Shot Story Quotes & Sayings

On romance books: We might assume then that men, major consumers of thrillers, westerns, and detective fiction, enjoy being beaten up, tortured, shot, stabbed dragged by galloping horses, and thrown out of moving vehicles. — Daphne Clair

When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story. — Roger Deakins

My name, among our people, means 'slow arrow.' It comes from a story in which the god Fen'Harel was asked by a village to kill a great beast. He came to the beast at dawn, and saw its strength, and knew it would slay him if he fought it. So instead, he shot an arrow up into the sky. The villagers asked Fen'Harel how he would save them, and he said to them, 'When did I say that I would save you?' And he left, and the great beast came into the village that night and killed the warriors, and the women, and the elders. It came to the children and opened its great maw, but then the arrow that Fen'Harel had loosed fell from the sky into the great beast's mouth, and killed it. The children of the village wept for their parents and elders, but still they made an offering to Fen'Harel of thanks, for he had done what the villagers had asked. He had killed the beast, with his cunning, and a slow arrow that the beast never noticed. — Patrick Weekes

The following year, on June 20, 1947, not suspecting what was about to happen, Bugsy Siegel was sitting on a couch in the living room of Virginia Hill's home at 810 Linden Drive in Beverly Hills. As he was reading a newspaper, an assassin fired a number of shots, from a rifle, through the front window. Siegel was shot twice in the head, with one bullet exiting his skull near the bridge of his nose, causing his left eye to be blown out of its socket. He was also hit twice in the torso. His death was instantaneous and the graphic photos of his bullet-riddled body made headline news. Although there were enough suspects to go around, Eddie Cannizzaro, the "Cat Man," a connected west coast mobster, made a deathbed confession that he was the one who carried out the contract. Although the case isn't closed, it is cold and will most likely remain so, as it rests on the desk of Detective Les Zoeller of the Los Angeles Police Department. — Hank Bracker

If I show consideration for others," Lillian Lynburn said grumpily, "will you tell me again about how you shot my husband?"
Jon rolled his eyes. "Yes, Leigh, if you manage to approximate human behavior for half an hour, I will tell you your favorite story again. — Sarah Rees Brennan

The philosophy I always have is what's the sentence that would tell me about each shot. If I can't read why the shot's there, what is the story trying to say? — Jennifer Lee

If my life were a movie ... the title sequence would start out like a typical high school story, but then reveal that something's amiss. There'd be a tight shot, or piece of dialogue, or something that would make the viewer uncomfortable. Something to give them that prickly feeling.
-Dez — Dawn Klehr

A lot of cable television is shot on a single camera. Our eyes are more trained to that. It takes the camera off the crane, away from observing the action, to becoming a character in the story along with everyone else. People are getting used to that. — A. J. Bowen

Every morning brings us news of the globe, and yet we are poor in noteworthy stories. This is because no event comes to us without being already shot through with explanation. In other words, by now almost nothing that happens benefits storytelling; almost everything benefits information. Actually, it is half the art of storytelling to keep a story free from explanation as one reproduces it ... The most extraordinary things, marvelous things, are related with the greatest accuracy, but the psychological connection of the event is not forced on the reader. It is left up to him to interpret things the way he understands them, and thus the narrative achieves an amplitude that information lacks. — Walter Benjamin

At its zenith Sears accounted for more than 2 percent of all retail sales in the United States. It pioneered several innovations critical to the success of today's most admired retailers: for example, supply chain management, store brands, catalogue retailing, and credit card sales. The esteem in which Sears' management was held shows in this 1964 excerpt from Fortune: "How did Sears do it? In a way, the most arresting aspect of its story is that there was no gimmick. Sears opened no big bag of tricks, shot off no skyrockets. Instead, it looked as though everybody in its organization simply did the right thing, easily and naturally. And their cumulative effect was to create an extraordinary powerhouse of a company. — Clayton M Christensen

In rare cases, I've had music before I shot the movie. I think that for 'Good Will Hunting' I had an Elliot Smith record or a couple of them and I just somehow felt like the sound had something to it that reminded me of the story. So in that case there was music beforehand. — Gus Van Sant

One of the things I'm always reminded of when I'm back on stage is how much you have to be aware of and in control of. There is no tight shot. There is no 'we're only shoulders-up this time.' No, from the top of your head to your pinky toe, you're telegraphing part of the story the entire time you're up there. — Jim Parsons

