Shooting Your Shot Quotes & Sayings

The rules of engagement are so lax that soldiers are shooting and killing Iraqis under mere suspicion, and tragedies are everyday. There are road killings, killings on the road when someone is trying to pass a convoy and they get shot. Or if a roadside bomb goes off, the soldiers just start shooting in all directions. — Yaroslav Trofimov

My second point, in fact, was something the convicts had taught me. They all believed that the White people who insisted that it was their Constitutional right to keep military weapons in their homes all looked forward to the day when they could shot Americans who didn't have what they had, who didn't look like their friends and relatives, in a sort of open-air shooting gallery we used to call in Vietnam a "Free Fire Zone." You could shoot anything that moved, for the good of the greater society, which was always someplace far away, like Paradise. — Kurt Vonnegut

I lie in a bathtub of cold water, still sweating and singing love songs to myself. I put the gun to my head and cock it.
I think of my Grandma and remember that old feeling of being so in love that nothing matters except seeing and being seen by her. I drop the gun to my chest. I'm so sad and I can't really see a way out of what I'm feeling but I'm leaning on memory for help. Faster. Slower. I think I want to hurt myself more than I'm already hurting. I'm not the smartest boy in the world by a long shot, but even in my funk I know that easy remedies like eating your way out of sad, or fucking your way out of sad, or lying your way out of sad, or slanging your way out of sad, or robbing your way out of sad, or gambling your way out of sad, or shooting your way out of sad, are just slower, more acceptable ways for desperate folks, and especially paroled black boys in our country, to kill ourselves and others close to us in America. — Kiese Laymon

Hollis thought he looked like William Burroughs, minus the bohemian substrate (or perhaps the methadone). Like someone who'd be invited quail shooting with the vice-president, though too careful to get himself shot. — William Gibson

I was a knight," Andrea said. "I'm not just going to start shooting every dickhead who mouths off to me."
"Just making sure."
"Besides, if I shot him, I'd do it so nobody could trace it back to me. I'd shoot him somewhere remote, his head would explode like a melon, and they would never find his body. He would just vanish. — Ilona Andrews

Don't let the vision be shot through with holes, but be damn sure some of your best and brightest are shooting at it
with bazookas as well as sniper's rifles. — Tom Peters

The distance at which all shooting weapons take effect screens the killer against the stimulus sensation which would otherwise activate his killing inhibitions. The deep, emotional layers of our personality simply do not register the fact that the crooking of the finger to release a shot tears the entrails of another man. — Konrad Lorenz

So I tried to get my shot with a 50mm and I did it - this is when we're shooting film, not digital. The guy that hired me looked through the pictures and was like, "Oh, this is pretty good. You did a good job." And I was like, "Yeah, I'm sorry. I only had a 50mm. My girlfriend rented the wrong lens ... " and he stopped looking at the pictures and he looked up at me and he said, "You shot this with a 50mm? You're hired." — Jeff Vespa

With 'Eagle of the Ninth,' every shot was extremely planned and organized. The director was like, 'Do this!' And I say, 'How was it?' and he says, 'Good.' It was very odd. I would never know where he was headed, or even if he was shooting me at a close-up or from a distance. — Tahar Rahim

Think that the whole voyeuristic attitude of filmmakers or of me personally - of shooting documentaries and so forth - is an important issue. And it was an important issue to me, personally. And the whole question of when - when do you put the camera down or when do you keep shooting to get the shot. And a number of times in my life I've had that question hit me very hard. — Haskell Wexler

Yeah, I shoot. I shot with my dad a little bit when I was little. He was a Marine, so it wasn't like he would take me to the ballet. We would go to a shooting range. It was the only thing he knew to teach his little girl how to do. — Jill Wagner

'The Squid and the Whale' I shot in 23 days. I would have loved more time for it at the time, but in some ways that kind of kamikaze way of shooting was right for that movie. — Noah Baumbach

On the other hand, there is a certain advantage in traveling with someone who has a reputation for shooting rather than being shot: as Keram said, in a self-satisfied way, they might kill me, but they would know that, if I was with him, there would be unpleasantness afterwards. — Freya Stark

