Side Characters Quotes & Sayings

I'm not a pretty princess, and I'm aware of that, so I like music that is really intense, really bold, and characters that in a way almost have a dark side and are kind of evil because, for me, that's when I feel my strongest and fiercest, when I'm not necessarily the good girl. — Ashley Wagner

(CBI lecture, Dublin, 2008. Speaking on the challenges presented by The Moorehawke Trilogy to the YA reader)
You can't choose any of these characters and say, 'Yes! I'm completely on your side. You are the good guy! You are the one I agree with.' Because at some stage along the way every single one of these characters will let you down. They may not want to. They may have no choice. But they will let you down. — Celine Kiernan

I think it's cool to play characters who are very joke-y and yet you can show a total serious, very somber side to them. You don't normally get that in a film - and in a [film] series especially. To be able to do that was really cool. — James Phelps

Support Group featured a rotating cast of characters in various states of tumor-driven unwellness. Why did the cast rotate? A side effect of dying. — John Green

Readers will share in the environs of the author and her characters, be taken into the hardship of a pitiless place and emerge on the other side - wiser, warier and weathered like the landscape. — Antonya Nelson

If you cared enough about your characters, what happened to them was interesting ... It's important to care about them. About who they are and what they do.. I don't really care whose side they are on, and they can be monstrous on the outside, or worse, on the inside, but you still have to want to spend time with them. — Neil Gaiman

It behooves every man to see that his influence is on the side of justice, and let the courts make their own characters. — Henry David Thoreau

A tribute ... is due to the talents, the rectitude, and the patriotism, which adorn the characters selected to devise and adopt [the Constitution]. In these honorable qualifications I behold the surest pledges that as on one side no local prejudices or attachments no separate views, nor party animosities, will misdirect the comprehensive and equal eye which ought to watch over this great assemblage of communities and interests; so, on another, that the foundation of our national policy will be laid in the pure and immutable principles of private morality. — George Washington

Go to any Shinto temple in Japan and you'll see it: a simple stand from which hang hundreds of wooden postcard-size plaques with a colorful image on one side and, on the other, densely scribbled Japanese characters in black felt-tip pen, pleas to the gods for help or succor. — Hanya Yanagihara

I'm always on the side of the characters, rather than the side of the people attacking them. I get realistic. It's not gratuitous. — Alexandre Aja

I like the opportunity to play characters who have these dark sides but make the audience empathize with them. You want them to think there is some kind of sweeter, softer side to it. — Julian McMahon

Hunger Games and A New Hope: Hero rises up from the poorest place in the galaxy. Put through some challenges. Finds romance and a side-kick. Somebody dies. Check
Catching Fire and Empire Strikes Back: Totalitarian government strikes back, some other people die, and the rebellion starts gaining momentun.
Mockingjay/Return of the Jedi: Bunch of minor characters die, and then one major one. Rebellion wins, if in an unexpected way. Characters all get married.
I think Suzanne Collins has some explaining to do. — Caleb Eversole

I look at improvising as a prolonged game of chess. There's an opening gambit with your pawn in a complex game I have with one character, and lots of side games with other characters, and another game with myself - and in each game you make all these tiny, tiny moves that get you to the endgame. — Steve Carell

I don't think it's ever easy to be funny. I find it easy to amuse myself with a certain sort of cynical dark humor that tends toward the meaner side, like my character in Happy Gilmore. Those kinds of characters come easily to me. — Ben Stiller

Baseball is a soap opera that plays out day after day, one that a lot of elderly women watch until the characters and the plot becomes a part of their life. She got to enjoy the personal side of the players. They were her kids. The Braves were her family. — Bob Hope

It is necessary to the success of flattery, that it be accommodated to particular circumstances or characters, and enter the heart on that side where the passions are ready to receive it. — Samuel Johnson

