Shape In Art Quotes & Sayings

Not only these were new kinds of stories, they were being told with a new kind of formal structure. [...] The result was a storytelling architecture you could picture as a colonnade - each episode a brick with its own solid, satisfying shape, but also part of a season-long arc that, in turn, would stand linked to other seasons to form a coherent, freestanding work of art. [...] The new structure allowed huge creative freedom: to develop characters over long stretches of time, to tell stories over the course of fifty hours or more, the equivalent of countless movies. — Brett Martin

Ordinary psyches often react to bad news with a momentary thrill, seeing the world, for once, in jagged clarity, as if lightning has just struck. But then darkness and dysfunction rush in. A mind such as Beethoven's remains illumined, or sees in the darkness shapes it never saw before, which inspire rather than terrify. This altered shape (raptus, he would say) makes art of the shapes, while holding in counterpoise such dualities as intellect and intuition, the conscious and the unconscious, mental health and mental disorder, the conventional and the unconventional, complexity and simplicity. — Edmund Morris

... the art of writing has for backbone some fierce attachment to an idea ... . It is on the back of an idea, something believed in with conviction or seen with precision and thus compelling words to a shape ... .
You have not finished with it because you have read it, any more than friendship is ended because it is time to part. Life wells up and alters and adds. Even things in a book-case change if they are alive; we find ourselves wanting to meet them again; we find them altered. So we look back upon essay after essay by Mr. Beerbohm, knowing that, come September or May, we shall sit down with them and talk. — Virginia Woolf

The wood-carver can fashion whatever he will. Yet his products are but toys of the moment, to be glanced at in jest, not fashioned according to any precept or law. When times change, the carver too will change his style and make new trifles to hit the fancy of the passing day. But there is another kind of artist, who sets more soberly about his work, striving to give real beauty to the things which men actually use and to give to them the shape which tradition has ordained. This maker of real things must not for a moment be confused with the maker of idle toys. — Murasaki Shikibu

Maybe it's the fact the most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It's more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendant horror is loneliness, excluded encagement in the self. Once we've hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it's stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. — David Foster Wallace

I've seen it personally that people have a natural sensibility to Arabic script. I don't know it if it's because of the shape, I don't know what it is in this script that makes it so universal. But even if you don't understand it, you still have this feeling; you can feel the piece of art in front of you — EL Seed

When the waiter brought the cheese-board, there was a large carrot carved in the shape of a mermaid sitting between the Dolcelatte and the Pecorino. Teo could have sworn that the carrot-mermaid flexed her tail and plunged her little hand inside a smelly Gorgonzola. 'Tyromancy, ye know,' remarked the mermaid. 'The Ancient Art of Divination by Cheese.' Then she pulled her tiny hand out and inspected the green cheese-mold on her tiny fingers. 'Lackaday!' she moaned. 'Stinking! It goes poorly for Venice and Teodora, it do! — Michelle Lovric

Thus it is that thy joy in me is so full. Thus it is that thou hast come down to me. O thou lord of all heavens, where would be thy love if I were not?

Thou hast taken me as thy partner of all this wealth. In my heart is the endless play of thy delight. In my life thy will is ever taking shape.

And for this, thou who art the King of kings hast decked thyself in beauty to captivate my heart. And for this thy love loses itself in the love of thy lover, and there art thou seen in the perfect union of two. — Rabindranath Tagore

I may not, perhaps, be forgiven for introducing sober matters with a frivolous notion, but the problem of making sense out of the seeming chaos of experience reminds me of my childish desire to send someone a parcel of water in the mail. The recipient unties the string, releasing the deluge in his lap. But the game would never work, since it is irritatingly impossible to wrap and tie a pound of water in a paper package. There are kinds of paper which won't disintegrate when wet, but the trouble is to get the water itself into any manageable shape, and to tie the string without bursting the bundle.

