Short Sentence Quotes & Sayings

We talk of literature as if it were a mere matter of rule and measurement, a series of processes long since brought to mechanical perfection: but it would be less incorrect to say that it all lies in the future; tried by the outdoor standard, there is as yet no literature, but only glimpses and guideboards; no writer has yet succeeded in sustaining, through more than some single occasional sentence, that fresh and perfect charm. If by the training of a lifetime one could succeed in producing one continuous page of perfect cadence, it would be a life well spent, and such a literary artist would fall short of Nature's standard in quantity only, not in quality. — Brenda Wineapple

It was a short one-paragraph item in the morning edition. — Haruki Murakami

So why is Chinese social networking booming despite the censorship? Part of the reason is the Chinese language. Posts on Twitter and Twitter clones such as Weibo are limited to 140 characters. In English that comes to about 20 words or a sentence with a short link - in effect, a headline. But in Chinese you can write a whole paragraph or tell a whole story in 140 characters. One Chinese tweet is equal to 3.5 English tweets. In some ways, Weibo (which means "microblog" in Chinese) is more like Facebook than Twitter. As far as the Chinese are concerned, if something is not on Weibo, it does not exist. — Michael Anti

I always rejoice when I see a tribunal filled with a man of an upright and inflexible temper, who in the execution of his country's laws can overcome all private fear, resentment, solicitation, and even pity it self. Whatever passion enters into a sentence or decision, so far will there be in it a tincture of injustice. In short, justice discards party, friendship, kindred, and is therefore always represented as blind, that we may suppose her thoughts are wholly intent on the equity of a cause, without being diverted or prejudiced by objects foreign to it. — Joseph Addison

Even though you read much Zen literature, you must read each sentence with a fresh mind. You should not say, "I know what Zen is," or "I have attained enlightenment." This is also the real secret of the arts: always be a beginner."
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"When you are sitting in the middle of your own problem, which is more real to you: your problem or you yourself? The awareness that you are here, right now, is the ultimate fact. "
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"Knowing that your life is short, to enjoy it day after day, moment after moment, is the life of "form is form and emptiness is emptiness."
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"You may feel as if you are doing something special, but actually it is only the expression of your true nature; it is the activity which appeases your inmost desire. But as long as you think you are practicing zazen for the sake of something, that is not true practice."
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"The most important thing is to forget all gaining ideas, all dualistic ideas. In other words, just practice zazen in a certain posture. — Shunryu Suzuki

In one short sentence, it is captaincy that counts — Bernard Montgomery

The politician being interviewed clearly takes a great deal of trouble to imagine an ending to his sentence: and if he stopped short? His entire policy would be jeopardized! — Roland Barthes

The resistance to my work, and to my way of writing, has been there from the beginning. The first things I wrote were these short short stories collected in At the Bottom of the River, and at least three of them are one sentence long. They were printed in The New Yorker, over the objections of many of the editors in the fiction department. — Jamaica Kincaid

There's no sentence that's too short in the eyes of God. — William Zinsser

He lived at a little distance from his body, regarding his own acts with doubtful side-glances. He had an odd autobiographical habit which led him to compose in his mind from time to time a short sentence about himself containing a subject in the third person and a verb in the past tense. — James Joyce

Vonnegut along with critically acclaimed novelists like Lawrence Durrell and Iris Murdoch, Scholes explained that Vonnegut uses the rhetorical potential of the short sentence and short paragraph better than anyone now writing, often getting a rich comic or dramatic effect by isolating a single sentence in a separate paragraph or excerpting a phrase from context for a bizarre chapter-heading. The apparent simplicity and ordinariness of his writing mask its efficient power ... — Kurt Vonnegut

Community is another such phenomenon. Like electricity, it is profoundly lawful. Yet there remains something about it that is inherently mysterious, miraculous, unfathomable. Thus there is no adequate one-sentence definition of genuine community. Community is something more than the sum of its parts, its individual members. What is this "something more?" Even to begin to answer that, we enter a realm that is not so much abstract as almost mystical. It is a realm where words are never fully suitable and language itself falls short. — M. Scott Peck

Give me a scholar, therefore, who is able to think and to write, to look with an eye of discernment into things, and to do business himself, if called upon, who hath both civil and military knowledge; one, moreover, who has been in camps, and has seen armies in the field and out of it; knows the use of arms, and machines, and warlike engines of every kind; can tell what the front, and what the horn is, how the ranks are to be disposed, how the horse is to be directed, and from whence to advance or to retreat; one, in short, who does not stay at home and trust to the reports of others: but, above all, let him be of a noble and liberal mind; let him neither fear nor hope for anything; otherwise he will only resemble those unjust judges who determine from partiality or prejudice, and give sentence for hire: but, whatever the man is, as such let him be described. — Lucian Of Samosata

