Sharp And Flat Quotes & Sayings

Southern California is a landscape of edges and contradictions set upon by a variegated human population that at times seems hell bent to leave its destructive footprints from desert to ocean, mountain to flat coastal plain. I have discovered that the sharp divisions and false syntheses of this place reflect the inconsistencies and unexplored edges in my personality, and that as much as I might have longed to live quietly in some less densely populated place, this would never do...When I settled in Malibu I discovered the strong pull of place and began to incorporate landscape as a dominant character in my writing. — Penelope Grenoble

We must learn to endure what we cannot avoid. Our life is composed, like the harmony of the world, of contrary things, also of different tones, sweet and harsh, sharp and flat, soft and loud. If a musician liked only one kind, what would he have to say? — Michel De Montaigne

What you loved and what you strove for,
What you dreamed and what you lived through,
Do you know if it was joy or suffering?
G sharp and A flat, E flat or D sharp,
Are they distinguishable to the ear? — Hermann Hesse

Lecturers should remember that the capacity of the mind to absorb is limited to what the seat can endure. — Evan Esar

Why are we rebuilding New Orleans? Whose idea was this, Aquaman? — Carlos Mencia

It is not, of course, only the Japanese who find flat sterile surfaces attractive and kirei. Foreign observers, too, are seduced by the crisp borders, sharp corners, neat railings, and machine-polished textures that define the new Japanese landscape, because, consciously or unconsciously, most of us see such things as embodying the very essence of modernism. In short, foreigners very often fall in love with kirei even more than the Japanese do; for one thing, they can have no idea of the mysterious beauty of the old jungle, rice paddies, wood, and stone that was paved over. Smooth industrial finish everywhere, with detailed attention to each cement block and metal joint: it looks 'modern'; ergo, Japan is supremely modern. — Alex Kerr

Don't be sharp or flat; just be natural. — Willie Stargell

They were relaxing at the top of a waterfall, in a small, still pool where the mountain waters hit an upward slope of folded granite. It was sort of a rounded bathtub, carved out of the rock throughout the centuries by the rushing river, a river so hidden that it was without a name. Just below were the falls, about a 30-foot drop into another, much larger pool of clearest water that was gathered for a respite, a compromise in the river's relentless schedule downward, between split-level decks of flat rock. Further on, the river reanimated and released into a sharp ravine, pulling westward, down through the rugged mountains and faceless forest
the Black Hills National Forest
gaining force until it joined with the rush of the Castle River, near the old Custer Trail, and was swallowed into the Deerfield Reservoir to collect and prepare for the touch of man. — Ron Parsons

Tomorrow you're all going to wake up in a brave new world, a world where the Constitution gets trampled by an army of terrorist clones, created in a stem-cell research lab run by homosexual doctors who sterilize their instruments over burning American flags. Where tax-and-spend Democrats take all your hard-earned money and use it to buy electric cars for National Public Radio, and teach evolution to illegal immigrants. Oh, and everybody's high! — Stephen Colbert

There's nothing about the stage to be afraid of; there's nothing about the cameras to be afraid of. You just have to be yourself. — Cole Vosbury

God wants us to hear his voice through the Word of God, the discernment of the Holy Spirit, and the comfort of our redeemed life through the blood of Christ. For example, musical pitch is black and white. It is accurate, sharp, or flat. It cannot be both accurate and flat. It is exclusive in its claims. While a chorus can sing in harmony or cacophony (dissonance), a solo voice can only be accurate, sharp, or flat. So too is Scripture. — Rosaria Champagne Butterfield

I'm having a permanent out-of-body experience. When it's finally done, I lie flat on my back. Glare up at the greenish, star-pricked night sky. I try not to think about what I must look like, black and bony out here on the bank of this pond. My body is all sharp angles - nothing to hold it together but armored joints and a knobby curved spine. I'm a holy fucking terror, I imagine. A walking weapon. After a while, I dig my elbow joints into the mud and sit up. My body can really move now, no longer hauling rotted bone and flesh but streamlined with these thin limbs made of light titanium. I feel like an obsidian skeleton out here. A devil dancing in the dark. I feel free. — Daniel H. Wilson

When a person has a poor ear for music he will flat and sharp right along without knowing it. He keeps near the tune, but it is not the tune. When a person has a poor ear for words, the result is a literary flatting and sharping; you perceive what he is intending to say, but you also perceive that he doesn't say it. — Mark Twain

I was born with my voice in my hands. — Kathryn Lomer

When you love too hard, you can lose the will to live without them. Everywhere you look is a great big sucking absence of what you once had and will never have again. And life gets weirdly flat and too sharp and painful at the same time, and nothing feels right and everything cuts. — Karen Marie Moning

Nevertheless, one doesn't have time to think, oh, well, this is a quarter tone sharp, or flat. — John Eaton

I won't desecrate beauty with cynicism anymore. I won't confuse critical thinking with a critical spirit, and I will practice, painfully, over and over, patience and peace until my gentle answers turn away even my own wrath. I will breathe fresh air while I learn, all over again, grace freely given and wisdom honored; and when my fingers fumble, whenI sound flat or sharp, I will simply try again. — Sarah Bessey

She noticed then how nice his teeth were. There had been little opportunity to see them, as the guy hardly ever smiled. His white teeth were flat in all the right places. Sharp in all the other right places. — Sarah Noffke

We must learn to suffer whatever we cannot avoid. Our life is composed, like the harmony of the world, of dischords as well as different tones, sweet and harsh, sharp and flat, soft and loud. If a musician liked only some of them, what could he sing? He has got to know how to use all of them and blend them together. So too must we with good and ill, which are of one substance with our life. — Michel De Montaigne

Cath wanted to go back and rewrite every scene she'd ever written about Baz or Simon's chests. She'd written them flat and sharp and hard. Levi was all soft motion and breath, curves and warm hollows. Levi's chest was a living thing. — Rainbow Rowell

People who try to tell you what the blitz was like in London start with fire and explosion and then almost invariably end up with some very tiny detail which crept in and set and became the symbol of the whole thing for them. . . . "It's the glass," says one man, "the sound in the morning of the broken glass being swept up, the vicious, flat tinkle." ... An old woman was selling little miserable sprays of sweet lavender. The city was rocking under the bombs and the light of burning buildings made it like day. . . . And in one little hole in the roar her voice got in - a squeaky voice. "Lavender!" she said. "Buy Lavender for luck."

