Situation And Story Quotes & Sayings

The practical life of a vast number of people is not, as a matter of fact, worth while at all. It is like an impressive fur coat with no one inside it. One sees many of these coats occupying positions of great responsibility. Hans Andersen's story of the king with no clothes told one bitter and common truth about human nature; but the story of the clothes with no king describes a situation just as common and even more pitiable. — Evelyn Underhill

Speak sooner to sweet spot of shared interest to cultivate a meaningful connection, first step to creating something greater together.
Share the story in which others see a role they want to play so they'll re- share it to make it "our" story
Whoever most vividly characterizes a situation usually determines how others see it, talk about it, and make decisions about it — Kare Anderson

I have always enjoyed dealing with a slightly surrealistic situation and presenting it in a realistic manner. I've always liked fairy tales and myths, magical stories. I think they are somehow closer to the sense of reality one feels today than the equally stylized 'realistic' story in which a great deal of selectivity and omission has to occur in order to preserve its 'realist' style. — Stanley Kubrick

I think that if you're serving yourself before you're serving a story then that's where you end up being not funny. It's not about being funny, it's about telling a story and then the comedy comes out of the situation, I think. — Zooey Deschanel

To me, it's so much about doing your homework, going into a situation, getting to know the subject, making them feel comfortable, getting intimate access, getting access to all different aspects of people's lives so that I am essentially telling an entire story and not just a single image. — Lynsey Addario

I had wanted to be a novelist for so long, but I didn't have a story. That story came from the death of my father, and wrestling with how to help my mother. Writing it allowed me to work through my fears, frustrations and desires. I wanted control over the situation. And I wasn't sure I would have any in real life. — Robert Crais

I always set out to tell a good story, to create a character that young people can relate to, place them in a situation that will be interesting, intriguing, eventually suspenseful. But what I find is that after I do that, then there are themes that emerge, which teachers can then use to provoke discussion and debate. — Lois Lowry

I'm not saying that you should deny the difficult events of your life. But the fact that you survived is also a wonderful story to tell. And that story, the story of the way you came through a difficult situation, found resources within yourself or outside of yourself, gleaned from that experience what you wanted and what you didn't want going forward - that is a story that can inspire you and others to heal and grow. — Golda Poretsky

What NYU tried to teach had no relation whatsoever with the reality of what making a film is like. You cannot teach someone aesthetics. What you can do is say, "If you were in this situation and this is the kind of story you wanted to tell, here are a couple of ways you could try to make things work." But they didn't really do that. I did my three years there, and I have said at times that besides my childhood, going to NYU was the single most destructive experience of my life. It took me eight years to recover.
~Tom Dicillo — Nicholas Jarecki

If you're not pursuing a dangerous quest with your life, well, then, you don't need a Guide. If you haven't found yourself in the midst of a ferocious war, then you won't need a seasoned Captain. If you've settled in your mind to live as though this is a fairly neutral world and you are simply trying to live your life as best you can, then you can probably get by with the Christianity of tips and techniques. Maybe. I'll give you about a fifty-fifty chance. But if you intend to live in the Story that God is telling, and if you want the life he offers, then you are going to need more than a handful of principles, however noble they may be. There are too many twists and turns in the road ahead, too many ambushes waiting only God knows where, too much at stake. You cannot possibly prepare yourself for every situation. Narrow is the way, said Jesus. How shall we be sure to find it? We need God intimately, and we need him desperately. — John Eldredge

The germ of a story is a new and simple element introduced into an existing situation or mood. — Malcolm Cowley

We learn through stories and scenarios, and this book is all about stories and scenarios. The purpose of the scenarios in this book is to help you understand some typical situations that confront middle school kids and how you can address each situation. Each scenario has a story told from the multiple points of view of those most affected by the story's situation - by the kid, by the parents, by the teachers, and sometimes by a principal or other adult. — Dr. Kid Brain

