She's On Her Own Quotes & Sayings

You had a package. It was torn, so I looked in." She lifted one of a stack of firefighter calendars, with his own mug and half-naked body on the cover. "Nice," she said, a ghost of a smile crossing her lips. "Mr. 2008." He bit back a sigh. "It's for charity." "And you definitely contributed. — Jill Shalvis

I found a Bible in his bedroom." Her shoulders sagged. So . . . that was why he'd summoned her. He'd discovered she'd failed to slam the door on Pieter's curiosity about faith and was going to interfere. "He asked if there was a Bible in the house, and I showed him where it was," she admitted. Oddly, Quentin didn't seem angry. He tugged on his collar and seemed merely a little embarrassed. "I'm willing to admit I've been wrong about that," he said. "I studied Christianity at college and understand the basic doctrines. The principles aren't bad, and if they bring Pieter comfort, I don't mind him exploring until he is an adult and ready to make his own decisions. — Elizabeth Camden

I had agreed with her that I should start collecting the Dial records featuring Bird, Max Roach, Al Haig, Bud Powell, Dizzy Gillespie and others who she said were going to be the 'masters.' Each payday I kept out enough money to pay my own way at Mother's, and spent the rest on records and books. Mother — Maya Angelou

Holy cow," Chloe said faintly.
"No kidding," Gwen breathed.
The sexy Fae prince flashed them a smile that was pure devilish charm, sexy and playful and mischievous, briefly catching the tip of his tongue between white teeth, before his lip curved, dark eyes sparkling gold.
Gabby groaned. She choked on it hastily, camouflaging it with a dry little cough. Her own private stash of eye candy had just been made available for public consumption and she didn't like it one bit.
Apparently she wasn't the only one.
"Are you thinking what I'm thinking, Dageus?" Drustan said irritably.
"Och, aye," Dageus said darkly. "You liked him better invisible too?"
"Och, aye."
"Should I curse him again?"
"Och, aye."
Adam threw back his head and laughed, eyes sparkling with gold fire. "Bloody hell, it's good to be back," he purred. — Karen Marie Moning

My father then presented Honour with a cheque,

"This is from our family for you, only you. Put it in a bank and if my son ever treats you badly, use this to leave the idiot," he said.

I was laughing so hard I had tears in my eyes.

The haque mehr was traditionally given to the bride on the wedding day by the groom, it was an amount that would be hers for her lifetime to keep in case things went wrong and she needed to stand on her own two feet.

Dad had done his little trickery, and in his head and everyone else's, we had done all that was required from a nikah. — Ruth Ahmed

Jem's knees gave out, and he sank to the trunk at the foot of his bed, still playing. He played Will breathing the name Cecily, and he played himself watching the glint of his own ring on Tessa's hand on the train from York, knowing it was all a charade, knowing, too, that he wished that it wasn't. He played the sorrow in Tessa's eyes when she had come into the music room after Will had told her she would never have children. Unforgivable, that, what a thing to do, and yet Jem had forgiven him. Love was forgiveness, he had always believed that, and the things that Will did, he did out of some bottomless well of pain. Jem did not know the source of that pain, but he knew it existed and was real, knew it as he knew of the inevitability of his own death, knew it as he knew that he had fallen in love with Tessa Gray and that there was nothing he or anyone else could do about it. — Cassandra Clare

In that case" Tessa said, feeling hot blood rise to her face,"I think I would prefer it if you called me by my Christian name, as you do with Miss Lovelace.
Will look at her, slow and hard, then smiled. His blue eyes lit when he smiled. "Then you must do the same for me," he said. "Tessa."
She had never thought about her name much before, but when he said it, it was as if she were hearing if for the first time-the hard T, the caress of the double S, the way it seemed to end on a breath. Her own breath was very short when he said, softly, "Will."
"Yes?" Amusement glittered his eyes.
With a sort of horror Tessa realized that she had simply said his name for the sake of saying it; she hadn't actually had a question. — Cassandra Clare

she says, her words tinged with sorrow. I stop, go and sit on the edge of her bed. We sit, silent. "I promise, I'm right here and I won't leave you." I let her feel my presence. No one could describe Alzheimer's better than this. She's lost inside her own mind. How cruel. How fucking cruel. — Carol O'Dell

Seen on her own, the woman was not so remarkable. Tall, angular, aquiline features, with the close-cropped hair which was fashionably called an Eton crop, he seemed to remember, in his mother's day, and about her person the stamp of that particular generation. She would be in her middle sixties, he supposed, the masculine shirt with collar and tie, sports jacket, grey tweed skirt coming to mid-calf. Grey stockings and laced black shoes. He had seen the type on golf courses and at dog shows - invariably showing not sporting breeds but pugs - and if you came across them at a party in somebody's house they were quicker on the draw with a cigarette lighter than he was himself, a mere male, with pocket matches. The general belief that they kept house with a more feminine, fluffy companion was not always true. Frequently they boasted, and adored, a golfing husband. ("Don't Look Now") — Daphne Du Maurier

Ellie's head sinks into her hands, and she weeps for the unknown Boot, for Jennifer, for chances missed and a life wasted. She cries for herself, because nobody will ever love her like he loved Jennifer, and because she suspects that she is spoiling what might have been a perfectly good, if ordinary, life. She cries because she is drunk and in her flat and there are few advantages to living on your own except being able to sob uninhibitedly at will. — Jojo Moyes

Good. "Has Leia talked to you about the wedding?" Luke asked, sipping from his own mug as he leaned against the viewport facing her. "Not yet," Mara said, making a face. "I suppose she's going to want some big blowout High Alderaanian ceremony." Luke grinned. "Wants, probably. Expects, no." "Good," Mara said. "I'd rather have something quiet and private and dignified. Mostly dignified, anyway," she amended. "With New Republic dignitaries on one side and Karrde's smugglers on the other, we'll probably need a weapons check at the door." Luke chuckled. — Timothy Zahn

Duke was already sitting in the passenger seat, waiting for her. She got in and started the car. Duke busted into a Slim Jim of his own.
"You hairy toad fucker. That stuff's nasty. Your toilet must be like a nuclear reactor." Dove turned on her windshield wipers as a light mist seemed to fracture the glass.
"I'm sorry, Whore Basket. I couldn't hear you over the noise of you crapping your pants!" Duke took another huge bite and chewed the waxy meat like gum.
"This stuff is off the charts. I could eat vats of it. — Debra Anastasia

