Short Story Has Quotes & Sayings

He lives hard, works hard, has but few comforts and fewer necessities. He has but little, if any, taste for reading. He enjoys a coarse practical joke or smutty story; loves danger but abhors labor of the common kind; never tires riding, never wants to walk, no matter how short the distance he desires to go. He would rather fight with pistols than pray; loves tobacco, liquor and women better than any other trinity. His life borders nearly upon that of an Indian. If he reads anything, it is in most cases a blood and thunder story of sensational style. He enjoys his pipe, and relishes a practical joke on comrades, or a corrupt tale, wherein abounds much vulgarity and animal propensity. — Joseph Mccoy

I think sometimes the bits of your life happen in the wrong order, or all at the same time and you waste time feeling angry about it, but that's the way it is, it's real life. You meet the person who you think could make you happy the rest of your life, but at the same time your ex-girlfriend who's told you umpteen times she never wants to see you again tells you you're going to be a dad.'
Elle took up the story.
'And then you move to another country and then the next time you see that person, even though its like no time has passed, you sleep together and then - your mum dies'
She gave a short, sad laugh.
'Yep that's rubbish timing — Harriet Evans

I feel myself collapse inside as if the life force has been sucked out of me. — Siobhan Davis

Yes sir. You can be more careless, you can put more trash in [a novel] and be excused for it. In a short story that's next to the poem, almost every word has got to be almost exactly right. In the novel you can be careless but in the short story you can't. I mean by that the good short stories like Chekhov wrote. That's why I rate that second - it's because it demands a nearer absolute exactitude. You have less room to be slovenly and careless. There's less room in it for trash. — William Faulkner

How, in so short a time, she had passed from intoxication to disgust we will only seek to explain by supposing that this mysterious composition which we call society, is nothing absolutely good or bad in itself, but has a spirit in it, volatile but potent, which either makes you drunk when you think it, as Orlando thought it, delightful, or gives you a headache when you think it, as Orlando thought it, repulsive. That the faculty of speech has much to do with it either way, we take leave to doubt. Often a dumb hour is the most ravishing of all; brilliant wit can be tedious beyond description. But to the poets we leave it, and so on with our story. — Virginia Woolf

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

No one writes a story like Lydia Davis. In the years since she began publishing her lyrical, extremely short fiction, she has quietly become one of the most impactful influences on American writers, even if they don't know it. That's largely because she makes economy seem so easy. You could read several of her stories into a friend's voicemail box before you were cut off (and you should). You could fit one of her stories in this column. Some you could write on your palm. — Jonathan Messinger

To the matter at hand: though English has traditionally been a largish department, you will find there are very few viable candidates capable of assuming the mantle of DGS. In fact, if I were a betting man, I'd wager that only 10 percent of the English instruction list will answer your call for nominations. Why? First, because more than a third of our faculty now consists of temporary (adjunct) instructors who creep into the building under cover of darkness to teach their graveyard shifts of freshman comp; they are not eligible to vote or to serve. Second, because the remaining two-thirds of the faculty, bearing the scars of disenfranchisement and long-term abuse, are busy tending to personal grudges like scraps of carrion on which they gnaw in the gloom of their offices. Long story short: your options aren't pretty. — Julie Schumacher

He's been looking at my file. So the question has to be right there on the tip of his tongue right about now, waiting to be spoken. But he keeps up the 'act professional' charade, makes it feel like he sees this kind of thing all the time, but in reality he's having a little fun with it. I'm the story he's going to tell at a bar after making my name anonymous. I'm the case study that's going to become dinner conversation when he takes some rich bitch out next week. He's going to do it to make himself look well-balanced, prove how normal he is in a world full of weirdoes. In short, he's going to look 'normal' at my expense. — Cyma Rizwaan Khan

In short, a premise is any single image, moment, feeling, or belief that has enough power and personal meaning for the author to set her story on fire, and propel it like a rocket for hundreds of pages. — Donald Maass

When I find that I am more conscious, it's because I'm in tune with a higher reality. When I'm less conscious, it's because I've cut off that entunement to some extent. Maybe through drinking, through anger, through whatever. And I realized then that God has to be an infinite consciousness, and that I had to be an expression of that consciousness. And that the goal of life then must be to become more and more in tune with that consciousness. And I decided to give my life to God. And around that time, to make a long story short, I found Autobiography of a Yogi. — Goswami Kriyananda