1. What more do I need to learn and understand about the situation? 2. What more do I need to learn and understand about the other people in the story? 3. What more do I need to learn and understand about myself? — Brene Brown

I'm not like a Sears Catalog of ideas. I don't have that many ideas. I've more or less written them over the years. Usually, I come up with a situation or a character, and it rattles around in my head until the story or the plot emerges. — Brian Helgeland

As little children we readily accept the first story we're given at home, or school, or church. We're told stories of nationalism, religion, racism, politics, and family. All too often we accept them before we learn to weigh them against other views. And all too often we're inclined to accept these (or other) frozen views rather than see each situation for what it is. — Steve Hagen

Being bold and adventurous and being sad and cautious seem like opposite personality types. However, these two paths to addiction are actually not mutually exclusive. The third way involves having both kinds of traits, where people alternatively fear and desire novelty and behavior swings from being impulsive and rash to being compulsive, fear driven, and stuck in rigid patterns. This is where some of the contradictions that have long confounded the study of addiction come into play - namely, some aspects seem precisely planned out, while others are obviously related to lack of restraint. My own story spirals around this paradoxical situation: I was driven enough to excel academically and fundamentally scared of change and of other people - yet I was also reckless enough to sell cocaine and shoot heroin. — Maia Szalavitz

I heard a story about a woman who grew up in Texas. When she was having trouble in her life, she would visit her grandmother, who lived nearby and always had a kind word and some wisdom to pass on. One day she was complaining to her grandmother about some situation and her grandmother just turned to her, smiled sadly, and said, "Sometimes, darlin', you've just got to rise above yourself in this life." I've remembered that wise advice many times as I've faced trouble in my life. — William Hudson O'Hanlon

Maybe because I began as a writer, I have a good ear for dialogue, and maybe being an English major - and that I also read a lot as a kid - if I hear somebody say something that I think's funny, or I find a situation or story, I'll try to work that into the movie. — Owen Wilson

Like most of us, Shane Niemeyer likes to test his limits. THE HURT ARTIST gave me an entirely different perspective on just how far he fell before becoming an Ironman. His life story deserves to be told and demonstrates what perseverance can do for anyone no matter how hopeless they may feel their situation is. You may never compete in an Ironman Triathlon, but Shane shows how anyone can overcome any obstacle and pursue their dream with passion. — Craig Alexander

Our best moral stories don't tell us what is right or wrong in every situation, but they show us what one character did in one situation at one time. Readers, viewers, and listeners are supposed to extrapolate the moral meaning from the story. We're not supposed to have it handed to us. — Jonathan D. Fitzgerald

Love cannot pain, desire can. — Nilesh Rathod

Scattered across the Roman Empire, it was only natural for the gospel writers to distance themselves from the Jewish independence movement by erasing, as much as possible, any hint of radicalism or violence, revolution or zealotry, from the story of Jesus, and to adapt Jesus's words and actions to the new political situation in which they found themselves. — Reza Aslan

In the third section, A Discussion, people discuss what The Story meant to them and how they are going to use it in their work and in their lives. Some readers of this book's early manuscript preferred to stop at the end of The Story, without reading further, and interpret its meaning for themselves. Others enjoyed reading A Discussion that follows because it stimulated their thinking about how they might apply what they'd learned to their own situation. Everyone knows that not all change is good or even necessary. But in a world that is constantly changing, it is to our advantage to learn how to adapt and enjoy something better. In any case, I hope each time you re-read Who Moved My Cheese? you will find something new and useful in the brief story, as I do, and that it will help you deal with change and bring you success, whatever you decide success is for you. I hope you enjoy what you discover, and I wish you well. — Spencer Johnson

the strategic situation foreseen by Robert Heinlein in the death dust story was like "a duel in a vestibule with flamethrowers," anticipating mutual assured destruction and its acronym quite nicely. Tolstoy famously — Gregory Benford

I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room ... you stumble around until you find the walls and then inch your way to the light switch. — Dan Chaon