The best sentences orient us, like stars in the sky, like landmarks on a trail. They remain the test, whether or not to read something. The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. In fiction, plenty do the job of conveying information, rousing suspense, painting characters, enabling them to speak. But only certain sentences breathe and shift about, like live matter in soil. The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates. — Jhumpa Lahiri

We're pupils of the religions - Catholic, Protestant, Jewish ... Well, the Christian religions. Those who directed French education down through the centuries were the Jesuits. They taught us how to make sentences translated from the Latin, well balanced, with a verb, a subject, a complement, a rhythm. In short - here a speech, there a preach, everywhere a sermon! They say of an author, "He knits a nice sentence!" Me, I say, "It's unreadable." They say, "What magnificent theatrical language!" I look, I listen. It's flat, it's nothing, it's nil. Me, I've slipped the spoken word into print. In one sole shot. — Louis-Ferdinand Celine

Dagny leaned back in her chair. The short sentence was a shock. It was not merely relief: it was the sudden realization that nothing else was necessary to guarantee that it would be done; she needed no proofs, no questions, no explanations; a complex problem could rest safely on three syllables pronounced by a man who knew what he was saying. — Ayn Rand

At my years, and with my disposition, or rather, constitution, one gets to care less and less for everything except downright goodfeeling. Life is so short, and so ridiculous and irrational (from a certain point of view) that one knows not what to make of it, unless
well, finish the sentence for yourself. — Herman Melville

You're so scared of things sometimes, and for no reason," Sloane said, her voice quieter. "And sometimes, I wish ... " She didn't finish the sentence, just let it hang in the car between us.
I wished it too - whatever it was that in that moment Sloane wanted me to be, that I was falling short of. — Morgan Matson

Grammar is a piano I play by ear, since I seem to have been out of school the year the rules were mentioned. All I know about grammar is its infinite power. To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed. Many people know about camera angles now, but not so many know about sentences. The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. The picture tells you how to arrange the words and the arrangement of the words tells you, or tells me, what's going on in the picture. Nota bene.
It tells you.
You don't tell it. — Joan Didion

Front-loaded modifiers can be useful in qualifying a sentence, in tying it to information mentioned earlier, or simply in avoiding the monotony of having one right-branching sentence after another. As long as the modifier is short, it poses no difficulty for the reader. But if it starts to get longer it can force a reader to entertain a complicated qualification before she has any idea what it is qualifying. — Steven Pinker

I understand that each one of us works at a different speed, and has a slightly different process. I understand that these writers are painstaking, wanting each sentence-each word-to carry weight ... I know it's not laziness, but respect for the work, and I understand from my own work that haste makes waste. But I also understand that life is short, and that in the end, none of us is prolific. The creative spark dims, and then death puts it out. William Shakespeare, for instance, hasn't produced a new play for 400 years. That, my friends, is a long dry spell. — Stephen King

I read it, too," Komatsu said after a short pause. "Right after you called me. The writing is incredibly bad. It's ungrammatical, and in some places you have no idea what she's trying to say. She should go back to school and learn how to write a decent sentence before she starts writing fiction." "But you did read it to the end, didn't you?" Komatsu smiled. It was the kind of smile he might have found way in the back of a normally unopened drawer. "You're right, I did read it all the way through - much to my own surprise. I never read these new writer prize submissions from beginning to end. I even reread some parts of this one. Let's just say the planets were in perfect alignment. I'll grant it that much." "Which means it has something, don't you think? — Haruki Murakami

If [a short story author's] very initial sentence tend not to the out bringing of this effect, then he has failed in his first step. — Edgar Allan Poe

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all his sentences short, or that he avoid all detail and treat his subjects only in outline, but that every word tell. — William Strunk Jr.

Ultimately, I want a peak experience in reading, and that is sometimes difficult to find in contemporary fiction. I'm not interested in books that are just clever and well executed; polish doesn't impress me, and I don't care about a merely capable sentence. Life is short; I want a confrontation with high art. I want soul. Great literature rattles the mind and makes the body sing. It's an unmistakable, electric feeling, and too rare. That is what I want. — C.E. Morgan

People learn by integrating new information into their existing web of knowledge. They don't like it when a fact is hurled at them from out of the blue and they have to keep it levitating in short-term memory until they find a relevant background to embed it in a few moments later. Topic-then-comment and given-then-new orderings are major contributors to coherence, the feeling that one sentence flows into the next rather than jerking the reader around. — Steven Pinker

