She And Him Song Quotes & Sayings

I do know," she continued, "finches sing to us from March to October." Leaning forward, her eyes picked up the lantern's flame. "You should see them when they go a-wooing." "A-wooing?" "Yes. The male springs into the air singing to his ladylove while going higher and higher." Clasping her hands, she pressed them against her chest. "That's when his song reaches its highest ecstasy. Why, I've seen him go fifteen - no, twenty feet above his mate before dropping exhausted at her side." Raising a brow, he lowered his voice. "And did he get what he was going after?" She gave a soft smile. "He certainly did, Mr. Palmer. He most certainly did. — Deeanne Gist

She played with her eyes closed. He closed his own eyes, joining her in the darkness. She had said the song depicted a battle, but nothing of the sort came to mind, no lofty images of horses and banners waving or battalions clashing over hills. Only darkness and a pure sound that filled him, creeping into spaces he hadn't known were empty. — Jeannie Lin

They tell the story of a man who's drowning in his love for a woman. Drowning, but he can still breathe fine. The woman's flawed, but to him, she's perfect. She makes his head spin. She's distracting and inspiring. And he's so enamored with her that every part of him loves for every part of her. It's a song about being open, about having no barriers. About loving with "all of me" and asking for "all of you" in return. — Laurelin Paige

The only person in my head is me.
Tibe is not the same. The crown has changed him, as you feared it would.
The fire is in him, the fire that will burn all the world.
And it is in your son, in the prince who will never change his blood and will never sit a throne.
The only person in my head is me.
The only person who has not changed is you. You are still the little girl in a dusty room, forgotten, unwanted, out of place. You are the queen of everything, mother to a beautiful son, wife to a king who loves you, and still you cannot find it in yourself to smile.
Still you make nothing.
Still you are empty.
The only person in your head is you.
And she is no one of any importance.
She is nothing — Victoria Aveyard

Sabine stood up, satisfied that her friends were safe and content. When she moved, Calla lifted her head. Her eyes focused in Sabine's direction. Despite the distance between them, Sabine Could have sworn Calla was looking right at her.
The white wolf's ears flicked back and forth. She lifted her muzzle and howled. The sound filled Sabine with a mixture of sweetness and sorrow. The other wolves joined the song, their familiar voices blending in the winter air. Sabine watched them from another minute, then she turned and walked back to Ethan.
"Everything okay?" he asked.
She handed him the binoculars.
"They're happy. So I'm happy." ... She turned, listening to the song carried on the stiff winter breeze. Nev's voice rose about the other wolves' as the chorus of howls wove through the air. Sabine wondered if somehow they knew she was here, and if they might be saying good-bye or if they were asking her to stay. — Andrea Cremer

She reminds him of every good day he's ever had. Every summer spent in fields of grass. Every sunrise. Every sunset. She tastes like dew and smells like light. And when she speaks, it's like someone slowly plucking the strings of a guitar, a sadly beautiful song starting to play, all his own. And he loves her. — Pleasefindthis

She would talk to him in the car, ask him something, then turn on the radio and find her question answered by the lyrics of a song; pick up a book and turn to a random page, to find the words that were exactly what she needed to hear. There is no such thing as coincidence, she would think, blowing a kiss of thanks to the heavens. — Jane Green

And even as she holds on to him, like she's drowning, she can feel the familiar anger returning, like an old song that you've heard so many times it's not even a song anymore, just a wasted pathway in your brain that you can never reclaim. — Jonathan Tropper

The boys still sang their horrible song about Linda. Sometimes, too, they laughed at him for being so ragged. When he tore his clothes, Linda did not know how to mend them. In the Other Place, she told him, people threw away clothes with holes in them and got new ones. "Rags, rags!" the boys used to shout at him. "But I can read," he said to himself, "and they can't. They don't even know what reading is." It was fairly easy, if he thought hard enough about the reading, to pretend that he didn't mind when they made fun of him. He asked Linda to give him the book again.
The more the boys pointed and sang, the harder he read. — Aldous Huxley

He's not my lover," Isolfr said.
She raised an eyebrow, a long feathery, shaggy sweep. "You're his beloved. Both of them. I saw enough on the war-trail to know." Then she laughed, and took her hand off his and pushed his chest like a wolf-cub nudging playfully. "We don't get to pick who loves us, you know. And better to get him to write the song than be remembered forever as 'fair Isolfr, the cold.'"
He scrubbed a hand across his face, roughness of beard and scars and the smooth skin of the unmarked cheek. "Is that really what they call me?"
She smiled. "You frighten them, Viradechtisbrother. You went down under the mountain and came out again, twice, and the alfar call you friend. They'll have you among the heroes before you know it. And you can seem quite untouchable - 'ice-eyes, and ice-heart, and ice-hard, his will.'"
"Othinn help me. It is a song already. — Sarah Monette

