Silence Is Dangerous Quotes & Sayings

But as those who do hold Trump to the standards of any other person have found out on Twitter and other social media outlets these Trump followers are a nasty fascistic lot. Dowd is lucky he didn't get death threats like Kurt Eichenwald. Or maybe he did and refuses to acknowledge them. If you voted for Trump and continue to support him and you think you are better than these bigoted virulent trolls, you're not. Your silence enables them just as it did in the racist campaign that Trump and Bannon ran. In fact, hiding behind a civilized veneer in your support of fascism I consider more dangerous. We're past describing you as collaborators at this point. That lets you off the hook. You're Russo-American oligarchical theocratic fascists. — Kevin Sessums

There is a silence. But sometimes it's as dangerous not to speak. "Yes, — Margaret Atwood

It's a strange place, The Imagination. A lot of fun by day, when there are all sorts of reassuring and familiar sights and people around. But it's scary, and cold at night, and places you knew perfectly well by daylight aren't the same after the sun's gone down. You can get lost easily there, and some people never find their way back. You can hear a few of them, when the ghost moon shines, and the wind's in the right direction. They scream for a while, and then they stop. And in the silence you hear something else: the sound of something large and quiet, tentatively beginning to feed... The imagination is a dangerous place, after all, and you can always use a guide to the territory. — Neil Gaiman

was Goldman's ideas that were dangerous: her ideal of a just and beautiful society inspired struggles for social change, and her uncompromising presence in public life exposed the hypocrisies of allegedly democratic governance. She had a unique ability to generate coalitions among liberal and radical groups, and among immigrants and native-born citizens, by articulating their common struggles for freedom of speech (including freedom to organize the workplace), right to a fair trial, availability of birth control, right to travel, and an overall spirit of individual freedom. Looking back at Goldman's time from within this gaze, the authorities look extreme, if not paranoid and even ridiculous, for their fervent efforts to silence her rather than simply accept her words as a protected form of speech in American society. — Kathy E. Ferguson

More than ever at that instant did she long for speech - speech that would conceal and protect where dangerous silence might betray. — L.M. Montgomery

Some things should never be said. Not out loud in clear, simple words. You talk around them. You leave gaps and blanks. You use other words and talk in curves and arcs for the worst things because you need to keep them like mist. Words are dangerous. Like a spell, if you name the mist, call out all of the words that describe it sharp and clear, you turn it solid, into something that no one should ever hold in their hands. Better that it stays like water, slipping between your fingers. — Alexia Casale

There are many pressures to quiet the text, to silence this deposit of dangerous speech, to halt this outrageous practice of speaking alternative possibility. The poems, however, refuse such silence. They will sound. They sound through preachers who risk beyond prose. In the act of such risk, power is released, newness is evoked, God is praised. People are "speeched" to begin again. Such new possibility is offered in daring speech. Each time that happens, "finally comes the poet"-finally. — Walter Brueggemann

You removed my spectacles!"
A disbelieving snort of laughter escaped him. "The way you're taking on, you'd have thought I removed
your clothing!"
Samantha clutched at the high-necked bodice of her homely bottle-green day dress. "How do I know
you didn't?"
Silence hung between them, thicker than the heated air. Then his smoky voice dipped into low and
dangerous territory. "If I had removed your clothing, Miss Wickersham, I can assure you it would have
been worth waking up for. — Teresa Medeiros

There was no reason to think she would survive this. So she was surprised to notice that she was happy. Not the powerful, irrational, and dangerous joy of a euphoric attack, but a kind of pleasure and release all the same. At first, she thought it was because there wasn't anyone there with her, guarding her, judging her. And that, she decided, was part of it. But more than that, she was simply doing what needed to be done without having to concern herself about what anyone else thought. Even Jim. And wasn't that odd? She wanted nothing in the world more than for Jim to be there - followed by Amos and Alex and a good meal and a bed at a humane gravity - but there was a part of her that was also expanding into the silence of simply being herself and utterly alone. There were no dark thoughts, no guilt, no self-doubt tapping at the back of her mind. Either she was too tired for that, or something else had happened to her while she'd been paying attention to other things. — James S.A. Corey

