She Wants Him Back Quotes & Sayings

His eyes are cold and restless
His wounds have almost healed
And she'd give half of Texas
Just to change the way he feels
She knows his love's in Tulsa
And she knows he's gonna go
Well it ain't no woman flesh and blood
It's that damned old rodeo


Well it's bulls and blood
It's dust and mud
It's the roar of a Sunday crowd
It's the white in his knuckles
The gold in the buckle
He'll win the next go 'round
It's boots and chaps
It's cowboy hats
It's spurs and latigo
It's the ropes and the reins
And the joy and the pain
And they call the thing rodeo


She does her best to hold him
When his love comes to call
But his need for it controls him
And her back's against the wall
And it's So long girl I'll see you
When it's time for him to go
You know the woman wants her cowboy
Like he wants his rodeo — Garth Brooks

And when she thinks of that generation of silent men, the boys who lived through the Depression and grew up to become soldiers or not-soldiers in the war, she doesn't blame them for refusing to talk, for not wanting to go back into the past, but how curious it is, she thinks, how sublimely incoherent that her generation, which doesn't have much of anything to talk about yet, has produced men who never stop talking, men like Bing, for example, or men like Jake, who talks about himself at the slightest prompting, who has an opinion on every subject, who spews forth words from morning to night, but just because he talks, that doesn't mean she wants to listen to him, whereas with the silent men, the old men, the ones who are nearly gone now, she would give anything to hear what they have to say. — Paul Auster

Don't go home with that magic man! I wanted to shake my Walkman, warn the Heart girls to run away. Don't trust him! He might be magic, but he's not very nice! He says he just wants to get high awhile, but he'll get you so high you can't come back down. He'll make you stay inside so long, it hurts your eyes to go out, so you'll spend whole years wasting away in his mansion. You'll lose your sense of time. You'll lose your appetite. When your mama cries on the phone, you won't understand a word she's saying. You'll just tell her, "Try to understand." And Mrs. Wilson isn't falling for that shit. Ann! Nance! Get the hell out of there. One smile from that magic man and you're done. You'll be so fucking magic, you won't be real anymore. He'll even set your lipgloss on fire. — Rob Sheffield

Anna prods St. Clair's shoulder. "Come on. Weren't you gonna show me that thing?"
"What thing?"
She stares at him. He stares back. She cocks her head toward Cricket and me.
"Ah, yes." St. Clair stands. "That thing."
They rush out. The door shuts, and St. Clair shouts, "Lola, Cricket wants to show you his thing, too-oo! — Stephanie Perkins

What does man actually know about himself? Is he, indeed, ever able to perceive himself completely, as if laid out in a lighted display case? Does nature not conceal most things from him-even concerning his own body-in order to confine and lock him within a proud, deceptive consciousness, aloof from the coils of the bowels, the rapid flow of the blood stream, and the intricate quivering of the fibers! She threw away the key. And woe to that fatal curiosity which might one day have the power to peer out and down through a crack in the chamber of consciousness and then suspect that man is sustained in the indifference of his ignorance by that which is pitiless, greedy, insatiable, and murderous-as if hanging in dreams on the back of a tiger. Given this situation, where in the world could the drive for truth have come from? Insofar as the individual wants to maintain — Friedrich Nietzsche

Yeah. She wants him back and has decided I'm in her way. But I have news for that little sleep-terrorist
it's going to take more than a couple of bad dreams to scare me off, so I hope she has something bigger up her sleeve. — Rachel Vincent

In eight years not a day has gone by when she hasn't thought of him. She misses him and she wants him back. I want my best friend back, she thinks, because without him nothing is good and nothing is right. — David Nicholls

He wants to have your glorious, blue-eyed babies," I whisper.
"So as long as no one tells him he doesn't have a uterus, I have a chance?" she murmurs back. — Emily Henry

There," she said. She rocked him back and forth. "There, you foolish, beautiful boy who wants to change the world. There, there. And who could keep from loving you? Who could keep from loving a boy so brave and true? — Kate DiCamillo

She was not certain what she wanted from life, or what to expect from it, for she had seen so little of it, but she was sure that in some way - because she willed it to be so - her wants and her expectations were the same.
For a while after their marriage she was in such demand that it was not unpleasant when he fell asleep. Presently, however, he began sleeping all night, and it was then she awoke more frequently, and looked into the darkness, wondering about the nature of men, doubtful of the future, until at last there came a night when she shook her husband awake and spoke of her own desire. Affably he placed one of his long white arms around her waist; she turned to him then, contentedly, expectantly, and secure. However, nothing else occurred, and in a few minutes he had gone back to sleep.
This was the night Mrs. Bridge concluded that while marriage might be an equitable affair, love itself was not. — Evan S. Connell

