She S Not There Quotes & Sayings

She had barely talked to Jamie about his school days, and she wondered whether this was another area of experience that was for some reason out of bounds. Had he been happy? Who had his school friends been? She had no idea. There must be a reason why he had decided not to attend his ten-year class reunion; normally Jamie's instincts were social. If invited to a party, he went, and usually enjoyed himself; perhaps this did not apply to reunions. — Alexander McCall Smith

Markus definitely wasn't comfortable. He was sorry about having long legs; as regrets go, it certainly was a useless one.* Not to mention another fact that amped up his torture: there's nothing worse than being seated next to a woman you're dying with desire to look at. The show was to his left, where she was, not on stage. Not only that, but what was he seeing? It was so-so. The fact that it was a Swedish play wasn't exactly helping matters! Had she done it on purpose? As if that weren't enough, the playwright had studied in Uppsala. Might as well have dinner at his parents'. — David Foenkinos

There's a certain man, an archetype, he's a model of dependability for his male friends, all the things a friend should be, an ally and confidant, lends money, gives advice, loyal and so on, but sheer hell on women. Living breathing hell. The closer a woman gets, the clearer it becomes to him that she is not one of his male friends. And the more awful it becomes for her. This is Keith. This is the man you're going to marry. — Don DeLillo

Starla, when you work in a restaurant, it's not called 'pie with ice cream on top.' It's called pie a la mode. Try saying it one time."
"A-la-mo," she pronounced.
"There's a good girl," Darius said, grinning. "The next time you ask a customer if he wants some dessert, you ask him if he wants pie Alamo. — Erin O'Riordan

Nyx had killed a lot of people. She'd let even more die through neglect. Rhys was just one more. I'm the same person, aren't I? she thought. She had burned herself up, only to come out the other side exactly the same.

Taite's signal would get out, Nyx knew. It would be soon enough to save *her*.

But it would not be soon enough for Rhys.

Nyx hardened her jaw. Her hands and feet were still tied. They'd stripped her of her most obvious weapons. She could just wait this out.

She saw Rhys register that. But there was no shock. Just resignation. He knew her for what she was.

Butcher. Monster.

The same old monster. — Kameron Hurley

A shepherd's crown, not a royal one. A crown for someone who knew where she had come from. A crown for the lone light zigzagging through the night sky, hunting for a single lost lamb. A crown for the shepherd who was there to herd away the predators. — Terry Pratchett

If there's a disaster, do you go over to your neighbor's house with: a) a covered dish or b) a shotgun? It's game theory. If you believe your neighbor is coming over with a shotgun, you'd be an idiot to pick a); if she believes the same thing about you, you can bet she's not going to choose a) either. The way to get to a) is to do a) even if you think your neighbor will pick b). Sometimes she'll point her gun at you and tell you to get off her land, but if she was only holding the gun because she thought you'd have one, then she'll put on the safety and you can have a potluck. — Cory Doctorow

Nicole's door opened, and she stomped down the hall. "I have something to say," she said, giving him the Slitty Eyes of Death. "You're totally unfair, and if I run away, you shouldn't be surprised." "Don't make me put a computer chip in your ear," Liam answered. "It's not funny! I hate you." "Well, I love you, even if you did ruin my life by turning into a teenager," he said, rubbing his eyes. "Did you study for your test?" "Yes." "Good." He looked at his daughter - so much like Emma, way too pretty. Why weren't there convent schools anymore? Or chastity belts? "Want some supper? I saved your plate." She rolled her eyes with all the melodrama a teenager could muster. "Fine. I may as well become a fat pig since I can't ever go on a date." "That's my girl," he said and, grinning, got up to heat up her dinner. — Kristan Higgins

Oh, pooh, you're just like akri. No, Simmi, don't be breathing fire around the flammable objects or small children. Except for that black plastic card that's not really plastic. It some metal thing, but the Simi loves it cause it let her buy everything she want without limit. He never say no to Simi when she use it. Oh, hello, there, Fang. You okay? You looking kind of peaked or piqued or ... ? Oh, heck, the Simi can never keep those straight. (Simi) — Sherrilyn Kenyon

Ask me anything, Bailey challenged.
What are you scared of? The question got out of Tibby's mouth before she meant to ask it.
Bailey thought. I'm afriad of time, she answered. She was brave, unflinching in the big Cyclops eye of the camera. There was nothing prissy or self-conscious about Bailey. I mean, I'm afraid of not having enough time, she clarified. Not enough time to understand people, how they really are, or to be understood myself. I'm afraid of the quick judgments and mistakes that eerybody makes. You can't fix them without time. I'm afraid of seeing snapshots instead of movies.
Tibby looked at her in disbelief. She was struck by this new side of Bailey, this philosophical-beyond-her-years Bailey. Did cancer make you wise? Did those chemicals and X rays supercharge her twelve-year-old brain? — Ann Brashares

She took off her engagement and
wedding rings and walked over to me. "I don't want anything to happen to these while I'm there."
I clasped both of her hands in mine. "It's not the rings I'm worried about."
A faint smile crossed her lips, and even though the face was different, there was a feel to that smile
that was uniquely Sydney. "I'll be fine ... but I want you to hold on to these for me until I get back."
"Deal," I said in a low voice that only she could hear, "but I get to put them back on you."
"Okay," she said.
"On my knees," I added.
"Okay."
"And we both have to be nake - "
"Adrian," she said warningly.
"We'll discuss the terms later," I said with a wink. — Richelle Mead

For shit's sake, it wasn't like there was a twelve-step for being the Scribe Virgin's kid:
Hi, I'm Vishous. I'm her son and I've been her son for three hundred years.
HI, VISHOUS.
She's done a head job on me again, and I'm trying not to go to the Other Side and scream bloody murder at her.
WE UNDERSTAND, VISHOUS.
And on the bloody note, I'd like to dig up my father and kill him all over again, but I can't. So I'm just going to try to keep my sister alive even though she's paralyzed, and attempt to fight the urge to find some pain so I can deal with this Payne.
YOU'RE A STRAIGHT-UP PUSSY, VISHOUS, BUT WE SUPPORT YOUR SORRY ASS. — J.R. Ward