These tales, without exception, express the truth that justice triumphs in the end. They all contain the idea that it is worth while to fight for the truth, in any situation.
In this fight man is assisted by more powerful beings than ordinary mortals. And the triumph of justice is the only sense and consolation in this world. Indeed, the world itself started out with this hope. The human race received it long, long ago as a cradle-song. — Gyula Illyes

The story of Christian reformation, revival, and renaissance underscores that the darkest hour is often just before the dawn, so we should always be people of hope and prayer, not gloom and defeatism. God the Holy Spirit can turn the situation around in five minutes. — Os Guinness

The only thing worth writing about is people. People. Human beings. Men and women whose individuality must be created, line by line, insight by insight. If you do not do it, the story is a failure. [ ... ] There is no nobler chore in the universe than holding up the mirror of reality and turning it slightly, so we have a new and different perception of the commonplace, the everyday, the 'normal', the obvious. People are reflected in the glass. The fantasy situation into which you thrust them is the mirror itself. And what we are shown should illuminate and alter our perception of the world around us. Failing that, you have failed totally. — Harlan Ellison

Fantasy allows you bend the world and the situation to more clearly focus on the moral aspects of what's happening. In fantasy you can distill life down to the essence of your story. — Terry Goodkind

Our peaceful hearts change the situation, disrupting the story in which hate comes naturally and offering an experience that suggests a new one. — Charles Eisenstein

It was Jesus who gave me peace when the shark severed my arm. I trust in Jesus whenever I'm going through a hard time. I see all the beautiful things that have come out of my situation. I'm able to share my story with young girls who have few role models, and I can help others cope with what they have been through. — Bethany Hamilton

Nothing funny about happy people. I don't know, you just look at a situation or a life, and you can kind of pick up the areas of conflict and delve in there, because that's where the most story is. If someone's happily married for 20 years, that's great, but it's not that funny. — Kate Beaton

Every work [of literature] has both a situation and a story. The situation is the context or circumstance, sometimes the plot; the story is the emotional experience that preoccupies the writer: the insight, the wisdom, the thing one has come to say — Vivian Gornick

A story, meanwhile, fills out the picture. It uses data, statistical or otherwise, to portray a sense of magnitude; without data, we have no idea how a story fits into the larger scheme of things. A good story also includes the passage of time, to show the degree of constancy or change; without a time frame, we can't judge whether we're looking at something truly noteworthy or just an anomalous blip. And a story lays out a daisy chain of events, to show the causes that lead up to a particular situation and the consequences that result from it. — Steven D. Levitt

There is one story about letters. A perpetually cheerful Frog pays a visit to Toad but finds Toad glum, sitting on his front porch.
"This is my sad time of day," says Toad, "when I wait for the mail to come."
"Why is that?" says Frog.
"No one has ever sent me a letter. My mailbox is always empty. That is why waiting for the mail is a sad time for me."
Then Frog and Toad sit "on the porch, feeling sad together."
Frog rescues the situation by running home, writing a letter to Toad, and sending it literally by snail mail. The little snail brings it four days later.
Even though Toad saw Frog every day, he longed for the strangeness, the otherness of a letter, for something to come from out there and address him, "Dear Toad." Is that the thrill I feel finding a letter from you in my box? The address of a friend is made into a physical fact and every letter an artifact of the otherwise invisible communion of friendship. — Amy Andrews

There are, I think, four distinct types of weird story: one expressing a mood or feeling, another expressing a pictorial conception, a third expressing a general situation, condition, legend or intellectual conception, and a fourth explaining a definite tableau or specific dramatic situation or climax. — H.P. Lovecraft

The amateur study of philosophy is like taking a few laps with a NASCAR driver. You're not qualified to do it on your own, you have no business behind the wheel, but for a few laps or paragraphs, you're right in there with 'em, and when it's all over, you've learned something. Or, as my local fire chief once said, you've simply exasperated the situation. — Michael Perry