Never marry something until you've established the perfect pizza ratio ... The premise is simple. My husband and I knew we were made for each other because we're a 6:2 ratio, six slices for him and two for me ... Never marry a man who wants two slices one week and four the next. They're undependable and highly unpredictable and will likely dump you for some Internet honey who says she doesn't mind his back hair. — Celia Rivenbark

Where are we going?" Desandra asked.
"We're going to Blue Ribbon Stables," I said. "It's the closest place to rent a horse.
"Why?" Desandra asked.
"Because I can't keep up with you on foot," I said.
"And she runs like a rhino." Derek added. "You can hear her a mile away."
Traitor. "I thought you had my back?"
"I do," Derek said. "The rhino running is nice. Makes it easy to keep track of you. If I ever lose you, I just have to listen and there you are."
"Yes," Desandra agreed. "It's convenient."
I laughed.
"Are you always this casual?" Robert asked.
"Derek and I worked together for a long time," I told him. "He's allowed some leeway."
"What about Desandra?"
"She only bothers with protocol when she wants something. The rest of the time it's lewd jokes and descriptions of plums."
Desandra snickered.
Robert's eyebrows crept up. "Plums?"
I waved my hand. "Don't ask. — Ilona Andrews

You're in love with me? Why have you never said anything?" He demanded.

"No one wants to tell someone she loves him, and have him not say it back," her eyes dropped and she said it so softly he had to strain to hear it. — Laura Hunsaker

Our faces are so close to one another right now, and all I can do is selfishly think how easy it would be for me to lean forward and kiss him like I've dreamed about for the last couple of weeks. One kiss, and then I'd let him go.

One kiss, to replace the one stolen from me.

This would be my first kiss, not what happened with Poseidon. Because a kiss should be born from love, and want, and need. A kiss should be beautiful, something a girl can hold onto for the rest of her life, to pull out in her memory whenever she wants butterflies to come back. A kiss shouldn't be roughly ripped away from her and turned into a thing of nightmares. — Heather Lyons

You should have let me visit earlier," Jess said, her cheeks radiant from the brisk air outside. "It's been a week since the duel."
Kestrel sank back against the pillows. She had known the sight of Jess would hurt, would remind her that there was a life outside this bedroom. "Ronan isn't allowed."
"I should say not! I'm not letting him see you until you're better. You look awful. No one wants to kiss an invalid."
"Thank you, Jess. I'm so happy you've come. — Marie Rutkoski

You need to be clever to best him. Are you clever, Rachel?"
Oh God. She wants to know if I'm clever. I glanced at Al, and he stared at me, then shrugged. Licking my lips, I said, "It's the shiny pot that puts a hole in the sky."
Al's mouth dropped open, but Newt thought about it, her expression thoughtful and her fingers finally leaving her knife. "Very true," she said as she eased back into the cushions.
With a soft click of his teeth, Al's mouth shut. His eyes were cross, and he seemed peeved that I'd found a way to satisfy her without compromising myself at all. — Kim Harrison

Not sure how you can get them to him without looking like a crazy stalker chick," Micah says.
"You think I'm a crazy stalker chick?"
"You're using an ancient war manual to try to win back your boyfriend. I think you're a girl who will do whatever it takes to get what she wants," he says. "Hey, at least you're committed. — Paula Stokes

Unconditional love. That's what he wants to give her and what he wants from her. People should give without wanting anything in return. All other giving is selfish. But he is being selfish a little, isn't he, by wanting her to love him in return? He hopes that she loves him in return. Is it possible for a person to love without wanting love back? Is anything so pure? Or is love, by its nature, a reciprocity, like oceans and clouds, an evaporating of seawater and a replenishing of rain? — Alan Lightman

He wants to get back together," she finished.
"And you said ... ?" he tried to keep his tone disinterested.
"I haven't said anything," she said. "You interrupted me before I could answer him."
He congratulated himself on his excellent timing. — Jena Leigh

