Sharp And Stone Quotes & Sayings

The work of the painter, the poet or the musician, like the myths and symbols of the savage, ought to be seen by us, if not as a superior form of knowledge, at least as the most fundamental and the only one really common to us all; scientific thought is merely the sharp point more penetrating because it has been whetted on the stone of fact, but at the cost of some loss of substance and its effectiveness is to be explained by its power to pierce sufficiently deeply for the main body of the tool to follow the head. — Claude Levi-Strauss

Sorrow was like sleeping on stone,he (Brenden)decided. You had to settle all its bumps and sharp edges, come to terms against them,fit them around until they became bearable, and then carry your bed wherever you went. — Patricia A. McKillip

A Stone Crow's axe is always sharp, and Shagga's axes are sharpest of all. Once I cut off a man's head, but he did not know it until he tried to brush his hair. Then it fell off." "Is that why you never brush yours?" The Stone Crows roared and stamped their feet, Shagga hooting loudest of all. — George R R Martin

Besides," he said, clomping down the centuries-old stone steps, "she won't last that long. Once she sees all those sharp swords and dirks, and all that fighting and mayhem, she'll turn around and leave, realizing she really didn't want to stay her after all. — Terry Spear

It is not, of course, only the Japanese who find flat sterile surfaces attractive and kirei. Foreign observers, too, are seduced by the crisp borders, sharp corners, neat railings, and machine-polished textures that define the new Japanese landscape, because, consciously or unconsciously, most of us see such things as embodying the very essence of modernism. In short, foreigners very often fall in love with kirei even more than the Japanese do; for one thing, they can have no idea of the mysterious beauty of the old jungle, rice paddies, wood, and stone that was paved over. Smooth industrial finish everywhere, with detailed attention to each cement block and metal joint: it looks 'modern'; ergo, Japan is supremely modern. — Alex Kerr

Snuggle up with a hot fireman! Meet Tanner West.
Sharon looked up into the most gorgeous face she had ever seen. Eyes like dark chocolate, deep and warm, stared out at her from a face that looked like it could have been chiseled in stone. Skin the color of burnished copper, high cheekbones, a sharp nose, full lips, and a cleft chin. How the hell had she failed to notice him before? Her heart skipped a beat and she ran her gaze down the rest of his body. He was tall, well over six feet, she would guess, with broad shoulders that tapered into a trim waist. His thighs, encased in worn denim, fit like a second skin against legs the size of tree trunks, and oh my, what lay between those thighs ... Her attention snapped back to his face and she could feel the heat of a blush suffuse her skin. — Tamara Hoffa

Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it. — Cassandra Clare

It was early evening twilight when we came around a corner ... and there in the road was a red deer stag. He leapt up the bank beside the road and then paused, looking back over his shoulder as we passed. Like a scene in a dream I watched him as he watched me. He was so close ... so still and so beautiful. There was an instant of knowing that my heart was as trapped in this beautiful wildness as my eyes were caught in his calm curious gaze. It was a slowly growing realisation that I had fallen in love a third time ... with this lovely, cold strange world of water and stone, sharp light and deep shadows.
And I would never be the same again. — Michelle Frost

Light refracted off crystal platters piled with blooms the bright color of new blood, and flickering diyas cast smoke against the mirrors, leaving the halls a snarl of mist and petals. I touched the sharp corners. I like the feeling of stone beneath my fingers, of something that pushed back to remind me of my own solidity. — Roshani Chokshi

The canvases which Mr. St. Jones referred to with a paintbrush that was long and slightly bowed: for the most part interiors, or undergrounds, of pocked and craggy holes, rock vaults with mossy floors and slimy walls, or narrow scenic vistas that skinny silver streams squirmed through like sidewinders flipped on their backs, beneath downward grasping tentacles of roots, stalactites dagger-sharp and dangling by threads of stone, stalagmites teetering, all doused, frozen in molten electric white that suggested what a glimpse of hell might be, too beautiful, some still lifes too, great bulbous beets, hoary legumes, giant scallions, white carrots, tomatoes, berries, squash in huge radiant bowls, and portraits, signed by Ionia, of shadows, from which gleamed eyes and teeth and nails and, here and there, a glowing bubble, or scrotum, caught the eye. Near the door a counter clacked but rather quietly. — Douglas Woolf

Arin had taken position on the mountainside wall. He didn't see a ship enter the harbor.
But he saw a hawk--a small one, a kestrel--swoop over the city and dive toward the general.
The man pulled a tube from its leg and opened it. He went still.
He disappeared into the ranks of soldiers.
The Valorian army stopped its assault.
Then Arin's feet were moving along the wall, racing to face the sea, and although he couldn't have said that he knew what had happened, he knew that something had changed, and in his mind there was only one person who could change his world.
Another hawk was perched on the seaside battlements. It eyed him--head cocked, beak sharp, talons tight on stone. Snow laced its feathers.
The message it bore was short.