We were required to predict a soldier's performance in officer training and in combat, but we did so by evaluating his behavior over one hour in an artificial situation. This was a perfect instance of a general rule that I call WYSIATI, "What you see is all there is." We had made up a story from the little we knew but had no way to allow for what we did not know about the individual's future, which was almost everything that would actually matter. When you know as little as we did, you should not make extreme predictions like "He will be a star." — Daniel Kahneman

We have created a mindset in our society where everyone wants what they want when they want it. And if we don't get what we want when we want it, we feel ripped off. To make matters worse, we intensify our problems by continuously rehashing our woe-is-me story to the entire world. Whatever it is that has the potential to keep you from enjoying the day, understand that it's not the situation itself that is causing you to be unhappy. It's your thoughts and how you allow them to control you. It's what you choose to focus on that fuels your emotions and defines your reality. — Steve Rizzo

I grew up in Inglewood, L.A., and South Central. I was always humbled by my situation. I would go on set and come home to my neighborhood and my block to my friends, and it would be a whole other story. — Brandon Adams

Plot is, I think, the good writer's last resort and the dullard's first choice. The story which results from it is apt to feel artificial and labored. I lean more heavily on intuition, and have been able to do that because my books tend to be based on situation rather than story. Some of the ideas which have produced those books are more complex than others, but the majority start out with the stark simplicity of a department store window display or a waxwork tableau. I want to put a group of characters (perhaps a pair; perhaps even just one) in some sort of predicament and then watch them try to work themselves free. My job isn't to help them work their way free, or manipulate them to safety - those are jobs which require the noisy jackhammer of plot - but to watch what happens and then write it down. — Stephen King

Eva is a story of repetition. It is a story where our protagonist faces the same situation many times over and determinedly picks himself back up again. It is a story of the will to move forward, even if only a little. It is a story of the resolve to want to be together, even though it is frightening to have contact with others and endure ambiguous loneliness. I would be most gratified if you found enjoyment in these four parts as it takes the same story and metamorphoses it into something different. — Hideaki Anno

I think of my father born in this very small, limited situation and then coming out of that. Many people have this story. — Anne Waldman

I need to give you one last bit of advice in the off chance this rather extraordinary and enviable situation in which you find yourself is actually true- that somehow you've fallen deep down into a Cordova story. I stared back at him. Be the good guy, he said. How do I know I'm the good guy? He pointed at me, nodding. A very wise question. You don't. Most bad guys think they're good. But there are a few signifiers. You'll be miserable. You'll be hated. You'll fumble around in the dark, alone and confused. You'll have little insight as to the true nature of things, not until the very last minute, and only if you have the stamina and the madness to go to the very, very end. But most importantly- and critically- you will act without regard for yourself. You'll be motivated by something that has nothing to do with the ego. You'll do it for justice. For grace. For love. Those large rather heroic qualities only the good have the strength to carry on their shoulders. And you'll listen. — Marisha Pessl

in fact, while I was sitting there, listening to all the voices painting the quiet living room, the situation reminded me, somewhat, of a movie I once saw; it was called Rashomon, and at the end of it, for some reason, I cried; I remember that I didn't want the movie to end, to resolve itself in any way at all; I wanted the movie just to keep going, to keep coming up with more versions of its story, to keep producing more characters so they could add their takes on the tale; so I was really upset when the film felt the need to come to a conclusion and the lights came up; I remember walking home holding my fist to my mouth, to keep my crying from lathering out; — Evan Dara

What really grabs me is when a reader writes to express her personal story and how a book helped her situation, or her acceptance of a situation she can't change. I read some sad cases in my snail and electronic mail. I respond to all I can, affirming that they are the true heroes of life because they are fighting through adversity and surviving. — Lurlene McDaniel

Means seeing both sides of the story and working towards a mutually beneficial situation for everyone. — Donald J. Trump