It made me realise just how desperate the world is for a superhero. I don't just mean those of the comic books. For there is an inexhaustible supply of would-be superheroes throughout history and across the globe. From the legends of King Arthur and Robin Hood, to the Gods of a thousand religions. From Santa Claus to Peter Pan to a myriad other folklore characters. Monsters from the Lochs. Spirits from the other side. Aliens from distant planets. The world longs for something ... something else. Something powerful and exciting. A little bit of magic. — Paul J. Newell

I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about. — Warren Leight

You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people. — James Garner

Married people, it's up to you. It's entirely on your shoulders to keep this sinking institution afloat. It's a stately old ship, and a lot of people, like me, want to get on board. Please be psyched, and convey that psychedness to us. And always remember: so many, many people are envious of what you have. You're the star at the end of the Shakespearean play, wearing the wreath of flowers in your hair. The rest of us are just the little side characters. — Mindy Kaling

So I work hard to present the human side of my characters while not neglecting the plot. — Jeffery Deaver

In my standup work, I always do these characters, older people who are just off to the side. It's easier to write a story about the guy who made it to the top, but the middle is so much more interesting, so much more murky. — Billy Crystal

With the advent of digital imaging I made the transition from trying to figure out how to do things to creating objects, characters and the whole cloth. It kind of freed up the analytical part of my brain and I had the opportunity to use more of the creative side of my brain for how things interact with light and integrate into stories. — John Dykstra

I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story. — Stephen King

As many know, the Chinese expression for "crisis" consists of two characters side by side. The first is the symbol for "danger," the second the symbol for "opportunity."
— Al Gore

I do tend to gravitate to the more dramatic side of things. I love feeling intense emotions when I'm acting. I just love characters and stories with conflict. — Aaron Paul

More eccentric characters can push pretty far, but if you stay on the side of reality, it's always funnier. — Melissa McCarthy

I felt that making her one-dimensional would be an insult to the audience, and also not as interesting. All destructive people have an inner side to them, and the more three-dimentional your characters are on screen the more compassion you can open up in an audience ... To me, that involves the audience more, it stimulates them and asks more of them. — Richard LaGravenese

There's always an intellectual side to the films Ang Lee's doing and to the characters, and there's such a deep knowledge when you've worked with the actors that he's worked with, on stage in particular, but also in film. — Jake Gyllenhaal

Growing up where I did, you met a lot of colorful characters whose business was on the other side of the law, or more likely you didn't know what they were up to, and you never would. So playing those kinds of characters now, I can draw on that. The rest of it, you can practice or learn from books. But mostly, I draw from my experiences. That's all I have, you know. — Jason Statham

I don't believe in typecasting. Just because all my characters may come from the other side of the tracks doesn't mean they are all the same. You don't stereotype people and generalize people, everyone's different. — Michael K. Williams

The Ewoks were definitely a challenge of writing 'The Jedi Doth Return.' After having done so many things with characters who don't speak English, how was I going to make them stand out? Jedi is also rich with emotional material, particularly Darth Vader's transformation from the dark side back to the good. — Ian Doescher

Elena bounced up and down, pointing from side to side.
"What's that?" Gabe asked.
"It's my Star Wars dance," she said, bouncing and pointing.
After a few seconds, he joined her. Then Troy's friends picked it up. The dance traveled down the line. From the street, they must have looked like the Peanuts characters dancing. — Rainbow Rowell

When I started doing television, I thought that I would change the way that I shot, the way that I blocked, and the technical side of it. You're not going to change your relationship with the actors or how you approach the characters. That wasn't any different. — Len Wiseman

Among religious writings the Bible is unique in its attitude to its great men. Even many Christian biographies puff up the men they describe. But the Bible exhibits the whole man, so much so that it is almost embarrassing at times. If we would teach our children to read the Bible truly, it would be a good vaccination against cynical realism from the non-Christian side, because the Bible portrays its characters as honestly as any debunker or modern cynic ever could. — Francis A. Schaeffer