Sarah turned her narrow-eyed gaze on him, making me glad once more that Antimony's comic books got it wrong, and telepaths can't actually kill you with their brains. Give you a whopping headache and earworm you with annoying jingles, yes; kill you, no. (Although sometimes, when she's managed to stick "The Happy Banana Song" in my head for a week, I sort of wish she could kill people with her brain. It would be kinder.) — Seanan McGuire

Gallimard: It's ... a pure sacrifice. He's unworthy, but what can she do? She loves him ... so much. It's a very beautiful story.
Song: Well, yes, to a Westerner.
Gallimard: Exuse me?
Song: It's one of your favotite fantasies, isn't it? The submissive Oriental woman and the cruel white man. — David Henry Hwang

Oh, I can see that," Catelyn said. "Lord Tully is fond of song, I hear. No doubt you've been to Riverrun."
"A hundred times," Marillion the singer said airily. "They keep a chamber for me, and the young lord is like a brother."
Catelyn smiled, wondering what Edmure would think of that. Another singer had once bedded a girl her brother fancied; he had hated the breed ever since. "And Winterfell?" she asked him. "Have you traveled north?"
"Why would I?" Marillion asked. "It's all blizzards and bearskins up there, and the Starks know no music but the howling of wolves." Distantly, she was aware of the door banging open at the far end of the room. — George R R Martin

She kissed him, her body molding to his, and in his mind her beautiful voice rose in song just for him. The notes skipped from his mind to the sky, silver and gold notes of joy and happiness, of courage and admiration. She sang of love between two people, sacred and beautiful. She sang of peace and happiness. Her hands moved over him possessively, lovingly, checking his body for wounds. Her warrior was home. Whatever — Christine Feehan

The blue whale was so magnificent and her song so beautiful, that Becca's heart swelled. She felt Marco's hand tighten on hers and knew he felt the same way. She turned to him, but Marco wasn't looking at the whale anymore, he was looking at her. He was still holding her hand and was floating close to her now. — Jennifer Donnelly

Graceful. Lean. Coordinated as she whirls, though how she knows what dancing is, [her grandfather] could never guess.

The song plays on. He lets it go too long. The antenna is still up, probably dimly visible against the sky, the whole attic might as well shine like a beacon. But in the candlelight, in the sweet rush of a concerto, Marie-Laure bites her lower lip, and her face gives off a secondary glow, reminding him of the marshes beyond the town walls, in those winter dusks when the sun has set but isn't fully swallowed, and big patches of red pools of light burn - places he used to go with his brother, in what seems like lifetimes ago. — Anthony Doerr

With scarcely a moment's respite, they began to play a very different sort of song. No one sang the words, but Catelyn knew "The Rains of Castamere" when she heard it. Edwyn was hurrying toward a door. She hurried faster, driven by the music. Six quick strides and she caught him. And who are you, the proud lord said, that I must bow so low? — George R R Martin

So many people had tried for Blake, but so many had failed. All it takes is one to be the glue. It's going to be me. Livia moved quietly to straddle him. She put her hands on his scruffy cheeks. "I know all that you are. You almost don't belong here, your soul's so pure." Livia put a hand on his chest. "You're perfect to me. You're chivalrous to me. I adore your manners. You can't disappoint me. It's not possible." Livia leaned in and kissed him sweetly. See? See how much I can fix?
Blake became absorbed by her hair, grabbing handfuls of it. He pulled her to his chest, combing it out with his fingers as he hummed a soothing song in her ear. The liquid velvet of his voice lifted her into dreams. — Debra Anastasia

He turned the crank handles, hoping the thing wouldn't explode in his face. A few clear tones rang out-metallic yet warm. Leo manipulated the levers and gears. He recognized the song that sprang forth-the same wistful melody Calypso sang for him on Ogygia about homesickness and longing. But through the strings of the brass cone, the tune sounded even sadder, like a machine with a broken heart-the way Festus might sound if he could sing.
Leo forgot Apollo was there. He played the song all the way through. When he was done, his eyes stung. He could almost smell the fresh-baked bread from Calypso's kitchen. He could taste the only kiss she'd ever given him. — Rick Riordan

Demon pox, oh demon pox
Just how is it acquired?
One must go down to the bad part of town
Until one is very tired.
Demon pox, oh demon pox, I had it all along
Not the pox, you foolish blocks,
I mean this very song
For I was right, and you were wrong!"
"Will!" Charlotte shouted over the noise, "Have you LOST YOUR MIND? CEASE THAT INFERNAL RACKET! Jem - "
Jem, rising to his feet, clapped his hands over Will's mouth. "Do you promise to be quiet?" he hissed into his friend's ear.
Will nodded, blue eyes blazing. Tessa was staring at him in amazement; they all were. She had seen Will many things - amused, bitter, condescending, angry, pitying - but never giddy before.
Jem let him go. "All right, then."
Will slid to the floor, his back against the armchair, and threw up his arms. "A demon pox on all your houses!" he announced, and yawned.
"Oh, God, weeks of pox jokes," said Jem. "We're in for it now. — Cassandra Clare