About the Story

Not all the details in this story are true. The times some events occurred have been changed, and the conversations are made up. Most of the things Tad Lincoln did in this story reportedly happened, including saving Jack the turkey and bombarding the Cabinet Room door with his toy cannon. Tad really was determined to raise money to help wounded soldiers and did persuade his father to pardon a woman's husband so he wouldn't be shot. Although Tad's antics often annoyed his father's staff, most agreed he had a big heart and a special way with animals. Once he even hitched goats to a chair and ran them through the White House, upsetting a gathering of dignified ladies. Nothing was too surprising when it came to Tad.
Although several presidents had declared occasional days of thanksgiving, none had ever officially made it a national holiday. Abraham Lincoln finally did so with his Proclamation of Thanksgiving on October 3, 1863. — Gary Hines

He [Mark Webb] is very savvy, technically, he's shot so many videos, he knows how to get what he wants. The surprise, of course, is that he's also an extremely humanistic story-teller. He's obsessed with story and character, and not just making it look right, which is a double-thred that's rare in directors. — Joseph Gordon-Levitt

At last, after almost fifty years in the hopper, the most famous unpublished novel in America is in print. Who Shot the Water Buffalo? is a splendid story of comradeship in a time and place of constant peril, but it's Babbs's irrepressible exuberance and vast, affectionate good humor that make the story go. I love this novel. — Ed McClanahan

Moviemaking is a time machine: narrative spliced into fragments and reassembled into a constant present, the end of a story shot before the beginning, which is shot after the middle. — Steve Erickson

It felt as if maybe the curse had lifted, the tide had shifted, but then the breeze picked up and a skeet took a very unfortunate turn. Seconds later, Angus was pulling his shot far to the right, shooting a large hole in the second-story galley not ten feet above Marcus's head. — Ally Carter

A camera is a camera, a shot is a shot, how you tell the story is the main thing. — Christopher Nolan

A book is simply a snap shot of the full story. — Erica Goros

Aidan," ...
He held up his finger. "One second, babe. I gotta finish telling Pesh this story."
"But my water broke."
Without taking his eyes of Pesh, Aidan slid his glass of water over to her. "Here take mine."
If the situation hadn't been dire, Megan would have laughed at how oblivious Aidan was. Pesh leaned forward in his seat. "Um, Aidan, I think-"
He didn't get a chance to finish. Instead, water splashed across the side of Aidan's face. He shot out of his chair before whirling around to Emma. "What the hell, Em?"
"My. Water. Broke," she muttered through gritted teeth.
"Oh shit," he replied. — Katie Ashley

I don't think that Prokofiev ever treated me seriously as a composer; he considered only Stravinsky a rival and never missed a chance to take a shot at him. I remember once he started telling me some vile story about Stravinsky. I cut him off. — Dmitri Shostakovich

Very hesitantly, the pheasant started pecking at the dung, and lo on the very first day it reached the first branch of the tree. In a fortnight's time, it reached the topmost branch of the tree. It just went and sat on the topmost branch and just enjoyed the scenery. The old farmer saw a fat old pheasant on the top of the tree. He took out his shotgun and shot him off the tree. So the moral of the story is: even bullshit can get you to the top, but never lets you stay there. [Everybody laughs] So — Jaggi Vasudev

It is gorgeously shot, and Andrew believes that the old school way of making films in the best way. Meaning: you have a story, and you stick to the story. You don't change and alter the story because of people who've invested in it and what to put product in a shot. — Michael Berryman

True story
This morning I jumped on my horse
And went for a ride,
And some wild outlaws chased me
And shot me in the side.
So I crawled into a wildcats cave
To find a place to hide
But some pirates found me sleeping there
And soon they had me tied
To a pole and built a fire
Under me---I almost cried
Till a mermaid came and cut me loose
And begged to be my bride
So I said id come back Wednesday
But I must admit I lied.
Then I ran into a jungle swamp
But I forgot my guide
And I stepped into some quicksand
And no matter how hard I tried
I couldn't get out, until I met
A watersnake named Clyde
Who pulled me to some cannibals
Who planned to have me fried
But an eagle came and swooped me up
And through the air we flied
But he dropped me in a boiling lake
A thousand miles wide
And you'll never guess what I did then---
I DIED — Shel Silverstein