The more one studies attempted solutions to problems in politics and economics, in art, philosophy, and religion, the more one has the impression of extremely gifted people wearing out their ingenuity at the impossible and futile task of trying to get the water of life into neat and permanent packages. — Alan W. Watts

Whereas life separates meaning from emotion, art unites them. Story is an instrument by which you create such epiphanies at will, the phenomenon known as aesthetic emotion ... Life on its own, without art to shape it, leaves you in confusion and chaos, but aesthetic emotion harmonizes what you know with what you feel to give you a heightened awareness and a sureness of your place in reality. — Robert McKee

Art is an evolutionary act. The shape of art and its role in society is constantly changing. At no point is art static. There are no rules. — Raymond Salvatore Harmon

Art, if one employs this term in the broad sense that includes poetry within its realm, is an art of creation laden with ideals, located at the very core of the life of a people, defining the spiritual and moral shape of that life. — Ivan Turgenev

If you can shape your business life or your working life, you can just look at it as another extension - you just fulfill all your values as a human being in the work place. If you are an activist, you bring the activism of your life into your business, or if you love creative art, you can bring that in. — Anita Roddick

Some people flinch when you talk about art in the context of the needs of society thinking you are introducing something far too common for a discussion of art. Why should art have a purpose and a use? Art shouldn't be concerned with purpose and reason and need, they say. These are improper. But from the very beginning, it seems to me, stories have indeed been meant to be enjoyed, to appeal to that part of us which enjoys good form and good shape and good sound. — Chinua Achebe

Farber says (in my recollection, anyway) the European (or classical) art, including film, is culturally assumed to be a monumental slab. It's about that slab, and how it's been shaped, or what's been carved on it. In "termite art" though, your slab has been wormholed countless times, and its meaning is really taking place in the resulting interstices. The actual art of the piece, in other words, and your enjoyment of it, is taking place in the cracks, and the shape of the slab is coincidental and ultimately meaningless. — William Gibson

The best in art and life comes from a center - something urgent and powerful, an idea or emotion that insists on its being. From that insistence, a shape emerges and creates its structure out of passion. If you begin with a structure, you have to make up the passion, and that's very hard to do. — Roger Rosenblatt

It is the business of thought to define things, to find the boundaries; thought, indeed, is a ceaseless process of definition. It is the business of Art to give things shape. Anyone who takes no delight in the firm outline of an object, or in its essential character, has no artistic sense. He cannot even be nourished by Art. Like Ephraim, he feeds upon the East wind, which has no boundaries. — Vance Palmer

Each one of us starts Karate with some particular reason: to be a good fighter, to keep in good shape, to protect oneself. I wanted to become very strong myself when I first began. But Karate training soon teaches that real strength is facing oneself strictly, with severe eyes. This is the first condition of martial arts training. Therefore, all karateka must be strong inwardly, but quite gentle to others. As we train together, each contributing to a good atmosphere, let's try to bring out that serious strong mentality from deep inside. — Tsutomu Ohshima

What does Art do for us? It gives shape to our emotions, makes them visible, and, in so doing, places a seal of eternity upon them, a seal representing all those works that, by means of a particular form, have incarnated the universal nature of human emotions. — Muriel Barbery

One thing that makes art different from life is that in art things have a shape ... it allows us to fix our emotions on events at the moment they occur, it permits a union of heart and mind and tongue and tear. — Marilyn French

We have the power to shape our lives, by the way we think. Only that to have a progressive life, we must train ourselves into thinking in a certain way. — Ndiritu Wahome

Only after a writer lets literature shape her can she perhaps shape literature. In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said, "It is the trade entering his body." The art must enter the body, too. — Annie Dillard

What we encounter in works of art and philosophy are objective versions of our own pains and struggles, evoked and defined in sound, language or image. Artists and philosophers not only show us what we have felt, they present our experiences more poignantly and intelligently than we have been able; they give shape to aspects of our lives that we recognise as our own, yet could never have understood so clearly on our own. They explain our condition to us, and thereby help us to be less lonely with, and confused by it. — Alain De Botton

In the art and act of mastering, a mistake is a common thing, but it must always shape something and it must always give a distinctive reason for action! — Ernest Agyemang Yeboah

Art is magic, not logic. This craze for the logical spirit in irrational shape is part of the present harmful mania for uniformity ... — Edith Sitwell