( ... )Did she really tell Roddy Carstairs she could outshoot him with his own pistol?"
"No," Jason said dryly. "She told him that if he made one more improper advance to her, she would shoot him- and if she missed, she would turn Wolf loose on him. And if Wolf didn't finish the job, she had every faith I would." Jason chuckled and shook his head. "It's the first time I've been nominated for the role of hero. I was a little crushed, however, to be second choice after the dog. — Judith McNaught

I stare at his forearms. I can make out a naked woman with a snake going up her vagina. She's holding a knife, slitting her own throat. There are three playing cards on the back of his right hand: the Queen of Spades, the Jack of Hearts and the Joker. Red flames lick his elbow.
There's a watch tattooed on his left wrist with 'Fuck Time' inscribed on its face. Fuck o'clock.
He's not that tall, but his body is carefully cut. The lines of his face, his cheekbones and jaw, are sharp and precise. I can see the tufts of his blond underarm hairs and under them the ladder of his ribs. He's beautiful, in the way that a knife is beautiful. — Kirsty Eagar

Afterward, he would leave her, and he would go to sleep in his own home. "It's hard to understand," he would tell Lila whenever she would press his gently on the subject, "but with us Arabs, a man can come and go, and his wife will not say a word. She'll notice the length of his absences, but she won't press him or ask for explanations. For his part, so long as he acts modestly and doesn't show off his lover in plain view, then he will not bring shame on his family. — Anat Talshir

I lifted my wand, hoping she would see this as a dramatic move, not a threat. "Why once, in my bunker at Charing Cross Station, I stalked the
deadly prey known as Jelly Babies."
Neith's eyes widened. "They are dangerous?"
"Horrible," I agreed. "Oh, they seem small alone, but they always appear in great numbers. Sticky, fattening - quite deadly. There I was, alone
with only two quid and a Tube pass, beset by Jelly Babies, when ... Ah, but never mind. When the Jelly Babies come for you ... you will find out on
your own."
She lowered her bow. "Tell me. I must know how to hunt Jelly Babies."
I looked at Walt gravely. "How many months have I trained you, Walt?"
"Seven," he said. "Almost eight."
"And have I ever deemed you worthy of hunting Jelly Babies with me?"
"Uh ... no. — Rick Riordan

Watching movies (Titanic, Flirting with Disaster, Mannequin, Thelma and Louise, Rushmore, The Goonies, She's Having a Baby, it mattered very little) was a kind of prayer: She knew the characters as well as she knew herself, as well as she knew anything there was to know, and she could chart and rechart their movements and secrets and misunderstandings endlessly, reflecting in any number of new permutations on all of it, each time. Again and again. They were acquaintances - people she'd known her whole life and understood well, people incapable of letting her down by changing or disappearing or offering up the unexpected. The League of Their Own tears were purely for catharsis. When she was done she would reemerge, reborn. She would make new mistakes. Or maybe none at all. Okay, — Elisa Albert

Mass madness, if it's going to last more than a week or two, requires mass media or mass government or the synergistic efforts of both. It isn't just that the pretense that a man can marry a man will put religious believers at a disadvantage. It's that it must set that ordinary tribeswoman in its sights, regardless of her religion. It's not just her faith she must renounce. She must renounce her common sense. She must not be allowed even to think that the pretense is insane. She must be re-educated to believe that two fingers are three fingers, or that the sun rises in the west, or that the child in her womb is really a rock, or that excrement is nutritious, or anything else that no sensible person would ever come to discover on her own. — Anthony M. Esolen

She knows what she wants but won't compromise herself to get it. But she's feminine, like "Steel Magnolia"
flowery on the outside, steel on the inside. She uses this very femininity to her own advantage. It isn't that she takes undue advantage of men, because she plays fair. She has one thing the nice girl doesn't: a presence of mind because she isn't swept away by a romantic fantasy. This presence of mind enables her to wield her power when it is necessary. — Sherry Argov

Her eyes rounded. "They don't open until eleven."
"Unless you're me, and you strike up a conversation with the prep cook who starts work at seven."
"Ah."
"Get your mind out of the gutter," he said, uncurling his forefinger from around his own cup to point it at her. "His name is George and he has a wife and three kids."
"My mind's not in the gutter!" Well, not since she woke from a twenty-minute midnight doze during which she'd imagined herself stretched out on her bed, Gage standing at its foot, slowing stripping off his clothes.
He grinned at her, then reached into his front pocket to pull free a slim camera. Still juggling his coffee, he managed to bring the viewfinder to his eye and snap a shot. "I'll call it 'Guilty as Charged.'"
"That's an invasion of privacy," she said, frowning at him.
"I think that blush indicates that you've been mentally invading mine."
"Gage! — Christie Ridgway

She raises her hands and places them on either side of my face. My skin burns beneath her touch. 'I think you're beautiful.'
I smile, thinking she's done. But she releases my face and places her palms on my chest, directly over my heart.
'You're beautiful right here,' she says.
I close my eyes, and the breath rushes from my lungs.
'I see the good in you, Dante,' Charlie continues, her words rolling together off her tongue. 'Even if you don't, I do. You have a good heart. You know how I know?'
I open my eyes. She's looking at me like nothing else in the world exists. Like the entire planet and all of mankind just vanished. She slowly wraps my hands inside her own as best she can and places them on her chest. 'Because I feel it here.' She taps our hands against her chest. 'I know you're good, Dante. Because I feel it inside of me. — Victoria Scott

And it was funny. The silence of him had a bizarre effect on her. Normally, she was the quiet one in situations, preferring to keep her own council and not share her thoughts on anything. But with John's mute presence, she felt curiously compelled to talk.
"I'm stuffed," she said, lying back against the pillows. As he cocked a brow and lifted the last Danish, she shook her head.
"God ... no. I couldn't manage another thing."
And it was only then that he began to eat.
"You waited for me ?" she said, frowning. When he ducked her gaze and shrugged, she cursed softly.
" You didn't have to."
Another shrug. As she watched him, she murmured, "You have beautiful table manners."
His blush was the color of Valentine's Day and she had to tell her heart to calm the fuck down as it started to beat fast. — J.R. Ward

Ugly and futile: lean neck and thick hair and a stain of ink, a snail's bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother's prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped. — James Joyce

She had something Adam didn't. Curiosity. First step to growth
and if it wasn't for Eve's Adam would still be sitting by the side of the pool picking his nose and scratching his scalp, bamboozled by his own reflection. Off in her part of Eden, Eve hadn't bothered naming the animals. On the other hand she'd discovered how to milk some of them and how best to eat the eggs of others. She'd decided she wasn't overly keen on torrential rain and had built a shelter from bamboo and banana leaves, into which she'd retire when the heavens opened, having set out coconut shells to catch the rainwater with a view to saving herself the schlep down to the spring every time she wanted a drink. The only thing you won't be surprised to hear about is that she'd already domesticated a cat and called it Misty. — Glen Duncan