The only story that seems worth writing is a cry, a shot, a scream. A story should break the reader's heart. — Susan Sontag

Everything has already been done. every story has been told every scene has been shot. it's our job to do it one better. — Stanley Kubrick

A shot is only as every as good as how well it tells the story. — Simon Baker

I had a great time making the last movie, 'Eclipse.' We shot my back-story stuff from the 1930's. But I was waiting for 'Breaking Dawn' because I love the relationship Rosalie has with Jacob and the rest of her family and Bella. She also provides comic relief. — Nikki Reed

None of the characters in (the story) were distinguished ones
not even the lion.
He was an old lion, prepared from birth to lose his life rather than to leave it. But he had the dignity of all free creatures, and so he was allowed his moment. It was hardly a glorious moment.
The two men who shot him were indifferent as men go, or perhaps they were less than that. At least they shot him without killing him, and then turned the unsconscionable eye of a camera upon his agony. It was a small, a stupid, but a callous crime. — Beryl Markham

You sold a story last week," said Pettit, "about a gun fight in an Arizona mining town in which the hero drew his Colt's .45 and shot seven bandits as fast as they came in the door. Now, if a six-shooter could - "
"Oh, well," said I, "that's different. Arizona is a long way from New York. I could have a man stabbed with a lariat or chased by a pair of chaparreras if I wanted to, and it wouldn't be noticed until the usual error-sharp from around McAdams Junction isolates the erratum and writes in to the papers about it." (from "The Plutonian Fire") — O. Henry

I wrote about the Thai sex industry and people ask me how many bar-girls I slept with. I've just completed a short story about a High School shooting but nobody thinks I shot anyone. — Matt Carrell

I don't judge in my books. I don't have to have the antagonist get shot or the protagonist win. It's just how it comes out. I'm just telling a story. — Elmore Leonard

Your mere presence makes me wish for a fifty-story window to jump out of and a cement sidewalk below. Or a moat. A moat with a dozen hungry alligators in it."
He smirked. "You always paint such lovely pictures with your words, little bird."
"I'm going to paint lovely pictures with your intestines," I shot back.
Drake laughed.
I hated him.
Seriously. — Jennifer L. Armentrout

Western Civilization was responsible for a paradigm shift in history. It created the industrial and scientific revolutions that enabled the birth of a transportation, communications and knowledge revolution unprecedented in the 5 billion year history of this planet. Unfortunately this revolution took place amidst a moral vacuum at the very top of the power structure. It is as if a three year old child had been given control over both a candy story and a shotgun. He was able to use the shotgun to get all the candy he wanted but he had no idea what to do next. Whenever somebody tried to tell him too much candy was bad for him, he shot the person who said that. — Benjamin Fulford

In 2012, in the United Kingdom, the number of people (regardless of race) shot and killed by police officers: 1 In 2013, in the United Kingdom, the number of times police officers fired guns in the line of duty/the number of people fatally shot: 3/0 In the United States, in the seven year period ending in 2012, a white police officer killed a black person nearly two times a week. "I'm not much of a talker," she finished up. "You know that. But I know numbers. The numbers don't lie, kids. The numbers always tell a story. — Jason Reynolds

Florence Dodson was murdered the same night that Claire Guthrie shot her husband. For me, the story began with Claire, and I put Mrs. Dodson on the back burner in my mind. That turned out to be a mistake. — Judy Alter

You only heard the statement of the loss. You did not see the father fall as Pilar made him see the fascists die in that story she had told by the stream. You knew the father died in some courtyard, or against some wall, or in some field or orchard, or at night, in the lights of a truck, beside some road. You had seen the lights of the car from down the hills and heard the shooting and afterwards you had come down to the road and found the bodies. You did not see the mother shot, nor the sister, nor the brother. You heard about it; you heard the shots; and you saw the bodies. — Ernest Hemingway,

But we will not bury our mother. We have no interest in putting her bones in soft ground, no desire for memorials and platitudes, no feelings attached to the organic detritus of her terminated existence. — JY Yang

Whether they'll write the story of my life as a tragedy or an epic fantasy ... I was wondering if it was going to be a kiss at the end, or sad music and a sweeping camera shot over the fields I once roamed freely. I'm hoping for the kiss, but expecting the sweeping camera shot. — Maggie Stiefvater