Arin,

Let me in.

Kestrel — Marie Rutkoski

So, Lord Dragon, what are your plans for this evening?" He adjusted his body awkwardly and the end of his dealy tail landed gently in her lap.
"Well, I thought we could do that thing again."
"That thing?" Annwyl desperately fought a smile as she ran her hand across the scaled tip. Its very edge shaped like an arrowhead and as sharp. She briefly wondered if teh dragon ever needed to sharpen it with a stone. "Do youmean talking?"
"Yes. Yes. Whatever it is. — G.A. Aiken

For all his clever ideas, Maven has nothing to say to this. He just stares, his breath coming in tiny, scared puffs. I know the look on his face; I wear it every time I'm forced to say good-bye to someone.
"It's too bad we didn't stay longer," I murmur, looking out at the river. "I would have liked to die close to home."
Another breeze sends a curtain of my hair across my face but Maven brushes it away and pulls me close with startling ferocity.
Oh.
His kiss is not at all like his brother's. Maven is more desperate, surprising himself as much as me. He knows I'm sinking fast, a stone dropping through the river. And he wants to drown with me.
"I will fix this," he murmurs against my lips. I have never seen his eyes so bright and sharp. "I won't let them hurt you. You have my word. — Victoria Aveyard

Water is the most versatile of all elements. It isn't afraid to burn in fire or fade into the sky, it doesn't hesitate to shatter against sharp rocks in rainfall or drown into the dark shroud of the earth. It exists beyond all eginnings and ends. On the surface nothing will shift, but deep in underground silence, water will hide and with soft fingers coax a new channel for itself, until stone gives in and slowly settles around the secret space.
Death is water's close companion, and neither of them can be separated from us, for we are made of the versatilitiy of water and the closeness of death. Water doesn't belong to us, be we belong to water: when it has passed through our fingers and pores and bodies, nothing separates us from earth. — Emmi Itaranta

Write what you know. Every guide for the aspiring author advises this. Because I live in a long-settled rural place, I know certain things. I know the feel of a newborn lamb's damp, tight-curled fleece and the sharp sound a well-bucket chain makes as it scrapes on stone. But more than these material things, I know the feelings that flourish in small communities. And I know other kinds of emotional truths that I believe apply across the centuries. — Geraldine Brooks

Berlin is a skeleton which aches in the cold: it is my own skeleton aching. I feel in my bones the sharp ache of the frost in the girders of the overhead railway, in the iron-work of balconies, in bridges, tramlines, lamp-standards, latrines. The iron throbs and shrinks, the stone and the bricks ache dully, the plaster is numb. — Christopher Isherwood

We're going to kick butt at the competition, Tessie, and when we win I promise I'll let you bash my brother's head in with the trophy." I chuckle at his enthusiasm and shake my head. "It's not a wrestling match, Stone, it's a beauty pageant, and my trophy will most likely be a plastic tiara." "Well don't those things have sharp pointy combs? You can dig them into his eye or something." "You have a really twisted mind, you know that?" "Thank you, shortcake. — Blair Holden

Egypt is a fertile valley of rich river soil, low-lying, warm, monotonous, a slow-flowing river, and beyond the limitless desert. Greece is a country of sparse fertility and keen, cold winters, all hills and mountains sharp cut in stone, where strong men must work hard to get their bread. And while Egypt submitted and suffered and turned her face toward death, Greece resisted and rejoiced and turned full-face to life. For somewhere among those steep stone mountains, in little sheltered valleys where the great hills were ramparts to defend, and men could have security for peace and happy living, something quite new came into the world: the joy of life found expression. Perhaps it was born there, among the shepherds pasturing their flocks where the wild flowers made a glory on the hillside; among the sailors on a sapphire sea washing enchanted islands purple in a luminous air. — Edith Hamilton