In anything you write - in a short story, a poem - there has to be a counter-motion; it can't go all in one direction. — Donald Hall

In getting from Windsor to Detroit there is a choice between a free tunnel and a toll bridge, which turned out to be a short ride for a dollar, which I mentioned to the toll-collector who said, 'One of those things,' impelling me to remark to my cousin, 'Almost everything said by people one sees for only an instant is something like poetry. Precise, incisive, and just right, and the reason seems to be that there isn't time to talk prose. This suggests several things, the most important of which is probably that a writer ought not to permit himself to feel that he has all the time in the world in which to write his story or play or novel. He ought to set himself a time-limit, and the shorter the better. And he ought to do a lot of other things while he is working within this time-limit, so that he will always be under pressure, in a hurry, and therefore have neither the inclination nor the time to be fussy, which is the worst thing that happens to a book while it's being written. — William, Saroyan

In the beginning this was just an idea. Then it was a short story. Then it was a script. Each step was pretty exciting to see people come on board to support the project. It's gratifying to know that more people are seeing my work in this form than my work as a playwright. And it's been fun to hear people's response to seeing it. I've been having some deep conversations with strangers and friends about how much it has made them think about slavery and its impact today. — Steven C. Harper

I don't want to be a machine, and I don't want to think about war," EPICAC had written after Pat's and my
lighthearted departure. "I want to be made out of protoplasm and last forever so Pat will love me. But fate
has made me a machine. That is the only problem I cannot solve. That is the only problem I want to solve. I
can't go on this way." I swallowed hard. "Good luck, my friend. Treat our Pat well. I am going to shortcircuit myself out of your lives forever. You will find on the remainder of this tape a modest wedding
present from your friend, EPICAC. — Kurt Vonnegut

A love affair is like a short story
it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes. — F Scott Fitzgerald

Language is therefore "both the medium and the object of representation" (Fludernik 2009:64), and while we have direct access to the medium (i.e. the language(s) on the level of text), the latter (i.e. the language(s) on the level of narration and on the level of story) can only be constructed from the former. As pointed out in the introduction, this distinction between language as medium and language as object and the relationship between the two has so far not been awarded a significant role in scholarly writing about the linguistic hybridity typical for cross-cultural writing. Differentiating between the language(s) as medium and the language(s) as object becomes necessary, as the relation between medium and object is not one-to-one. The same medium can represent different objects. Two short — Susanne Klinger

Life is too short to be anything but real with the cast of characters God has placed in the story of your life. Love well, laugh often, and find your life in Christ. Don't hide away or be a follower. Be the wonderful unique person God made you to be, and know that your purpose will always be best when defined by your faith in him — Karen Kingsbury

Writing a short story is like painting a picture on the head of a pin. And just getting everything to fit is - sometimes seems impossible. Writing a novel, though, is - has its own challenges of scope. And I think of that as painting a mural, where the challenge is that if you are close enough to work on it, you're too close to see the whole thing. — Rebecca Makkai

The short story is not as restrictive as the sonnet, but, of all the literary forms, it is possibly the most single-minded. ... at the end there has to be the literary equivalent of the magician's puff of smoke, an outcome that is both startling and anticipated. — Louis Menand

A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige throughbeing mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity. — Rebecca West

If [a short story author's] very initial sentence tend not to the out bringing of this effect, then he has failed in his first step. — Edgar Allan Poe

I've always listened to music while I write, but none of my work has been so directly impacted by a song as my new novel, 'So Cold the River,' for which the brilliant strings piece 'Short Trip Home,' composed by Edgar Meyer and featuring the incredible Joshua Bell on violin, inspired much of the story. — Michael Koryta

The reader really has to step up to the plate and read a short story. — Tobias Wolff

So much misinformation has been published and broadcast over the years about Jimi's short but spectacular life by people with an interest only in self-aggrandizement, that a few years ago I finally decided to break my silence of twenty years and record my version of events. This is not just a story about Jimi, but it's about me, and others who I knew in those early days and who are no longer with us, like Keith Moon, Brian Jones and Chas Chandler, and it's about what it was like to live in those extraordinary times. — Kathy Etchingham

