Simpsons Tapped Out Sea Captain Quotes & Sayings

There was white in the flesh of his mouth and his cheeks and his hair was white and his eyes had faded, with white in the vague blueness there. — Ray Bradbury

A strong emotion, especially if experienced for the first time, leaves a vivid memory of the scene where it occurred. — Algernon Blackwood

I am wondering if many of the things that we say about ourselves as women, are actually responsible for leading us down detrimental paths in life. For example, usually we like to say that we're crazy, messy and lost. But when I think about it, I want to be of sound mind, with purpose and unlost (if there is such a word as unlost). Really, who wants to be mentally unstable and eternally insecure? I think maybe we need to stop saying these things about ourselves and we need to start seeing ourselves as what and who we really want to be. — C. JoyBell C.

There is no way that you can ever really repeat something. I have this great belief that the magic of the moment can never be recaptured. — Brian May

Jilly looked at it with a sinking heart. It was difficult enough when the exotic, undeniably gorgeous creature of her fantasies had turned out to be an obnoxious bully. Of course he had to have a Harley, as well, completing the perfect bad-boy image. With the tattooed teardrops on his high cheekbones and spiky, waist-length, flame-colored hair and his long, leather-clad legs and pointy-toed cowboy boots, he was almost irresistible, despite his manners.
A Harley sealed the deal. He was all her adolescent fantasies come true.
And it was time to grow up. — Anne Stuart

A man's readiness and commitment are not enough if he does not enjoy help from above as well; equally help from above is no benefit to us unless there is also commitment and readiness on our part. — Saint John Chrysostom

And that lame butcher would have killed him and would have run off to the Waingunga while the villagers here hunted through all our lairs in revenge! — Rudyard Kipling

I rarely feel the desire to reread a scene the day before the shooting. Sometimes I arrive at the place where the work is to be done and I do not even know what I am going to shoot. This is the system I prefer: to arrive at the moment when shooting is about to begin, absolutely unprepared, virgin. I often ask to be left alone on the spot for fifteen minutes or half an hour and I let my thoughts wander freely. — Michelangelo Antonioni

Woman in the abstract is young, and, we assume, charming. As they get older they pass off the stage, somehow, into private ownership mostly, or out of it altogether. — Charlotte Perkins Gilman

Blah, blah, blah, and then I met this girl names Merryl, Sam said as his
one-man show finally got to a spot where I could re-enter the pseudo
conversation. — Phil Wohl