She sighed, annoyed at her restlessness. "So," she said, disrupting Wolf in another backward glance.
"Who would win in a fight - you or a pack of wolves?"
He frowned at her, all seriousness. "Depends," he said, slowly, like he was trying to figure out her motive for asking. "How big is the pack?"
"I don't know, what's normal? Six?"
"I could win against six," he said. "Any more than that and it could be a close call."
Scarlet smirked. "You're not in danger of low self-esteem, at least."
"What do you mean?"
"Nothing at all." She kicked a stone from their path. "How about you and ... a lion?"
"A cat? Don't insult me."
She laughed, the sound sharp and surprising. "How about a bear?"
"Why, do you see one out there?"
"Not yet, but I want to be prepared in case I have to rescue you."
The smile she'd been waiting for warmed his face, a glint of white teeth flashing. "I'm not sure. I've never had to fight a bear before. — Marissa Meyer

The black rock was sharp-edged, hot, and hard as corundum; it seemed not merely alien but impervious to life. Yet on the southern face of almost every rock the lichens grew, yellow, rusty-brown, yellow-green, like patches of dirty paint daubed on the stone. — Edward Abbey

Mountains are nature's testimonials of anguish. They are the sharp cry of a groaning and travailing creation. Nature's stern agony writes itself on these furrowed brows of gloomy stone. These reft and splintered crags stand, the dreary images of patient sorrow, existing verdureless and stern because exist they must. — Harriet Beecher Stowe

Startled, he loosed his grasp and she pulled free. He clutched her arm, but she spun around and pressed her mouth to his.
His lips were rough, chapped. She felt the sting of fangs against her bottom lip. He made a sharp sound in the back of his throat and closed his eyes. Mouth opening under hers. The smell of him- of cold, damp stone- made her head swim. One kiss slid into another and it was perfect, was exactly right, was real. — Holly Black

The blade was sharp enough that she didn't feel the initial prick, but it didn't matter. The earth beside her opened up and the knife slid from her attacker's suddenly nerveless hand, thudding to the ground about the same time she did. His grip on her hand disappeared the instant that something else emerged in a blast of stone and magic.
Wynn's cavalry had arrived, in the form of one very large and very angry Guardian, a Guardian that was supposed to be nothing but the teeny-tiny pieces still scattered around her.
Huh. How about that? — Christine Warren

The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders.
("The Candy Skull") — Ray Bradbury

He had forgotten the sharp taste of stone dust that hung around the broken village houses, the dead skinny donkeys' smell and the dead wretched goats' smell, the broken terraces' smell and smashed olive groves' smell, the sour stench of high explosive, the heavy odour of spilled olive oil, all melding into a single smell he came to associate with human beings in trouble. — Richard Flanagan

So you want a knife, a nice sharp knife. You hone that blade to its limits. It even cuts through stone when you want it to. It saves your life. And then you're outraged when it cuts you accidentally. You see, knives don't switch off. And neither do people, not when you hone them to a fine edge. — Karen Traviss

Jennifer," he said, his voice sharp with dawning alarm, "where are you going?"
A moment later, Aunt Elinor looked down from the gallery above and cheerfully replied, "She is going to have your baby, your grace."
The serfs in the hall turned to exchange smiling glances, and one of them dashed off to spread the news to the scullions in the kitchen.
"Do not," Aunt Elinor warned in direst tones when Royce started up the stairs, "come up here. I am not inexperienced in these matters, and you will only be in the way. And do not worry," she added breezily, noting Royce's draining color. "The fact that Jenny's mother died in childbirth is nothing to be concerned about." Royce's tankard crashed to the stone floor. — Judith McNaught

Take my memories of my mother, and the feelings that went with them. I do not want to know them at all. Take the ache in my throat when I think of Molly, take all the sharp-edged, bright-colored days I recall with her. Take their brilliance and leave me but the shadows of what I saw and felt. Let me recall them without cutting myself on their sharpness. Take my days and nights in Regal's dungeons. It is enough to know what was done to me. Take it to keep, and let me stop feeling my face against that stone floor, hearing the sound of my nose breaking, smelling and tasting my own blood. Take my hurt that I never knew my father, take my hours of staring up at his portrait when the great hall was empty and I could do so alone. Take my - Fitz. Stop. You give her too much, there will be nothing left of you. — Robin Hobb