It's not an honest face. It's not a kind face. It's a face made of anger and secrets and lies. From the tight, guarded mouth to the clenched, square jaw to the glossy shimmer of I-dare-you that coats the surface of her eyes, Aimee's face is a scary place for Meghan's gaze to rest. But beneath the gloss, behind the sharpness and tension, deep at Aimee's core, Meghan can see something warm and real. It's the same unnameable thing she saw in the sickroom on the first day of school. It's the same thing she feels pulsing softly deep in her own chest. — Madeleine George

After months of separation her friends still catalyzed her thoughts and challenged her opinions and wrangled with her emotions, and she was relieved to see that they still slid into the familiar patterns, the comfortable ruts of long-established personalities. It was nice but it also worried her. Could there be room for growth? How could you change around the people that knew you best, who knew you backwards and forwards and knew you so well that they defined themselves by you and you by them? How could you possibly evolve, like really evolve and become a whole person all on your own, when your own makeup was inextricably intertwined with someone else's perception of themselves? — Katie Neipris

Mercy didn't get embarrassed easily, but her cheeks flamed now. Because if Riley knew she was in heat - like a freaking wild cat! - then so did the rest of her own pack. "So what, you followed me hoping I'd lower my standards and sleep with a wolf?" She intentionally made "wolf" sound about as appetizing as "reptile."
Riley's jaw tightened under a shadow of stubble a shade darker than the deep chestnut of his hair. "You want to claw at me, kitty-cat? Come on."
Her hands clenched. She really wasn't this much of a bitch. But goddamn Riley had a way of lighting her fuse. — Nalini Singh

Nurse. Registered Massage therapist. Yoga instructor. She considered al of the above programs and costed out notions, and returned, always, to the library, to its heat, the fragrance of dried pages like pressed leaves, its quietude. Something else is present here too: oscuridad - the Spanish word for darkness, which Juliet believes contains so much more than its translation. The oscuridad in here mirrors her own: one tiny darkness amidst the darkness of a multitude of minds seeking illumination, dead and alive trapped in dormant words. She thinks she can hear the oscuridad, her cheek pressed to the fake wood of the carrel she has earned; she can hear it, even though the library's lights are forever on. — Carrie Snyder

How do I know you'll keep your word?" asked Coraline.
"I swear it," said the other mother. "I swear it on my own mother's grave."
"Does she have a grave?" asked Coraline.
"Oh yes," said the other mother. "I put her in there myself. And when I found her trying to crawl out, I put her back. — Neil Gaiman

You were right when you said I was holding onto April's apron strings even though she was trying to cut them. I've spent so long relying on her that it's sort of become a habit. It's time I relied on myself for a bit and took control of my life. — Nicola Sinclair

Piper reads the scripts, and we email a lot. Most of her comments are on the more technical side, like "This wouldn't happen. This is against the rules." She's been extremely respectful of our taking her story, and then veering left with it and taking it in its own direction. But, I always want her involved because she's the mother of all this. — Jenji Kohan

Ben Belkassem had boned up on the alpha-synths after DeVries stole this ship. Too much was classified for him to learn as much as he would have liked, but he'd learned enough to know her augmentation didn't include the normal alpha-synth com link. Without it, the AI should have been forced to communicate back by voice, not some sort of ... of telepathy!
Yet he was beyond surprise where DeVries was concerned. After all, she'd survived multiple disrupter hits with no more than a few minor burns, killed eleven men saving his own highly-trained self, taken out a few ground-to-space weapon emplacements, escaped through the heart of Wyvern's very respectable fortifications, and polished off a destroyer as an encore. As far as he was concerned, she could do anything she damned well liked. — David Weber

A deep laugh stirred in his chest, and his thumb brushed over the backs of her fingers before he withdrew his hand. She felt the rasp of a callus on his thumb, the sensation not unlike the tingling scrape of a cat's tongue. Bemused by her own response to him, Annabelle looked down at the chess piece in her hand.
"That is the queen - the most powerful piece on the board. She can move in any direction, and go as far as she wishes." There was nothing overtly suggestive in his manner of speaking ... but when he spoke softly, as he was doing at that moment, there was a husky depth in his voice that made her toes curl inside her slippers.
"More powerful than the king?" she asked.
"Yes. The king can only move one square at a time. But the king is the most important piece."
"Why is he more important than the queen if he's not the most powerful?"
"Because once he is captured, the game is over. — Lisa Kleypas

She took Sunny's coat off, and then her own, and dropped them both on the floor. Normally, of course, one should hang up one's coat on a hook or in a closet, but itchy hives are very irritating and tend to make one abandon such matters. — Lemony Snicket

Emily looked over at Courtney. He was still asleep.
For a long time she had thought that if you loved anyone you had to tell him everything: go to him and confess as in the dream; there could be no secrets. But now in the dark of early morning with the copper bottle cold against her fee she felt that this desire to tell all was simply an evasion of responsibility, a weakness in wanting to push on to the person you love something that is your own responsibility to solve. It would be easier for her to tell Courtney all about Abe, to come to him as he sat at this desk in the chill little workroom and confess, to hand the responsibility for her ambivalence to him, to let him settle the problem of her puny conscience for her.
But I know, she thought, lying there beside him on Madame Pedroti's lumpy bed, that if I love Courtney that is the last thing I must do. If I love Courtney he must never know. — Madeleine L'Engle

You're beautiful, but you're empty ... One couldn't die for you. Of course, an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than all of you together, since she's the one I've watered. Since she's the one I put under glass, since she's the one I sheltered behind the screen. Since she's the one for whom I killed the caterpillars (except the two or three butterflies). Since she's the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose. — Antoine De Saint-Exupery

Anne had no sooner uttered the phrase, "home o'dreams," than it captivated her fancy and she immediately began the erection of one of her own. It was, of course, tenanted by an ideal master, dark, proud, and melancholy; but oddly enough, Gilbert Blythe persisted in hanging about too, helping her arrange pictures, lay out gardens, and accomplish sundry other tasks which a proud and melancholy hero evidently considered beneath his dignity. Anne tried to banish Gilbert's image from her castle in Spain but, somehow, he went on being there, so Anne, being in a hurry, gave up the attempt and pursued her aerial architecture with such success that her "home o'dreams" was built and furnished before Diana spoke again. — L.M. Montgomery