The most dangerous silence is noise; noise keeps us from hearing what we need to hear or from speaking what we need to speak. — Armin Wiebe

Resolved ... that it would be a dangerous delusion were a confidence in the men of our choice to silence our fears for the safety of our rights: that confidence is everywhere the parent of despotism - free government is founded in jealousy, and not in confidence; — Thomas Jefferson

Truth is dangerous. It topples palaces and kills kings. It stirs gentle men to rage and bids them take up arms. It wakes old grievances and opens forgotten wounds. It is the mother of the sleepless night and the hag-ridden day. And yet there is one thing that is more dangerous than Truth. Those who would silence Truth's voice are more destructive by far.
It is most perilous to be a speaker of Truth. Sometimes one must choose to be silent, or be silenced. But if a truth cannot be spoken, it must at least be known. Even if you dare not speak truth to others, never lie to yourself. — Frances Hardinge

One knows, when all one's life one has walked in dangerous places, when the silence is that of ambush and when the silence is that of emptiness. — Dorothy Dunnett

You see, 'The Look of Silence' is the first film ever made where survivors confront perpetrators who still hold a monopoly on power. It's normally never done because it is too dangerous. — Joshua Oppenheimer

He led them inside and began explaining the process, but there was a problem. What the boys heard was, "Over here is the clang! and if you clang! carefully you'll notice clang! bang! Can you all see it?" He was met with twenty blank stares. "Sorry Master Skeet," Hadley said. Clang! "Can we see what?" "Weren't you listening? I said this is the clang! bang! bang!" More blank stares Skeet was growing red. He turned a dangerous eye on the nearest striker, raised his voice and tried again, "The cling! bang! Oh for mercy's sake!" He whipped around and bellowed with such force that every hammer froze on its descent. "The next one of you mangy curs who uses his hammer while I'm talking is going to swallow it!" The response was impressive. Hammers were cautiously laid down. Apart from the rumble from the forges, the space was filled with a respectful silence. Aedan guessed that Skeet was known here and that he held an intimidating rank. "Now, as I said, — Jonathan Renshaw

I know that small-town silence, I'd run into it before, intangible as smoke and solid as stone. We honed it on the British for centuries and it's ingrained, the instinct for a place to close up like a fist when the police come knocking. Sometimes it means nothing more than that; but it's a powerful thing, that silence, dark and tricky and lawless. It still hides bones buried somewhere in the hills, arsenals cached in pigsties. The British underestimated it, fell for the practiced half-witted looks, but I knew and Sam knew: it's dangerous. — Tana French

You ordered me here," I said finally breaking the silence.
"I did," Ryder said with his lopsided grin that looked more dangerous than friendly.
"I'm here," I mumbled.
"You are."
" ... "
"Okay, we gonna measure dicks all day Ryder, or are we gonna sign a contract?" I snapped.
"You don't have a dick Syn, I would have noticed," Ryder's smile lifted roguishly. — Amelia Hutchins

Some ... have imagined that by arousing a baseless suspicion in the mind of the beloved we can revive a waning devotion. But this experiment is very dangerous. Those who recommend it are confident that so long as resentment is groundless one need only suffer it in silence and all will soon be well. I have observed however that this is by no means the case. — Murasaki Shikibu

A forced silence is a dangerous imposter, painting a canvas of safety while plotting our demise. — Jo Ann Fore

But despite its shared nature, language is also dangerous, a potentially isolating enterprise. Not all players are equal. In fact, Wittgenstein was by no means always a successful participant himself, frequently experiencing extreme difficulty in communication and expression. In an essay on fear and public language, the critic Rei Terada describes a scene repeated throughout Wittgenstein's life, in which he would begin to stammer while attempting to address a group of colleagues. Eventually, his stuttering would give way to a tense silence, during which he would struggle mutely with his thoughts, gesticulating all the while with his hands, as if he was still speaking audibly. — Olivia Laing

While we rest in silence, pages are being written between us. Telling the story of a crazy, sad girl and a fucking dangerous, lonely guy. I — Krista Ritchie