I know what you're doing," he whispered to Raphael, whose movements only became more fervent, and the thought slipped from the boy's mind so that he became dazed and undone with pleasure, staring up at the ceiling, watching as it blurred and became indistinct, and he felt the rising rush of pleasure, until he cried out in a sharp gasp.
And the pleasure went on and on, as it did, unbearably, until either Raphael took pity on him, or he pushed his Genitor away. Whichever it was, the pleasure that was leaking into pain, stopped, and he was lifted and laid down on the stone, cold and hard under his spine, and Raphael was bent over him, kissing up this time, up to his lips, flicking his tongue at them, and whispering: "Don't question my love for you. Ever again. — Carmen Dominique Taxer

Oxford

It is well that there are palaces of peace
And discipline and dreaming and desire,
Lest we forget our heritage and cease
The Spirit's work - to hunger and aspire:

Lest we forget that we were born divine,
Now tangled in red battle's animal net,
Murder the work and lust the anodyne,
Pains of the beast 'gainst bestial solace set.

But this shall never be: to us remains
One city that has nothing of the beast,
That was not built for gross, material gains,
Sharp, wolfish power or empire's glutted feast.

We are not wholly brute. To us remains
A clean, sweet city lulled by ancient streams,
A place of visions and of loosening chains,
A refuge of the elect, a tower of dreams.

She was not builded out of common stone
But out of all men's yearning and all prayer
That she might live, eternally our own,
The Spirit's stronghold - barred against despair. — C.S. Lewis

On the warm stone walls, climbing roses were just coming into bloom and great twisted branches of honeysuckle and clematis wrestled each other as they tumbled up and over the top of the wall. Against another wall were white apple blossoms on branches cut into sharp crucifixes and forced to lie flat against the stone. Below, the huge frilled lips of giant tulips in shades of white and cream nodded in their beds. They were almost finished now, spread open too far, splayed, exposing obscene black centers. I've never had my own garden but I suddenly recognized something in the tangle of this one that wasn't beauty. Passion, maybe. And something else. Rage. — Meg Rosoff

His anger took many shapes: sometimes soft and familiar, like a round stone he had caressed for so long that is was perfectly smooth and polished; sometimes it was thin and sharp like a blade that could slice through anything; sometimes it had the form of a star, radiating his hatred in all directions, leaving him numb and empty inside. — Laila Lalami

As I uttered these inspiring words the idea came like a flash of lightning and in an instant the truth was revealed. I drew with a stick on the sand the diagram shown six years later in my address before the American Institute of Electrical Engineers, and my companion understood them perfectly. The images I saw were wonderfully sharp and clear and had the solidity of metal and stone, so much so that I told him, "See my motor here; watch me reverse it." I cannot begin to describe my emotions. Pygmalion seeing his statue come to life could not have been more deeply moved. A thousand secrets of nature which I might have stumbled upon accidentally, I would have given for that one which I had wrested from her against all odds and at the peril of my existence ... — Nikola Tesla

I jerked my phone out of my pocket and took a sharp left to follow the bold green line. I didn't fail to notice my walking icon had been replaced with a bicycle. Stupid Google. Doesn't have a "Succubus on Steroids" setting.

J.M. Friedman. Succubus in Seattle (Kindle Locations 1198-1199). — J.R. Thorn

Bugle"

Black beetles know where the most recent bones
bake in the heat, tendons and meat long gone,
bleached white, and if you give them cheap wine --
drizzle a few red drops on a flat stone--
they will lead you to a barren gulch
surrounded by sages and nettles, dirt
burnt to powdery sand and sharp thorns. Hunch
above the skeleton, bow your head, start reciting verses you learned as a child, there, under the sun with rocks and brush, bare
locust tree a telling reliquary
of dust to dust, all so brutally hot.
You must pull ribs from that rotting body,
words that matter: love me, love me not. — Tod Marshall

I am carved like David,
every line of my body perfectly chiseled.
Hunger is the blade that has made me smooth.
I am a statue, yet I am only air at my center.
I go to hug myself and
-poof!-
my arms go right through me
finding nothing to hold on to.
My hands meet behind my own back
in a stone handshake.
This is not what you were expecting.
I'm so cold.
I'm so sharp.
I've been cut, now I'll cut you.
Come closer.
Yes, come closer to me.
I am going to make you see what I see. — Madeleine George

Suddenly the bridge was filled with intense warmth, Will had lit the fire. Everyone immediately scurried over to it, with the exception of Scott. Carrie looked back at him, he was sitting with his back leaned against a stone pillar. The light from the flames danced on his sharp features and reflected in his dark eyes. Scott always wore a half-smile that was suspiciously close to a smirk. She was practically immune to his cockiness and wasn't at all bothered by it the way that Will seemed to be. — Julia Barkey