She might not bring much gold from a fat pasha locally, but there are men in Israel who would pay handsomely for her safety. Even kill for it."
"And die for it?" Though he tilted his head in intrigue, he could not read Caine's expression. "What about here?" he asked softly, searching his features. "Any of those men here? — V.S. Carnes

Do you ever think about him?" Elise asks. "The baby?"
I nod slowly. "I wonder how much would have been different, if he'd-"
"Don't say it." There are tears in her eyes. "Let's do it this way, Charlie, all right? Let's just pick one sentence out of all of the ones we should have said
the best, most important sentence
and let's say just that."
This is my old Elise
whimsical, loopy
the one I couldn't help but fall for. And because I know she is sinking in the quicksand of regret just like me, I nod. "Okay. But I go first." I try to remember what it was like to be loved by someone who did not know limits, and had not yet been ruined by that. "I forgive you," I whisper; a gift.
"Oh, Charlie," Elise says, and she gives me one right back. "She turned out absolutely perfect. — Jodi Picoult

She [Susanna] realized she was still hugging the wall. Pride propelled her two steps forward. As she advanced, something bleated at her, as though chastising her for trespassing. She stopped midstep and peered at it. "Did you know there's a lamb in here?"
"Never mind it. That's dinner."
She gave it a smile and a friendly pat. "Hullo, Dinner. Aren't you a sweet thing."
"It's not his name, it's his ... function. — Tessa Dare

Sydney, don't leave Adrian because of me."
"It's more complicated than that," I said automatically.
"It's really not," she said. "From everything I've seen and heard, you're just afraid. You've always controlled every detail of your life. When you couldn't-like with the Alchemists-you found a way to seize back that control."
"There is nothing wrong with wanting control," I snapped.
"Except that we can't always have it, and sometimes that is a good thing. A great thing, even," she added. "And that's how it is with Adrian. No matter how hard you try, you aren't going to be able to control your feelings for him. You can't help loving him, and so you're running away. I'm just an excuse. — Richelle Mead

She's contemplative; I can feel the air around her thick with her thoughts. "No," she says at last, "I want to believe you're being sincere but I know you're not. So I say no, because even if I allow myself to fantasize a little about our lives in a cabin on the beach, I still find myself being left by you. There's almost no scenario I can think of where we live happily ever after."
"There could be," I tell her and mean it at the moment. Maybe mean it for longer. Her fingers stop moving and she sighs. I open my eyes and she's staring down at me. The lights have come on around the parking lot and one of them shines directly into her face. She angelic, a neon seraphim under the brilliant skies of the spring. I can see us on our boat, eating our hand picked clams on the fire behind our place. I can see it so vividly I'm almost sure it's happened. — Jaden Wilkes

What's going on outside, Ravic?" "Nothing new, Kate. The world goes on eagerly preparing for suicide and at the same time deluding itself about what it's doing." "Will there be war?" "Everyone knows that there will be war. What one does not yet know is when. Everyone expects a miracle." Ravic smiled. "Never before have I seen so many politicians who believe in miracles as at present in France and England. And never so few as in Germany." She remained lying silent for a while. "To think that it should be possible - " she said then. "Yes - it seems so impossible that it will happen some day. Just because one considers it so impossible and doesn't protect oneself against it. — Erich Maria Remarque

Safe Sex
If he and she do not know each other, and feel confident
they will not meet again; if he avoids affectionate words;
if she has grown insensible skin under skin; if they desire
only the tribute of another's cry; if they employ each other
as revenge on old lovers or families of entitlement and steel
then there will be no betrayals, no letters returned unread,
no frenzy, no hurled words of permanent humiliation,
no trembling days, no vomit at midnight, no repeated
apparition of a body floating face-down at the pond's edge — Donald Hall

You've dated a shoplifter. A drug addict. A girl who claimed that her roommate kept her locked in a dumpster. She was admitted to Mulberry not too long ago, if I recall, right? They diagnosed her with schizophrenia." Reece nodded reluctantly. "For the record, I only dated her for two months. And also for the record, she's doing a lot better." "Hmm," Camden replied. "There's the one who put salt on all her food then complained incessantly of bloating problems. Oh yeah! And the one who wanted you to tie her up and beat the shit out of her every night." "All right already!" Reece snapped. "I get it. I haven't had the best of luck with normal women. — S. Walden

There was one knight," said Meera, "in the year of the false spring. The Knight of the Laughing Tree, they called him. He might have been a crannogman, that one." "Or not." Jojen's face was dappled with green shadows. "Prince Bran has heard that tale a hundred times, I'm sure." "No," said Bran. "I haven't. And if I have it doesn't matter. Sometimes Old Nan would tell the same story she'd told before, but we never minded, if it was a good story. Old stories are like old friends, she used to say. You have to — George R R Martin

Later, the talk turned to all the other guys/girls who were currently hot for the two of them. 'There's this total dweeb named Robert who's always calling me, and I feel bad because he's really nice, but I'm totally not interested,' Phoebe told Pablo.

'Believe me, I know what that's like,' Pablo told Phoebe. 'There's this girl at Hunter who's, like, obsessed with me. She's, like, this big fat girl. Ass like a truck. She's always writing me these love letters. Maybe I should fuck her. You know, just to be nice.' (Smile, smile.)

'You're so bad.' (Phoebe shaking her head; Pablo loving it; Phoebe loving it, too. What was more ego-enhancing than making dumb jokes at the expense of ugly women? Phoebe could never decide whom she hated more--other people or herself.) — Lucinda Rosenfeld

I can't believe you did this." He leaned close, his warm breath stirring the hair at her temple. "It's going to cost you." She stifled a smile, remembering their bet and the subsequent payout. "And I'm not settling for a kiss this time," he said. "Oh yeah?" "Yeah." He leaned in and feathered her lips with a kiss. "But we'll start there and see where it goes." Her smile quickly faded as he kissed her again, and soon all she heard was the beating of her own heart. — Denise Hunter

I was lucky in that I had a mother that was full of this colloquial wisdom and she used to say to me 'You know, failure is not the opposite of success, it's the stepping stone to success. There is nobody who has not failed along the way.' So I think its very important for young women, especially as they are starting in life, to recognize that because otherwise, they only see people's success. So, when I speak, I speak of my failures. — Arianna Huffington

I think behind every great man there's got to be a great woman, whether she's your wife, your girlfriend or not. I'm not gonna say that there's not that special girl out there. But I'm in the music biz, and I'm focused on the music. — Prince Royce

So what? You act all mysterious to seem more interesting?"