Because if something happened to Mac, no one would call him. No one knew about them. He would only find out when Mac failed to come home, and there was a story on the news about police officer shot. — Kaje Harper

Never put the story in the lead. Let 'em have a hot shot of ambiguity right between the eyes. — William Safire

Because of the long, long history of British shipping, immigration, trade, empire, missionaries, you can have a better shot at telling a worldwide story in the British Museum's collection than any other. Britain has been more connected with the rest of the world than any other country, for longer. — Neil MacGregor

Once I shifted my thinking, though, I stopped roughing myself up and started asking Why? Why don't you want to write? What's wrong? And while the answers were never pleasant (because really, it's no fun to realize you messed up and now you have to rewrite a scene, or a chapter, or half a book), they were progress, and they were necessary. They were also extremely good for me, because once I got my story back on the right track, my bad writing days vanished, my daily word counts shot up, the quality of my writing improved, and life in general got a whole lot better. — Rachel Aaron

Brian's eyeborw shot up. "Don't m ind me for asking silly questions, Anna, but aren't you the one who determines Bux's fate?"
"You obviously know nothing about the writing process," Anna shot back impatiently. "My characters are living, breathing beings, Brian, and they do what they must in order for the story to unfold. But they aren't perfect, Far from it! All too often, they exercise bad behavior and make poor decisions and there's nothing I can do to stop them. — Judy Kouzel

There's so much material out there that's unnecessarily racist. It takes a shot at what is 'urban' or demonstrates blackness with some sassy, neck-jiving character that's not even relevant to the plot. I see it time and time again, and it doesn't move the story forward. It just kind of cryogenically freezes us in this old racial paradigm. — Jesse Williams

I don't study films particularly. I plan to direct, but I'm not watching film - I watch the entire film to see how the story goes, but I don't say, 'Oh, so he does a slow pan here, or he pulls here, watch the crane shot, or look at the composition,' because it's got to be my eye. — James Cromwell

An apocryphal story recounts the dilhemma of a man during the Civil War who could not decide whether to join the Confederate or Union forces. Finally he put on a gray coat and blue pants, and both sides shot him. — John Frohnmayer

I think I would love a shot at remaking 'The Philadelphia Story,' as daunting as it is. I still think it's fantastic. I love the '30s comedies because they're allowed to be both comic and elegant, and the women are so complicated in them. — Michael Patrick King

Each story has a different approach for me and I try to work with lighting that will tell you visually the story better than if it was shot in available light. — Vilmos Zsigmond

Sometimes you have to take a shot in the dark to discover the light. — A.D. Posey

Maybe it's the remnants of my religious upbringing, but I do try and insert a sense of social justice into the work ... for instance, to me, Mansfield Park is a story about servitude and slavery. Other people may have a problem with that, but that's how I read the book and so that's how I shot the movie. — Patricia Rozema

Samuel looked at Chief WalksAlong, at all the Tribal Cops, at Lester. He shifted the ball from his left hip to his right. He spun the ball in his hands, felt the leather against his fingertips, and closed his eyes.
"What the hell are you doing?" the Chief asked.
With his eyes still closed, Samuel drove to the basket, around his defenders, and pulled up for a short jumper. The ball rotated beautifully. Years later, Lester still swore that ball stopped in midair, just spun there like it was on a stick, like the ball wanted to make sure everyone noticed its beauty.
"That shot was vain," Lester said.
"That shot was the best story I ever told." Samuel said. — Sherman Alexie

Everybody has felt at one time or another that everyone else in the world had a better shot than they did, so when you engage that, you engage the reader, and I think you create a character that brings the reader more fully into the story. — Robin Hobb

Being an African filmmaker, Africa is what's important for me. If I were to shot a film in France or elsewhere it would only be because the story that was being told was something that concerned me, and that really called me or needed to be shown on the screen. — Abderrahmane Sissako

People who think achieving success is a linear A-to-Z process, a straight shot to the top, simply aren't in touch with reality. There are very few bona fide overnight success stories. It just doesn't work that way. Success appears to happen overnight because we all see stories in newspapers and on TV about previously unknown people who have suddenly become famous. But consider a sequoia tree that has been growing for several hundred years. Just because a television crew one day decides to do a story about that tree
doesn't mean it didn't exist before. — Donald Trump