And what a story. The first thing that drew me in was disbelief. What? Humanity sins but it's God's Son who pays the price? I tried to imagine Father saying to me, 'Piscine, a lion slipped into the llama pen today and killed two llamas. Yesterday another one killed a black buck. Last week two of them ate a camel. The situation has become intolerable. Something must be done. I have decided that the only way the lions can atone for their sins is if I feed them you.' ... 'Yes, Father, that would be the right and logical thing to do. Give me a moment to wash up'. What a downright weird story. What a peculiar psychology. — Yann Martel

I'm not tied to budgets. I'm tied to the story that I want to tell, and how much it's going to cost is up to whatever the economic situation of the studio is. — Brett Ratner

There's a huge difference between I screwed up (guilt) and I am a screwup (shame). The former is acceptance of our imperfect humanity. The latter is basically an indictment of our very existence. It's always helpful to remember that when perfectionism is driving, shame is riding shotgun. Perfectionism is not healthy striving. It is not asking, How can I be my best self? Instead, it's asking, What will people think? When looking at our own stories, we can benefit from wondering: Did something happen in this story that left me feeling like my cover was blown, revealing that I'm really not what I want people to think I am? Did my pretend/please/perfect/perform/prove house of cards come tumbling down? For those of us who struggle with perfectionism, it's not difficult to find ourselves in a situation similar to Andrew's, one where we look back and think, I got sucked into proving I could, rather than stepping back and asking if I should - or if I really even wanted to. — Brene Brown

When you're focused outside and believe that your problem is caused by someone else, rather than by your attachment to the story you're believing in the moment, then you are your own victim, and the situation appears to be hopeless. — Byron Katie

A Chinese saying describes it well: "As far away as the horizon, and right in front of your face." You can run toward it forever, run faster and faster, and never get any closer. Only when you stop do you realize you are already there. That is exactly our collective situation right now. All of the solutions to the global crisis are sitting right in front of us, but they are invisible to our collective seeing, existing, as it were, in a different universe. When we are trapped in a story, we can only do the things that that story can recognize. Often we are aware of being trapped (the old story is ending) but don't have access to any alternative (we haven't yet inhabited a new story). — Charles Eisenstein

The situation on Earth today is too dire for us to act from habit - to reenact again and again the same kinds of solutions that brought us to our present extremity. Where does the wisdom to act in entirely new ways come from? It comes from nowhere, from the void; it comes from inaction. When we see it, we realize it was right in front of us all along. It is never far away; yet at the same time it is in a different universe - a different Story of the World. — Charles Eisenstein

Any fiction should be a story. In any story there are three elements: persons, a situation, and the fact that in the end something has changed. If nothing has changed, it isn't a story. — Malcolm Cowley

This was hopeless. In a novel, Adrian wouldn't just have accepted things as they were put to him. What was the point of having a situation worthy of fiction if the protagonist didn't behave as he would have done in a book? Adrian should have gone snooping, or saved up his pocket money and employed a private detective; perhaps all four of us should have gone off on a Quest to Discover the Truth. Or would that have been less like literature and too much like a kids' story? — Julian Barnes

Dark, was banned by the Irish state censor for obscenity. The story was set, as so much of McGahern's later fiction would be, in isolated rural Ireland and dealt with the bleak consequences of parental and clerical child abuse. On the instructions of the Archbishop of Dublin, McGahern was sacked from his job as a primary school teacher. He later left the country. Despite these apparent setbacks, McGahern's literary friends reassured him that all this was a wonderful opportunity in terms of publicity and sales. Remember Joyce and Beckett being forced overseas? This was Irish literary history repeating itself, and preparations were soon being made to mount a campaign against the anachronistic and widely derided censorship laws with McGahern as the figurehead.
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McGahern agreed that the situation was indeed absurd, and says that even as an adolescent reader he had nothing but contempt for the censorship board. — John McGahern

When my lady and I sit down and watch TV, I find she gets annoyed at characters because they don't do what she would do in the situation. I'm always like, 'Well, she has to do that because that's what the story is.' — Dallas Roberts

You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to. — Richard Dean Anderson