Rumors surrounded her like a legend that's repeated in hushed whispers for generations based on hearsay and speculation. People said she was cruel, I saw strong willed. People said she was aloof, I saw independent. People said she was cunning, I saw goal-oriented. For every warning I was given, I put on rose-colored glasses and looked at her through my own warped, but discriminating, perspective. That is perhaps my biggest flaw, as well as my saving grace; I tend to only see the best in people. — Kim Holden

What shall I do?" she asked in a small voice.
"Forget your own self," he said.
"But all these years," she urged, "I have so carefully fulfilled my duty."
"Always with the thought of your own freedom in your mind," he said.
She could not deny it. She sat motionless, her hands folded on the pearl-gray satin of her robe. "Direct me," she said at last.
"Instead of your own freedom, think how you can free others," he said gently.
She lifted her head.
"From yourself," he said still gently. — Pearl S. Buck

Do you know anything about hearts, Jona? The Senta know hearts. Hearts are not one organ. Inside a mother's womb, two pulsing bags of blood seek their eternal mate."
Her hand reached out to his. She opened his palm, and traced a finger down his lifeline, then his loveline. She lifted it up to her own face. She placed it on her cheek.
"Lungs are fine apart," she said, "Hands do not need another but to clap. Brains gnarl like roots in the nothing of soul, and guts spin in knots around the nothing of hunger. But hearts are made by two complete parts merging together. Once the two pieces sense each other in the blood flow, they cross every bloody cliff inside of us. The arteries bind the halves close. The veins make love to each other in the life pulse that makes all life from love entwined. — J.M. McDermott

So Captain Jack's come a-courtin'." Her hands stilled on the basket. "Who?" "The tall Shawnee who come by your cabin." The tall one. Lael felt a small surge of triumph at learning his name. Captain Jack. Oddly, she felt no embarrassment. Lifting her shoulders in a slight shrug, she continued pulling the vines into a tight circle. "He come by, but I don't know why." "Best take a long look in the mirror, then." Lael's eyes roamed the dark walls. Ma Horn didn't own one. "Beads and a blanket, was it?" She nodded and looked back down. "I still can't figure out why some Shawnee would pay any mind to a white girl like me." Ma Horn chuckled, her face alight in the dimness. "Why, Captain Jack's as white as you are." "What?" she blurted, eyes wide as a child's. Ma Horn's smile turned sober. "He's no Indian, Shawnee or otherwise, so your pa says. He was took as a child from some-wheres in North Carolina. All he can remember of his past life is his white name - Jack. — Laura Frantz

I knew it! I knew you'd hate my body!" She slammed her hands on her hips, marched over to the bed, and glared down at him. "Well, for your information, mister, all those cute little sex kittens in your past might have had perfect bodies, but they don't know a lepton from a proton,and if you think that I'm going to stand here and let you judge me by the size of my hips and because my belly's not flat, then you're in for a rude awakening." She jabbed her finger at him. "This is the way a grown woman looks, buster! This body was designed by God to be functional, not to be stared at by some hormonally imbalanced jock who can only get aroused by women who still own Barbie dolls"
"Damn. Now I've got to gag you." With one swift motion, he pulled her down on the bed, rolled on top of her, and covered her lips with his own. — Susan Elizabeth Phillips

Never miss an opportunity to allow a child to do something she can and wants to on her own. Sometimes we're in too much of a rush
and she might spill something, or do it wrong. But whenever possible she needs to learn, error by error, lesson by lesson, to do better. And the more she is able to learn by herself the more she gets the message that she's a kid who can. — Polly Berrien Berends

Is this about what happened to you and the old Sector 7?" I asked with a growl of my own.
His hands tightened their grip on my shoulders. "How did you know about that?"
"Tabby-Chan told me."
"Freaking Meko-Chan," Kuroi uttered, "I swear, that kid is gonna get it. What did she tell you, exactly?"
"She told me not to tell you that she told me what you told her." I realized what I said. "Oops."

~Luna's POV, Clash of the Clans: Shinobi 7 Companion Book #1 — L. Benitez

Miles just smiled and felt her love flow around his own. Yet inside his love was a rock, and it had the words "payback is sweet" written in large letters on it. He laughed and she looked up at him and saw the hard glint in his eyes. "Uh oh!" was all she said. He laughed again deep in his chest. She kissed him happily. She sucked at his throat. She, as much as he, would enjoy the struggle that would follow.
Part of the joy of their love was this constant battle to top the other. Kate was excellent at beginning these battles and sometimes even won them. Yet her weakness was that she submitted naturally. She knew it and he knew it. From her point of view the skill of the game was in keeping his Dom side distracted enough so she could submit to him before he took her. Miles smiled as he realised that whoever won was largely irrelevant to their love. Yet he liked to win; and so did she. (Journey Into Submission, eXtasy) — Khul Waters

Under the trees several pheasants lay about, their rich plumage dabbled with blood; some were dead, some feebly twitching a wing, some staring up at the sky, some pulsating quickly, some contorted, some stretched out - all of them writhing in agony except the fortunate ones whose tortures had ended during the night by the inability of nature to bear more. With the impulse of a soul who could feel for kindred sufferers as much as for herself, Tess's first thought was to put the still living birds out of their torture, and to this end with her own hands she broke the necks of as many as she could find, leaving them to lie where she had found them till the gamekeepers should come, as they probably would come, to look for them a second time. "Poor darlings - to suppose myself the most miserable being on earth in the sight o' such misery as yours!" she exclaimed, her tears running down as she killed the birds tenderly. — Thomas Hardy

As Ruth only knows one priest (one male priest that is) she's not that surprised to find Father Hennessey waiting for her at one of the long tables, a cappucino in front of him. 'Hallo Ruth, sorry to call in on you like this.'

'That's OK.'

'Are you going to get yourself a drink? This coffee's really very good. It's truly terrible, the stuff they serve at the police station.'