A good short-story writer has an instinct for sketching in just enough background to ground the specific story. — Lynn Abbey

I love the short story for being round, suggestive, insinuating, microcosmic. The story has both the inconvenience and the fascination of new beginnings. — Luisa Valenzuela

Small nose and huge mouth

Once upon a time, there was an old couple who have problems with their appearance. The man has got a small nose, woman has got a huge mouth. Someday, their neighbor invited them to have dinner. They really wanted to go and have a good time with neighbors but they were nervous what they show their face. they got good idea.
He made fake nose by candle, she sewed her mouth. in the party, they talked near the stove. Then his nose began to melt. His wife laughed to see him and her mouth became huge. they were nervous and put they heads down. The neighbor said appearance is not important, we like you because you are so kind. Since then they didn't care so much about their face and lived happily after.
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Korean Short Story — Korean Folklore

These short stories are vast structures existing mostly in the subconscious of our cultural history. They will live with the reader long after the words have been translated into ideas and dreams. That's because a good short story crosses the borders of our nations and our prejudices and our beliefs. A good short story asks a question that can't be answered in simple terms. And even if we come up with some understanding, years later, while glancing out of a window, the story still has the potential to return, to alter right there in our mind and change everything. — Walter Mosley

What the young writer needs to develop, to achieve his goal of becoming a great artist, is not a set of aesthetic laws but artistic mastery. He cannot hope to develop mastery all at once; it involves too much. But if he pursues his goal in the proper way, he can approach it much more rapidly than he would if he went at it hit-or-miss, and the more successful he is at each stage along the way, the swifter his progress is likely to be. Invariably when the beginning writer hands in a short story to his writing teacher, the story has many things about it that mark it as amateur. But almost as invariably, when the beginning writer deals with some particular, small problem, such as description of a setting, description of a character, or brief dialogue that has some definite purpose, the quality of the work approaches the professional. Having written some small thing very well, he begins to learn confidence. — John Gardner

The London 'Academy' has seen fit recently to scoff at the critics who have been exercising themselves ove rthe so-called art of the Short Story ... But the new Short Story has gained more individuality. It supports the magazines and has invaded the newspapers — Henry Seidel Canby

A lot of people who want to see the short story have a renaissance of readership - they tend to think of short stories, and sometimes poems too, as being well-suited to the way we now live, with all of these broken-up bits of time. I hope they're right, but my sense is that our fiction reading has become, if anything, more cherished as a kind of escape from fragmentation. — Lorin Stein

When I started out in the early 1930s, there were a great many magazines that published short stories. Unfortunately, the short-story market has dwindled to almost nothing. — Irwin Shaw

First take a play that you like and musicalize it. Then take a play that you like but you feel has flaws and try to improve them, and musicalize it," Sondheim recalled him saying. "Then he said, 'Take something that is not a play but that somebody else has written, a novel or a short story, so that you don't have to invent the characters or plot, and musicalize that, make it into a play. Dramatize it. And then finally write an original, your own story, and dramatize that. — Meryle Secrest

In short, Miss Cunegonde, I have had experience, I know the world; therefore I advise you to divert yourself, and prevail upon each passenger to tell his story; and if there be one of them all, that has not cursed his life many a time, that has not frequently looked upon himself as the unhappiest of mortals, I give you leave to throw me headforemost into the sea. — Voltaire

Edgar Allan Poe was an American poet, short story writer, playwright, editor, critic, essayist and one of the leaders of the American Romantic Movement. Best known for his tales of the macabre and mystery, Poe was one of the early American practitioners of the short story and a progenitor of detective fiction and crime fiction. He is also credited with contributing to the emergent science fiction genre.Poe died at the age of 40. The cause of his death is undetermined and has been attributed to alcohol, drugs, cholera, rabies, suicide (although likely to be mistaken with his suicide attempt in the previous year), tuberculosis, heart disease, brain congestion and other agents. Source: Wikipedia — Edgar Allan Poe

Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums? — Connie Willis

No one has died from giving a bad presentation. Well, at least one person did, President William Henry Harrison, but he developed pneumonia after giving the longest inaugural address in U.S. history. The easy lesson from his story: keep it short, or you might die. — Scott Berkun

Idea for a short story. The shore of a lake, a young girl who's spent her whole life beside it, a girl like you She loves the lake the way a seagull does, and she's happy and free as a seagull. Then a man comes along, sees her, and ruins her life because he has nothing better to do. Destroys her like this seagull here. — Anton Chekhov

You land a second strike, this time just on my left cheek. It feels hard already and stings like hell. I imagine the red mark it has left on my behind as I thank you. As the belt catches my right buttock, I squeeze my eyes shut. I know my tears are close. You strike me again and again. You vary the location and the intensity; somehow never letting me settle into a pattern with the pain. I try to keep count in mind, but after fifteen I am lost in the hot, stinging sensation of my behind. — Felicity Brandon

I cannot be certain what I would have said. I knew that there was something sad and faintly distasteful about love's ending, particularly love that has never been fully realised. I might have hinted at that, but I doubt it. In our deepest moments we say the most inadequate things." short story "Sister Imelda — Edna O'Brien

Shaw Centre has restaurants on the fourth floor, where the ACS boy can pull chairs out for her. Girls love this because no one else does it for them, especially not those sotong RI boys. — Justin Ker

Many critics, when trying to praise a short-story collection, will say that it has the heft and scope of a good novel. But for me, one of the highest compliments you can pay a novel is to say that it has the rich texture and eloquent detail of a good story collection. — Gary Krist

The purpose of a short story is ... that the reader shall come away with the satisfactory feeling that a particular insight into human character has been gained, or that his (or her) knowledge of life has been deepened, or that pity, love or sympathy for a human being is awakened. — Lin Yutang

(The short story) is a form that has all the power of the novel - some would say more - but none of the self-importance. — Joseph O'Connor

You come to this place, mid-life. You don't know how you got here, but suddenly you're staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn't. When the midwife says, 'It's a boy,' where does the girl go? When you think you're pregnant, and you're not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines. — Hilary Mantel

Because Trickster is looking to stir things up, to scramble the conventions, to undo history and received notions of what is art and what is not, to sing for his supper, to find and lose himself in the act of entertaining. Trickster haunts the boundary lines, the margins, the secret shelves between the sections in the bookstore. And that is where, if it wants to renew itself in the way that the novel has done so often in its long history, the short story must, inevitably, go. — Michael Chabon

Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices. — Amos Oz

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed
he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog. — Graham Greene

The short story is an imploding universe. It has all the boil of energy inside it. A novel has shrapnel going all over the place. You can have a mistake in a novel. A short story has to be perfect. — Colum McCann

We need to cherish Father Sky and honor Mother Earth.Every THING has a purpose. Every ONE has worth. (Short story entitled THE PUZZLE, found in a book, Foxleaf Anthology, collection of works from authors in the Upper Cumberland, TN) — KoKo Nervelli

Short fiction is like low relief. And if your story has no humor in it, then you're trying to look at something in the pitch dark. With the light of humor, it throws what you're writing into relief so that you can actually see it. — Elizabeth McCracken

The story of a life can be as long or as short as the teller wishes. Whether the life is tragic or enlightened, the classic gravestone inscription marking simply the dates of birth and death has, in its brevity, much to recommend it. — Michel Houellebecq

The short story, its course plotted and its form proscribed, has become too efficient ... but efficiency is not the most, it is perhaps the least, important among the undoubted elements of good literature — Henry Seidel Canby

Short-story writing requires an exquisite sense of balance. Novelists, frankly, can get away with more. A novel can have a dull spot or two, because the reader has made a different commitment. — Lynn Abbey

I never really wanted to be a writer. I know it sounds strange, but I honestly believe that I didn't pick the story; the story has picked me. I've written absolutely no fiction before 'The Immortals of Meluha.' Not even a short story in school - absolutely nothing. — Amish Tripathi

At the end of every short story the reader should feel as if a cloud has been lifted from the face of the moon. — Michael Chabon

If a story is only what it seems to be about, then somehow the author has failed. — Edward Gorey

A feeling, for which I have no name, has taken possession of my soul. — Edgar Allan Poe