You little idiot. How the hell do you propose to plow fields, fend off Indians and outlaws, and build a house all by yourself?" Lily was wounded. "Maybe I won't be by myself," she said, wanting to hurt him in the same way he'd hurt her. "Maybe I'll meet a soldier at Fort Deveraux - one who wants to be a farmer. We could get married, and I wouldn't be alone." She started to turn away from him, intending to go back to the buggy, but he grasped her arm and wrenched her back. "You're mine," he breathed through his perfect white teeth. "And I'll kill the man who lays a hand on you." "I'm not yours!" "You are," Caleb argued. "I saw to that last night." Lily was outraged. He was treating her like a piece of land, one he'd homesteaded and laid a permanent claim to. "I told you, last night was a mistake." Deftly, — Linda Lael Miller

She turned toward Roarke's office, then stopped in the doorway. He was at his console; captain of his ship. He'd drawn his hair back so it lay on his neck in a short, gleaming black tail. His eyes were cool, cool blue. The colour they were when his mind was fully occupied. He'd taken off his dinner jacket, his shirt was loose at the collar, the sleeves rolled up. There was something ... just something about that look that always and forever grabbed her in the gut. She could look at him for hours, and at the end of it, still marvel that he belonged to her.
"Someone wants to hurt you," she thought. "I'm not going to let them. — J.D. Robb

I have an image of a woman with a romantic kind of beauty and an orderly, logical mind." "Hunter - " "Wait, I'm just fleshing her out. She's ambitious, full of nerves, highly sensuous without being fully aware of it." He could see her eyes change, growing as dark as the sky above them. "She's caught in the middle of something she can't explain or understand. Things happen around her and she's finding it more and more difficult to distance herself from it. And there's a man, a man she desires but can't quite trust. He doesn't offer her the logical explanations she wants, but the illogic he offers seems terrifyingly close to the truth. If she puts her trust in him, she has to turn her back on most of what she believes is fact. If she doesn't, she'll be alone. — Nora Roberts

You're both perfectly all right," she informed them. "And we will get Aurimere back, and our magic back, and our town back, and then we will have everything we need."

"We have some important stuff already," Ash offered tentatively.

Lillian frowned. "What do you mean?"

Jared surrendered himself to the strangeness of this situation, sank back onto the pillows himself with his head near Lillian's hip, and sighed heavily to attract his aunt's attention. "He wants to know you love him more than that stupid house."

"It is a very nice house," Aunt Lillian said, sounding offended. "Your ancestors are buried in the crypt of that house."

"Sure. Okay. We'll get our lovely creepy house back. When they bury me in that crypt, I want 'Jared, very inbred, deeply uncomfortable about it' on my tombstone. — Sarah Rees Brennan

I don't remember having one conversation with my dad in the three days I was home, but looking back at my journal, I see I wrote about him. I scrawled about how I heard him telling my mom that I needed to go back. I was unhappy; he thought the hiking was better for me.
I wonder why he told these things to my mother, nothing to me.

I wonder if overhearing his approval encouraged me to finally fly back to the trail. Maybe. Maybe my father's faith in my walk - in me - made me feel strong enough to leave. His actual words, as I wrote them in my notebook, were, "She's an adult now, she can do what she wants. It doesn't mean she's not selfish." He almost understood. — Aspen Matis

Foxbrush sneezed again.
He couldn't help himself. It's not something a fellow likes to do when a stunningly beautiful woman is leaning toward him with an expression on her face like Nidawi's wore. But sneezes are not prey to the wants or wishes of those inflicted with them. He sneezed so violently that he nearly knocked his forehead against Nidawi's exquisite little chin. She leapt back lightly, frowning at first, then shaking the frown into a rain of laughter. — Anne Elisabeth Stengl

Imagine a very long time passing - and I find my way out, following someone who already knows how to leave Hell. And God says to me on Earth for the first time, "Xas!" in a tone of discovery, as if I'm a misplaced pair of spectacles or a stray dog. And he puts it to me that he wants me in Heaven. But Lucifer has doubled back - it was him I followed - to find me, where I am, in a forest, smitten, because the Lord has noticed me, and I'm overcome, as hopeless as your dog Josie whom you got rid of because she loved me.' Xas glared at Sobran. Then he drew a breath - all had been said on only three. He went on: 'Lucifer says to God the He can't have me. And at this I sit up and tell Lucifer that I didn't even think he knew my name, then say to God no thank you - very insolent this - and that Hell is endurable so long as the books keep appearing. — Elizabeth Knox

But in the end, back she comes. There's no use resisting. She goes to him for amnesia, for oblivion. She renders herself up, is blotted out; enters the darkness of her own body, forgets her name. Immolation is what she wants, however briefly. To exist without boundaries. — Margaret Atwood