'I know.' Ruth has had her own experience of Nelson's coffee. She wonders if it's a way of torturing suspects until they confess. In contrast, the coffee at the university is excellent. Ruth gets herself an espresso. She thinks that she is going to need the energy. She has a feeling that, like the visit from Nelson all those years ago, this conversation is going to complicate her life. — Elly Griffiths

WOMEN ON THEIR OWN RUN in Alice's family. This dawns on her with the unkindness of a heart attack and she sits up in bed to get a closer look at her thoughts, which have collected above her in the dark. — Barbara Kingsolver

His personal fulfillment did not lead him to evolve a cheerful Madonna; on the contrary this Madonna was sad; she had already, through his sculptures, known the Descent. The tranquility of his early bas-relief, when Mary still had her decision to make, could never be recaptured. This young mother was committed; she knew the end of her boy's life. That was why she was reluctant to let him go, this beautiful, husky,healthy boy, his hand clasped for protection in hers. That
was why she sheltered him with the side of her cloak.
The child, sensitive to his mother's mood, had a touch of melancholy about the eyes. He was strong, he had courage, he would step forth from the safe harbor of his mother's lap, but just now he gripped her hand with the fingers of one hand, and with the
other held securely to her side. Or was it his own mother he was thinking about, sad because she must leave her son alone in the world? Himself, who clung to her? — Irving Stone

And it's just a hunt?" Bea asked. "Just tracking the guy down, or are we going to have to do a little covering up of our own?"
Had she just told me she was willing to kill someone and cover it up? She gave me a happy smile, but that glint in her eyes told me that, yes, she'd just offered to off someone. — Devon Monk

She has never understood, nor been able to relate to a herd mentality. She doesn't get along with followers and avoids the bandwagon. She marches to her own tune and does it alone. She's despised by the weak-minded and respected by the strong. She ruffles the feathers of the flock because she champion's the defenseless and pick's on the mob. Does she wish she could not give a damn and live an ordinary life surrounded by nodding and needy ordinary people? At times ... but she'd be bored out of her mind when she's never bored alone, and because of that she's patient because a couple of times in a lifetime she's lucky enough to come across a memorable, magnetic and remarkable person - one worth knowing, even if just for the brevity of a conversation. — Donna Lynn Hope

I would like to forget the image of the ship's crane at Southampton docks when it lifted into the sky the three wooden trunks which held all that my family owned. There is only one memory I want to preserve. It is Maria, who is also Zama, sipping condensed milk on the steps of the doep at night. The African nights were warm. The stars were bright. I loved Maria but I'm not sure she loved me back. Politics and poverty had separated her from her own children and she was exhausted by the white children in her care, by everyone and everything in her care. At the end of the day, away from the people who stole her life's energy and made her tired, she had found a place to rest, momentarily, from myths about her character and her purpose in life." (from "Things I Don't Want to Know" by Deborah Levy) — Deborah Levy

Sophie dear,' I said. 'Are you in love with him - with this spider-man?'
'Oh, don't call him that - please - we can't any of us help being what we are. His name's Gordon. He's kind to me, David. He's fond of me. You've got to have as little as I have to know how much that means. You've never known loneliness. You can't understand the awful emptiness that's waiting all round us here. I'd have given him babies gladly, if I could ... I - oh, why do they do that to us? Why didn't they kill me? It would have been kinder than this ... '
She sat without a sound. The tears squeezed out from under the closed lids and ran down her face. I took her hand between my own.
I remembered watching. The man with his arm linked in the woman's, the small figure on top of the pack-horse waving back to me as they disappeared into the trees. Myself desolate, a kiss still damp on my
cheek, a lock tied with a yellow ribbon in my hand. I looked at her now, and my heart ached. — John Wyndham

Each person is made of five different elements, she told me.
Too much fire and you had a bad temper. That was like my father, whom my mother always critized for his cigarette habit and who always shouted back that she should feel guilty that he didn't let my mother speak her mind.
Too little wood and you bent too quickly to listen to other people's ideas, unable to stand on your own. This was like my Auntie An-mei.
Too much water and you flowed in too many different directions. like myself. — Amy Tan

Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned.
"Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please."
Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine.
The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing.
I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room. — Sarah J. Maas

Afterward, he would leave her, and he would go to sleep in his own home. "It's hard to understand," he would tell Lila whenever she would press his gently on the subject, "but with us Arabs, a man can come and go, and his wife will not say a word. She'll notice the length of his absences, but she won't press him or ask for explanations. For his part, so long as he acts modestly and doesn't show off his lover in plain view, then he will not bring shame on his family. — Anat Talshir

A brief hush fell over the table when the guy from the bar approached. After he finished depositing their drinks in the center of the table, Lynn jumped on the opportunity to flirt, winking and smiling prettily at him. "Thanks, cowboy."
"Cowboy?" Reaching for her appletini, Piper laughed.
Lynn shrugged. "When I picture him in my bed, I see a Stetson and a saddle."
Something well-known among their group, ever since she watched John Travolta in Urban Cowboy, she was on a mission to secure herself her very own cowboy.
"I bet you see a branding iron too," Jules snickered.
Lynn's thoughtful gaze trailed after him as the bartender returned to making drinks. — J.C. Valentine

Nat is already laughing. We go through this every morning. She tells Nik I own a clown car.
I glower at her while I put my foot up onto Nik's lap and kick the passenger door while turning the ignition.
She starts.
Works every time.
Nik looks like he's not sure whether to laugh or get the hell out of the car.
We're on our way to work and Nat says, "Nik, turn on the radio."
He shakes his head and replies cynically, "I would but I'm scared the roof might fly off."
Nat and I burst into laughter. We laugh so much we both sob and laugh at the same time. — Belle Aurora

Her eyes were misting over, her heart was talking on her lips. To need everything when everything is finished. She no longer knew whether she was sad or whether it was hunger. To live like that, head bent forward, chin resting down near her breasts, without muscles, without sinews, without vertebrae.
She smiled a martyr's smile for her own benefit: for her wretchedness was also a tenderness, and resignation is not the same as oblivion. — Violette Leduc

She's special. We used to unleash her on ancient battlefields just to see soldiers chop their best friends into pieces before falling on their own swords. (Deimos) — Sherrilyn Kenyon

My dad died when I was three so my mom had to raise four kids on her own, and I think there's a part of me that pulls upon having watched my mom do that our whole lives. She had to make it work. — Leslie Bibb

Tyler looked at Libby's set face across the table. He was scared to death, but he saw her faith in him. Where it came from, he couldn't guess, but her words hit hard. Did he have the courage, the guts to do this? On his own, no, probably not. But Libby, Libby, who had always been braver than him - she'd be here. She'd had the daring and the backbone to save him when he'd done everything possible to discourage her. — Alexis Harrington

She speculates for the first time on what Melanie could have been, could have become, if she'd lived before the Breakdown. If she'd never been bitten and infected. Because this is a child here, whatever else she is, and she's never lost that sense of her own centre before except when she smelled blood and turned, briefly into an animal. And look at how pragmatically, how ruthlessly, she's coped with that. But Justineau only pursues this train of thought for a moment. When Melanie starts to speak, she commands their full attention. "I — M.R. Carey