The bombing itself grows vague and dreamlike. The little pictures remain as sharp as they were when they were new. — John Steinbeck

Kessa ran her fingers over her stomach. Flat. But was it flat enough? Not quite. She still had some way to go. Just to be safe, she told herself. Still, it was nice the way her pelvic bones rose like sharp hills on either side of her stomach. I love bones. Bones are beautiful. — Steven Levenkron

She came upon a bankside of lavender crocuses. The sun was on them for the moment, and they were opened flat, great five-pointed, seven-pointed lilac stars, with burning centres, burning with a strange lavender flame, as she had seen some metal burn lilac-flamed in the laboratory of the hospital at Islington. All down and oak-dry bankside they burned their great exposed stars. And she felt like going down on her knees and bending her forehead to the earth in an oriental submission, they were so royal, so lovely, so supreme. She came again to them in the morning, when the sky was grey, and they were closed, sharp clubs, wonderfully fragile on their stems of sap, among leaves and old grass and wild periwinkle. They had wonderful dark stripes running up their cheeks, the crocuses, like the clear proud stripes on a badger's face, or on some proud cat. She took a handful of the sappy, shut, striped flames. In her room they opened into a grand bowl of lilac fire. — D.H. Lawrence

The graveyard was at the top of the hill. It looked over all of the town. The town was hills - hills that issued down in trickles and then creeks and then rivers of cobblestone into the town, to flood the town with rough and beautiful stone that had been polished into smooth flatness over the centuries. It was a pointed irony that the very best view of the town could be had from the cemetery hill, where high, thick walls surrounded a collection of tombstones like wedding cakes, frosted with white angels and iced with ribbons and scrolls, one against another, toppling, shining cold. It was like a cake confectioner's yard. Some tombs were big as beds. From here, on freezing evenings, you could look down at the candle-lit valley, hear dogs bark, sharp as tuning forks banged on a flat stone, see all the funeral processions coming up the hill in the dark, coffins balanced on shoulders.
("The Candy Skull") — Ray Bradbury

On the pavement by the side of the road was planted a banner two storeys high. Even in the blow-up the celebrity appeared stunted. He stood in a safari suit, his palms joined in greeting. His face was a light pink because poster artists did not have the freedom to paint his face black. His little mop of hair was spread thinly over an almost flat scalp. And his thick moustache had sharp edges. Just above his head was an English introduction in large font - DYNAMIC PERSONALITY. A thinner line that followed said he was the honourable Minister S Waman. It seemed appropriate that it was at Waman's black shoes the author took credit, in Marathi and in diplomatically-chosen small font - 'Hoarding Presented by P.Bikaji. — Manu Joseph

I don't know notes or octaves or the difference between sharp and flat, but I know music makes everything more. — Sarah Tomp

On the warm stone walls, climbing roses were just coming into bloom and great twisted branches of honeysuckle and clematis wrestled each other as they tumbled up and over the top of the wall. Against another wall were white apple blossoms on branches cut into sharp crucifixes and forced to lie flat against the stone. Below, the huge frilled lips of giant tulips in shades of white and cream nodded in their beds. They were almost finished now, spread open too far, splayed, exposing obscene black centers. I've never had my own garden but I suddenly recognized something in the tangle of this one that wasn't beauty. Passion, maybe. And something else. Rage. — Meg Rosoff

Fashion is more art than art is — Andy Warhol

this creature moved on all fours. Long, pointed ears lay flat against the monster's head. The long, tapered snout was wrinkled into a snarl, lips pulled back to reveal two rows of razor-sharp fangs. Muscles moved like liquid beneath the layers of coarse, black fur. Terrible clawed feet, each toe ending with a black, curved talon that wrapped around the stairs, splintering the wood. — Graeme Reynolds

Bugle"

Black beetles know where the most recent bones
bake in the heat, tendons and meat long gone,
bleached white, and if you give them cheap wine --
drizzle a few red drops on a flat stone--
they will lead you to a barren gulch
surrounded by sages and nettles, dirt
burnt to powdery sand and sharp thorns. Hunch
above the skeleton, bow your head, start reciting verses you learned as a child, there, under the sun with rocks and brush, bare
locust tree a telling reliquary
of dust to dust, all so brutally hot.
You must pull ribs from that rotting body,
words that matter: love me, love me not. — Tod Marshall

I keep quiet and look out the window. The light is weak and watery-looking, like the sun hast just spilled itself over the horizon and is too lazy to clean itself up. The shadows are as sharp and pointed as needles. I watch three black crows take off simultaneausly from a telephone wire and wish I could take off too, move up, up, up, and watch the ground drop away from me the way it does when you're on an airplane, folding and compressing into itself like an origami figure, until everything is flat and brightly colored - until the world is like a drawing of itself — Lauren Oliver