"What's that supposed to mean?"

"You're always wandering off or running away," he said. "But you're a lot more
interesting when you're just being yourself you know. When you're actually here."

"I have no idea what you're talking about," Emma said coldly. "Where else would I be?"

"You know what I mean," he said, a rough edge to his voice. "It's like you're so busy trying not to act like your family that you've never even stopped to consider that it might not be such a bad thing."

"Well what about you?" she shot back, aware of the bitterness in her words.
"You complain about your dad not wanting you around, and then you complain when he wants you to stay home for school. You can't have it both wars."

"Well neither can you," he said. " You can't keep everyone at arms length and then expect them to be there for you when you need them. — Jennifer E. Smith

It is a way now, approximately, of being at home. The forum has become one of the most consistent places of her life, like a familiar cafe that exists someone outside geography and beyond time zones.
There are perhaps twenty regular posters on F:F:F:, and some muchlarger and uncounted number of lurkers. And right now there are three people in Chat. But there's no way of knowing exactly who until you are in there, and the chat room she finds not so comforting. It's strange even with friends, like sitting in a pitch-dark cellar conversing with people at a distance of about fifteen feet. the hectic speed, and the brevity of the lines in the thread, plus the feeling that everyone is talking at once, at counmter-purposes, deter her. — William Gibson

At least, not in this country,' she added after a moment's thought. 'In China it's a little different. Once I saw a Chinaman in Shanghai. His ears were so big he could use them for a raincoat. When it rained, he just crept in under his ears and was warm and snug as could be. Not that the ears had such a rattling good time of it, you understand. If it was specially bad weather, he'd invite friends and acquaintances to pitch camp under his ears too. There they sat, singing their sorrowful songs while it poured down outside. — Astrid Lindgren

The worker-mother must learn not to differentiate between yours and mine; she must remember that there are only our children, the children of Russia's communist workers. — Alexandra Kollontai

The Doctor put his finger to his lips and Martha nodded and followed him as quietly as she could. Wet leaves squelched under her feet. There was movement up ahead: two teenagers, a pale boy and a nervous girl, walked into a clearing. The sun broke through the clouds and the boy started to sparkle.
Martha felt the Doctor's eyes on her and she blushed. 'Do not judge me.'
'Judging is for later,' he said, and they continued on, giving the young lovers a wide berth. — Derek Landy

I missed you."
There was a pause. Then Tariq turned to her with a half-grinning, half-grimacing look of distaste. "What's the matter with you?"
How many times had she, Hasina, and Giti said those same three words to each other, Laila wondered, said it without hesitation, after only two or three days of not seeing each other? I missed you, Hasina. Oh, I missed you too. In Tariq's grimace, Laila learned that boys differed from girls in this regard. They didn't make a show of friendship. They felt no urge, no need, for this sort of talk. Laila imagined it had been this way for her brothers too. Boys, Laila came to see, treated friendship the way they treated the sun: its existence undisputed; its radiance best enjoyed, not beheld directly.
"I was trying to annoy you," she said.
He gave her a sidelong glance. "It worked."
But she thought his grimace softened. And she thought that maybe the sunburn on his cheeks deepened momentarily. — Khaled Hosseini

Look, some people prefer they,' Alex said. 'They're non-binary or mid-spectrum or whatever. If they want you to use they, then that's what you should do. But for me, personally, I don't want to use the same pronouns all the time, because that's not me. I change a lot. That's sort of the point. When I'm she, I'm she. When I'm he, I'm he. I'm not they. Get it?'
'If I say no, will you hurt me?'
'No.'
'Then no, not really.'
She shrugged. 'You don't have to get it. Just, you know, a little respect.'
'For the girl with the very sharp wire? No problem.'
She must have liked that answer. There was nothing confusing about the smile she gave me. It warmed the office about five degrees. — Rick Riordan

JAMIE'S SONG 'She':

There's something about her eyes.
I don't know what I see.
She wears a cloak of lies.
I don't know what I mean.
She hides behind those eyes.
Will she let me in?

I could feel the barrier between,
Her and the world and sea.

She is not what she may seem..... — Neha Yazmin

He is looking down on the two crystal balls that the old man's foul, strong hands have rolled across to him. In one he sees Margaret, not in her raincoat and her nodding plumes, but as she is transfigured in the light of eternity. Long he looks there; then drops a glance to the other, just long enough to see that in its depths Kitty and I walk in bright dresses through our glowing gardens. We had suffered no transfiguration, for we are as we are, and there is nothing more to us. The whole truth about us lies in our material seeming. He sighs a deep sigh of delight and puts out his hand to the ball where Margaret shines. His sleeve catches the other one and sends it down to crash in a thousand pieces on the floor. The old man's smile continues to be lewd and benevolent; he is still not more interested in me than in the bare-armed woman. Chris is wholly inclosed in his intentness on his chosen crystal. No one weeps for this shattering of our world. — Rebecca West

I near her, cupping her face with large rough hands. I stare down into her yellow-green eyes. "You're not a pit stop. You're my finish line. There's no one after you." I kiss her powerfully, my tongue parting her lips, and she responds. But not as much as I hoped. So I break apart and add, "I want you for eternity, not for a brief moment in time. — Krista Ritchie

You noticed something was off Saturday night, didn't you? I mean, outside of the fact that there was a stupid dark fae trying to hone in on someone that she could sink her baby snake teeth into? Nic and I may not be together, but we are each other's. Didn't you feel the tension you slithering whore? We gravitate and revolve around one another like suns and moons, the earth being what keeps up apart. — Alyse M. Gardner