When I am in a situation where I feel uncomfortable about speaking but it is necessary for me to speak, or if I feel 'put on the spot' my voice sounds strained, really weird, and it feels as if I have no control over how I sound in these situations. Sometimes then my voice is barely audible and I am frequently asked to repeat myself. Attempts at speaking are often embarrassing, shaming experiences for me. I sound quite different when speaking with someone I am more relaxed with, but I don't like the way my voice sounds at the best of times; I was horrified when I heard a recording of myself. Because of this inhibition about speaking, I have never learned to project my voice or to use it effectively. I often feel that I could no more use my vocal cords to break a silence, to get somebody's attention or to initiate an interaction than I could run through fire or do something dangerous in my life. — Carl Sutton

Writing engenders in us certain attitudes toward language. It encourages us to take words for granted. Writing has enabled us to store vast quantities of words indefinitely. This is advantageous on the one hand but dangerous on the other. The result is that we have developed a kind of false security where language is concerned, and our sensitivity to language has deteriorated. And we have become in proportion insensitive to silence. — N. Scott Momaday

Abuse is often of service. There is nothing so dangerous to an author as silence. — Samuel Johnson

It seems to me that if one had kept silence up to now regarding religion, people would still be submerged in the most grotesque and dangerous superstition ... regarding government, we would still be groaning under the bonds of feudal government ... regarding morals, we would still be having to learn what is virtue and what is vice. To forbid all these discussions, the only ones worthy of occupying a good mind, is to perpetuate the reign of ignorance and barbarism. — Denis Diderot

After one has been in a lowly position, one knows how dangerous it is to climb to a high place, Once one has been in the dark, one knows how revealing it is to go into the light. Having maintained quietude, one knows how tiring compulsive activity is. Having nurtured silence, one knows how disturbing much talk is. — Zicheng Hong

There are many possible interpretations of what it means to create dangerously, and Albert Camus, like the poet Osip Mandelstam, suggests that it is creating as a revolt against silence, creating when both the creation and the reception, the writing and the reading, are dangerous undertakings, disobedience to a directive. — Edwidge Danticat

The true Indian sets no price upon either his property or his labor. His generosity is limited only by his strength and ability. He regards it as an honor to be selected for difficult or dangerous service and would think it shameful to ask for any reward, saying rather: Let the person I serve express his thanks according to his own bringing up and his sense of honor. Each soul must meet the morning sun, the new sweet earth, and the Great Silence alone!. What is Silence? It is the Great Mystery! The Holy Silence is His voice! — Charles Alexander Eastman

Lure him out. Send in a 'customer' with a message from me needing to meet him. I'm not the kind of person he can ignore-well, that he used to not-never mind. Once he's out, we can get him to a place we choose."
I nodded. "I can do that."
"No," said Dimitri. "You can't."
"Why not?" I asked, wondering if he thought it was too dangerous for me.
"Because they'll know you're a dhampir the instant they see you. They'll probably smell it first. No Strigoi would have a dhampir working for him-only humans."
There was an uncomfortable silence in the car.
"No!" said Sydney. "I am not doing that! — Richelle Mead

The hushing of the criticism of honest opponents is a dangerous thing. It leads some of the best of the critics to unfortunate silence and paralysis of effort, and others to burst into speech so passionately and intemperately as to lose listeners. — W.E.B. Du Bois

night. It was too dangerous. He drove in silence, struggling to keep his attention on the black — Keith C. Blackmore

You know what? No. I don't give a damn about the lies. Lies are fine. Truth. Lies. One way or the other, at least - " She broke off again, shaking her head. "It's not the lies. It's the silence. Silence is what gets me. All the things you don't say. All the words you don't write. That gets to you. After a while it just kills you. All the stories you teach yourself not to tell. All the truth and lies that you never ever print because all of it is too dangerous. — Paolo Bacigalupi

What would you think about us doing the ceremony together?"

"The Crying Pools ceremony?" Kami asked. "The one Lillian said was dangerous?"

"Yeah," Ash said. "I mean, we both know it's a big decision. But it's something to think over. It might make all the difference to the town. Look, do you want to come in?" He stepped a little aside. The night air was pulling frost-tipped fingers through Kami's hair, but she stayed where she was.

"Did Jared say that? That it was a big decision?"