If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened. — Eva Fuka

In any situation that calls for you to persuade, convince or manage someone or a group of people to do something, the ability to tell a purposeful story will be your secret sauce. Telling to win through purposeful stories is situation, industry, gender, demographic, and psychographic-agnostic. It's an all-purpose, everyone wins tool. — Peter Guber

TAKE A SUBJECT, a situation, a story that is hard for you to talk about, and write about it. Write slowly, evenly, in a measured way. Don't skip over any part of it. Stay in there. It might take you several days, a week, a month to write out the whole thing. Continue to work on it every day until it is finished. — Natalie Goldberg

It had seemed a funny story as she told it, both that morning by the waterfall and later at dinner, when she repeated it to the photographer and the agency man and the fashion coordinator for the client. Maria tried now to put what happened in Encino into the same spirited perspective, but Ceci Delano's situation seemed not to apply. In the end it was just a New York story. — Joan Didion

With Partition, in 1947, Roy writes, "God's carotid burst open on the new border between India and Pakistan and a million people died of hatred. Neighbours turned on each other as though they'd never known each other, never been to each other's weddings, never sung each other's songs." The consequences of that terrible event form the main story of "The Ministry of Utmost Happiness. — Arundhati Roy

The greatest damage done by neglect, trauma or emotional loss is not the immediate pain they inflict but the long-term distortions they induce in the way a developing child will continue to interpret the world and her situation in it. All too often these ill-conditioned implicit beliefs become self-fulfilling prophecies in our lives. We create meanings from our unconscious interpretation of early events, and then we forge our present experiences from the meaning we've created. Unwittingly, we write the story of our future from narratives based on the past ... Mindful awareness can bring into consciousness those hidden, past-based perspectives so that they no longer frame our worldview.'Choice begins the moment you disidentify from the mind and its conditioned patterns, the moment you become present ... Until you reach that point, you are unconscious.' ... In present awareness we are liberated from the past. — Gabor Mate

For me, when I see movies where I kind of know who the characters are and what the situation is, I get bored. To me, it's, "How do I tell a story that will keep the audience engaged?" A great story does that: it's not exactly what you expect. — Richard Shepard

Writing a story is pretty all-consuming for me - it feels a lot like method acting, and for the eight or twelve or fifteen months that I'm working on a story, I'm constantly thinking about how my narrator would react to whatever tangled situation I'm in. — Molly Antopol

I've had that situation where I start writing somebody really miserable, and in order to make the story come alive, I have to give them a vote of confidence, make him vulnerable or wounded. But in real life, you often meet people who, in that particular moment, actually shouldn't get a vote of confidence. — George Saunders

Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation. This is what I try to tell my students: this is one great thing that literature can do - it can make us identify with situations and people far away. — Chinua Achebe

While we may judge things as good or bad, karma doesn't. It's a simple case of like gets like, the ultimate balancing act, nothing more, nothing less. And if you're deteremined to fix every situation you deem as bad, or difficult, or somehow unsavory, then you rob the person of their own chance to fix it, learn from it, or even grow from it. Some things, no matter how painful, happen for a reason. A reason you or I may not be able to grasp at first sight, not without knowing a person's entire life story - their cumulative past. And to just barge in and interfere, no matter how well-intentioned, would be akin to robbing them of their journey. Something that's better not done. — Alyson Noel

Because jurors have an extraordinary amount of power over the situation and of the people and the story in front of them, they tend to pay pretty intense attention to what's happening. — Zephyr Teachout

There are certain children who are told they are too sensitive, and there are certain adults who believe sensitivity is a problem that can be fixed in the way that crooked teeth can be fixed and made straight. And when these two come together you get a fairytale, a kind of story with hopelessness in it.
I believe there is something in these old stories that does what singing does to words. They have transformational capabilities, in the way melody can transform mood.
They can't transform your actual situation, but they can transform your experience of it. We don't create a fantasy world to escape reality, we create it to be able to stay. I believe we have always done this, used images to stand and understand what otherwise would be intolerable. — Lynda Barry