Margaret herself hadn't known her body was a parish bell tolling at every heartbreak she heard of, and that night with Pete calmly sitting on the edge of her favorite chair, invading her private room with words this room was sealed from, she felt it just as a bell would. It struck her right inside, until her bronze skin rang out the news. Not of Pete's story, which had not even made him cry, but some other story she'd been trying not to tell herself. So she sat stiffly there and wept, clanging and clanging like a thing that tested its own breaking. — Andrew Sean Greer

Women must find their own answer. That's the important thing. I'm no longer interested in books about women written by men. Even if I could believe in their objectivity, I just can't find their opinions relevant. Now I will only believe what a woman has to say about women, because even if it's not entirely true, it's her struggle and she's on the way to the answer.
Many of you seek masculine approval. Even though you have inside you your way of talking and writing, you have mountains of it inside you, and even though it is enough to begin expressing yourselves so long as it is with your vocabulary, your abstractions, and your own conceptualization, I think you are still afraid of the master: men. Of their judgment. As long as you have this fear, you will not progress. I think the future belongs to women. Men have been completely dethroned. Their rhetoric is stale, used up. We must move on the rhetoric of women, one that is anchored in the organism, in the body. — Marguerite Duras

You have games on there?" he asks.
"Yeah," I answer for her. "She's become a checkers fanatic. Shelley, show him how it works."
While Shelley slowly taps the screen with her knuckles, Alex watches, seemingly fascinated.
When the checkers screen comes up, Shelley nudges Alex's hand.
"You go first," he says.
She shakes her head.
"She wants you to go first," I tell him.
"Cool." He taps the screen.
I watch, getting all mushy inside, as this tough guy plays quietly with my big sister.
"Do you mind if I make a snack for her?" I say, desperate to leave the room.
"Nah, go ahead," he says, his concentration on the game.
"You don't have to let her win," I say before leaving. "She can hold her own in checkers."
"Uh, thanks for the vote of confidence, but I am tryin' to win," Alex says. He has a genuine grin on his face, without trying to act cocky or cool. — Simone Elkeles

Ralston didn't care. He turned on his brother as the surgeon knelt next to him and inspected the wound. "She could have been killed!"
And what about you?" This time, it was Callie who spoke, her own pent-up energy releasing in anger, and the men turned as one to look at her, surprised that she and found her voice. "What about you and your idiotic pland to somehow restore my honor by playing guns out in the middle of nowhere with OXFORD?" She said the baron's name in disdain. "Like children? Of all the ridiculous, unnecessary, thoughtless, MALE things to do ... who even FIGHTS duels anymore?! — Sarah MacLean

'Sin Nombre' was almost like the adolescent version of 'Jane Eyre.' 'Jane Eyre' sort of picks up where 'Sin Nombre' ends. It's about this girl who starts off on her own at her lowest point of despair, and she figures out how she got there. — Cary Fukunaga

Yesterday you were riding on my shoulders," he murmured. "The house was full of noise. Clomping up and down the steps,doors slamming. Scattered toys. I don't know how many times I stepped on one of those damned little cars of Brady's/"
Turning back, he ran a hand over her hair. "I miss that.I miss all of you."
"Daddy." In one fluid movement she rose and slid her arms around him.
"It's the way it's supposed to work. Three of you off at college, Brendon moving around to get a handle on the busines of things.It's what he wants. And you, building your own.But..I miss the crowd of you."
"I promise to slam the door the very first chance I get."
"That might help."
"Sentimental softie.I love that about you."
"Lucky for me. — Nora Roberts

When Philippa had first demanded his help in eluding Kate and travelling to St Mary's, he had indignantly refused. He was there now because he had discovered, to his astonishment, that she was desperate, and perfectly capable of going without him. Why she had got it into her young head she must see this man Crawford, Cheese-wame didn't know. But after pointing out bitterly that (a) he would lose his job; (b) the rogues in the Debatable would kill them, (c) that she would catch her death of cold and (d) that Kate would never speak to either of them again, he went, his belt filled with knives and her belongings as well as his own in the two saddlebags behind his powerful thighs, while Philippa rode sedately beside him on her smaller horse, green with excitement, with her father's pistol tied to her waist like a ship's log and banging against her thin knees. — Dorothy Dunnett

Sheila's about the only young girl in this place and she naturally assumes that she ought to have it all her own way with the young things in trousers. Naturally it annoys her when a woman, who in her view is middle-aged and who has already two husbands to her credit, comes along and licks her on her own ground. [...] No, I think it's age daring to defeat youth that annoys her so much! — Agatha Christie

He rid himself of his own pants, and unlike her, he was naked, his cock hard. He didn't shield himself, let himself be studied as she wished, but his eyes lost the mirth from before as he waited for her next move.
Strange. When she approached him, she expected to have a moment's hesitation sometime during their play, a voice that would tell her this wasn't a good idea. Right now was a perfect time for that voice to show up, but her body only thrummed. She leaned up on her elbows, giving him an exaggerated once-over. "That thing looks more dangerous than what you show in the cage."
And with that, the mirth was back, and all hardness in him was due to desire. "Wait until you see it in action."
"Well, for that, I think you need to come closer. — Danielle Monsch

Being a woman in India is an altogether different experience. You can't always see the power women hold, but it is there, in the firm grasp of the matriarchs who still rule most families. It has not been easy for Sarla to navigate the female path: she has become a master traveler, but one with no pupil. She thought she might develop this relationship with one of her daughters-in-law, but the others, like Somer, didn't quite fill the role. And when they had babies, they relied on their own mothers, leaving her once again in the company of men. But now, Sarla muses as she glances at the clock, anticipating Krishnan's arrival, she will finally get her granddaughter. — Shilpi Somaya Gowda

One day Mom came to my hospital room and sat down on the edge of the bed, facing me. I could already see tears forming in the corners of her eye. She said she had something to tell me. Whatever she was about to say was hard for her to get out. Her voice was noticeably shaky and her chin quivered as she spoke.
"Noah, I've got to leave and get back to work. And besides, I am helping you too much. You need to be doing more on your own." She couldn't hold it back at all and by the time she finished the second sentence the tears were streaming down her rosy cheeks.
After a few deep breaths, she continued, "But your dad is here, and you know Dad, he's not that helpful." We both laughed at that as she leaned forward on the bed and grabbed my hand. I told her that I understood and that yes, it was probably best because Dad would help but not too much. — Noah Galloway