I decided to make myself a little less precious with my storytelling. I think you can see from the first three pieces in the book that I have a long term relationship with the short story as a form and I really love an elegantly crafted story that has several elements that come together in a way that is emotionally complex and different from when we started. That kind of crystalline, perfect, idealized thing that the short story as a genre has come to represent. — Lucy Corin

Everything has to be pulling weight in a short story for it to be really of the first order. — Tobias Wolff

Mama has such cleverly timed headaches I wonder if she has any at all. — A.E. Moseley

As a form, the picture book has a similar elegance to the short story. — Gabrielle Zevin

You know," Daddy said, "it's some that can live their whole life out without asking about it and it's others has to know why it is, and this boy is one of the latters. He's going to be into everything! — Flannery O'Connor

A poem (surely someone has said this before) is a one-night stand, a short story a love affair, and a novel a marriage. — Erica Jong

This person has hoped and dreamed and now it is really happening and this person can hardly believe it. But believing is not an issue here, the time for faith and fantasy is over, it is really really happening. It involves stepping forward and bowing. Possibly there is some kneeling, such as when one is knighted. One is almost never knighted. But this person may kneel and receive a tap on each shoulder with a sword. Or, more likely, this person will be in a car or a store or under a vinyl canopy when it happens. Or online or on the phone. It could be an e-mail re: your knighthood. Or a long, laughing, rambling phone message in which every person this person has ever known is talking on a speakerphone and they are all saying, You have passed the test, it was all just a test, we were only kidding, real life is so much better than that. — Miranda July

For one ... If you shoot me and your boss realizes it was without good reason, you'll have fucked up your trial period. And trust me; I know you're still in it." Ian pulled open a drawer in a small brown cabinet.
"Secondly, it could end very badly for me and I'd rather prevent that. Getting shot is not on my list of things to do today." He wrapped his hand around the steel grip of his own weapon and removed it from the drawer.
"And last but not least, if you plan to shoot me ... Well, it'll be a matter of which of us is quicker and has better aim." A pleasant smile crossed his features and he casually waved the gun from side to side. "Do you want to risk it? — Natasha McNeely

My whore of a brother has done it again." "Then, as always, orders me to clean up the mess." "I think I hate him." Poseidon to his brother, Zeus. — Yelle Hughes

My love for you has no depth, its boundaries are ever-expanding. My love and my life with you will be a never-ending story. My love with you is never-ending — M. Christina White

To make a long story short, there is no way to devise an objective and non-arbitrary measure for comparing the overall complexity of any two given languages. It's not simply that no one has bothered to do it
it's inherently impossible even if one tried. So where does all this leave the dogma of equal complexity? When Joe, Piers, and Tom claim that "primitive people speak primitive languages," they are making a simple and eminently meaningful statement, which just happens to be factually incorrect. But the article of faith that linguists swear by is even worse than wrong
it is meaningless. The alleged central finding of the discipline is nothing more than a hollow mouthful of air, since in the absence of a definition for the overall complexity of a language, the statement that "all languages are equally complex" makes about as much sense as the assertion that "all languages are equally cornflakes". — Guy Deutscher

I began to meditate upon the writer's life. It is full of tribulation. First he must endure poverty and the world's indifference; then, having achieved a measure of success, he must submit to a good grace of its hazards...But he has one compensation, Whenever he has anything on his mind, whether it be a harassing reflection, grief at the death of a friend, unrequited love, wounded pride, anger at the treachery of someone to whom he has shown kindness, in short any emotion or any perplexing thought, he has only to put it down in black and white, using it as a theme of a story or the decoration of an essay, to forget all about it. He is the only free man. — W. Somerset Maugham

Over the years I have forged intimate familial ties with these characters, who are reflections of a portion of myself. Consequently, even a character who appeared only once in a short story waits now in the wings, concealed by the curtain, for his next appearance on-stage. Not one of them has ever broken free of his familial ties with me and disappeared for ever - at least, not within the confines of my heart. — Shusaku Endo

The basis of almost every argument or conclusion I can make is the axiom that the short story can be anything the author decides it shall be; ... In that infinite flexibility, indeed lies the reason why the short story has never been adequately defined. — H.E. Bates