Our culture tends "to regard the mere energy of impulse as being in every mental and moral way equivalent and even superior to defined intention." Instead we should consider "an idea that once was salient in western culture: the idea of "making a life", by which was meant conceiving human existence, one's own or another's, as if it were a work of art upon which one might pass judgment ... This desire to fashion, to shape, a self and a life has all but gone from a contemporary culture whose emphasis, paradoxically enough, is so much on self. — Lionel Trilling

She is not a bulldog, only a woman pressed into the shape of a small jar, possibly attempting to dance in there. It shows in the way she places a seashell on a window sill, a red-painted chair in the corner: she is practiced in the art of creating a still life and taking up residence inside it. — Barbara Kingsolver

And it suggests this truth about the place where aesthetic form meets the human mind. For even if we were to find ourselves homeless, in a strange land, with nothing of ourselves left-say we lost everything-we'd still have another kind of home, in aesthetic form itself, in the familiarity, the unchanging assurance that a known rhythm, a recognised line, the familiar shape of a story, a tune, a line or phrase or sentence gives us every time, even long after we've forgotten we even know it. — Ali Smith

A true work of art is shaped by the hands of another, and if in shaping us that 'other' is anything other than God, the piece will never touch the remotest periphery of its potential. — Craig D. Lounsbrough

Every artist of importance creates his own world, with its own laws - creates and shapes it in his own shape and image, and no one else's. This is why it is difficult to fit the artist into a world that has already been created, a seven-day, fixed and solidified world: he will inevitably slip out of the set of laws and paragraphs, he will be a heretic. — Yevgeny Zamyatin

It is, of course, we who house poems as much as their words, and we ourselves must be the locus of poetry's depth of newness. Still, the permeability seems to travel both ways: a changed self will find new meanings in a good poem, but a good poem also changes the shape of the self. Having read it, we are not who we were the moment before ... Art lives in what it awakens in us ... Through a good poem's eyes we see the world liberated from what we would have it do. Existence does not guarantee us destination, nor trust, nor equity, nor one moment beyond this instant's almost weightless duration. It is a triteness to say that the only thing to be counted upon is that what you count on will not be what comes. Utilitarian truths evaporate: we die. Poems allow us not only to bear the tally and toll of our transience, but to perceive, within their continually surprising abundance, a path through the grief of that insult into joy. — Jane Hirshfield

No longer can we consider what the artist does to be a self-contained activity, mysteriously inspired from above, unrelated and unrelatable to other human activities. Instead, we recognize the exalted kind of seeing that leads to the creation of great art as an outgrowth of the humbler and more common activity of the eyes in everyday life. Just as the prosaic search for information is "artistic" because it involves giving and finding shape and meaning, so the artist's conceiving is an instrument of life, a refined way of understanding who and where we are. — Rudolf Arnheim

It's a reality of art that the fewer lines you get, the harder it is. Cartooning is actually harder than realism. You have less to work with. It's like trying to build a house-if you have unlimited resources, you're in much better shape than if you get two bricks, a hammer, and a bent nail. — Ursula Vernon

As a boy, Ogion like all boys had thought it would be a very pleasant game to take by art-magic whatever shape one liked, man or beast, tree or cloud, and so to play at a thousand beings. But as a wizard he had learned the price of the game, which is the peril of losing one's self, playing away the truth. The longer a man stays in a form not his own, the greater this peril. Every prentice-sorcerer learns the tale of the wizard Bordger of Way, who delighted in taking bear's shape, and did so more and more often until the bear grew in him and the man died away, and he became a bear, and killed his own little son in the forests, and was hunted down and slain. And no one knows how many of the dolphins that leap in the waters of the Inmost Sea were men once, wise men, who forgot their wisdom and their name in the joy of the restless sea. — Ursula K. Le Guin

Conventions are convenient. It is inconvenient to say people are dead when they are alive, or alive when they have been buried, or that the world is crumbling when it is, as everyone can see, there as usual. If all A that does not fit B is ipso facto disqualified, we have to tailor A to shape and size to avoid serious trouble, and not all are equally gifted in this art. — R.D. Laing

I'm opening gyms around the world to encourage people to get in shape and feel good about themselves; bringing art through dance to gyms to make my gyms different from other people's. — Madonna Ciccone