Shhh, Eena, it's going to be okay. I promise, you'll get through this.
She didn't fight him, but grabbed onto his shirt, weeping softly into it as before. He began to hum faintly, a familiar Earth tune. Soon he was singing the words in that deep, consoling voice of his. The song itself was meant to be comforting, and his tender manner made it that much more effectual.
Eena recognized the song. She fell asleep to the soothing lyrics.
Abide with me fast falls the eventide.
The darkness deepens. Lord with me abide.
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.
He went on to sing the other verses, hoping to ease her broken heart. Until her grief finally healed, no matter how long it took, he'd be there for her. — Richelle E. Goodrich

His hand took hold of hers, and as she said something low in his ear he turned toward her with a rush of emotion. I think that voice held him most, with its fluctuating, feverish warmth, because it couldn't be over-dreamed - that voice was a deathless song. — F Scott Fitzgerald

She could not bear to look at him just now. If she did, she might well slap him again. Or cry. Or kiss him. And never know which was right and which was wrong and which was madness. — George R R Martin

My thoughts drifted to Abby and everything she would miss. No more opening packages of salad mix because she couldn't cook worth a damn. She wouldn't flail her limbs to music and call it dancing again. She wouldn't make me cringe when she tried to hit the high note of a song.
Never again would she hold my brother, kiss him, and tell him how much she loved him. Never again would he find joy in a sunrise because it would only remind him of her smile. She would never marry Alexander and they would never have children to share their love with. Her future was stolen from her, without remorse. My family and all I loved were in that room, being ripped away from me. — Ashlan Thomas

Okay," she said as he lit the candle and hummed the birthday song. "You know,this is all very Jake Ryan of you."
"Who's Jake Ryan?"
"The hottie from Sixteen Candles - the best teenage movie ever made. The last scene looks just like this," she said, looking around the room.
"All right, well, don't you go wishing for him when you blow out the candle."
"I love you,Jace. You're the only thing I want. — Phoebe Lane

Worse, in the video for it (which is also played everywhere constantly), Boris is singing to a girl who is dying in a hospital bed, and Boris is telling her (lyrically) that he'll give her a million stars (plus his love) if she'll find the strength within herself to not die, and love him forever.
Of course the girl is so moved by this hot rocker dude's amazing song that she doesn't die. Because it is a medical fact that people with fatal diseases only need a hot rocker dude to sit on the edge of their hospital bed and sing them a rock ballad in order to give them the strength to go on living. — Meg Cabot

I wrote 'She's a Lady' on the back of a TWA menu, flying back from London after doing Tom Jones's TV show. Jones's manager wanted me to write him a song. If I have an idea and I don't have a pad of paper, I'll write on whatever is available. What's the difference? Paper is paper. — Paul Anka

He closed his eyes as she put her hand on his shoulder, and in that instant, nothing else mattered. Not the song, not the place, not the other couples around him. Only this, only her. He gave himself over to the feel of her body as it pressed against him, and they moved slowly in small circles on the sawdust-strewn floor, lost in a world that felt as though it had been created for just the two of them. — Nicholas Sparks

Megga couldn't sing, but she was mad to be kissed. She and Alla played a kissing game sometimes, she confessed, but it wasn't the same as kissing a man, much less a king. Sansa wondered what Megga would think about kissing the Hound, as she had. He'd come to her the night of the battle stinking of wine and blood. He kissed me and threatened to kill me, and made me sing him a song. — George R R Martin

"GG BE." I expressed how a guy's love for his woman is dying out because he is tired of how she lies to him all the time. And the woman in the song is waiting for me to break up with her. You know how some people prefer to get dumped than do the dumping, right? I expressed all this, which could happen to anyone, in a Seungri-like way. — Seungri

[T]wo of you can be no match for the three giants, I will find you, if I can, a third brother, who will take on himself the third share of the fight, and the preparation ... I will show him to you in a glass, and, when he comes, you will know him at once. If he will share your endeavors, you must teach him all you know, and he will repay you well, in present song, and in future deeds.'
She opened the door of a curious old cabinet that stood in the room. On the inside of this door was an oval convex mirror ... we at length saw reflected the place where we stood, and the old dame seated in her chair ... at the feet of the dame lay a young man ... weeping.
'Surely this youth will not serve our ends,' said I, 'for he weeps.'
The old woman smiled. 'Past tears are present strength,'said she. — George MacDonald

After a moment, Amelia heard Rick humming as he marched down the ramp. It was a familiar tune. She raised a curious brow as she listened to him and then it dawned on her.
"Singing in the Rain!" she exclaimed. "How do you know that song?"
He glanced over his shoulder and smiled. "I had sisters. Remember?" And with that statement, he burst into song: "I'm singing in the rain, just singing in the rain. What a glorious feeling'! I'm happy again. — Linda Weaver Clarke