Parvaneh's belly is now so big that she looks like a giant tortoise when she heaves herself down into a squatting position, one hand on the gravestone and the other hooked around Patrick's arm. Not that Ove dares bring up the giant tortoise metaphor, of course. There are more pleasant ways of killing oneself, he feels. — Fredrik Backman

Gotten a good look at her face. But they didn't recognize her as Stark's cohort. They must not have been big on reading blogs or watching the news. Deirdre took the camera. "Sure. Where's the button?" He quickly showed her how to operate it, and Deirdre stepped back to get both of them in the frame. The camera had a telephoto lens. She aimed it at the top of the building, zooming in so that she could look at the skeletal upper levels, where they were preparing to moor a visiting dirigible. With such fantastic zoom, she could see that there were OPA guards in black suits waiting to receive the airship. — S.M. Reine

Parks scratches his neck. "Really? Even when she told me not to say?" She holds his gaze. "You let her go out there on her own. I already know damn well that you don't see a risk to Melanie as worth taking into account. But I do. And I want to know why you thought it was okay to send her out there." "You're wrong," Parks says. "Am I? About what?" "About me." He plants his butt against the opened cowling of the generator, folds his arms. "Okay, not that wrong. A couple of days ago, I said we should cut the kid loose. She pulled our irons out of the fire twice since then, and on top of that she's turned into a really good scout. I'd be sorry to lose her." Justineau — M.R. Carey

You didn't like him, did you, Dad?"
"It wasn't that I didn't like him," my dad says slowly. "It was just that he lives in a completely different world, and I worried that he didn't really approve of you the way you are, that he was trying to change you into something else."
God, I never realized my dad was that perceptive..
"You see, the thing is," he says after we've both sat for a while in the sunshine, "the thing is that love is really the most important thing. I know it's hard for you to see it now" - he chuckles quietly- "but when I first laid eyes on your mother I thought she was fantastic, and I've never stopped loving her, not for a second. Oh yes, we've had our rough patches, and she can be a bit of an old battle-ax at times, but I still love her. That in-love feeling at the beginning settles down into a different, familiar sort of love, but it has to be there right from the start, otherwise it just won't work. — Jane Green

Why should your majesty think it? My own plans are made. While I may, I sail East in Dawn Treader. When she fails me, I row East in my coracle. When that sinks, shall I paddle East with my four paws. Then, when I can swim no longer, if I have not yet reached Aslan's Country, there shall I sink with my nose to the sunrise ... and Peepiceek will be head of Talking Mice in Narnia — C.S. Lewis

Sigh. Here's another fine woman that historians can't believe was real. Of course she was real. Not only is there a splendid Chinese poem called "The Ballad of Mulan", there is also n excellent cartoon by Disney. — Sandi Toksvig

She cannot help but see a lifespan as a journey, indeed as a pilgrimage. This isn't fashionable these days, but it's her way of seeing. A life has a destination, an ending, a last saying. She is perplexed and exercised by the way that now, in the twenty-first century, we seem to be inventing innumerable ways of postponing the sense of arrival, the sense of arriving at a proper ending. Her inspections of evolving models of residential care and care homes for the elderly have made her aware of the infinitely clever and complex and inhumane delays and devices we create to avoid and deny death, to avoid fulfilling our destiny and arriving at our destination. And the result, in so many cases, has been that we arrive there not in good spirits, as we say our last farewells and greet the afterlife, but senseless, incontinent, demented, medicated into amnesia, aphasia, indignity. — Margaret Drabble

She wondered how a man could look into a woman's eyes and lie so completely, so convincingly. She wondered how he could have looked and not seen the love that had glowed there, the blind faith, the unconditional devotion. She wondered how he would sleep at night, knowing he had betrayed her so effortlessly. — V.S. Carnes

Those who die young, they are cheated," she said. "Not cheated out of life, because life is a penance, but the young, they're cheated because they don't know it's coming. They don't have time to move closer, to return home. When you know you're going to die, you try to be near the bones of your own people. You don't even think you have bones when you're young, even when you break them, you don't believe you have them. But when you're old, they start reminding you they're there. They start turning to dust on you, even as you're walking here and there, going from place to place. And this is when you crave to be near the bones of your own people. My children never felt this. They had to look death in the face, even before they knew what it was. Just like you did, no? — Edwidge Danticat

There will be blood," he said quietly, "blood and death. You should not have come."
"Since when was a woman afraid of blood?" she asked. "The problem is not only Sean's. It is mine also. If there is to be blood, I will share in the letting or the losing of it. — Louis L'Amour

There's a Lady Amelia Pembroke here to see you, my lord. She was most insistent."

Benedict glanced up from his desk. "I trust you informed her that I was not receiving, and refused to let her in?"

"Of course." The butler hesitated before continuing, "She said she would simply wait until you are receiving."

Benedict put down his pen. "Wait where, pray?"

"Upon the front step, my lord. I'm afraid the lady brought... the lady brought... a book. She cannot be budged. — Erica Ridley

Nicholas is gay, isn't he," she says, her voice dripping with dejection.
I shrug, again remembering his proposition from last night. "Not necessarily. The jury's still out. There's hope for a Christmas wedding yet," I tell her. — L. H. Cosway

Should I pity so and so?" I asked. I gave his name but he delights so in giving it himself that I feel there is no need to give it for him.
"No. He's vicious. He's a corrupter and he's truly vicious."
"But he's supposed to be a good writer."
"He's not," she said. "He's just a showman and he corrupts for the pleasure of corruption and he leads people into other vicious practices as well. — Ernest Hemingway,

It must be cool, having a twin, though."
"Ah, not sure if cool is the right word." He flashed a grin. "But we're not twins."
Out in the crowded hallway, Bethany frowned. "You're not? Could've fooled me and the world."
His laugh was husky, deep, and really nice to hear. "We're triplets."
Her eyes popped wide. "Holy crap, there're three of you?"
"We have a sister." He walked close to her, so their shoulders bumped every few steps. She found that deliciously distracting. "She's fraternal and a lot prettier than us. — Jennifer L. Armentrout