Well, that's the great thing about indie film, in general. If it's not subject to the constraints of too much pressure from the studio or marketing, and all of that, you get to actually present fuller characters and you get to have the dark side of the characters. That's usually what gets cut out. — Ty Burrell

In supernatural horror stories, however, magical thinking is a completely different matter. Those characters contending with what seems to be the work of magic will deny till the very last moment that anything magical is going on. They will invoke reason and evidence and eek out corroborations for the cause of their problems. But readers of these stories are rarely, if ever, on the side of these characters. They desperately want to believe that there is indeed something magical going on and they are primed to accept it whenever it occurs. Some readers especially enjoy a story with bad magic, as it assures them that magic is confined to fiction and will not leak into their real lives. This is the most perverse form of magical thinking and the one least likely to be recognized as such. — Thomas Ligotti

When I opened a book now, I was seized with desperation. I felt as if I was madly in love. It was as if I were in a confession booth and the characters in the book were on the other side telling me their most intimate secrets. When I read, I was a philosopher and it was up to me to figure out the meaning of things. Reading made me feel as if I were the center of the universe. — Heather O'Neill

Actresses talking about characters they've played often use the phrase "strong woman", which kind of irks me. Firstly, the description appears to be reserved for two kinds of female: the gun-toting chick in tiny-vest-and-shorts combo, or the tough-talking businesswoman who secretly longs for a man to bring out her softer side. So obviously, our idea of strength is pretty narrow and one-dimensional. Secondly, why isn't Brad Pitt ever asked about how much he enjoys playing a "strong man"? Is it automatically assumed that men's roles will be complex and interesting? — Rosie Blythe

I think the other side of that is embracing the claustrophobia, and that's what a huge piece of this show is, just watching people go through having to be stuck in that. I think the audience is going to feel some of that. It might not be comfortable, but it's really cool to just be experiencing that along with the characters that you're watching. — Kyra Zagorsky

I'm interested in the dark side of man. I'm interested in taboos, and murder is the greatest taboo. Characters are fascinating in their extremity, not in their happiness. — Elizabeth George

In acting, you get to explore such an artistic side with different characters to research and learn and explore different things inside yourself and I do that anyway, so I might as well be doing something that I already do, as in a second nature to me, on film. — Gina Carano

it would be fairer to say I have traveled widely, without ever leaving my own native soil, I've traveled, one might say, through literature, each time I've opened a book the pages echoed with a noise like the dip of a paddle in midstream, and throughout my odyssey I never crossed a single border, and so never had to produce a passport, I'd just pick a destination at random, setting my prejudices firmly to one side, and be welcomed with open arms in places swarming with weird and wonderful characters — Alain Mabanckou

I always find myself gravitating to the analogy of a maze. Think of film noir and if you picture the story as a maze, you don't want to be hanging above the maze watching the characters make the wrong choices because it's frustrating. You actually want to be in the maze with them, making the turns at their side, that keeps it more exciting ... I quite like to be in that maze. — Christopher Nolan

There is much asked and only so much I think I can or should answer, and so, in this post I would like to give a few thoughts on what seemed to be the overwhelming question: "WHY?"
And here is the best answer I can give: Because.
Because sometimes, life is damned unfair.
Because sometimes, we lose people we love and it hurts deeply.
Because sometimes, as the writer, you have to put your characters in harm's way and be willing to go there if it is the right thing for your book, even if it grieves you to do it.
Because sometimes there aren't really answers to our questions except for what we discover, the meaning we assign them over time.
Because acceptance is yet another of life's "here's a side of hurt" lessons and it is never truly acceptance unless it has cost us something to arrive there.
Why, you ask? Because, I answer.
Inadequate yet true. — Libba Bray

The only thing I can say in comparison is when I play comedy characters; I definitely put empathy in right up at the forefront. I think if you believe in someone because you not necessarily feel sorry for them, but you can see how they are the way they are and you can laugh with them, but rather than laugh at them, you are on their side and I think it's — Rhys Darby

