Shakespeare Story Quotes & Sayings

With Westerns you have the landscape is important, and it's empty, and only you populate it. When you populate it, you can tell any kind story that Shakespeare told, you can tell in a Western. — Lawrence Kasdan

'Star Wars' is mythology. It's like Greek mythology or Shakespeare. It's the story of good versus evil over a very long span of time. The storytelling is universal and timeless. — Michael Franti

What if the greatest love story ever told was the wrong one? — Rebecca Serle

I am the girl who spends hours huddled in a corner of a library, trying to find what you love the most about Marlowe, just so I can write you a poem worthy of Shakespeare. I've made books my lovers, hours my enemies and you the only story. — Nikita Gill

When we can't understand the science behind something in this world, we make up mythological entities that we can relate to. We personify the forces of nature that mystify us, using our boundless imaginations to comfort us and make us feel like we have some control over these things that are much bigger than we are. — Chelsie Shakespeare

Every road and every step along it begins with a story. — Bill Willingham

All of that art-for-art's-sake stuff is BS," she declares. "What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren't writing about kings? All good art is political! There is none that isn't. And the ones that try hard not to be political are political by saying, 'We love the status quo.' We've just dirtied the word 'politics,' made it sound like it's unpatriotic or something." Morrison laughs derisively. "That all started in the period of state art, when you had the communists and fascists running around doing this poster stuff, and the reaction was 'No, no, no; there's only aesthetics.' My point is that is has to be both: beautiful and political at the same time. I'm not interested in art that is not in the world. And it's not just the narrative, it's not just the story; it's the language and the structure and what's going on behind it. Anybody can make up a story. — Toni Morrison

The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible. — Samuel Taylor Coleridge

He can see what move I'm planning to make in chess and counters before I can do it. He always knows who the killer is in a detective story. I think he could make a career out of detecting, but he wants to write plays for theater. Maybe he could be a Shakespeare instead of a Sherlock. He could be anything. Anything he wants to be. — Sangu Mandanna

I give you real world-changers like Homer, Jack Kirby, and the aforementioned Shakespeare as the archangels of pure story. — Bill Willingham

Far and away the greatest menace to the writer - any writer, beginning or otherwise - is the reader. The reader is, after all, a kind of silent partner in this whole business of writing, and a work of fiction is surely incomplete if it is never read. The reader is, in fact, the writer's only unrelenting, genuine enemy. He has everything on his side; all he has to do, after all, is shut his eyes, and any work of fiction becomes meaningless. Moreover, a reader has an advantage over a beginning writer in not being a beginning reader; before he takes up a story to read it, he can be presumed to have read everything from Shakespeare to Jack Kerouac. No matter whether he reads a story in manuscript as a great personal favor, or opens a magazine, or - kindest of all - goes into a bookstore and pays good money for a book, he is still an enemy to be defeated with any kind of dirty fighting that comes to the writer's mind. — Shirley Jackson

From the American retelling of Romeo and Juliet in West Side Story to the Japanese adaptation of King Lear in Ran, Shakespeare's cultural influence is virtually limitless. — Gordon Smith

It's a kind of Romeo and Juliet story in which Gul Makai and Musa Khan meet at school and fall in love. But they are from different tribes, so their love causes a war. However, unlike Shakespeare's play their story doesn't end in tragedy. Gul Makai uses the Holy Quran to teach her elders that war is bad and they eventually stop fighting and allow the lovers to unite. — Malala Yousafzai

But the point is that a story is exciting because it has in it so strong an element of will, of what theology calls free-will. You cannot finish a sum how you like. But you can finish a story how you like. When somebody discovered the Differential Calculus there was only one Differential Calculus he could discover. But when Shakespeare killed Romeo he might have married him to Juliet's old nurse if he had felt inclined. And Christendom has excelled in the narrative romance exactly because it has insisted on the theological free-will. — G.K. Chesterton

For Russians, to whom Pushkin's poem 'Eugene Onegin' is sacred text, the ballet's story and personae are as familiar and filled with meaning as, for instance, 'Romeo' and 'Hamlet' are for us. Russians know whole stretches of it by heart, the way we know Shakespeare and Italians know Dante. — Robert Gottlieb