Marci took a copy of Cosmopolitan from her desk drawer, lifted her butt from her chair, and leaned far over her desk to pass it to William, watching his eyes carefully as she did. If they went to her gaping blouse, she'd know there was a spark to kindle; if not, then he was gay and she needn't waste any further effort. At least he'd appreciate the Cosmo. "It's August's," she whispered hopefully. — Dennis Vickers

It's not really much good tearing out a page because you can see the place where it's been torn. [ ... ] You can pull a stamp out,' she said with terrible youthful clarity, 'and you don't know that it's ever been there. — Graham Greene

There you are," she whispered wonderingly as the edges of her lips tilted up into a tiny smile. She formed her words as clearly as she could, not wanting him to misunderstand her. "I've been looking for you." His stern brows lowered in confusion, and she leaned down to press a feather-soft kiss to his sensuous lips before easing back so that he could see her face again. "There's the man I married. — Natasha Anders

She follows her nose and stands once more before the doors of a quintessential dilemma. Male or Female. Here is her paradox. A staccato voice seems to challenge her, berate her. Hombre or Mujer. Mann or Frau. Homme or Femme. Gentleman or Lady. Com on, decide. She knows them all. She is them all. Not fluid or all-encompassing, gathering the harvest of the reaping fields, but fractured and split and bleeding. Her inner core weeping out of itself. There is nothing for hermaphrodites. It's too confusing. The words rattle around in her earbones, androgynous and humming. How can she choose? She cannot choose. To choose is to sunder. — Mark O'Flynn

That red spot!" she says with alarm.
"That's a freckle!"
"It wasn't there before ... " she says as she inspects her entire arm.
"It's cute."
"It's not cute."
"Then it's mine," I say. "If you don't like it, it's mine. I'll call it Brady."
"My freckle?"
"Yes."
"You're naming my freckle after yourself?" she says. "And you think I have issues?"
"It's like a star. People buy stars in the constellation and name them after people al the time. As gifts."
"So then are you buying my freckle? Because I don't know if you can afford my freckle. My freckles don't come cheap, you know."
"I've already claimed it," I declare. "It's not up for discussion anymore. Just eat your ice cream. And don't spill any on Brady. — Caprice Crane

This report is maybe 12-years-old. Parliament buried it, and it stayed buried till River dug it up. This is what they feared she knew. And they were right to fear because there's a whole universe of folk who are gonna know it, too. They're gonna see it. Somebody has to speak for these people. You all got on this boat for different reasons, but you all come to the same place. So now I'm asking more of you than I have before. Maybe all. Sure as I know anything I know this, they will try again. Maybe on another world, maybe on this very ground swept clean. A year from now, 10, they'll swing back to the belief that they can make people ... better. And I do not hold to that. So no more running. I aim to misbehave. — Joss Whedon

Being a woman in India is an altogether different experience. You can't always see the power women hold, but it is there, in the firm grasp of the matriarchs who still rule most families. It has not been easy for Sarla to navigate the female path: she has become a master traveler, but one with no pupil. She thought she might develop this relationship with one of her daughters-in-law, but the others, like Somer, didn't quite fill the role. And when they had babies, they relied on their own mothers, leaving her once again in the company of men. But now, Sarla muses as she glances at the clock, anticipating Krishnan's arrival, she will finally get her granddaughter. — Shilpi Somaya Gowda

To inspire love is a woman's greatest ambition, believe me. It's the one thing woman care about and there's no woman so proud that she does not rejoice at heart in her conquests. — Moliere

It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn't have known. There was smoke in her nose, thick and black, and she couldn't breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn't her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol' hands with scars on the fingers. Men's hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and- — Angele Gougeon

You fool," she says. "You eager, egotistical fool. Grand Moff. Pfah. You have so much, so wrong. The Ravager is not the last weapon. Nor do I even control it. There is ... another." His face twitches. "You don't mean ... " "I do mean. He's not dead." "But you said he was." "I lied." She shrugs. "This was ... all his plan. Wasn't it? I should've seen it. I fell for a trap. We all fell for your trap. You betrayer. You foul, wretched betrayer. — Chuck Wendig

I would prefer," Pat said, his voice a little stiff, as if he expected resistance, "that I be the cosigner on the loan, if you go through with this. I know I'm not a famous billionaire, but I think my credit's just as good."
No, you're wrong about that," Tess said, shaking her head.
What?"
As far as I'm concerned, it's better. I'd much rather do business with you."
They shook on it. It was a deal, after all, not a time for hugging.
Favors, Arnie Vasso had once said. Your father knows all about favors. He had meant it as an insult, a sly reference to the corners the Monaghans and Weinsteins cut here and there. Now Tess saw it for the simple truth it was: Her father understood favors. How to do them, how to accept them, how to walk away when the price was too steep. It was a lesson she wouldn't mind learning someday.
Maybe this was the place to start. — Laura Lippman

He isn't what he's pretending to be with her. I watch him all the time. I'm going to be there when he stops pretending. I'm going to be her bulletproof vest, her shield, her fallen fucking angel, whether she wants one or not. He's pretending he's almost human. He's no more human than me. — Karen Marie Moning

The chef turned back to the housekeeper. "Why is there doubt about the relations between Monsieur and Madame Rutledge?"
The sheets," she said succinctly.
Jake nearly choked on his pastry. "You have the housemaids spying on them?" he asked around a mouthful of custard and cream.
Not at all," the housekeeper said defensively. "It's only that we have vigilant maids who tell me everything. And even if they didn't, one hardly needs great powers of observation to see that they do not behave like a married couple."
The chef looked deeply concerned. "You think there's a problem with his carrot?"
Watercress, carrot - is everything food to you?" Jake demanded.
The chef shrugged. "Oui."
Well," Jake said testily, "there is a string of Rutledge's past mistresses who would undoubtedly testify there is nothing wrong with his carrot."
Alors, he is a virile man ... she is a beautiful woman ... why are they not making salad together? — Lisa Kleypas

- and there, on the table under her bedroom window, lies the voice that has set her dreaming again. Fragments of a life lived a long, long time ago. Across a hundred years the woman's voice speaks to her - so clearly that she cannot believe it is not possible to pick up her pen and answer. — Ahdaf Soueif

She's been, but she's coming back," he said. "I expect her every minute. Ah! there she is."