And in a situation of war, we all experience it in much the same way, either as victim or perpetrator. So I'm not narrating a particular story. I'm just addressing experiences. — Doris Salcedo

I was inspired to write Countdown 'til Daddy Comes Home when I searched for books to help my 4 year daughter cope with her father deploying to Afghanistan and found nothing that quite fit our situation. My book is not only a great story for kids it has real suggestions for parents on how to keep you family connected during deployments or frequent business travel. — Kristin Ayyar

A lot of times as writers, you want to come up with the best possible story, and you bend it according to what you want to happen. I think one of the things that I always try to think about is what would really happen in a situation, what feels real. — Jason Katims

There was once a country ruled by a king and queen who loved different things. The king loved cats and the queen loved birds. And just as cats and birds never get along, so it was that the king and queen never got along. And everyone in the country suffered as a result. In short, it was not a very pretty situation. — Kristin Kladstrup

My creative workday starts with strong breakfast tea and a few minutes of journaling, both of which help me get my head in the story. So much of story-building for me involves immersing myself in the character and situation I'll be working on, just the way an actor does when playing a role. — Therese Fowler

When I'm writing a story, which takes me a year or more, I can feel my character living with me - they're responding to whatever funny, familial, or social situation I'm in, and I think about their responses constantly. — Molly Antopol

Marty [Scorsese] knows that when an improvised moment comes out of a real situation, it's gonna have more life and more going on than anything you can imagine and that's how the character can become the story — Leonardo DiCaprio

I'll take a certain concern of my own or a situation and try to frame it around a fictional story, but sometimes just straight-up autobiographical songs work well, and sometimes a story is better. I like stories. I like to hear them. I don't think there are enough of them in songs anymore. — Jason Isbell

Sometimes opinions should kept to ones self, but not in appropriate situations. Be the judge of the appropriate situation, and be prepared for backfire. Moral of the story; if everyone doesn't agree, then prepare for them to lash out in disagreement. — Liam McGrath

Well, we try to - we definitely try to have a balance. And I think things have gotten a lot better at Pixar. When we did "Toy Story," that was an all hands on deck situation that really was time intensive. — Pete Docter

Be Willing to Pay the Price If people knew how hard I had to work to gain my mastery, it wouldn't seem wonderful at all. MICHELANGELO Renaissance sculptor and painter who spent 4 years lying on his back painting the ceiling of the Sistine Chapel Behind every great achievement is a story of education, training, practice, discipline, and sacrifice. You have to be willing to pay the price. Maybe that price is pursuing one single activity while putting everything else in your life on hold. Maybe it's investing all of your own personal wealth or savings. Maybe it's the willingness to walk away from the safety of your current situation. But though many things are typically required to reach a successful outcome, the willingness to do what's required adds that extra dimension to the mix that helps you persevere in the face of overwhelming challenges, setbacks, pain, and even personal — Jack Canfield

What we're really trying to tell, even though it's very much a genre show, is a very human story. Even in this heightened situation, it still comes down to people being people, and dealing with people as people. It really is about the seven people in that town. — Remi Aubuchon

It's very important that people take back their minds and that people analyse our dilemma in the context of the entire human story from the descent onto the grassland to our potential destiny as citizens of the galaxy and the universe. We are at a critical turning point and, as I say; the tools, the data that holds the potential for our salvation is now known, it is available: it is among us, but it is misrepresented, it is slandered, it is litigated against, and it's up to each one of us to relate to this situation in a fashion that will allow us to answer the question that will surely be put to us at some point in the future, which is: What did you do to help save the world? — Terence McKenna

It is necessary to know that Cole is a neat-freak. They are both exhausted after a medical situation happens in the story. This is not part of the quote.
"Cole sat at the head of the table at a right angle to Rhyne. He snapped his napkin open and tucked one corner into the collar of his shirt. When Rhyne looked at him in surprise, he said, "You're too busy to do more laundry. I thought I'd try to keep my shirts reasonably clean."
Rhyne continued to stare at him.
"What?" he asked, looking down at himself. "Have I already spilled something?"
"My heart," she said feelingly. "All over you. — Jo Goodman