Parks scratches his neck. "Really? Even when she told me not to say?" She holds his gaze. "You let her go out there on her own. I already know damn well that you don't see a risk to Melanie as worth taking into account. But I do. And I want to know why you thought it was okay to send her out there." "You're wrong," Parks says. "Am I? About what?" "About me." He plants his butt against the opened cowling of the generator, folds his arms. "Okay, not that wrong. A couple of days ago, I said we should cut the kid loose. She pulled our irons out of the fire twice since then, and on top of that she's turned into a really good scout. I'd be sorry to lose her." Justineau — M.R. Carey

Miz Beauty does not speak. You've got to discover her erogenous zones, her favorite subjects of conversation, her sign, all on your own. Meanwhile, Miz Piggy's coming like an express train. She doesn't get it every day. And she's hell-bent to make the most of it. She wants more, more, more. — Dany Laferriere

Adrianna tried to deal with a lot of grown up issues on her own and fell into some bad traps that could have had irreversible results. I would like to say to anyone who finds themselves in a predicament similar to young Adrianna's, it is important to seek help from someone you can trust. Even though she had reservations discussing her problems with others, there is nothing shameful in seeking guidance for problems you or someone you know may be having. Like Adrianna, you may have many people around you who are willing to help, such as a family member, coach, teacher, guidance counselor, or others. You will find that facing your problems with the help of others will make life much more enjoyable. — Vicki L. Drewa

When he nodded, the physician disappeared into thin air, and then a moment later, Payne felt a warm palm encompass hers. It was Vishous's un-gloved hand against her own and the connection between them eased her in ways she couldn't name. Verily, she had lost her mother ... but if she lived through this, she still had family. On this side. — J.R. Ward

Is there a reason you are here?" he finally demanded.
With complete nonchalance she replied, "Well,I've brought my trunks. I do believe I'm moving in."
"The hell you are!"
"Nice of you to welcome me in your usual boorish manner" was all she said to that.
A muscle ticked in his jaw. It made not a jot of difference that he'd just gone to Norford and back this morning to bring her here himself. That had been his idea.Her coming here on her own was her idea,and it make him suspicious.
"Don't start your manipulations already," he warned her. "Answer my question."
"Why am I still here? Shall we start with the obvious reason? Because I really am pregnant and once my pregnancy starts to show,I do not want to be in a position to have people ask me who my husband is and not believe me when I tell them that it's you."
"And the not-so-obvious answer?"
"Because you make me so furious that I spite myself to spite you! — Johanna Lindsey

I was always a person on my mother's hip in the kitchen. My mom really wanted her kids at her side as much as possible, and she worked in restaurants for over fifty years. And my grandfather had ten children, and he grew and prepared most of the food. My grandmother, on my mother's side, was the family seamstress and the baker. So my mom, the eldest child, was always in the kitchen with my grandpa and I was always in the production and restaurant kitchens and our own kitchen with my mom. And it's just something that has always spoken to me. — Rachael Ray

I heard a choking sound behind me. When I looked back, Cannoli was hanging from the backpack harness with her hind legs circling frantically in the air. She looked like she was riding a bike just above ground level.
"Cannoli," I yelled. I unhooked her and made sure she was breathing on her own. When I tried to get her back in the backpack, she whimpered. I talked to her soothingly yet firmly, then tried again. This time she started howling like I was hurting her.
People turned and stared as they walked by. "What are you looking at?" I said to one couple. I suddenly felt true remorse for every time I'd stared at a parent with a toddler throwing a tantrum. I made a vow to be a better aunt to Tulia's kids if I ever made it out of this parking garage. I pleaded with Cannoli one more time. — Claire Cook

She walks towards Karen and Karen feels a cool wind against her skin, and the grandmother holds out both of her knobby old hands, and Karen puts out her own hands and touches her, and her hands feel as if sand is falling over them. There's a smell of milkweed flowers and garden soil. The grandmother keeps on walking; her eyes are light blue, and her cheek comes against Karen's, cool grains of dry rice. Then she's like the dots on the comic page, close up, and then she's only a swirl in the air, and then she's gone. — Margaret Atwood

How would it alter Juliet's love perception to learn the sea is but a rounded jug of water? Would her sensuous analogy turned simple simile unveil to her the limits of herself? Or would she forget the ocean, that deplorable casket, and turn on the true bottomless tumbler, the only running tap: the sky? It may have lost the title 'heavens' when its gods were dethroned, but its infinity reigns. So long as you walk, it reigns. So long as I talk and you listen, there's a voice and ears to keep it active, moving, and reason to say: look! infinity lives. And when we and the other consciousnesses pass, though it in part dies with us, still it reigns. It will, in a sense, plod on, like a lifeless coffin through its own space, sails set for nothing, unstoppable when trailing its fabric. — Richard Ronald Allan

Madlen came to sit beside her on the bed. "Lady Queen," she said with her own particular brand of rough gentleness. "It is not the job of the child to protect her mother. It's the mother's job to protect the child. By allowing your mother to protect you, you gave her a gift. Do you understand me? — Kristin Cashore

I love sneakers on a girl. I don't know why, but I guess it's because I'm still a young. I really like just like a girl who has style - a girl who does her own thing, is unique in what she's wearing and works what she's got. — Chris Brown

The waitress serving the wedding party was a short young blonde. She took their orders efficiently and delivered everyone's food correctly. "If
only she knew my story," Melora mused. then she thought again, "Better yet,
maybe she's in the middle of her own story." Who knew what things might have
happened already on the island to this typical college-age waitress. — Marie Zhuikov

Nobody asks about Beethoven's mother's own life - a fairly miserable round of pregnancy, childbirth, and child death. Was Maria Magdalena Keverich van Beethoven put on earth only to produce her wunderkind? Might she have had gifts of her own that she never got to offer the world? — Katha Pollitt

-I don't know that thin and pretty is what Nat is supposed to be, though. Does that make any sense?"
If she'd been holding on to any illusions about how much she liked Vince Grasso-not lusted for him, which she also did-that last speech would have cinched it. "It makes perfect sense. She's beautiful in her own way, but pretty is something ... else. And I've had friends who were really pretty-it didn't always help them all that much.'
"Yeah," he said. "My wife was pretty, and she was miserable her whole life. I just want my girls to be happy. Be themselves, you know, whatever it is. — Barbara O'Neal

