Silences In Music Quotes & Sayings

European music is passionately savage, broken by long silences. — David Mitchell

Nature's music is never over; her silences are pauses, not conclusions. — Mary Webb

Nothing strengthens the judgment and quickens the conscience like individual responsibility. — Elizabeth Cady Stanton

The lessons of the Bible have a moral and religious influence on the character, as they are brought into the practical life. Timothy — Ellen G. White

I realise and finally acknowledge that at the core I am only a lover. Of life. Of beauty. Of love. Of being in love. Of kindness. Of words. Of conversations. Of dreams. Of imagination. Of ideas. Of realness. Of vulnerability. Of solitude. Of Silences. Of companionship. Of poetry. Of music. Of movement. Of stillness. Of energy. And, when the lover in me is stifled,starved, not finding resonance, is misunderstood, is dulled or ignored, I question my very existence because I do not feel alive. When the lover in me dies, everything in me dies. I realise that my inner fire is only a lover. I have no other identity of self than as a lover. — Srividya Srinivasan

Consider this, music is a collection of sounds and silences, if music was just a constant sound, it would be horrible and difficult to listen to, if music was just silence there would be nothing to listen to. In fact, rests could be easily compared to punctuation, if we ignored commas and full stops then reading and indeed speaking would become chaotic. — Michael Shaw

Impossibly, the static coalesces into music. Volkheimer's eyes open as wide as they can. Straining the blackness for every stray photon. A single piano runs up scales. Then back down. He listens to the notes and the silences between them, and then finds himself leading horses through a forest at dawn, trudging through snow behind his great-grandfather, who walks with a saw draped over his huge shoulders, the snow squeaking beneath boots and hooves, all the trees above them whispering and creaking. They reach the edge of a frozen pond, where a pine grows as tall as a cathedral. His great-grandfather goes to his knees like a penitent, fits the saw into a groove in the bark, and begins to cut. — Anthony Doerr

We cannot be happy if we expect to live all the time at the highest peak of intensity. Happiness is not a matter of intensity but of balance and order and rhythm and harmony.
Music is pleasing not only because of the sound but because of the silence that is in it: without the alternation of sound and silence there would be no rhythm. If we strive to be happy by filling all the silences of life with sound, productive by turning all life's leisure into work, and real by turning all our being into doing, we will only succeed in producing a hell on earth. — Thomas Merton

In our household doubts more troubling than these were suffered in silence. The spiritual void I have seen in so many of Istanbul's rich, Westernised, secularist families is evident in these silences. Everyone talks openly about mathematics, success at school, football and having fun, but they grapple with the most basic questions of existence - love,compassion, religion, the meaning of life, jealousy, hatred - in trembling confusion and painful solitude. They light a cigarette, give their attention to the music on the radio, return wordlessly to their inner worlds. — Orhan Pamuk

Poetry is so close to music, not just in cadence and sound but in silences. That's why, to me, I can't talk about prose poems. I can talk about poetic prose. — Pattiann Rogers

For it is only framed in space that beauty blooms. Only in space are events and objects and people unique and significant-and therefore beautiful. A tree has significance if one sees it against the empty face of sky. A note in music gains significance from the silences on either side. A candle flowers in the space of night. Even small and casual things take on significance if they are washed in space, like a few autumn grasses in one corner of an Oriental painting, the rest of the page bare. — Anne Morrow Lindbergh

For me, prose is never a poem. Because with prose there are so very few tools to create the music. And one of the most important tools missing is the ability to create silences, as you can in poetry by how you fashion the lines and breaks within the lines and stanzas. — Pattiann Rogers

The silences express so much and are so crucial in music, and prose does not allow for the creation of these silences, these white spaces on the page or the computer screen. — Pattiann Rogers

Music was a chain forged half of silences and half of sound, love was nothing without longing and loss, and were time not to have at its end the absence of time, and the absence of time not to have been preceded by time, neither would be of any consequence. — Mark Helprin

I actually chafe at describing myself as masculine. For one thing, masculinity itself is such an expansive territory, encompassing boundaries of nationality, race, and class. Most importantly, individuals blaze their own trails across this landscape. And it's hard for me to label the intricate matrix of my gender as simply masculine.

To me, branding individual self-expression as simply feminine or masculine is like asking poets: Do you write in English or Spanish? The question leaves out the possibilities that the poetry is woven in Cantonese or Ladino, Swahili or Arabic. The question deals only with the system of language that the poet has been taught. It ignores the words each writer hauls up, hand over hand, from a common well. The music words make when finding themselves next to each other for the first time. The silences echoing in the space between ideas. The powerful winds of passion and belief that move the poet to write. — Leslie Feinberg

You may, or may not, have better child care instincts than your husband; but his can certainly be developed. If you don't respectthe natural parenting talents that each of you has, you may inadvertently cast the two of you into the skewed but complementary roles of the Expert and the Dumb Apprentice. — Jean Marzollo

I blinked down the street where the jeep had vanished. I felt the unexplainable urge to storm after them and do something I'd hoped I'd regret -like choke Marcie with her stupid red thong. — Becca Fitzpatrick

Only after the trial did things come into focus, that night taking on the now familiar arc. Every detail and blip made public. There are times I try to guess what part I might have played. What amount would belong to me. It's easiest to think I wouldn't have done anything, like I would have stopped them, my presence the mooring that kept Suzanne in the human realm. That was the wish, the cogent parable. But there was another possibility that slouched along, insistent and unseen. The bogeyman under the bed, the snake at the bottom of the stairs: maybe I would have done something, too. Maybe it would have been easy. — Emma Cline

There's a weighing kind of overemphasis on sexuality, which disempowers music generally, because it silences all the other voices; it makes music a very powerless force for changing the world. — Sinead O'Connor

I go out of my way, but rather by license than carelessness ... It is the inattentive reader
who loses my subject, not I. Some word about it will always be found off in a corner, which will not fail to be sufficient, though it takes little room. — Michel De Montaigne

The unified field theory that ties together Jobs personality and products begins with his most salient trait: his intensity. His silences could be as searing as his rants; he had taught himself to stare without blinking. Sometimes this intensity was charming, in a geeky way, such as when he was explaining the profundity of Bob Dylan's music or why whatever product he was unveiling at that moment was the most amazing thing that Apple had ever made. At other times it could be terrifying, such as when he was fulminating about Google or Microsoft ripping of Apple. — Walter Isaacson

To listen fully means to pay close attention to what is being said beneath the words. You listen not only to the 'music,' but to the essence of the person speaking. You listen not only for what someone knows, but for what he or she is. Ears operate at the speed of sound, which is far slower than the speed of light the eyes take in. Generative listening is the art of developing deeper silences in yourself, so you can slow our mind's hearing to your ears' natural speed, and hear beneath the words to their meaning. — Peter Senge

Even in the most beautiful music there are some silences, which are there so we can witness the importance of silence. — Andrea Bocelli