I always think I know the way a novel will go. I write maps on oversized art pads like the kind I carried around in college when I was earnest about drawing. I need to have some idea of the shape of the novel, where its headed, so that I can proceed with confidence. But the truth is my characters start doing and saying things I don't expect. — Julianna Baggott

But then, that's the beauty of writing stories - each one is an exploratory journey in search of a reason and a shape. And when you find that reason and that shape, there's no feeling like it.
[Peter Wild Interviews TC Boyle, 3:AM Magazine, June 2003] — T.C. Boyle

Whoever believes physical size and tests of speed or strength have anything to do with a soccer player's prowess is sorely mistaken. Just as mistaken as those who believe that IQ tests have anything to do with talent or that there is a relationship between penis size and sexual pleasure. Good soccer players need not to be titans sculpted by Michelangelo. In soccer, ability is much more important than shape, and in many cases skill is the art of turning limitations into virtues. — Eduardo Galeano

Of course Tucker Crowe was in pain when he made [the record], but he couldn't just march into a recording studio and start howling. He'd have sounded mad and pathetic. He had to calm the rage, tame it and shape it so that it could be contained in the tight-fitting songs. Then he had to dress it up so that it sounded more like itself. — Nick Hornby

Both art and science are bent on the understanding of the forces that shape existence, and both call for a dedication to what is. Neither of them can tolerate capricious subjectivity because both are subject to their criteria of truth. Both require precision, order, and discipline because no comprehensible statement can be made without these. Both accept the sensory world as what the Middle Ages called signatura regrum, the signature of things, but in quite different ways. — Rudolf Arnheim

The various parts of the body cannot be perceived as simple units and have no clear relationship to one another. In almost every detail the body is not the shape that art has led us to believe it should be. — Kenneth Clark

He figured that all the threads of his experience would eventually be sewn together, taking shape in harmony and form to create a glorious work of art. — Adriana Trigiani

Godhead here in hiding, whom I adore Masked by these bare shadows, shape and nothing more, See, Lord, at thy service low lies here a heart Lost, all lost in wonder at the God thou art — Thomas Aquinas

The novelist has a responsibility to adhere to the facts as closely as possible, and if they are inconvenient, that's where the art comes in. You must work with intractable facts and find the dramatic shape inside them. — Hilary Mantel

An Egyptian Pulled Glass Bottle In The Shape Of A Fish
Here we have thirst
and patience, from the first,
and art, as in a wave held up for us to see
in its essential perpendicularity;
Not brittle but
intense
the spectrum, that
spectacular and humble animal the fish,
whose scales turn aside the sun's sword with their polish. — Marianne Moore

Military tactics are like unto water; for water in its natural course runs away from high places and hastens downwards ... Water shapes its course according to the nature of the ground over which it flows; the soldier works out his victory in relation to the foe whom he is facing. Therefore, just as water retains no constant shape, so in warfare there are no constant conditions. He who can modify his tactics in relation to his opponent and thereby succeed in winning, may be called a heaven-born captain. — Sun Tzu

Neither is there figurative and non-figurative art. All things appear to us in the shape of forms. Even in metaphysics ideas are expressed by forms. Well then, think how absurd it would be to think of painting without the imagery of forms. A figure, an object, a circle, are forms; they affect us more or less intensely. — Pablo Picasso

Art is an act of the soul, not the intellect. When we are dealing with people's dreams - their visions, really - we are in the realm of the sacred. We are involved with forces and energies larger than our own. We are engaged in a sacred transaction of which we know only a little: the shadow, not the shape. — Julia Cameron

A sculptor is a person who is interested in the shape of things, a poet in words, a musician by sounds. — Henry Moore

The difference between writing a story and simply relating past events is that a story, in order to be acceptable, must have shape and meaning. It is the old idea that art is the bringing of order out of chaos ... — Katherine Paterson

We love the imperfect shapes in nature and in the works of art, look for an intentional error as a sign of the golden key and sincerity found in true mastery. — Dejan Stojanovic

Far back in the impulses to find this story is a storyteller's belief that at times life takes on the shape of art and that the remembered remnants of these moments are largely what we come to mean by life. The short semihumours comedies we live, our long certain tragedies, and our springtime lyrics and limericks make up most of what we are. they become almost all of what we remember of ourselves. — Norman Maclean