Figuring I might entertain myself with heckling, I walked to the bar. I never made it through the door. Instead, I leaned against the doorway, crossed my arms, and enjoyed the spectacle of Raven, Bailey, and Sawyer singing horribly along with Steve Perry.
The three blondes sang their talentless hearts out with Sawyer on a stool in the middle. Bailey wasn't singing as much as yelling to the music. Sawyer was talking the song. Raven though was really trying to sound good. Unfortunately, her sexy voice didn't translate well into song.
The few people in the bar clapped when the song ended. Mainly because Bailey and Raven were hot.
Sawyer ran to the bar and ordered a beer. The bartender nodded and gave her a big glass of root beer. She winked at him and told Bailey to pay the man. The kid was going to rule the world one day. — Bijou Hunter

Sure, occasionally a certain sappy song or romantic movie would come on, and you'd wonder what he or she was up to, but there was no way to know. Of course, you could always pick up the phone (and more recently, text or e-mail), but that would require that person's knowing you were thinking of him or her. Where's the fun in that? You never want them to know you're thinking of them, so you refrain. Before long the memories start to fade. One day, you realize you can't quite remember how she smelled or the exact color of his eyes. Eventually, without ever knowing it, you just forget that person altogether. You replace old memories with new ones, and life goes on. It was the clean break you needed to move forward. — Brandi Glanville

soon as he finished up here, he intended to ride out and pick a big bundle of those purple flowers, tie their stems together with a length of yellow ribbon he'd purchased a month ago because the color had reminded him of Sadie's shining hair, and he'd hand 'em right over in front of everybody tonight when she finished her final song. His heart set up a double beat just thinking about how she'd blush pink and give him her special smile. Then, while she was smiling and feeling appreciative, he'd take her aside and set her straight on how he felt about her and how much her paying attention to the sheriff hurt him. He and Sadie had a relationship years in the making. She'd only known the sheriff a few weeks. She'd pick him over McKane. He just knew it. — Kim Vogel Sawyer

Lying on her side, the warm fire at her feet, Helen's laughter died away as Lucas suddenly went from tuning to playing.
It was like an orchestra in an instrument.
He played with both hands-not one hand picking and the other holding down strings-but with both hands so that it sounded like more than one guitar was playing. Sometimes he hit the strings to make them hum like a harp, and sometimes he hit the body of the guitar like a drum to add bass and keep time. It was the most fascinating thing Helen had ever watched, like Lucas had a dozen voices in his head, all singing the same song, and he'd figured a way to make them come out of ten fingers.
Helen looked at his face and could tell why he loved it. It was like thinking for him, only this was a puzzle that he could share with her as he solved it.
He'd walked into her head when he'd come to her world. And she'd walked into his when she finally heard him play.
It was heaven. — Josephine Angelini

They had met at a club fifteen years before, Etta and Magnus. He had convinced her to dance with him, and she said she had been in love by the end of the song. He told her he had been in love before the beginning. — Cassandra Clare

He would move on. Because he would not be like the ancient kings in the song and keep her for himself. She deserved a loyal, brave knight who saw her for what she was and did not fear her. And he deserved someone who would look at him like that, even if the love wouldn't be the same, even if the girl wouldn't be her.
So Dorian closed his eyes, and took another long breath. And when he opened his eyes, he let her go. — Sarah J. Maas

She had not understood what it had been like for him to live his entire life underground, chained and beaten and crippled - until then. Until she heard that noise of undiluted, unyielding joy.
Until she echoed it, tipping her head back to the clouds around them.
They sailed over a sea of clouds, and Abraxos dipped his claws in them before tilting to race up a wind-carved column of cloud. Higher and higher, until they reached its peak and he flung out his wings in the freezing, thin sky, stopping the world entirely for a heartbeat.
And Manon, because no one was watching, because she did not care, flung out her arms as well and savored the freefall, the wind now a song in her ears, in her shriveled heart. — Sarah J. Maas

It's the song of a man trying to forget a woman, but then he realizes it's impossible, that not being with her is harmful and he dies of despair, not knowing whether she still wants to be with him. — Amanda Laneley

We were talking about the prince,' Sansa said, her voice soft as a kiss.
Arya knew which prince she meant: Joffrey, of course. The tall, handsome one. Sansa got to sit with him at the feast. Arya had to sit with the little fat one. Naturally. — George R R Martin

His shadow slipped over hers again, and she could almost feel his eyes studying her. "You're different," his voice whispered. "I can't decide if that's a good thing."
'It is', she transmitted, surprised at how much she wanted him to believe her.
He walked away without another word. — Shannon Messenger