This was rather stupid of Stephen. He ought to have guessed that Lucia's second appearance was officially intended to be her first. He grasped that when she squeezed her way through the crowd and greeted him as if they had not met before that morning.

"And dearest Adele," she said. "What a crush! Tell me quickly, where are the caricatures of Pepino and me? I'm dying to see them; and when I see them no doubt I shall wish I was dead."

The light of Luciaphilism came into Adele's intelligent eyes... — E.F. Benson

That was the only reason I let her stay extra time at the park the next day. We were not waiting for anyone in particular to show up or hoping for anyone in particular to show up. I mean, she's a dog. She didn't care if she was wrestling a stick from another mutt or a Pug or a Dachshund or whatever. Neither of us cared a bit who was or was not there. I was simply letting her make up for the time she missed the previous day. — Amanda Hamm

As far as evil goes" - she shrugged one shoulder - "I've spent a dozen years studying the subject and there's one thing I know for sure." Her expression grew distant, breakable somehow. She blinked and seemed to push whatever had distracted her aside. "If you want to know what evil looks like, look in the mirror." She leaned down, flattened her hands on the table once more, and went face-to-face with Wells. "Any one of us is capable of evil, Detective. We all have a line. It's not crossing it that separates us from the Ed Geins and Charles Mansons of the world. — Debra Webb

Look. I'm your expert consultant for a rather pathetic monetary wage, and under that agreement I have the option of selecting a technical assistant. He's mine."

She blew out a breath, paced to the window. Paced back. "Not just yours. It makes him mine, too. I don't know how to deal with a teenaged type person."

"Ah, well, I'd say you'd deal with him as you deal with everyone else. You order him around, and if he argues or doesn't jump quickly enough you freeze his blood with one of those vicious looks you're so good at and verbally abuse him. It always works so well for you."

"You think so?"

"There, see." He cupped her chin. "There it is now. I can actually feel my blood running cold. — J.D. Robb

You planned this? Why?"
"Yes." He walked over to one of the picnic tables and grabbed a backpack, which just happened to be there. He pulled a blanket from the pack and laid it down on the sand next to her.
She jumped up and away from him with her fins in her hands. She held them up like a weapon, not taking her eyes off of him. He saw her reaction and it didn't take long to figure out the thoughts running through her mind.
"Hey! No. It's not what you think." He stepped closer, but she swung her fins at him and whacked him across the arm. "Ouch!" He looked at her like she was insane.
"Stay away from me. This is so not happening. I'll hit you again, I swear. — S. Jackson Rivera

Do I have to get diapers?" he asked.
"Why, did Kade shit himself?" she laughed.
Dylan huffed loudly. Eyebrows knitted together, "DO I NEED TO GET BOTTLES?"
Jen rolled her eyes and shook her head as if he were crazy, "Don't you think it's too early to start drinking? You just got up ... "
"IS THERE ANYTHING IN YOUR OVEN?"
"I'M NOT BAKING ANYTHING, YOU MORON! WHY ARE YOU YELLING AT ME?"
My God, you have surrounded me with idiots. — Christine Zolendz

She knows that it's not my fault if I don't know how many Zs there are in LOSER. — Lauren Child

I opened my mouth to tell her that nothing could kill me, not now, but she said, 'Not kill you. Destroy you. Dissolve you. You wouldn't die in here, nothing ever dies in here, but if you stayed here for too long, after a while just a little of you would exist everywhere, all spread out. And that's not a good thing. Never enough of you all together in one place, so there wouldn't be anything left that would think of itself as an "I." No point of view any longer, because you'd be an infinite sequence of views and points ... — Neil Gaiman

Two hundred years from now, she had - I will? she thought wildly - stood in front of this portrait in the National Portrait Gallery, furiously denying the truth that it showed. Ellen MacKenzie looked out at her now as she had then; long-necked and regal, slanted eyes showing a humor that did not quite touch the tender mouth. It wasn't a mirror image, by any means; Ellen's forehead was high, narrower than Brianna's, and the chin was round, not pointed, her whole face somewhat softer and less bold in its features. But the resemblance was there, and pronounced enough to be startling; the wide cheekbones and lush red hair were the same. And around her neck was the string of pearls, gold roundels bright in the soft spring sun. — Diana Gabaldon

I don't want to know about love.'
'But you should, my child. You need to know about love. The things people will do for love. All truths come down to love, do they not? One way or another, they do. See, there is a difference between love and need. Sometimes, what you feel is immediate and without rhyme or reason.' She sat up a little straighter. 'Two people see each across a room or their skin brushes. Their souls recognize the person as their own. It doesn't need time to figure it. The soul always knows ... whether it's right or wrong. — Jennifer L. Armentrout

While there is widespread recognition that the War on Drugs is racist and that politicians have refused to invest in jobs or schools in their communities, parents of offenders and ex-offenders still feel intense shame - shame that their children have turned to crime despite the lack of obvious alternatives. One mother of an incarcerated teen, Constance, described her angst this way: "Regardless of what you feel like you've done for your kid, it still comes back on you, and you feel like, 'Well, maybe I did something wrong. Maybe I messed up. You know, maybe if I had a did it this way, then it wouldn't a happened that way.'" After her son's arrest, she could not bring herself to tell friends and relatives and kept the family's suffering private. Constance is not alone. — Michelle Alexander

She thought for the first time, with happiness: perhaps I have a life in people's minds when I am not there to be seen or talked to. — Graham Greene

I have too much to lose, she said, if I cross that line. Like what? I said. She could not think of anything that day so she said she'd get back to me. Since then I've been thinking what I would lose if I cross my line & I haven't come up with anything either. There's always another line somewhere. — Brian Andreas