Grandad has a long and earnest conversation with his grandchild. He says, you are noisy and wiggly and will be sent back if you don't pull herself together ... The baby smiles complacently. She has him exactly where she wants him. — Pam Brown

She is playing a game that she doesn't want to play, but can't seem to quit. As a player she wishes to see how the game concludes, but she also wishes the other player would retreat. She wants to win after-all and she makes for a sore loser, but her combatant uses his moves to keep her off-guard and primed for his advance. Should she block him, outmaneuver him, or just play dead until his back is turned? Isn't the last the way of the female? — Donna Lynn Hope

That's lovely singing, Saraid," Eile said. "Is Sorry asleep now?"
Saraid shook her head solemnly. "Sorry's sad. Crying." She held the doll against her shoulder, patting its back.
"Oh. Why is she sad?"
"Sorry wants Feeler come back." It was like a punch in the gut. She had thought Saraid had forgotten him; she had assumed new friends and a safe haven would drive the memories of that long journey across country, just the three of them, from her daughter's mind. Foolish. The images of that time were still bright and fresh in her own head; she dreamed of them every night. Why should Saraid be any different just because she was small? — Juliet Marillier

Yesterday you were riding on my shoulders," he murmured. "The house was full of noise. Clomping up and down the steps,doors slamming. Scattered toys. I don't know how many times I stepped on one of those damned little cars of Brady's/"
Turning back, he ran a hand over her hair. "I miss that.I miss all of you."
"Daddy." In one fluid movement she rose and slid her arms around him.
"It's the way it's supposed to work. Three of you off at college, Brendon moving around to get a handle on the busines of things.It's what he wants. And you, building your own.But..I miss the crowd of you."
"I promise to slam the door the very first chance I get."
"That might help."
"Sentimental softie.I love that about you."
"Lucky for me. — Nora Roberts

Do not throw that at me!" Kane's voice suddenly shouted.

Keela cackled. "It's just a tub of butter, you big baby."

"It's a frozen tub of butter, so you might as well throw a brick at my head!"

"That can be arranged, big man."

"You're an evil little person, I hope you know that."

"I do."

I laughed at their conversation and sunk back into my sofa, tugging my blanket farther up my body.

"Leave him alone, Keela."

I heard something being set down on either the kitchen counter or table. It dropped with a thud. "You're lucky she wants you alive and unharmed."

"And you're lucky she wants you here often, otherwise I'd ban you from ever entering this building."

Keela seethed. "You've gone mad with power."

I smiled. — L.A. Casey

You know," she said, pulling back from his neck. "I've always been wrong about something."
"And that is?"
"I thought there was nothing in the world more seductive than a troubadour singing his observations about his lady love. But I was wrong."
She trailed her fingernail down his arm, raising chills in its wake. "The most incredible seduction is when a knight who is renowned for his strength speaks from his heart. Not as a knave out to woo a woman because he can, but as a man who wants only to give of himself." Her gaze seared him as she stared into his eyes and he saw her innermost sincerity. "I love you, Stryder. I always will."
-Stryder and Rowena — Kinley MacGregor

Jack stares at me blankly. 'A what?' he asks.

I choke back the laugh. 'A boy. You know? A Y-chromosome holder? You don't seem to notice them as much as you do the X-carriers.'

'What are you talking about?' Jack asks, 'A boy? She's just a kid.'

I hesitate, wondering how Jack is only just doing the maths on this one now. 'She's seventeen. She's not a kid anymore.'

Jack looks like he's about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. 'If any boy ever lays a finger on my sister, I'm going to kill him,' he says.

Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn't require a vow of celibacy, she needs to stay in London. — Sarah Alderson

I begin to learn there are certain things I shouldn't tell her. Like when we meet boys at Dorrian's and I give mine a blow job, or the time I messed around with a boy in the back near the bathrooms. Amy wants to be intimate with boys too, but to her this kind of conduct is slutty. I suppose it is. She, like most girls, including the Jennifers, has a different relationship to boys than I do. She engages in sexual acts with them if she wants, but from my vantage point it looks like she can take them or leave them if they are not just right. She considers whether she actually likes someone before she jumps into bed with him. She isn't wracked with anxiety when there aren't any boys around. And she doesn't need them to live, which is what it feels like for me. — Kerry Cohen