... when writing, always hook the reader with your first sentence ... in love, never settle ... value yourself first and this will help you to value others ... life is short, so enjoy it to the fullest ... everyone in the world is different, and that's ok ... — Spider Robinson

The mock-heroic, in whatever guise. One example, from Alexander Theroux: 'It was high tea: the perfervid ritual in England which daily sweetens the ambiance of the discriminately invited and that nothing short of barratry, a provoked shaft of lightning, the King's enemies, or an act of God could ever hope to bring to an end.' This elaborate banality might serve as a lesson to all fifth-formers. The sentence is a wreck: ugly, untrue and illiterate; even in the interests of pseudo-elegant variation, you cannot start a clause with a which and then switch to a that. — Martin Amis

On the first day of Human Sexuality, Ruth Ramsey wore a short lime green skirt, a clingy black top, and strappy high-heeled sandals, the kind of attention-getting outfit she normally wouldn't have worn on a date
not that she was going on a lot of dates these days
let alone to work. — Tom Perrotta

When you want to say something very important, tell it with a short sentence! There is no time for long stories! — Mehmet Murat Ildan

Leo cried, "Hold on! Let's have some manners here. Can I at least find out who has the honor of destroying me?"
"I am Cal!" the ox grunted. He looked very proud of himself, like he'd taken a long time to memorize that sentence.
"That's short for Calais," the love god said. "Sadly, my brother cannot say words with more than two syllables--"
"Pizza! Hockey! Destroy!" Cal offered.
"--which includes his own name," the love god finished.
"I am Cal," Cal repeated. "And this is Zethes! My brother!"
"Wow," Leo said. "That was almost three sentences, man! Way to go."
Cal grunted, obviously pleased with himself.
"Stupid buffoon," his brother grumbled. "They make fun of you. But no matter. I am Zethes, which is short for Zethes. And the lady there--" He winked at piper, but the wink was more like a facial seizure. "She can call me anything she likes. Perhaps she would like to have dinner with a famous demigod before we must destroy you? — Rick Riordan

Why are there such long words in the world, Miss?' enquires Sophie, when the mineralogy lesson is over.
'One long difficult word is the same as a whole sentence full of short easy ones, Sophie,' says Sugar. 'It saves time and paper.' Seeing that the child is unconvinced, she adds, 'If books were written in such a way that every person, no matter how young, could understand everything in them, they would be enormously long books. Would you wish to read a book that was a thousand pages long, Sophie?'
Sophie answers without hesitation.
'I would read a thousand million pages, Miss, if all the words were words I could understand. — Michel Faber

They carried on a curious intermittent conversation which flicked on and off like the beams of a lighthouse suddenly nipped into silence by the approach of a Party uniform or the proximity of a telescreen then taken up again minutes later in the middle of a sentence then abruptly cut short as they parted at the agreed spot then continued almost without introduction on the following day. — George Orwell

Each story, good and bad, short or long
from that trip to the mall when you saw Santa, to a long, bad illness
they are all a line or a paragraph in our own life manuscript. Two thirds of the way through, even, and it all won't necessarily make sense, but at the end there'll be a beautiful whole, where every sentence of every chapter fits. — Deb Caletti

The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that's already in the verb, every passive construction that leaves the reader unsure of who is doing what - these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank. — William Zinsser

He had only just made the Elysian deadline; hanging onto the typescript until the last moment in case there was something still to be done; two sentences turned into one, one sentence broken into two, the substitution of a slightly resistant adjective to engender a moment's reflection, in short, the joys of editing, all carried out without forgetting the art that disguises art. — Edward St. Aubyn

Kelly Link's prose is conveyed in details so startling and fine that you work up a sweat just waiting for the next sentence to land. This is why we read, crave, need, can't live without short stories. — Tea Obreht

Poems are surmountable. They have rhymes and rhythms to help you make meaning. They're short enough. . . to read and reread until you've made some sense of them. Short stories are a different ballgame. You read them and understand the words completely. You know what happens in each sentence. You follow the dialogue and action. at the end, you know exactly what's happened. And also you have no idea. — Laurie Frankel

Her majesty is one verb short of a sentence. — Jasper Fforde

A proverb is a short sentence based on long experience. — Miguel De Cervantes

To knot a sentence up properly, it has to be thought out carefully, and revised. New phrases have to be put in; sudden changes of subject must be introducted; verbs must be shifted to unsuspected localities; short words must be excised with ruthless hand; archaisms must be sprinkled like sugar-plums upon the concoction; the fatal human tendency to say things straightforwardly must be detected and defeated by adroit reversals; and, if a glimmer of meaning yet remain under close scrutiny, it must be removed by replacing all the principal verbs by paraphrases in some dead language. — Aleister Crowley