What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line. — David Duchovny

She was at a club. I fucked her. She wouldn't go away. Then she died. Story over." "God, you're obnoxious. You married the woman. There has to be more." What the hell was he missing? "I'm not joining your pussy-whipped men's therapy group, Sean." Sean shot him the finger. "It's called a poker club, asshole, and we wouldn't have you. — Lexi Blake

The historical fact is that cinema was constituted as such by becoming narrative, by presenting a story, and by rejecting its other possible directions. The approximation which follows is that, from that point, the sequences of images and even each image, a single shot, are assimilated to propositions or rather oral utterances [ ... ]. — Gilles Deleuze

Dammit? Why would you give a dog such a name? Or is that a third date story too?"
"No, it's only a dog story." Rhett smiled and the temperature in the store shot up several degrees. "I named him Lambert after Miranda Lambert, but I guess he didn't like bein' named after a girl, so he sat there like a knot on a log every time I called him. So I'd say, 'Dammit, come here.' And here he'd come runnin' hell-bent for leather. So I gave up and called him Dammit. — Carolyn Brown

You know, Phil, I don't feel real comfortable in these situations. Maybe we ought to go in another direction.' Then Scottie came in and said, 'You know, Phil, Michael said in his commercial that he's been asked to do this twenty-six times and he's failed. Why don't we go to Steve?' So I thought to myself, 'I guess I have to bail Michael out again. I've been carrying him all year, so what's one more time?' Anyway, the shot went in, that's my story and I'm sticking to it. — Sam Smith

Then he launches himself at me with a roar, and I let him take his shot. It's weak, like he is. Like all bullies really are. That's why they're bullies. Because they're insecure idiots who try to make themselves feel better. — Erin Watt

With 'Toy Story,' which is a fantastic film but is essentially animation, you get to make all your decisions beforehand. 'Jumanji' is shot much like any other action film. — Joe Johnston

A friend of mine told a story about a date with a guy she was really excited about: He stood her up. He then called her, begging her forgiveness and giving some excuse. She told him to get lost, telling him that he only gets one shot with her, and he blew it. — Greg Behrendt

I really wanted to work with Luc Besson. I'm a big fan of his. Did you ever see 'The Professional.' It was very violent. But a fabulous story, a fabulous movie, very well done. So that and two or three other projects of his that I've seen, I just thought if I had a shot to work with him I wanted to do it. — Morgan Freeman

When I read the actual story-how Gatsby loves Daisy so much but can't ever be with her no matter how hard he tries-I feel like ripping the book in half and calling up Fitzgerald and telling him his book is all wrong, even though I know Fitzgerald is probably deceased. Especially when Gatsby is shot dead in his swimming pool the first time he goes for a swim all summer, Daisy doesn't even go to his funeral, Nick and Jordan part ways, and Daisy ends up sticking with racist Tom, whose need for sex basically murders an innocent woman, you can tell Fitzgerald never took the time to look up at clouds during sunset, because there's no silver lining at the end of that book, let me tell you. — Matthew Quick

I think all cinematographers, at least most of them, would love to do everything on location because you cannot cheat on location. It's there, it's part of the story usually. You have to deal with the elements. You have the sunshine, you have rain, you have fog - it really makes you work harder to try to match things during the day to make it look like it was shot within five minutes, movie time. — Vilmos Zsigmond

Peasants and princes, bailiffs and bakers' boys, merchants and mermaids, the figures were all immediately familiar. I had read these stories a hundred, a thousand, times before. They were stories everyone knew. But gradually, as I read, their familiarity fell away from them. They became strange. They became new. These characters were not the colored manikins I remembered from my childhood picture books, mechanically acting out the story one more time. They were people ... The stories were shot through with an unfamiliar mood. Everyone achieved their heart's desire ... but only when it was too late did they realize the price they must pay for escaping their destiny. Every Happy Ever After was tainted. — Diane Setterfield