That's always been part of my goal - to show the dark side of women. Men write about bad men all the time, and they're called antiheroes. ... What I read and what I go to the movies for is not to find a best friend, not to find inspirations, not necessarily for a hero's journey. It's to be involved with characters that are maybe incredibly different from me, that may be incredibly bad but that feel authentic. — Gillian Flynn

The most effective attitude to adopt is one of supreme acceptance. The world is full of people with different characters and temperaments. We all have a dark side, a tendency to manipulate, and aggressive desires. The most dangerous types are those who repress their desires or deny the existence of them, often acting them out in the most underhanded ways. Some people have dark qualities that are especially pronounced. You cannot change such people at their core, but must merely avoid becoming their victim. You are an observer of the human comedy, and by being as tolerant as possible, you gain a much greater ability to understand people and to influence their behavior when necessary — Robert Greene

In 'Mirror Mirror,' I played Prince Charming's side kick Renbock, who was pretty dandy, hapless and innocent. Other than that I've tended to play the complete opposite! I've played gritty, hard characters, generally tough people. — Robert Emms

I think we all have a kind of dark side, and that's what keeps life - and characters - interesting. That's one of the things that I'm drawn to write about again and again, the secrets we keep and how they shape us. — Jennifer McMahon

If you look at my body of work, there's always a dark side to my characters. They've always got a skeleton in the closet; they've always got a subtext. — Tony Scott

I love to play characters who are stuffy and nerdy who either then have a dark side or are pushed to a breaking point. — Andy Daly

I love playing characters that are bigger than life and maybe have a darker side that they present to the world. Those are good characters. — Randy Quaid

It was great but intense to try to go back into a character's mind, a mind that is filled with self-loathing and a mind that is male. It is fun to try to psychoanalyze why a character acts and feels the way he/she does, and doing it as a different gender lends itself to many challenges. My desire to delve into the male psyche comes from many years of being drawn to men that seem to have a darker side. But there is also light in them, and it is that duality and intensity that makes me feel alive. Thorne is very much that man as is my first male protagonist, Michael, from the Natalie's Edge series. Each man, while plagued with a dark past and demons, has this glorious light within them, fighting noble causes. I picture them as true anti-heroes, like the likes of Batman, the Dark Knight. — R.B. O'Brien

I've known gay people - men and women - since I was a young person. To me it's just naturalistic and realistic to portray gay characters in a humanistic light. As a young man, I knew enough gay people as people not to fear them. On the other side of the coin, I like to irritate conservatives and homophobes. — Gilberto Hernandez Guerrero

All the characters ever written are already inside you. It's just a matter of accessing them and bringing them forward. And having no fear of the dark side. — Jane Lynch

All we can do about this nightmare we live in is to create, if we are very lucky, a few islands of love and trust to sustain us and help us forget. But love dies while the lovers go on living, and Woolrich excels at making us watch while relationships corrode. He knew the horrors that both love and lovelessness can breed, yet he created very few irredeemably evil characters; for with whoever loves or needs love, Woolrich identifies, all of that person's dark side notwithstanding.
("Introduction") — Francis M. Nevins Jr.

You see? Characters in books do not read books. Oh, they snap them shut when somebody enters a room, or fling them aside in disgust at what they fancy is said within, or hide their faces in one which they pretend to peruse while somebody else lectures them on matters they'd rather not confront. But they do not read them. 'Twould be recursive, rendering each book effectively infinite, so that no single one might be finished without reading them all. This is the infallible message of discovering on which side of the page you are on. — Michael Swanwick

I was always attracted to the type of cinema hero as an adolescent growing up in Ireland. Robert Mitchum springs to mind. Later on, it was Steve McQueen to a certain extent and Charles Bronson. They're these types of grizzled characters who had one foot on the side of law and order and the other foot in the bad guy's camp. — Liam Neeson