He wonders if it's some sort of twisted joke the adults are having, shoving hormonal teens into tight quarters but making it impossible to do anything but breathe.
"I wouldn't mind suffocating if it was with you," the girl says, which is flattering, but makes him even less interested in her.
"There'll be a better time," he tells her, knowing that such a time will never come - at least not for her - but hope is a powerful motivator.
Eventually they settle into a sort of symbiotic breathing rhythm. He breathes in when she breathes out, so their chests don't fight for space.
After a while, there's a jarring motion. With his arm now around the girl, he holds her a little more tightly, knowing that easing her fear somehow eases his own. — Neal Shusterman

All the way back she talked haltingly about herself, and Amory's love waned slowly with the moon. At her door they started from habit to kiss good night, but she could not run into his arms, nor were they stretched to meet her as in the week before. For a minute they stood there, hating each other with a bitter sadness. But as Amory had loved himself in Eleanor, so now what he hated was only a mirror. Their poses were strewn about the pale dawn like broken glass. The stars were long gone and there were left only the little sighing gusts of wind and the silences between ... but naked souls are poor things ever, and soon he turned homewards and let new lights come in with the sun. — F Scott Fitzgerald

But what we have here is not a nice girl, as generally understood. For one thing, she's not beautiful. There's a certain set to the jaw and arch to the nose that might, with a following wind and in the right light, be called handsome by a good-natured liar. Also, there's a certain glint in her eye generally possessed by those people who have found that they are more intelligent than most people around them but who haven't yet learned that one of the most intelligent things they can do is prevent said people ever finding this out. — Terry Pratchett

Where are you going?" Millie whispered, although why she was whispering was a bit of a mystery since the sound of yelling, along with a lot of cursing, was flowing into the house. "I'm not just going to sit here while everyone else is fighting my battle." She made it all the way to the door, crawling on her stomach, no less, before she was forced to stop when she encountered a pair of shoes. They were nice shoes, a little dusty, and unfortunately, they belonged to none other than Bram. "You weren't trying to sneak out to help, were you?" he asked, squatting down next to her. "I might have been." "There's no need. Silas has been secured." Lucetta frowned. "He came down here on his own?" Holding out a hand, Bram helped her to her feet before he smiled. "Apparently, yes. I imagine those women he hired weren't too keen to travel the country with him. Aiding and abetting men on the run usually results in a stint behind bars, and they must have decided he wasn't worth that." "I — Jen Turano

Helen spent three days in Rhys Winterbournes's room babbling incessantly while he lay there feverish and mostly silent. She became heartily tired of the sound of her own voice, and said something to that effect near the end of the second day.
"I'm not," he said shortly. "Keep talking. — Lisa Kleypas

I look up but don't spot him. "I take care of myself. I ain't living with nobody. Got my own digs. What are you doing up there?"
"Tracking the Hag. Trying to devise a way to trap her. She's fast but she's not a sifter."
I jerk, and look around warily. That's all we need right now. "Is she here?"
"If you brought that crazy bitch near me again." Ryodan doesn't finish his sentence. He doesn't need to. — Karen Marie Moning

She gulped her whiskey sour. The bar was hot tonight.
CJ circled back to check on them. "You ladies doing okay?"
"Define okay." Natalie's whiskey seemed to be talking. Because the whiskey was the only thing that could've put that husky, suggestive tone in her voice. Yep, that was all the whiskey.
He propped his elbows on the bar, which put his face level with hers, and fixed his undivided attention on her. There went her lady bits fanning themselves. With a few added whimpers. They remembered what his hands and body and lips felt like too.
"Content." His voice was low and raw, his gaze penetrating and unwavering. "Happy. Completely, one hundred percent satisfied."
Her mouth went dry while the rest of her went up in needy flames that made her want to scratch the all-but-gone rash he'd tended so well on Monday.
"Nope," Natalie squeaked. "Not okay then. — Jamie Farrell

Jalal," she said, "I can explain."
"There's no need."
"I'm not - "
"I told you; there's no need." He spoke simply. "I trust you. — Renee Ahdieh

The peculiar idea that bigger is better has been around for at least as long as I have, and it's always bothered me. There is within it the implication that it is more difficult for God to care about a gnat than about a galaxy. Creation is just as visible in a grain of sand as in a skyful of stars.
The church is not immune from the bigger-is-better heresy. One woman told of going to a meeting where only a handful of people turned out, and these faithful few were scolded by the visiting preacher for the sparseness of the congregation. And she said indignantly, 'Our Lord said *feed* my sheep, not count them!' I often feel that I'm being counted, rather than fed, and so I am hungry. — Madeleine L'Engle

Daniel is asleep. A care assistant, a different one today is swishingaroundthe room with a mop that smells of pine cleaner.

Elisabeth wonders what's doing to happen to all the care assistants. She realizes she hasn't so far encountered a single care assistant here who isn't from somewhere else in the world. That morning on the radio she;d heard a spokesperson say, but it's not just that we;ve been rhetorically and practically encouraging the opposite of integration for immigrants to this country. It's that we've been rhetorically and practically encouraging ourselves not to integrate. We've been doing this as a matter of self-policing since Thatcher taught us to be selfish and not just to think but to believe that there's no such thing as society.