Mara gave you my letter?"
"Yes."
"You must have been astonished." She had exposed her heart in that letter.
His eyebrows shot up. "'Astonished' is a mild word for it."
"But you came - so you must have read the other letters. They should have prepared you a little."
"I received no other letters. I had no idea you were in this part of the world."
She shook her head in confusion. "Then how did you know to come?"
"Yasmeen and I were in New Eden again - I have written that story for you in another letter - when a supply ship arrived carrying the rumor that Zenobia Fox was under the protection of the Kraken King. Needless to say, we abandoned New Eden and flew to Krakentown and full steam. — Meljean Brook

Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader. — David Gerrold

This story is dedicated to all those who help, and all those who care. — James D. Scanlon

We build camera rigs tailored specifically to the story we're trying to tell or the shot we're trying to capture. — Chris Milk

I just wrapped 'Eclipse' yesterday and the last scene we shot is probably my favorite thus far. I finally got to tell my story, in a very gentle yet elaborate way. — Nikki Reed

Whether I'm acting or making it, at the end of the day it's telling the story; action, drama. You want the audience to feel it - the story, the action, the scene, or a particular shot. I just keep working on crafting my art, on how to make action movies. — Donnie Yen

I went in and said, "If I see one more gratuitous shot of a woman's body, I'm quitting ... " I think the show should be emotional story lines, morals, real- life heroes. And that's what we're doing — David Hasselhoff

The events inspired characters that truly existed, as well as fictitious people I had to invent. Sometimes the harsh reality was too much, too absurd. This was the case with the story of the cat who roamed from one trench to another and in the film ended up being imprisoned. In reality, the tom cat was accused of spying and was arrested by the French army, and then shot according to regulations. — Christian Carion

Being in Vietnam and being around a major story of the time was always a great shot of adrenaline. — Horst Faas

He was clearly in love with Amber too, and this time it wasn't the usual water off the back of the duck. Instead, the duck, wounded by a hunter and bewildered because half its head had been shot way, and was still tottering about on its webby feet by the side of the pond. From the one side it looked like a duck usually looks. From the other, it was a different story. — Ali Smith

Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito
out! Every simile that would have made sub-moron's mouth twitch
gone! Any aside that explained the two-bit philosophy of a first-rate writer
lost!
Every story slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read Shakespeare read like Dostoevsky read like
in the finale
Edgar Guest. Every word of more than three syllables had been razored. Every image that demanded so much as one instant's attention
shot dead. — Ray Bradbury

For one ... If you shoot me and your boss realizes it was without good reason, you'll have fucked up your trial period. And trust me; I know you're still in it." Ian pulled open a drawer in a small brown cabinet.
"Secondly, it could end very badly for me and I'd rather prevent that. Getting shot is not on my list of things to do today." He wrapped his hand around the steel grip of his own weapon and removed it from the drawer.
"And last but not least, if you plan to shoot me ... Well, it'll be a matter of which of us is quicker and has better aim." A pleasant smile crossed his features and he casually waved the gun from side to side. "Do you want to risk it? — Natasha McNeely

If someone you know gets sick from taking a flu shot, you will be less likely to get one even if it is statistically safe. In fact, if you see a story on the news about someone dying from the flu shot, that one isolated case could me enough to keep you away from the vaccine forever. On the other hand, if you hear a news story about how eating sausage leads to anal cancer, you will be skeptical, because it has never happened to anyone you know, and sausage, after all, is delicious. The tendency to react more rapidly and to a greater degree when considering information you are familiar with is called the availability heuristic. — David McRaney

Telling the story with only a few shots, I love that style. It makes you feel like you're part of the action, part of the story. It reminds me of the theater, where one act is basically like one long shot. It almost makes you forget that you're seeing a movie. — Vilmos Zsigmond

I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good. — Gabriel Mann

I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave abominably, and with such abominable results. They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books. — Kurt Vonnegut

In the Middle Ages, cathedrals and convents burned like tinder; imagining a medieval story without a fire is like imagining a World War II movie in the Pacific without a fighter plane shot down in flames. — Umberto Eco

So now, Mrs. Ramsay thought, she could return to that dream land, that unreal but fascinating place, the Manning's drawing-room at Marlow twenty years ago; where one moved about without haste or anxiety, for there was no future to worry about. She knew what had happened to them, what to her. It was like reading a good book again, for she knew the end of that story, since it had happened twenty years ago, and life, which shot down even from this dining-room table in cascades, heaven knows where, was sealed up there, and lay, like a lake, placidly between its banks. — Virginia Woolf