She felt the snake between her breasts, felt him there, and loved him there, coiled, the deep tumescent S held rigid, ready to strike. She loved the way the snake looked sewn onto her V-neck letter sweater, his hard diamondback pattern shining in the sun. It was unseasonably hot, almost sixty degrees, for early November in Mystic, Georgia, and she could smell the light musk of her own sweat. She liked the sweat, liked the way it felt, slick as oil, in all the joints of her body, her bones, in the firm sliding muscles, tensed and locked now, ready to spring
to strike
when the band behind her fired up the school song: "Fight On Deadly Rattlers of Old Mystic High."
Harry Crews- A Feast of Snakes — Harry Crews

Where are you going?" Millie whispered, although why she was whispering was a bit of a mystery since the sound of yelling, along with a lot of cursing, was flowing into the house. "I'm not just going to sit here while everyone else is fighting my battle." She made it all the way to the door, crawling on her stomach, no less, before she was forced to stop when she encountered a pair of shoes. They were nice shoes, a little dusty, and unfortunately, they belonged to none other than Bram. "You weren't trying to sneak out to help, were you?" he asked, squatting down next to her. "I might have been." "There's no need. Silas has been secured." Lucetta frowned. "He came down here on his own?" Holding out a hand, Bram helped her to her feet before he smiled. "Apparently, yes. I imagine those women he hired weren't too keen to travel the country with him. Aiding and abetting men on the run usually results in a stint behind bars, and they must have decided he wasn't worth that." "I — Jen Turano

When I entered and shut the door, the Darkling gave me a small bow. "How are you, Alina?"
"I'm fine," I managed.
"She's fine!" hooted Baghra. "She's fine! She cannot light a hallway, but she's fine."
I winced and wished I could disappear into my boots.
To my surprise, the Darkling said, "Leave her be."
Baghra's eyes narrowed. "You'd like that, wouldn't you?"
The Darkling sighed and ran his hands through his dark hair in exasperation. When he looked at me, there was a rueful smile on his lips, and his hair was going every which way. "Baghra has her own way of doing things," he said.
"Don't patronize me, boy!" Her voice cracked out like a whip. To my amazement, I saw the Darkling stand up straighter and then scowl as if he'd caught himself.
"Don't chide me, old woman," he said in a low, dangerous voice. — Leigh Bardugo

Only one comment seemed to perfectly fit her current situation. "I see dead people."
He leaned forward hands on his hips. "Me too. It's the only explanation for what's standing in front of me. Unless some high school kids broke into the anatomy closet and stole the classroom skeleton, stretched some cadaver skin over that bitch then cast an ancient ritual to animate it." She laughed. For as much as she now disliked the bastard she had to admit he was amusing. "Did they do the same to that shit you're wearing? You do realize it's 2008 right?" She raised a hand. "Wait let me see if I can reach you using your own language. You do ken 'tis year of our Lord two thousand and eight aye? — Jennifer Turner

Al walks toward the railing. "No," Eric says. "She has to do it on her own." "No, she doesn't," Al growls. "She did what you said. She's not a coward. She did what you said." Eric doesn't respond. Al reaches over the railing, and he's so tall that he can reach Christina's wrist. She grabs his forearm. Al pulls her up, his face red with frustration, and I run forward to help. I'm too short to do much good as I suspected, but I grip Christina under the shoulder once she's high enough, and Al and I haul her over the barrier. She drops to the ground her face still blood smeared from the fight, her back soaking wet, her body quivering. I kneel next to her. Her eyes lift to mine, then shift to Al, and we all catch our breath together. — Veronica Roth

You can close your eyes and think of England, if you like."
"I've never even been to England," she said, but she shut her eyelids. She could feel the dank heaviness of her clothes, cold and itchy against her skin, and the cloying sweet air of the cave, colder yet, and the weight of Jace's hands on her shoulders, the only things that were warm. And then he kissed her.
She felt the brush of his lips, light at first, and her own opened automatically beneath the pressure. Almost against her will she felt herself go fluid and pliant, stretching upward to twine her arms around his neck the way that a sunflower twists toward light. His arms slid around her, his hands knotting in her hair, and the kiss stopped being gentle and became fierce, all in a single moment like tinder flaring into a blaze. — Cassandra Clare

What do you mean, Jesus?' May Roper pulled the crocheted sea a little further up her legs.
'On the drainpipe. I've seen Him with my own eyes.'
'Have you been in the sun again, Brian?'
'Sheila Dakin thinks it's a sign.'
'A sign she's been at the sherry. — Joanna Cannon

The problem with me is that I cannot focus when she is on my mind. I can't. I probably will make a mistake when writing that paper and will start writing everything I feel about her - the professor will be very happy with that, I am sure. Oh well, such is my life. I guess I've been attempting my best to forget her for several weeks now. But even in that act of forgetting her, I am remembering her. I am recollecting her and recreating her in my mind. And that's where everything falls apart. In remembering her, I remember her goodness. In remembering her, I remember her weaknesses and my own. In remembering her, I am remembering myself. Out of that dark cave of mine, I call myself out. And then all of the remembering starts again. I doodle, I twitch, I aim restlessly for some unseen goal. And then my thoughts drift to you.
I'll let them stay there for now. Just for a minute.
Or two. — Moses Y. Mikheyev

Christina Aguilera has her own style, so good on her. I don't think anyone's every told her to put on some leather chaps and get her noonie out. She's an amazing singer but a lot of her music I can't even hear. — Amy Winehouse

He limped slowly over to his own wooden sword and stooped awkwardly to pick it up. Trailing it on the ground behind him, he limped toward the queen, and the courtyard quieted as he approached and was silent again as he dropped to his knees before her and laid the sword across her lap.
"My Queen," he said.
"My King," she said back.
Only those closest saw him nod his rueful acceptance. He lifted his hand to brush her cheek softly. As the entire court listened breathlessly, he said, "I want my breakfast."
The queen's lips thinned, and she shook her head as she said, "You are incorrigible. — Megan Whalen Turner

Her entire life was obeying orders. She'd left her Father behind, only to fall into the hands of another dictator. Was her life her own anymore, or was she a puppet on a string, dancing to Ryan's tune? — Callie Hunter

Peter curled his hands into fists at his sides. 'Kiss me,' he said.
She leaned towards him slowly, until her face was too close to be in focus. Her hair fell over Peter's shoulder like a curtain and her eyes closed. She smelled like autumn-like apple cider and slanting sun and the snap of the coming cold. He felt his heart scrambling, caught inside the confines of his own body.
Josie's lips landed just on the edge of his, almost his cheek and not quite his mouth. 'I'm glad I wasn't stuck in here alone,' she said shyly, and he tasted the words, sweet as mint on her breath. — Jodi Picoult