I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting. — Lasse Hallstrom

I once visited an RSPCA hospital in Norfolk. I spoke to the vets working there, and asked them how many times they had had to treat a fox that had been brought in with a shooting injury. The answer from a vet who had worked there for many years was, Not once. When I asked him why, he said,You can take it from me that when the fox is shot in the countryside by somebody trained, it is dead. — Ian Cawsey

Two shadowy figures had appeared in the distance. A young girl led a donkey by its halter, chattering to a child perched on its swaying back. What in God's name were they doing out alone at night? They headed down the dirt road straight toward the house where Tehrazzi was apparently holed up. Every muscle in her body went rigid with denial. "Oh no ... " Had Dec heard the kids? Did he know they were in danger? Could he alert the children before the air strike? Not if he hadn't seen them. What should she do? She was too afraid to yell out in case someone started shooting, but no way could she sit back and let those children suffer. The breath shot in and out of her nose as she counted backward from ten, praying Dec would do something so she wouldn't have to. Ten, nine, eight ... The little boy laughed. Bryn squeezed her eyes — Kaylea Cross

There are two types of shot. The first is the shot made with great precision, but without any soul. In this case, although the archer may have a great mastery of technique, he has concentrated solely on the target and because of this he has not evolved, he has become stale, he has not managed to grow, and, one day, he will abandon the way of the bow because he finds that everything has become mere routine. The second type of shot is the one made with the soul. When the intention of the archer is transformed into the flight of the arrow, his hand opens at the right moment, the sound of the string makes the birds sing, and the gesture of shooting something over a distance provokes - paradoxically enough - a return to and an encounter with oneself. — Paulo Coelho

It's just about going out and getting the shot, so I have a great understanding of how to execute it, so that really helps me, and also having a good understanding of all the action that I'm shooting, it helps me in determining how I'm going to capture it. — David R. Ellis

I made a big mistake with him the first day I shot. We're shooting the scene where I come back from the party, the dance, in the sleigh with Julie Christie and we turn the corner and go past the camera and the camera follows us just a little bit and we disappear. — Rod Steiger

Mostly, videogames are about men shooting men in the face. Sometimes they are about women shooting men in the face. Sometimes the men who are shot in the face are orcs, zombies, or monsters. — Anna Anthropy

And another nice thing about war - not that anything about war is nice, I guess - is that while it's going on and you're in it, you never worry about doing the right thing. See? Up there, fighting and all, you couldn't be righter. You could of been a heller at home and made a lot of people unhappy and all, and been a dumb, mean bastard, but you're king over there - king to everybody, and especially to yourself. This above all, be true to yourself, and you can't be false to anybody else, and that's it - in a hole, being shot at and shooting back. — Kurt Vonnegut

I'm a crack shot and I've won medals for shooting. But I don't think I could shoot a person. — Gene Vincent

Yeah, I know there's been all this talk this year especially about the 3-point shot and can you win shooting it. There's a lot of different styles that can work. You have to base it on your own personnel. — Steve Kerr

War reporting is still essentially the same - someone has to go there and see what is happening. You can't get that information without going to places where people are being shot at, and others are shooting at you. The real difficulty is having enough faith in humanity to believe that enough people, be they government, military or the man on the street, will care when your file reaches the printed page, the website or the TV screen. — Marie Colvin

There's a fashion for a macho style of filmmaking. How long can your longest take be? And shooting things in one shot. For me, if you can sort of disappear and make people feel that they are there, that involves massive amounts of work. — Lenny Abrahamson

I can't relate to the people who shoot wolves. I'm guessing the person who shot Wolf 06 wouldn't relate much to me either. You let people go out and shoot hundreds of wolves and watch violent movies, and then you're surprised when they go on a rampage shooting other humans. You can't separate violence like that. — Zoe Helene

Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before. — Richard Masur

The guy who shot him had quite a temper. Homicide had always made sense to him. He would say that there wasn't a problem in the world that couldn't be solved by shooting someone in the face. You just had to find the right person. Hell, you didn't even need to do that. Sometimes just shooting the person next to him was enough. — Henry Rollins