Then the other spokesperson in the dialogue said, well, you would say that. Get over it. Grow up. Your time's over. Democracy. You lost. — Ali Smith

It's funny about me,' Sophia said. 'I always feel like such a nice girl whenever there's a storm.'
"'You do?' Grandmother said. 'Well, maybe ...' Nice, she thought. No. I'm certainly not nice. The best you could say of me is that I'm interested. [pp. 150-151] — Tove Jansson

Emma's heart was pounding. She chanced a look up at Julian. For the briefest of moments he looked like someone who'd been staggering through the Mojave Desert, half-dead from the sun, and had seen a glimmer of water up ahead only to have it turn out to be a mirage. "Still no Mark?" Emma said hastily as Cristina reached them. Not that there was a real reason Cristina would know where Mark was; Emma just didn't want her looking at Julian. Not when he looked like that. — Cassandra Clare

Is there a reason you are here?" he finally demanded.
With complete nonchalance she replied, "Well,I've brought my trunks. I do believe I'm moving in."
"The hell you are!"
"Nice of you to welcome me in your usual boorish manner" was all she said to that.
A muscle ticked in his jaw. It made not a jot of difference that he'd just gone to Norford and back this morning to bring her here himself. That had been his idea.Her coming here on her own was her idea,and it make him suspicious.
"Don't start your manipulations already," he warned her. "Answer my question."
"Why am I still here? Shall we start with the obvious reason? Because I really am pregnant and once my pregnancy starts to show,I do not want to be in a position to have people ask me who my husband is and not believe me when I tell them that it's you."
"And the not-so-obvious answer?"
"Because you make me so furious that I spite myself to spite you! — Johanna Lindsey

Suddenly, she doesn't want to die. She has no real reason not to, no sudden revelation, except that it's equally pointless to die as not to die. Why doesn't she die? She lives because she's meant to live, because she's already alive and it's comparatively easy to stay that way. She lives because, even though she doesn't know what it is, there must be a reason why she's here in the first place. She lives because either she's not as brave as all the dead girls who've gone before her, or she's actually braver - it's hard to tell. — A.M. Homes

Yes! Yes. Thank you. I'm on my way right now, so I'll see you later, you know, like, in five minutes. And I'll just wait in the car - you can send them out so we don't take up any more of your time. So say hi to Clark for me, you know, since I might not get a chance to talk to you from the car. But thanks so much for watching the kids for me, and I'll see you later . . . in five."

There was a pause. Then Angela's voice piped up, as enthusiastic as ever.

"Okay, see you later in five!"

Oh great, Becky thought as she jogged back to her car. Now Angela would be using that phrase, convinced it was a real idiom. And it would be all Becky's fault. As if the poor lady didn't have enough communication problems as it was, what with the excessive exclaiming. — Shannon Hale

What could be more absurd? Yet it is nature's folly, not ours. When she set about her chief masterpiece, the making of man, she should have thought of one thing only. Instead, turning her head, looking over her shoulder, into each one of us she let creep instincts and desires which are utterly at variance with his main being, so that we are streaked, variegated, all of a mixture; the colours have run. Is the true self this which stands on the pavement in January, or that which bends over the balcony in June? Am I here, or am I there? Or is the true self neither this nor that, neither here nor there, but something so varied and wandering that it is only when we give the rein to its wishes and let it take its way unimpeded that we are indeed ourselves? — Virginia Woolf

Werewolves are not the subject of academe," she said, "but you know what the professors would be saying if they were. 'Monsters die out when the collective imagination no longer needs them. Species death like this is nothing more than a shift in the aggregate psychic agenda. In ages past the beast in man was hidden in the dark, disavowed. The transparency of modern history makes that impossible: We've seen ourselves in concentration camps, the gulags, the jungles, the killing fields, we've read ourselves in the annals of True Crime. Technology turned up the lights and now there's no getting away from the fact: The beast is redundant. It's been us all along. — Glen Duncan

It was then Jessica realized he wasn't using his left hand at all, and that he held the arm oddly, as though something were wrong with it. There shouldn't be except for a minor bullet wound. She'd aimed carefully, and she was an excellent markswoman. Not to mention he was a very large target.
He looked her way then, and caught her staring. Admiring your handiwork, are you? I daresay you'd like a better look. Regrettably, there's nothing to see. There's nothing wrong with it, according to the quacks. Except that it doesn't work. Still, I count myself fortunate, Miss Trent, that you didn't aim a ways lower. I'm merely disarmed, not dismanned. But I have no doubt that Herriard here will see to the emasculation. — Loretta Chase

That's the thing," Jo says. "You think you know what you're in for. I mean, you tell yourself that, of course, it's not going to be wine and roses and all of that bullshit for the rest of your life, but then, one day, you wake up, and your fucking husband has morphed into someone whom you barely recognize. And you sit there and you stare at him while he scratches his balls through his underwear at the kitchen table, and you think, 'This is totally not what I signed up for. I mean, who knows if I even love this ball-scratching, foul-breathed man?' And then you wonder if you love him more out of habit than out of anything else." She chews the inside of her lip and considers. "And I guess from there, all bets are off. — Allison Winn Scotch

Don't worry I won't embarrass you. I'm just going to check out his
friends. Maybe his grades and definitely his track record with the ladies."
"Jackson Ryan Taylor, I swear to whatever holy being there maybe that
I will personally rip you a ... "
"Whoa, calm down. She's violent," he whispered only for Danny. "Can't I
be concerned?"
"Yes, so long as you keep your mouth shut."
"What?"
"Not a word, Jack. I mean it."
"Moira ... "
"Not a word!"
I stormed out of the bathroom and that was the end of that
conversation — Kaitlin Scott

In the official police account, the plumber was shot and robbed on the street. Not true - guys stick together - the detective didn't want the victim's wife to know he was flagrante delicto with a prostitute when wounded. I didn't want her hurt or embarrassed either. She figured it out herself. I met her later, after their divorce, and she brought up the subject. The hospital returned her injured husband's garments. She was washing them when she realized that, although there were a number of bullet holes in his body, there were none in his clothes. — Edna Buchanan

She eyed him but said nothing. Why did he always have to pull out the truth?
"It's not like I haven't seen you pee before. Go ahead."
"Eww, you have not!"
"Yup, you were six and you had to go and there was no one else to take you."
Oh God ... she'd been so humiliated she must have blanked it from her memory. — Dee Tenorio

Dan's skin was beginning to lose color. "Oh, har-har. A library, right? Just to make me crazy. 'Cause there's no reason we would go to a library. Right? I mean, we don't need to research Peoria, do we?"
Amy began heading for the building. "Not Peoria. Something else."
"Not funny, Amy!" Dan called as she pushed open the heavy brass doors. "Amy...Amy? — Peter Lerangis