Her tongue touched his, hesitant, almost shy. It was enough. Enough to bring their past, their passion, their desire, rushing back to him. He groaned, low and unabashed, and plunged his tongue deeper into her mouth, his hands snaking around her waist to snare her shirt in two tight fistfuls. She whimpered in reply, the sound pushing him over the edge.
With another groan - this one far more aggressive - he yanked her to his body, taking utter possession of her mouth as his hands roamed her back. She fit to his frame with perfection, firm and soft and lush. Nothing had changed. Her body against his ignited a primitive need in him he'd never been able to vocalize, not in song or word, no matter how many times he'd tried. It sparked a want beyond the physical. — Lexxie Couper

Without realizing what she was doing and more on an impulse than anything else, she leaned forward and kissed him. It was a simple, yet firm kiss and she pulled back after only a moment. But it sent a thrill through her.
He leaned down for another. But she put her finger on his lips to stop him.
"That was my reward to you," she said as they danced. "Don't squander it."
"Reward? he asked still seeming both surprised and delighted at this unexpected attention. "What for?"
"Why for living, Vaelros. And for doing so much else to help me. I will have you rewarded in state as well. But that was just from me."
She saw Vaelros flush and she gave him a brilliant smile. "You don't like my reward?" she asked.
"I do!" he replied. "I want only to learn how to earn more."
The music was fading. The song was ending. Luthiel stepped back and let her hands drop.
"A mysterious thing, my heart," she said. — Robert Fanney

I want to be a cowboy."
"You what?" She laughs and turns to look at him.
He runs his hand across the dash board. "This could be my steel horse. And look at me? I could rock a cowboy hat."
"This song's not about an actual cowboy. It's about touring with the band."
"It's open to interpretation. — Cheryl McIntyre

She felt the snake between her breasts, felt him there, and loved him there, coiled, the deep tumescent S held rigid, ready to strike. She loved the way the snake looked sewn onto her V-neck letter sweater, his hard diamondback pattern shining in the sun. It was unseasonably hot, almost sixty degrees, for early November in Mystic, Georgia, and she could smell the light musk of her own sweat. She liked the sweat, liked the way it felt, slick as oil, in all the joints of her body, her bones, in the firm sliding muscles, tensed and locked now, ready to spring
to strike
when the band behind her fired up the school song: "Fight On Deadly Rattlers of Old Mystic High."
Harry Crews- A Feast of Snakes — Harry Crews

Herlia, goddess of justice, weeping as she passes her first judgement (...) She fell in love with a mortal man, but his passion for her drove him to commit a terrible crime and so she judged him, consigning him to the depths of the earth, chained to a rock, where his flesh is eternally eaten by vermin (...) Indeed, he stole a magic sword and with it slew a god, thinking him a rival for her affections. In fact he was her brother, Ixtus, god of dreams. now, whenever we suffer nightmares it is the shade of the fallen god taking his revenge on mortal kind. — Anthony Ryan

If Ig hated Merrin now, it was only because he had discovered she was a real person, with failings and needs and desire to live in the world, not in Ig's daydreams. That she loved him enough to let him go, and he had to be willing to do the same, that if you loved someone, you could set them free, and - fuck, that was a Sting song. — Joe Hill

I love you," she whispered against his chest.
He hugged her tighter, and then drew in a deep breath. "And Iiiiiiiiiii-ee-iiii will always love yoooooooou," he sang, or rather butchered, the old Whitney Houston song.
Impossibly, Emilie burst out laughing. "Oh, God, that's horrible Derek." She pushed out of his arms, grasped one of the pillows from the edge of the bed, and planted it over his head. He continued to warble from under the cotton, and Emilie couldn't stop laughing.
Their playfulness quickly escalated into a pillow fight, and then a wrestling match, and of course she ended up underneath him.
Win-win in her book. — Laura Kaye

She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still bait. When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Then after that some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks made them hunt for one another, but the mud is deaf and dumb. Like all the other tumbling mud-balls, Janie had tried to show her shine. — Zora Neale Hurston

Bran knew. "She's a child. A child of the forest." He shivered, as much from wonderment as cold. They had fallen into one of Old Nan's tales.
"The First Men named us children," the little woman said. "The giants called us wok dak nag gran, the squirrel people, because we were small and quick and fond of trees, but we are no squirrels, no children. Our name in the True Tongue means those who sing the song of the earth. Before your Old Tongue was ever spoken, we had sun our songs ten thousand years."
Meera said, "You speak the Common Tongue now."
"For him. The Bran boy. I was born in the time of the dragon, and for two hundred years I walked the world of men, to watch and listen and learn. I might be walking still, but my legs were sore and my heart was weary, so I turned my feet for home."
"Two hundred years?" said Meera.
The child smiled. "Men, they are the children. — George R R Martin