Sydney: Can I ask you a question? Me: As long as you promise never again to start a question off with whether or not you can propose a question. Sydney: Okay, asshole. I know I shouldn't be thinking about him at all, but I'm curious. What did he wrote on that paper when we went to get my purse? And what did you write back that made hit you? Me: I agree that you shouldn't be thinking about him at all, but I'm honestly shocked it's taken you this long to ask me about it. Sydney: Well? Ugh. I hate writing it verbatim, but she wants to know, so ... Me: He wrote "Are you fucking her?" Sydney: OMG! What a prick! Me: Yep. Sydney: So what did you say back to him that made him punch you? Me: I write, "Why do you think I'm here for her purse? I gave her a hundred for tonight, and now she owes me change." I reread the text, and I'm not so sure it sounds as funny as I thought it did. — Colleen Hoover

Sanchez got the phone call, listened carefully, glanced over at Spencer, in Whittaker's office, having his morning coffee. Hung up the phone, got up, went and knocked on the door, asked if he could see Spencer a moment, and lowering his voice said, "Carl downstairs just called me because someone wants to file a vagrancy report.
Spencer slapped him on the back. "Detective Sanchez, thank you for bringing the particulars of your job description to my attention. Well done. Go to it.
Sanchez hemmed and said, "The young woman says she is Lily Quinn. Specifically asked for me, Carl says.
Spencer didn't slap him on the back this time. He stared at Carl and then said, "All right smart-ass, go back to you desk.
"That's what I thought," said Sanchez. — Paullina Simons

She extends a fingertip. After a moment's hesitation, Manfred extends a fingertip of his own. They touch, exchanging vCards and instant-messaging handles. She stands and stalks from the breakfast room, and Manfred's breath catches at a flash of ankle through the slit in her skirt, which is long enough to comply with workplace sexual harassment codes back home. Her presence conjures up memories of her tethered passion, the red afterglow of a sound thrashing. She's trying to drag him into her orbit again, he thinks dizzily. She knows she can have this effect on him any time she wants: She's got the private keys to his hypothalamus, and sod the metacortex. Three billion years of reproductive determinism have given her twenty-first-century ideology teeth: If she's finally decided to conscript his gametes into the war against impending population crash, he'll find it hard to fight back. The only question: Is it business or pleasure? And does it make any difference, anyway? — Charles Stross

They brought along a young man named Andy who wants very much to see you. She steps aside to let him through.
I tuck my hair back behind my ears.
Meet his shining gaze and break into a smile.
He is so tall. — Laura Wiess

I think she did really try her hardest to get over him. You would, wouldn't you, if someone had hurt you like that? You'd make all kinds of promises to yourself not to let them do something like that again. But wouldn't a small part of you always be wondering "what if" Wouldn't some part of you - a part that you might not want to exist - still be holding out for that happy ending? It's how we're built isn't it? No matter how many times you get slapped in the face you have to believe that the next time would be different. And then in comes the guy who hurt you all those years ago, and he wants to make things better and to prove he's not all talk- this time it will be different. How could she not fall for that? How could she not think that if she chose him it would finally lift the shadow that he'd cast over her life? All that hurt, all that suffering wouldn't have been for nothing then, would it? If he'd come back to you like that, would you have taken him back? — Mike Gayle

Harry has heard this before. Thelma's voice is dutiful and deliberately calm, issuing small family talk when both know that what she wants to discuss is her old issue, that flared up a minute ago, of whether he loves her or not, or why at least he doesn't need her as much as she does him. But their relationship at the start was established with her in pursuit of him, and all the years since, of hidden meetings, of wise decisions to end it and thrilling abject collapses back into sex, have not disrupted the fundamental pattern of her giving and his taking, of her fearing their end more than he, and clinging, and disliking herself for clinging, and wanting to punish him for her dislike, and him shrugging and continuing to bask in the sun of her love, that rises every day whether he is there or not. He can't believe it, quite, and has to keep testing her. — John Updike

You heard me, Laila. He broke up with Meri, and now, wants me back. I told him to go fuck himself."
She smiles at me with pride. "That's my bitch." We click our bottles and swig a large mouthful. — Dora Sky

Abel wanted a traditional marriage with a traditional wife. For a long time I wondered why he ever married a woman like my mom in the first place, as she was the opposite of that in every way. If he wanted a woman to bow to him, there were plenty of girls back in Tzaneen being raised solely for that purpose. The way my mother always explained it, the traditional man wants a woman to be subservient, but he never falls in love with subservient women. He's attracted to independent women. "He's like an exotic bird collector," she said. "He only wants a woman who is free because his dream is to put her in a cage. — Trevor Noah