"And we both needed to think it through," Ash said.

"Think it through?" Kami repeated, above the sound of the wind. "Jared? Don't you know him at all? If he sounds reasonable, or sensible, or capable of any sort of rational thought, it means he's lying through his teeth! What did you tell him about the ceremony?"

They stared at each other for a moment of horrified silence. "I told him how to do it," — Sarah Rees Brennan

It's dangerous to cherry-pick a few stand-alone verses, particularly when they are used as a weapon to silence and intimidate, effectively benching half the church5 in the midst of holy harvest season when the harvest is plentiful and the workers are few. — Sarah Bessey

The SILENCE of the good people is more DANGEROUS than the BRUTALITY of the bad people — Martin Luther King Jr.

If I could fall in love with a girl, it'd be her. Those ifs are dangerous. You try them on in your head like dresses, so easy to slide in and out of. If I kissed girls, I'd kiss her. If we kissed, it'd go like this. At some point I dropped the if like a slip and just wore the feeling, nothing between it and my skin. When I kiss her. When it happens. All of it took place in my head, in silence, locked tight in skull bone and the frantic synaptic whispers between neurons, no clues popping out except the passive-aggressive haircut, the incriminating poem.
That's the problem with writers. Too much imagination.
The greater part of me knew it couldn't be real, but the hopeful part, which is more concentrated and condensed, rich in nine essential delusions, thought: It's not all in your head. — Leah Raeder

In the writings of a recluse one always hears something of the echo of the wilderness, something of the murmuring tones and timid vigilance of solitude; in his strongest words, even in his cry itself, there sounds a new and more dangerous kind of silence, of concealment. He who has sat day and night, from year's end to year's end, alone with his soul in familiar discord and discourse, he who has become a cave-bear, or a treasure-seeker, or a treasure-guardian and dragon in his cave - it may be a labyrinth, but can also be a gold-mine - his ideas themselves eventually acquire a twilight-colour of their own, and an odour, as much of the depth as of the mould, something uncommunicative and repulsive, which blows chilly upon every passer-by. — Friedrich Nietzsche

I used to feel I could hide inside my practice, that I could simply sit and contemplate the raging anger of a place like this, seeking inner peace through prayers of compassion. But now I believe love and compassion are things to extend to others. It's a dangerous adventure to share them in a place like S.Q. Yet I see now that we become better people if we can touch a hardened soul, bring joy into someone's life, or just be an example for others, instead of hiding behind our silence. — Jarvis Jay Masters

Everything I know, everything I put in my fiction, will hurt someone somewhere as surely as it will comfort and enlighten someone else. What then is my responsibility? What am I to restrain? What am I to fear and alter
my own nakedness or the grief of the reader? I want my stories to be so good they are unforgettable; to make my ideas live and my own terrors real for people I will never meet. It is a completely amoral writer's lust. If we begin to agree that some ideas are too dangerous, too bad to invite inside our heads, then we stop the storyteller completely. We silence everyone who would tell us something that might be painful in our vulnerable moments. — Dorothy Allison

In some causes silence is dangerous. — Saint Ambrose

Fuck was the best word. The most dangerous word. You couldn't whisper it. Fuck was always too loud, too late to stop it, it burst in the air above you and fell slowly right over your head. There was total silence, nothing but Fuck floating down. For a few seconds you were dead, waiting for Henno to look up and see Fuck landing on top of you. They were thrilling seconds-when he didn't look up. It was a word you couldn't say anywhere. It wouldn't come out unless you pushed it. It made you feel caught and grabbed you the minute you said it. When it escaped it was like an electric laugh, a soundless gasp followed by the kind of laughing only forbidden things could make, an inside tickle that became a brilliant pain, bashing at your mouth to be let out. It was agony. We didn't waste it. — Roddy Doyle

In the Old Language, she hissed, "If any harm shall befall him, I will come after you, and find you where you sleep. I do not care where you lay your head or who with, my vengeance shall rain upon you until you drown."
That last word was drawn out, until its syllable was lost in more growling.
Dead silence.
Until Doc Jane said dryly, "Annnnd this is why they say the female of the species is more dangerous than the male. — J.R. Ward