George grinned. 'A pity you're perfectly dreadful at shooting.'
Aubrey shrugged. 'I've had all the lessons. I'm adequate.'
'Adequate? I suppose it depends on what you mean. If you mean that you haven't actually shot yourself by accident, then by all means describe yourself as adequate.'
George laced his fingers together and placed them on his chest. 'I'll come, then I might be able to spare you some embarrassment.'
'I'm honoured. — Michael Pryor

The major difference between the big shot and the little shot is the big shot is just a little shot who kept on shooting. — Zig Ziglar

You never hear about a pit bull doing anything good in the media. And they have a stigma to them ... and, in many ways, pit bulls are like young African-American males. Whenever you see us in the news, it's for getting shot and killed or shooting and killing somebody - for being a stereotype. — Ryan Coogler

'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff! — Carrie Preston

I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go ... you know? — Alison Pill

Me having a beautiful wife and great family and friends around me, all the money I've got, all the things that I've got, a Ferrari that I just ripped the top off of and turned into a convertible, the rings I got, the two mansions on the water, a master's in criminal justice, I'm a cop, plus I look good. So me shooting 40 percent at the foul line is just God's way of saying that nobody's perfect. If I shot 90 percent from the line, it just wouldn't be right. — Shaquille O'Neal

I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once. — Danny Clinch

As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis. — Luis Bunuel

Five hours after presenting a ... lecture on cancer before an audience of about 400 in L.A., the windshield was shot out of my car on the road back to San Francisco. The next night the glass window in the tailgate (the back window) was shot out (300 miles removed from the first shooting) ... The late Arthur T. Harris, MD, was threatened by two men with assassination if he continued to use Laetrile. — Ernst T. Krebs

I had an unbelievable experience on '24'. We shot 198 episodes, and I was as excited about shooting the 198th as I was the first. — Kiefer Sutherland

I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty seconds or one minute, you can make some remarkable work shooting in one or two or three days. — Vilmos Zsigmond

I don't know how many lions and leopards I've shot. I've shot two elephants, which was enough - never again. It's a melancholy and moving thing to hunt an elephant. It's like shooting an old man. — Wilbur Smith

My new 9mm didn't fit my hand as well as my old one, but it was rapidly becoming a familiar weight. At first I'd decided it was okay to wear as long as I shot only at supernatural bad guys who were already shooting at me. Lately, I'd had to broaden that definition to anytime my life was in danger. I was currently leaning toward a slightly more comprehensive rule somewhere between proactive self-defense and the-bastards-had-it-coming, which, if I survived long enough, I intended to blame on my deranged partner rubbing off on me. — Karen Chance

Well, I've learned something from Michael Robison just about maximizing your shots. For example, if I'm shooting a scene and someone's driving at the wheel, you could steal an insert in the same shot. — Anthony Michael Hall

Here, you drive," Erik said.
"What? Why?"
"In case we do have to start shooting; I have a badge and you don't," he explained.
"Fine. But for the record, I'm a better shot than you are."
"For your information, I was the youngest kid awarded the rifle shooting merit badge in my troop," Erik said, holding the wheel as she climbed across him.
"Is that supposed to impress me?"
"Just enough to get you back into my bed." She took over the gas pedal and Erik slid out from underneath her.
"It takes more than fancy shooting," she said loftily, making a sharp turn.
Erik was thrown against the door. "Would you warn me before you do that?"
"It's a car chase! — Tiffany Snow

I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film. — Haskell Wexler

Each finger on your shooting hand is accountable to each shot. Just like each thought you think has some accountability to someone or somewhere. — Ed Palubinskas

Sydney enjoyed living in the country, though she took no direct part in field sports. After her marriage, there is no record of her shooting or hunting, though as a girl she rode well and often, and when she accompanied her father to Scotland in 1898 she was regarded as 'a brilliant shot'.33 As they grew up she encouraged her children to follow the hounds of the Heythrop Hunt and join their father when he fished and shot, but if they were not interested she was unconcerned. Many of her friends would have said she was a countrywoman, but she enjoyed London too. — Mary S. Lovell