Siebrand Verhulst Quotes & Sayings
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Top Siebrand Verhulst Quotes

When I was starting out, doing guest spots on TV, and even commercials, I would go in with a whole crazy wardrobe and some terrible accent. Obviously, I was doing too much. If you bring too much flavor to it, it's absurd. There's something to just being spontaneous. — James Franco

Just like your picture, Maddie. I'm holding you just like your sketch. — Tillie Cole

They paid the deposit immediately and appeared to be good tenants although they were reluctant to invite him over the threshold once they had moved in. "There is no need for you to come in," he had been told by a burly Russian who answered the door when he had called to see whether all was well. "There is nothing wrong. Everything functions. We are very happy. Goodbye. — Alexander McCall Smith

I hope you always find a reason to smile — Maya Angelou

God is building a mighty army to vanquish the forces of darkness. These soldiers of the light are initially conceived and nurtured in the wombs of women. As such, an obvious strategy for the devil would be to sabotage the womb to cut down the size of this godly army. — Theresa Pecku-Laryea

Revealing the truth is like lighting a match, it can bring light or it can set your world on fire. — Wiz Khalifa

No, no, no!" said Albert. "You got to put a bit of life in it, sir, no offense intended. It's got to be a big fat laugh. You got to ... you got to sound like you're pissing brandy and crapping plum pudding, sir, excuse my Klatchian. — Terry Pratchett

At the beginning, I didn't see what Givenchy could give my career. It was like, "Okay, I'll do it for the money for a few years to help my mom and my sisters." — Riccardo Tisci

To B-major or B-minor: that is the question. Consider that the major and minor chords are separated by the smallest tonal step which is one half-step carrying in its pitch the gravity of all humanity which needs the major to recognize its relative, inherent tragedy which once given expression seeks the resurrection that only the major can procreate which self-expression gives beauty to the harmony of the major which then confirms the whole truth of the tragic minor saga which overcomes the hidden hand of destiny in the great ellipse of being and the greater cosmic void of nothingness which passage of time has sadly destined to be replayed in the same octave of the ineluctable modality of the audible which ellipse with such a simple twist resonates as infinity which is both meaningless beyond all human capacity for understanding but which holds within it the ubiquitous mystic beauty and truth of the pulsing human heart. — David B. Lentz