Plot a murder, you're saying. But every plot is a murder in effect. To plot is to die, whether we know it or not. [ ... ] To plot, to take aim at something, to shape time and space. This is how we advance the art of human consciousness. (WN 291-2) — Don DeLillo

It took time for the church to come to terms with the ignominy of the cross. Church fathers forbade its depiction in art until the reign of the Roman emperor Constantine ... Now, though, the symbol is everywhere: artists beat gold into the shape of the Roman execution device, baseball players cross themselves before batting, and cancy confectioners even make chocolate crosses for the faithful to eat during Holy Week. Strange as it may seem, Christianity has become a religion of the cross
the gallows, the electric chair, the gas chamber, in modern terms. — Philip Yancey

Happenstance and accidents didn't seem so random. The mystery of the connections intrigued him, but he wasn't going to agonize about them, and he had not yet reached an age where he was interested in analyzing them either. He figured that all the threads of his experience would eventually be sewn together, taking shape in harmony and form to create a glorious work of art. But who would sew those pieces together? Who would make him whole? That was something Ciro thought about a lot. Before — Adriana Trigiani

Fool! The Ideal is in thyself, the impediment too is in thyself: thy Condition is but the stuff thou art to shape that same Ideal out of: what matters whether such stuff be of this sort or that, so the Form thou give it be heroic, be poetic? O thou that pinest in the imprisonment of the Actual, and criest bitterly to the gods for a kingdom wherein to rule and create, know this of a truth: the thing thou seekest is already with thee, 'here or nowhere,' couldst thou only see! — Thomas Carlyle

Ever since childhood, I've been interested in history and myth. Not just the facts and figures of the past, but everything that contributes to shape our perception of an age: architecture, art, literature and so forth. — Anne Fortier

The teacher is of course an artist, but being an artist does not mean that he or she can make the profile, can shape the students. What the educator does in teaching is to make it possible for the students to become themselves. — Paulo Freire

But I must work on in full calmness and serenity ... The world concerns me only in so far as I feel a certain debt and duty towards it, because I have walked on the earth for thirty years, and out of gratitude want to leave some souvenir in the shape of drawings or pictures, not made to please a certain tendency in art, but to express a sincere human feeling. So this work is the aim-and through concentration upon that one idea, everything one does is simplified. Now the work goes slowly-a reason the more to lose no time. — Vincent Van Gogh

The ultimate in disposing one's troops is to be without ascertainable shape. Then the most penetrating spies cannot pry in nor can the wise lay plans against you. — Sun Tzu

The beautiful in life ...
Some talk of it in poetry,
Some grow it from the soil,
Some build it in a steeple,
Some show it through their toil.
Some breathe it into music,
Some mold it into art,
Some shape it into bread loaves ...
Some hold it in their hearts. — Bernard Meltzer

My paintings are the result of countless small brushstrokes, each one shaded with a different blend of colors, each one with a single, deliberate purpose. Every moment, every day, we are all making something - whether it's science or art, a relationship or a destiny - building it choice by choice, moment by moment. Our decisions shape other people's worlds as well as our own. We are all the center of our own universe and all of use in someone else's orbit. It's a paradox, but sometimes paradoxes are where truth begins.
My father would point out that the Beatles told us all of this decades ago. They one sang that in the end, the love we take is equal to the love we make. No, we can never be in complete control of our fates - we're all vulnerable to accidents, to cruelty, and to the random misfortune of life. But I try to think about how much of it is up to us. We decide what emotions serve as our building blocks, which feelings we'll use to shape our universe. — Claudia Gray

At the Uffizi, I experienced a moment that was touching, painful, and almost embarrassing. We stopped in front of the famous Botticelli painting, The Birth of Venus. I gazed wistfully at her incomparably lovely, yet, as Vasari described, oddly distorted form emerging from the waves in a seashell, her long red-golden tresses blown by Zephyrs. No woman ever had so elongated a neck or such sinuous limbs. Botticelli contorted, and some might say deformed, the human shape to give us a glimpse of the sublime. — Gary Inbinder

