even the internal clock of adolescents changes, making them nocturnal creatures for at least a few years. All through childhood you grow toward life and then in adolescence, at the height of life, you begin to grow toward death. This fatality is felt as an enlargement to be welcomed and embraced, for the young in this culture enter adulthood as a prison, and death reassures them that there are exits. "I have been half in love with easeful death," said Keats who died at twenty-six and so were we, though the death we were in love with was only an idea then. — Rebecca Solnit

Enzo looks up at me. Suddenly, the blackness in his eyes seems to fade, replaced by the familiar warm brown of his irises, the red slashes, the glow of life. I see a hint of his old self there, fighting through the darkness of the Underworld to gaze at me one last time. It is the look he'd given me when we used to dance.
This is the real Enzo.
"Let me go," he whispers. It is his voice. It is the voice that once comforted me, gave me strength. And as I try to take in his words, the final tendrils of the tether linking us unravel from around my heart, freeing me. — Marie Lu

After a long time, one small hand moved, slowly, tentatively, tracing the feathers falling around her, stroking the black slashes along one huge wing. She didn't ask where he'd gotten them, didn't ask why they mimicked the marks on his shoulder. She didn't ask, just kept running her soft fingers through the down, along the spines ...
"How long will they last?"
"A few hours," he said hoarsely. He should tell her, he thought, that the feathers weren't just a projection. That for the moment for however long the Irin's essence held out, they were an innate, physical part of him. And that her fingers stroking along the marks felt just like they once had, moving over his scars. He ought to tell her, ought to ask her to stop. It's what a gentleman would do, he knew that. But then he was half demon. And tonight, he thought maybe he'd just go with that.
"They're nice," she murmured, pulling one around her.
"Yes." One hand tightened in her thick soft hair. "Yes. — Karen Chance

Come here, he said. Rebeca obeyed. She stopped beside the hammock in an icy sweat, feeling knots forming in her intestines, while Jose Arcadio stroked her ankle with the tips of his fingers, then her calves, then her thighs, murmuring: Oh, little sister, little sister. She had to make a supernatural effort not to die when a startlingly regulated cyclonic power lifted her up by the waist and despoiled her of her intimacy with 3 slashes of its claws and quartered her like a little bird. She managed to thank God for having been born before she lost herself in the inconcievable pleasure of that unbearable pain ... — Gabriel Garcia Marquez

I admire one to my left, the bronze sun is behind him as he falls, silhouetting him, immortalizing him in that singular moment - one I know I shall never forget - so that he looks like a Miltonian angel falling with wrath and glory. His exoskeleton sheds its friction armor, as Lucifer might have shed the fetters of heaven, feathers of flame peeling off, fluttering behind. Then a missile slashes the sky and high-grade explosives christen him mortal once again. — Pierce Brown

Often touching ... Monumental Propaganda is a novel that slashes and rips ... In his translation, Andrew Bromfield deftly shifts his tone and tools as required, remaining true to Voinovich's Vonnegut-like playfulness and appreciation of the absurb. — Ken Kalfus