He scraped through the dark sand to the center house, two stories, both pouring bands of light into the fog. There was warmth and gaiety within, through the downstairs window he could see young people gathered around a piano, their singing mocking the forces abroad on this cruel night. She was there, proptected by happiness and song and the good. He was separated from her only by a sand yard and a dark fence, by a lighted window and by her protectors.
He stood there until he was trembling with pity and rage. Then he fled, but his flight was slow as the flight in a dream, impeded by the deep sand and the blurring hands of the fog. He fled from the goodness of that home, and his hatred for Laurel throttled his brain. If she had come back to him, he would not be shut out, an outcast in a strange, cold world. — Dorothy B. Hughes

His desperation and misery swept her up like a storm capturing the sea. She turned her mind to even these feelings, because they were his, like his terrified rage in the lift when they had first met, being wrapped in his arms in the cold well, being dazzled by his wonder at the woods and her home and her. Like being a child, awareness of him the morning chorus that woke her and the lullaby that sent her to sleep, his thoughts always her first and last song.
I love you, Kami told him, and cut. — Sarah Rees Brennan

Beckett, where's Eve?"
When he had her pressed to his chest, she tried again. "Are you going to tell me or what?"
Beckett sighed and looked into her face. "I left her, babycakes. She needs wings, not handcuffs."
He held Livia tighter, like she was a teddy bear.
She stopped moving her feet and hugged him around the neck. "You're not handcuffs. Don't you know that? She loves you. She does, I've seen it."
Beckett resumed dancing, dipping her again. "Look around, Whitebread. She's not here. She didn't try to stop me from coming. Her heart belongs to a dead man and a dream. I'm neither of those things." Beckett released her and clapped for the end of the song. He reached in his pocket and produced a crumpled envelope. "Here's my gift to you guys. I'm sure Blake won't want to accept it, but I'm hoping you'll convince him. For me. — Debra Anastasia

She had changed him. The ice was in his eyes and in his heart, like he had predicted with that song, but now they were deep embedded there, all the pain of the world. Not pain to make you feel for somebody else but pain to make you stop feeling. — Francesca Lia Block

Eventually, decades later, when the king was dying, the queen gently ushered everybody out into the corridor, closed the door to the royal bedchamber, and got into bed with her husband. She started singing to him. They laughed. He was short of breath, but he could still laugh. They asked each other, Is this silly? Is this ... pretentious? But they both knew that everything there was to say had been said already, over and over, across the years. And so the king, relieved, released, free to be silly, asked her to sing him a song from his childhood. He didn't need to be regal anymore, he didn't need to seem commanding or dignified, not with her. They were, in their way, dying together, and they both knew it. It wasn't happening only to him. So she started singing. They shared one last laugh - they agreed that the cat had a better voice than she did. Still, she sang him out of the world. — Michael Cunningham

Following the road down to Maienfeld, she said to herself, "If only I can meet the Spring, how happy I shall be."
Today, she thought of the Spring as a gay messenger boy and smilingly she imagined him "in a beautiful apple green suit with daisies studding his shoes" as it says in the song. — Charles Tritten

She greeted him with a smile, holding her hand out for him to kiss (...) Nevertheless he went to one knee and pressed his lips against her knuckles. Her flesh was warmer than he'd expected and he angered himself for enjoying the sensation. — Anthony Ryan

He had been to see Mrs. Erlich just before starting home for the holidays, and found her making German Christmas cakes. She took him into the kitchen and explained the almost holy traditions that governed this complicated cookery. Her excitement and seriousness as she beat and stirred were very pretty, Claude thought. She told off on her fingers the many ingredients, but he believed there were things she did not name: the fragrance of old friendships, the glow of early memories, belief in wonder-working rhymes and songs. — Willa Cather

Toward the end, a band that had a young fellow from Philadelphia, Pennsylvania - I remember on account of him saying it two or three times and laughing every time that he did - played a song called 'All She Gets from the Iceman is Ice.' It made the grown folks, most of them anyway, howl laughing. I don't think I ever seen Mama laugh so hard. When it was about over, the sheriff come up and made them stop playing it, but he was grinning, too, so I figured he was just making them stop as part of the show. — Eddie Whitlock

Was he shiny and bright and something sucked it out of him? Cecilia thought. But stars are a load of fire, maybe his were flamed out, but could they burn out again? After Cecilia drew him and his empty eyes, she wanted to write those words down, it felt like song lyrics. And she did. Making it in bold letters. — Basma Salem

I'm reading,' said Bruno. 'What are you reading?' she asked him, and rather than answer he simply turned the cover towards her so she could see for herself. She made a raspberry sound through her lips and some of her spit landed on Bruno's face. 'Boring,' she said in a sing-song voice. 'It's not boring at all,' said Bruno. 'It's an adventure. It's better than dolls, that's for sure.' Gretel didn't rise to the bait on that one. 'What are you doing?' she repeated, irritating Bruno even further. 'I told you, I'm trying to read,' he said in a grumpy voice. 'If some people would just let me.' 'I've got nothing to do,' she replied. 'I hate the rain.' Bruno found this hard to understand. It wasn't as if she ever did anything anyway, unlike him, who had adventures and — John Boyne