A sculpture of the magnificent shape of God. Oh, admittedly it was a shallow rendering of That Which Cannot Be Named; but art is not relative to perfection in any tangible sense. It is our coarse antennae trembling blindly as it traces the form of Origin, tastes the ephemeral glue welding us, yearning after the secret of ineluctable evolution, and wonders what this transformation will mean. — Laird Barron

Now I stand on the knoll before the grave of Jacob Kahn, the cypress tall against the blue morning sky and the wind warm on my face. It is the only sense left me, I hear him say. There are colors in the wind, Asher Lev. Find your demons again and return to your work. Colors wait for you in the wind. Things were too comfortable for you. An artist needs a broken world in order to have pieces to shape into art. Isn't that right, Asher Lev? Comfort is death to art. Asher Lev, artist. Asher Lev, troubler. Asher Lev, my future. His voice weaves through the wind, and I add to it the words of the psalmist, " 'Protect me, O God, for I seek refuge in You. I say to the Lord, Your are my benefactor; there is no one above You ... ' " The wind is red and black in the trembling cypress. — Chaim Potok

Train yourselves by seeking and acknowledging beauty moment by moment every day of your lives," he told them. "Exercise your eyes. Take pleasure in the grace of shape and the excitement of color. — Susan Vreeland

Every brush stroke on the canvas, every dab of color introduced, the fine textures impressed in the paint - this accumulation of many small acts combines to shape a final work of art. And so it is with life; each step, each deed, each brief choice builds gradually, day by day, to shape both character and destiny. — Richelle E. Goodrich

Provided with a case of pencils, and some sheets of paper, I used to take a seat apart from them, near the window, and busy myself in sketching fancy vignettes representing any scene that happened momentarily to shape itself in the ever-shifting kaleidoscope of imagination: a glimpse of sea between two rock; the rising moon, and a ship crossing its disc; a group of reeds and water-flags, and a naiad's head, crowned with lotus-flowers, rising out of them; an elf sitting in a hedge-sparrow's nest, under a wreath of hawthorn bloom. — Charlotte Bronte

The arts are not a frill. The arts are a response to our individuality and our nature, and help to shape our identity. What is there that can transcend deep difference and stubborn divisions? The arts. They have a wonderful universality. Art has the potential to unify. It can speak in many languages without a translator. The arts do not discriminate. The arts lift us up. — Barbara Jordan

The Blessing
Heads are covered by the Tallit, or prayer shawl; hands are extended out with the fingers splayed to form the shape of the letter Shin, the first letter in the word Shaddai, a name for the Almighty. The chant, in Hebrew, is loud and ecstatic: "May the Lord bless and keep you."
The Shekhina is summoned; the feminine essence of God. She enters the sanctuary to bless the congregation. The very sight of her, the awesome light emanating from the Shekhina, is dangerous to behold. — Leonard Nimoy

The mathematician may be compared to a designer of garments, who is utterly oblivious of the creatures whom his garments may fit. To be sure, his art originated in the necessity for clothing such creatures, but this was long ago; to this day a shape will occasionally appear which will fit into the garment as if the garment had been made for it. Then there is no end of surprise and delight. — George Dantzig

The novel ... creates a bemusing effect. The short story, on the other hand wakes the reader up. Not only that, it answers the primitive craving for art, the wit, paradox and beauty of shape, the longing to see a dramatic pattern and significance in our experience. — V.S. Pritchett

Eternity.-Thy name Or glad, or fearful, we pronounce, as thoughts Wandering in darkness shape thee. Thou strange being, Which art and must be, yet which contradict'st All sense, all reasoning,-thou, who never wast Less than thyself, and who still art thyself Entire, though the deep draught which Time has taken Equals thy present store-No line can reach To thy unfathomed depths. The reasoning sage Who can dissect a sunbeam, count the stars, And measure distant worlds, is here a child, And, humbled, drops his calculating pen. — Anna Letitia Barbauld

We have learned to whittle the Eden Tree to the shape of a surplice peg, We have learned to bottle our parents twain in the yelk of an addled egg. We know that the tail must wag the dog, for the horse is drawn by the cart, But the devil whoops, as he whooped of old; It's clever, but is it art? — Rudyard Kipling