Demanding recognition for something you did and getting angry or upset if you don't get it; trying to get attention by talking about your problems, the story of your illnesses, or making a scene; giving your opinion when nobody has asked for it and it makes no difference to the situation; being more concerned with how the other person sees you than with the other person, which is to say, using other people for egoic reflection or as ego enhancers; trying to make an impression on others through possessions, knowledge, good looks, status, physical strength, and so on; bringing about temporary ego inflation through angry reaction against something or someone; taking things personally, feeling offended; making yourself right and others wrong through futile mental or verbal complaining; wanting to be seen, or to appear important. — Eckhart Tolle

'Watchmen' is a politically charged story, and it explores exactly what a hero is, how the world would treat them and how they would react. It was the first time I read a superhero story that explored that situation. These are very real people with very real problems. — Gerard Way

Winslow says I don't understand plotting and probably I don't - I have been congratulated many times on the skill shown in my plotting when I knew damn well that the story in question had not been plotted in advance at all. My notion of a story is an interesting situation in which a human being has to cope with a problem, does so, and thereby changes his personality, character, or evaluations in some measure because the coping has forced him to revise his thinking. How h copes with it I can't plot because that depends on his character, and I don't know his what his character is until i get acquainted with him. When I can "hear the character talk" then I'm all right - he works out his own salvation. — Robert A. Heinlein

If you do not have an alert and curious interest in character and dramatic situation, if you have no visual imagination and are unable to distinguish between honest emotional reactions and sentimental approaches to life, you will never write a competent short story. — Edward Joseph Harrington O'Brien

The Perpetrator's Narrative: The story begins with the harmful act. At the time I had good reasons for doing it. Perhaps I was responding to an immediate provocation. Or I was just reacting to the situation in a way that any reasonable person would. I had a perfect right to do what I did, and it's unfair to blame me for it. The harm was minor, and easily repaired, and I apologized. It's time to get over it, put it behind us, let bygones be bygones. The — Steven Pinker

As we mentioned once before, we are trying to take a neutral path between the North and South. We find ourselves in a situation that cannot help but give our books a 'Northern' tinge. For some reason, while the South turned out much colorful story material on the war, the North seems to have documented the actual history of the war a lot more completely. — Harvey Kurtzman

There is a Zen story about a man riding a horse that is galloping very quickly. Another man, standing alongside the road, yells at him, "Where are you going?" and the man on the horse yells back, "I don't know. Ask the horse." I think that is our situation. We are riding many horses that we cannot control. — Thich Nhat Hanh

I didn't use anybody's story. I used the context and the structure of the situation. People were so, so desperate to tell their story and begin to digest their experience - like turning it into a story - that after the fist few weeks I could go with a pad and pencil and take notes. People didn't seem at all bothered by that. — Chuck Palahniuk

It's an unfortunate situation. After such a great play I felt like I got hit late, no flag, broke my hand. That's it. That's pretty much been the story for the past three weeks, and obviously at some point something catastrophic was going to happen, and I broke my hand. — Michael Vick

He yelled at the kid: "Stay here, don't go anywhere." He came out, said everything was okay, called over the squad commander from the checkpoint, stood facing the kid and told the squad commander, "That's how you deal with them." Then he gave the kid another two slaps and let him go. It's a crazy story, I remember sitting in the vehicle, looking on, and telling myself: I've been waiting for a situation like this for three years. From the minute I enlisted, I wanted to stop things like this, and here I am doing nothing, choosing to do nothing, is that okay? I remember answering myself: Yes, it's okay. He's hitting an Arab, and I'm doing nothing. I was really aware of doing nothing because I was scared of the company commander, and what could I do? Jump off the jeep and tell him to stop, because it's stupid, what he's doing? — Breaking The Silence