Silver Dress Quotes & Sayings

We are one, you and I. Brothers in hate, brothers in cunning, brothers in the spirit of vengeance. — Rick Yancey

It was not that long ago that dinner had meant swallowing down whatever you could get your filthy hands on ... Dinner meant something different here. It meant half a day's work for two women. It mean polished crystal and silver, it meant a change of dress for the diners and a special suit of clothes for the servants to serve it up in. Here, dinner meant delay; it meant extending, with all the complexities of preparation and all those rituals of civility, the gap between hunger and its satisfaction. Here, now, it seemed that hunger itself might be relished, because its cessation was guaranteed; there always was - there always would be - meat and vegetables and dumplings and cakes and pies and plates and forks and pleases and thank yous, and endless plates of bread and butter. — Jo Baker

Paul Blumberg writes: "A Massachusetts Act of 1651, for example, prohibited status disguises in such matters as dress, and declared 'our utter detestation and dislike that men and women of meane Condition should take upon themselves the garb of gentlemen, by wearing gold and silver, lace or buttons, or points at their knees or to walk in bootes or women of the same rancke to wear silke or tiffany horlles or scarfes, which though allowable to persons of greater estates, or more liberal education, yet we cannot but judge it intollerable in persons of such like condition. — Diego Gambetta

Astrid Dane. . . Her long colorless hair was woven back into a braid, and her porcelain skin bled straight into the edges of her tunic. Her entire outfit was fitted to her like armor; the collar of her shirt was high and rigid, guarding her throat, and the tunic itself ran from chin to wrist to waist, less out of a sense of modesty, Kell was sure, than protection. Below a gleaming silver belt, she wore fitted pants that tapered into tall boots (rumor had it that a man once spat at her for refusing to wear a dress; she'd cut off his lips). The only bits of color were the pale blue of her eyes and the greens and reds of the talismans that hung from her neck and wrists and were threaded through her hair. . .
"I smell something sweet," she said. She'd been gazing up at the ceiling. Now her eyes wandered
down and landed on Kell. "Hello, flower boy. — V.E Schwab

You know what rock musicians are? They are hung up, neurotic, over-weight hippies with sex problems. — David Lee Roth

The fourth elf was younger than the others. This showed in the perfection of her skin, the agility and speed of her movements, and in the brightness of her dress. Her long silk garment was yellow and gold and green, and she wore a blue silk choker with a trailing silver scarf at her neck matching another at her waist. There was fire in her dark eyes which added to her overpowering beauty. — Ian Livingstone

He that takes truth for his guide, and duty for his end, may safely trust to God's providence to lead him aright — Blaise Pascal

She wore ear-rings, and a silver-green mermaid's dress. Lolloping on the waves and braiding her tresses she seemed, having that gift still; to be; to exist; to sum it all up in the moment as she passed; turned, caught her scarf in some other woman's dress, unhitched it, laughed, all with the most perfect ease and air of a creature floating in its element. But age had brushed her; even as a mermaid might behold in her glass the setting sun on some very clear evening over the waves. — Virginia Woolf

It's as if I'm Finnick, watching images of my life flash by. The mast of a boat, a silver parachute, Mags laughing, a pink sky, Beetee's trident, Annie in her wedding dress, waves breaking over rocks. Then its over. — Suzanne Collins

Kingslund's dress will be a matching one in silver. They will be absolutely exquisite. Jen would be exquisite. I'd probably look like a donkey at the races. With ribbons on it. — Mark Henwick

Oh, gross. Your stomach is full of butterfly barf! — Laini Taylor

Jury trials are really nothing more than poorly written stage plays. You've got two authors writing opposing narratives and a director who is paid not to care about either outcome. Hired actors sit on either end of the stage, while unwitting audience members strive to remain quiet. No applause should be rendered, no gasps of glory. Witnesses sit agape with fury as they stumble across their rehearsed lines. If only they had practiced just once more. If only they had more time or a dress rehearsal, then they would recite their packaged words with such eloquent delivery that the critics in the jury box would believe only them. — Elizabeth L. Silver

I was examining the perfumed, coloured candles guaranteed to bring good fortune with continued use when a lovely mocha-skinned girl came in from the back room and stood behind the counter. She wore a white smock over her dress and looked about nineteen or twenty. Her wavy, shoulder-length hair was the colour of polished mahogany. A number of thin, silver hoops jingled on her fine-boned wrist. "May I help you?" she asked. Just beneath her carefully modulated diction lingered the melodic calypso lilt of the Caribbean. — William Hjortsberg

As she said this, she tossed him one of her blue-and-gray-checked tea towels to use as an apron. She was wearing a blue summer dress and tucked her towel-apron into her red belt. Today he could see that her blond hair was tinged with silver at the temples and that the former confusion and terror had left her eyes.
Soon the windowpanes had misted up; the gas flames were hissing under pots and pans; the white wine, shallots and cream sauce was simmering; and in a heavy pan the olive oil was browning potatoes sprinkled with rosemary and salt.
They were chatting away as if they'd known each other for years and had simply lost touch for a while. About Carla Bruni, and about how male sea horses carried their young around in a pouch on their stomachs. They talked about fashion and about the trend for salt with added flavorings, and of course they gossiped about their neighbors. — Nina George