Her companion's discourse now sunk from its hitherto animated pitch, to nothing more than a short, decisive sentence of praise or condemnation on the face of every woman they met; and Catherine, after listening and agreeing as long as she could,with all the civility and deference of the youthful female mind, fearful of hazarding an opinion of its own in opposition to that of a self-assured man, especially where the beauty of her own sex is concerned, ventured at length to vary the subject ... — Jane Austen

Listen to them again: 'I love you.' Subject, verb, object: the unadorned, impregnable sentence. The subject is a short word, implying the self-effacement of the lover. The verb is longer but unambiguous, a demonstrative moment as the tongue flicks anxiously away from the palate to release the vowel. The object, like the subject, has no consonants, and is attained by pushing the lips forward as if for a kiss. 'I love you.' How serious, how weighted, how freighted it sounds. — Julian Barnes

How many millions of times the sentence 'Life is short' has been repeated in the human history? But nevertheless we all live as if we have millions of years! Oh, how silly! — Mehmet Murat Ildan

Trying to compose even a single sentence can have the same effect, as we try to juggle grammatical and syntactical alternatives plus all the possibilities of tone, nuance, and rhythm even a simple sentence offers. Composing, then, is a cognitive activity that
constantly threatens to overload short-term memory. — Linda Flower

A short story must have a single mood and every sentence must build towards it. — Edgar Allan Poe

He was very short in prayer when others were present, but every sentence was like a strong bolt shot up to heaven. I have heard him say that he wearied when others were long in prayer; but, being alone, he spent much time in wrestling and prayer. — Charles Haddon Spurgeon

The short story is a very natural mode of storytelling; most stories can be told quickly. I always think of them as like a tightrope walk - every sentence is a step along the rope, and you can so easily misplace your step and break your neck. — Kevin Barry

Sometimes reducing a problem to one short sentence can be enough to bring about insight on its own. — David Rock

The arrangement of the words matters, and the arrangement you want can be found in the picture in your mind. The picture dictates the arrangement. The picture dictates whether this will be a sentence with or without clauses, a sentence that ends hard or a dying-fall sentence, long or short, active or passive. — Joan Didion

Then letters came in but three times a week: indeed, in some places in Scotland where I have stayed when I was a girl, the post came in but once a month; - but letters were letters then; and we made great prizes of them, and read them and studied them like books. Now the post comes rattling in twice a day, bringing short jerky notes, some without beginning or end, but just a little sharp sentence, which well-bred folks would think too abrupt to be spoken. — Elizabeth Gaskell

First: never use a long word if a short word will do. Second: if you want to make a statement with a great many qualifications, put some of the qualifications in separate sentences. Third: do not let the beginning of your sentence lead the reader to an expectation which is contradicted by the end. — Bertrand Russell

I was right when I said a very long time ago that our age would leave few living documents behind it: it was rare for anyone to keep a diary, letters were short and businesslike--"I'm alive and well"--and few memoirs were written. There are many reasons for this. Let me mention just one, not perhaps recognized by everybody: we were too often at loggerheads with our own past to give it proper thought. Within the half-century, our ideas on people and events have changed many times; conversations were broken off in mid-sentence; thoughts and feelings could not but be affected by circumstances. — Ilya Ehrenburg

Ruskin says that anyone who expects perfection from a work of art knows nothing of works of art. This is an appealing sentence that, so far as I can see, is not true about a few pictures and statues and pieces of music, short stories and short poems. Whether or not you expect perfection from them, you get it; at least, there is nothing in them that you would want changed. But what Ruskin says is true about novels: anyone who expects perfection from even the greatest novel knows nothing of novels. — Randall Jarrell

Skill alone cannot teach or produce a great short story, which condenses the obsession of the creature; it is a hallucinatory presence manifest from the first sentence to fascinate the reader, to make him lose contact with the dull reality that surrounds him, submerging him in another that is more intense and compelling. — Julio Cortazar

The short and obscene sentence of Poseidonius about the rubbing together of two small pieces of flesh, which I have seen you copy in your exercise books with the application of a good schoolboy, does no more to define the phenomenon of love than the cord touched by the finger accounts for the infinite miracle of sounds. Such a dictum is less an insult to pleasure than to the flesh itself, that amazing instrument of muscles, blood, and skin, that red-tinged cloud whose lightning is the soul. — Marguerite Yourcenar

The marks of this style are weight and clarity of argument, sudden turns of generalization and genial paradox, the telling short sentence to sum a complex paragraph, and unexpected touches of personal approach to the reader, whom he always assumes to be as logical, as learned, as romantic, and as open to conviction as himself. Not that in fact he was easily open to conviction; perhaps 'open to argument' would be a truer description. — Jocelyn Gibb