Pale eyes, and a pointy nose. A gingham bonnet covered her hair. "Hello," she said to Cora. Both the man and the woman crouched low, their faces level with hers. Cora could not cough or pretend to be slow: one of the agents was right there, watching. The man asked her name, and she told him. He asked her age, and she said she didn't know, but that she'd just lost her first tooth. Both the man and the woman laughed as if Cora had said something terribly funny, as if she were one of the children singing the Jesus song, trying hard to be cute. She gave them a hard look, but they continued to smile. The man looked at the woman. The — Laura Moriarty

You were dancing with Yuki and I looked at you. And you turned away and held her closer. Why did you do that? If you didn't want to hurt me, then why?"
He looked away, as though he'd been slapped, but he didn't look guilty. He looked pained. "I closed my eyes," he said, his voice so low and strangled she could hardly hear him.
"What?" she asked, not understanding.
"Tamani held up a hand and Laurel realized he hadn't finished-he was having trouble speaking at all. "I closed my eyes," he repeated after a few shallow breaths, "and imagined she was you."He looked at her, his face open, his eyes honest, his voice a song of anguish. — Aprilynne Pike

And one day Amber takes her troll's dinner down to the cave and finds him - " Rock waved his hands in vague yet thoroughly descriptive motions " - with another lady troll. So she go home and get her club and come back and beat him to death, thump, thump, thump. 'Cos he was her troll and he done her wrong. Is very romantic song. — Terry Pratchett

his survival was threatened day by day. Minute by minute. It was impossible to picture a spoiled, beautiful man like Christopher Phelan contending with danger and hardship. Hunger. Loneliness. Beatrix stared at her friend pensively, their gazes meeting in the looking glass. "What is your favorite song, Pru?" "I don't have one, actually. Tell him yours." "Should we discuss this with Audrey?" Beatrix asked, referring to Phelan's sister-in-law. "Certainly not. Audrey has a problem with honesty. She wouldn't send the letter if she knew I hadn't written it." Beatrix made a sound that could have either been a laugh or a groan. — Lisa Kleypas

Worship gatherings are not always spectacular, but they are always supernatural. And if a church looks for or works for the spectacular, she may miss the supernatural. If a person enters a gathering to be wowed with something impressive, with a style that fits him just right, with an order of service and song selection designed just the right way, that person may miss the supernatural presence of God. Worship is supernatural whenever people come hungry to respond, react, and receive from God for who He is and what He has done. A church worshipping as a Creature of the Word doesn't show up to perform or be entertained; she comes desperate and needy, thirsty for grace, receiving from the Lord and the body of Christ, and then gratefully receiving what she needs as she offers her praise-the only proper response to the God who saves us. — Matt Chandler

Talk show host Charlie Rose asked folk rocker Neil Young about following his own muse. "So if you get an idea at, say, a dinner party, if you hear a tune or a lyric, do you excuse yourself from the party?" Charlie inquired. "Of course. You never know when she'll [the muse] come again. I'm responsible to her." Sometimes, Neil would hide out in a bathroom to scratch out a song that was coming to him and return to his dinner guests after he felt he'd captured it. When you feel an idea comin' on, excuse yourself. Pull over to the side of the road. Get lost in the creative flow. Be late. Barge in. — Danielle LaPorte

And if, to live for another is sweet, if it is lovely for a woman to live for a paralyzed husband, and if there is a song forever on her lips because she is all in all to him, what must it be when you are all in all for Jesus? Wherefore I beseech you, by the mercies of God, that ye present your bodies a living sacrifice
not a dead, but a living sacrifice-holy, acceptable unto God; and be transformed by the renewing of your mind, that ye may know what is that good and acceptable and perfect will of God. How — F.B. Meyer

A cloud began to cover the sun slowly, wholly, shadowing the bay in deeper green. It lay beneath him, a bowl of bitter waters. Fergus' song : I sang it alone in the house, holding down the long dark chords. her door was open : she wanted to hear my music. silent with aw and pity i went to her bedside. she was crying in her wretched bed for these words, Stephen : love's bitter mystery. — James Joyce

Moonlight streamed in, sending loving beams over his face. He closed his eyes and basked in it, and I could tell it was calling to him, even though the moon was not full. She didn't speak to me, but Samuel had once described her song to me in the words of a poet. The expression of bliss on his face while he listened to her music made him beautiful. — Patricia Briggs

I don't know what justice is," she said.
"That's because it isn't the sort of thing you discover. It's a thing you make." She looked at him, and he shrugged. "There are things you find out in the world. Rocks and streams and trees. And there are things you make. Like a house, or a song. It's not that houses and songs aren't real, but you don't just find them in a field someplace and haul them back home with you. They have to be worked at. Made. — Daniel Abraham