The heavy black she had worn for years was gone; her dress was of turquoise-colored silk, bright and soft as the evening sky. It belled out full from her hips, and all the skirt was embroidered with thin silver threads and seed pearls and tiny crumbs of crystal, so that it glittered softly, like rain in April. She looked at the magician, speechless. "Do you like it?" "Where - " "It's like a gown I saw a princess wear once, at the Feast of Sun-return in the New Palace in Havnor," he said, looking at it with satisfaction. "You told me to show you something worth seeing. I show you yourself. — Ursula K. Le Guin

On Sunday morning I put on jeans, changed into a denim dress, then back into jeans again, feeling stupid. I can get into a mood where I annoy myself to no end. At the moment when I got completely fed up and stopped caring, I had on jeans and a white cotton shirt and silver earrings, so that's what I wore. And yes, I'll admit it, nice underwear. — Barbara Kingsolver

My signature look is an eighties baby doll dress, combat boots with colorful socks sticking out, and then mounds of jewelry. I love silver and turquoise. I go to Montana every winter, so I hunt around for cool pieces there. — Zoey Deutch

My worst memory is of my first dance lesson as a 14-year old in Prague. My mother put me in this silver and pink lame dress. My hair was all curled, and it was the first time I wore a garter belt. I felt so out of place! — Martina Navratilova

Their opposition to Christianity is not intellectual. They simply do not want Christ to reign over them! — Carman

When I came out, the dress was waiting. I didn't know what I was expecting, but a full-length, white, gauzy dress fit for a Roman goddess, wasn't it. The dress was one-shouldered and had a thick, ropey silver belt around the waist. It was beautiful and set off my dark hair. — Stormy Smith

She knew what she wanted and it wasn't / me. / I know more women like that than any / other kind. — Charles Bukowski

Uncle alone in the house with the children said he'd dress up to amuse them. After a long wait, as he did not appear, they went down and saw a masked man putting the table silver into a bag. 'Oh, Uncle,' they cried in delight. 'Yes, isn't my make-up good?' said Uncle, taking his mask off. Thus goes the Hegelian syllogism of humour. Thesis: Uncle made himself up as a burglar (a laugh for the children); antithesis: it WAS a burglar (a laugh for the reader); synthesis: it still was Uncle (fooling the reader). — Vladimir Nabokov

The panel on the right portrayed Jesus emerging from his tomb, as Mary Magdalene, in a red dress (also iron, or perhaps grated particles of gold), holds out to him a purple garment (manganese dioxide) and a loaf of yellow bread (silver chloride). — Alan Bradley

In many a piece of music, it's the pause or the rest that gives the piece its beauty and its shape. And I know I, as a writer, will often try to include a lot of empty space on the page so that the reader can complete my thoughts and sentences and so that her imagination has room to breathe. — Pico Iyer

He remembered a story Madrigal had told him once: the human tale of the golem. It was a thing shaped of clay in the form of a man, brought to life by carving the symbol aleph into its brow. Aleph was the first symbol of an ancestral human alphabet, and the first letter of the Hebrew word truth; it was the beginning. Watching Karou rise to her feet, radiant in a fall of lapis hai, in a woven dress the colour of tangerines, with a loop of silver beads at her throat and a look of joy and relief and ... love ... on her beautiful face, Akiva knew that she was his aleph, his truth and beginning. His soul. — Laini Taylor

It is my belief that when all the evidence is taken into account, rather than just a prejudicial subset, the picture that emerges will be more revealing of the underlying reality. — Gary Taubes

[Olive's] left foot was bleeding through a wide swath of bandages onto the tarp it was resting on. The bowl next to her was full of blood.
Olive looked a little pale. "I don't think I should move," she said.
"What are you doing?" Roger shut the door behind him and stood with his back to it.
"I decided I might try to eat my toes," Olive said, closing her eyes. "But now that I've started, I don't think I should move."
Roger pushed himself off the wall and knelt down next to her. He unbuckled her silver belt and reached with it under her dress. He looped the belt around the top of her leg and tightened it. His hands were not shaking.
"Sit on the loose end," he said, pushing it under her. "I hope that works."
"You brought flowers," she said, blinking.
"Olive," he said. "You cut off your toes."
She looked down at the bowl. "Are they still toes?" she asked. — Amelia Gray

On this evening, Mme. Padva wears a dress of black silk, hand embroidered with intricate patterns of cherry blossoms, something like a kimono reincarnated as a gown. Her silver hair is piled atop her head and held in place with a small jeweled black cage. A choker of perfectly cut scarlet rubies circles her neck, putting forth a vague impression of her throat having been slit. The overall effect is slightly morbid and incredibly elegant. — Erin Morgenstern