A wife who lets herself go and is not sexually available to her husband in the ways that the Song of Songs is so frank about is not responsible for her husband's sin, but she may not be helping him either. — Mark Driscoll

My debut single "Pointless Relationship" is about a girl's view of where the relationship is going with her partner and it sounds like a negative term. But the song is more of an empowering song from a woman's perspective! It's the life of them together and it's just never going to go where it should go, and so she's saying to him this is a pointless relationship. — Tammin Sursok

Alexander and Tatiana danced to their wedding song, unable this once to hide their intimacy from prying, idly curious eyes; their hands entwined, their bodies pressed together, they waltzed by the banks of the Kama in their Lazarevo clearing under the crimson moon, an officer in his Red Army uniform, a peasant girl in her wedding dress - her white dress with red roses - and when Tatiana lifted her glistening eyes to him, Alexander was looking down at her with his I'll-get-on-the-busfor-you-anytime face. She couldn't believe it - he bent his head and kissed her, openly and deeply, as they continued to swirl away the minutes of someone else's wedding. — Paullina Simons

You float like a feather," sings Radiohead, "In a beautiful world." I've listened several times to the Radiohead songs, because it was nice of Raymond to say he heard a bit of them in what I sang. I'm not sure I hear it myself, but I am pleased and touched. Sometimes that's what you need, just a quick casual word of knowledgeable encouragement. Radiohead reminds me a little of the songs in Garden State soundtrack. Now, that's a soundtrack. They were all songs that Zach Braff liked, so he put them in his movie. And there's that beautiful moment near the beginning where Natalie Portman hands him the headphones and she watches him listen to the song and she smiles her huge, innocent Natalie Portman smile. — Nicholson Baker

There's only one of him, she thought, and he's right here.
He knows I'll like a song before I've heard it. He laughs before I even get to the punch line. There's a place on his chest, just below his throat, that makes me want to let him open doors for me.
There's only one of him. — Rainbow Rowell

When she asked him to play a song while she finished, he had to strum chords for a while and pretend to be tuning up until he settled down. He didn't want her to see how unsettled he'd been by the whole thing. How unsettled he still was. He had thought he was the fisherman, but he saw now - She had pronged him, with a single stroke, pronged him through the heart and he was caught. Just like with Melody, caught. But this wasn't Melody, Dicey wasn't. And besides, he didn't feel pronged, he felt - overwhelmed, out of breath, breathless. — Cynthia Voigt

She came naked behind him as the soft melancholy yearning of the song filled the dark. Her hand stroked his hair, gathered it tight at the nape of his neck. She swayed, and he felt her press against his back, her breasts soft now, yielding and warm through his shirt, her breath tickling his ear. Her hand rested on his shoulder briefly, then slid down inside his shirt, fingers cool on his chest. He could feel the warm hard metal of her ring on his skin, and felt a surge of possession that pulsed through him like a gulp of whisky, a heat suffusing his flesh. He ached to turn and take hold of her, but pushed the urge down, heightening anticipation. He bent his head closer to the strings, and sang until all thought left him and there was nothing left but his body and hers. He could not have said when her hand closed over his on the frets, and he rose and turned to her, still filled with the music and his love, soft and strong and pure in the dark. — Diana Gabaldon

Rafe had sat back in his chair so his face was in the shadow, but she knew he
was watching her through half-closed eyes. When he leaned forward,
the fire from the candles flickered, throwing shadows on the planes
of his face. She could see his eyes clearly now, and their steady focus
was causing her insides to stir. There was romance in the still air; the
rhythm of dripping water from the fountain behind him, the velvet
sky studded with stars, the balmy perfumes of the night, all combined
to accompany the endless song that had begun in her heart again as
she watched him, enthralled. — Hannah Fielding

You told me men don't do this."
"Do what?"
She walked around the counter, speaking animatedly. "Two years ago. We were at Firelight, having drinks. Cade and I had split up and you said that men don't mope around after a breakup. You said that men avoid issues, get drunk, and pick up a new girl to forget the old one - but that you don't brood."
Ford held out his hands in disbelief. "How do you remember that? And I'm not brooding."
She folded her arms across her chest and looked at him.
"I know you're my friend," he said. "But please, for once, can you just act like you have a penis?
Because I don't want to talk about this."
She shrugged. "Fine. We'll just sit here and listen to music." She reached for his phone again.
"Have you heard Taylor Swift's new song?"
"No."
"Well, you're going to - on endless repeat until you start talking. — Julie James

Ben had never seen his mother cry before, and it startled him, so he didn't ask again. Right afterward she'd put on her favorite record and played a mysterious song called "Space Oddity," about an astronaut named Major Tom who gets lost in space. She used to listen to the song over and over again. With her eyes closed, she'd place the palm of her hand against the fabric of the speaker, so she could feel it vibrate against her skin. — Brian Selznick