There is nothing new, from Greek mythology to Shakespeare to every romcom ever made, we're just reimagining the same 12 story plots over and over again - so what makes people keep watching and listening? It's all about the character. — Jeremy Renner

Take a Nicodemus and put a Joseph Smith's spirit in him, and what do you have? Take a Da Vinci or a Michelangelo or a Shakespeare and give him a total knowledge of the plan of salvation of God and personal revelation and cleanse him and take a look at the statues he will carve and the murals he will paint and the masterpieves he will produce. Take a handel with his purposeful effort, his superb talent, his earnest desire to properly depict the story, and give him inward vision of the whole true story and revelation, and what a master you will have! — Brigham Young

The records - what little we know about Shakespeare, including the records of the plays in his playhouse - were often the story of how quickly they came off if they didn't work. They had to move on. They were absolutely led by box office. — Kenneth Branagh

a leading copyright commentator concludes - with good reason - that if Shakespeare's Romeo and Juliet were protected by copyright today, the Broadway musical West Side Story might well be found to infringe. — Neil Weinstock Netanel

I think going from doing TV and straight plays to Shakespeare is weird enough because you have this heightened language, and you are telling a story through metric poetry. But I think music is that place beyond poetry. — Tamsin Greig

He made me feel unhinged ... like he could take me apart and put me back together again and again. — Chelsie Shakespeare

Nobody with any real sense of humor *can* write a love story ... Shakespeare is the exception that proves the rule. (90-91) — L.M. Montgomery

Simplicity itself. Skin, debone, demarrow, scarify, melt, render down and destroy. Every adjective that counted, every verb that moved, every metaphor that weighed more than a mosquito
out! Every simile that would have made sub-moron's mouth twitch
gone! Any aside that explained the two-bit philosophy of a first-rate writer
lost!
Every story slenderized, starved, bluepenciled, leeched and bled white, resembled every other story. Twain read like Poe read Shakespeare read like Dostoevsky read like
in the finale
Edgar Guest. Every word of more than three syllables had been razored. Every image that demanded so much as one instant's attention
shot dead. — Ray Bradbury

This book tells the story of that moment in time. It is a story of high adventure set during the age of exploration - when Francis Drake, Henry Hudson, and Captain John Smith were expanding the boundaries of the world, and Shakespeare, Rembrandt, Galileo, Descartes, Mercator, Vermeer, Harvey, and Bacon were revolutionizing human thought and expression. — Russell Shorto

When King Lear dies in act five, do you know what Shakespeare has written? He has written, 'He dies.' No more. No fanfare, no metaphor, no brilliant final words. The culmination of the most influential piece of dramatic literature is, 'He dies.' Now I am not asking you to be happy at my leaving but all I ask you to do is to turn the page and let the next story begin.
Mr. Magorium — Suzanne Weyn

Troy sighed with frustration. "Let me get this straight. We're stuck in the story of Romeo and Juliet and we can't get home without a magic charm from Shakespeare's quill, which doesn't exist in this world. However, we might be able to get home when the story ends, but if Romeo and Juliet don't meet, then we don't have a story. More important, we don't have an ending."
Friar Laurence tsk tsked. He placed his speckled hand on Troy's forehead. "Bless you, my son, but a fever has muddled your mind. — Suzanne Selfors

A great editor sees the Story globally and microscopically at the same time. He has x-ray vision. He looks down from thirty thousand feet. A great editor can break down a narrative into themes, concepts, acts, sequences, scenes, lines, beats. A great editor has studied narrative from Homer to Shakespeare to Quentin Tarantino. He can tell you what needs fixing, and he can tell you how to fix it. — Shawn Coyne

Because women are such potent ingredients of men's imaginations, we see how much power men feel women have over them, and how women must be suppressed, defanged, or idealized in one way or another. How, with Eve, they are often thought to be the root of the evil in the world -which says more about the man or men who wrote that story than about Eve herself. Eve is curious and wants knowledge, not power over others. [...] Both onstage and offstage, women have two levels of understanding concerning how to behave -one, to behave the way men want them to behave and forget that what they want might be different; two, to find out how they really feel and decide whether or not they are going to act on it! — Tina Packer

The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills. — George Orwell

The longer I lived, the longer it would be until I saw him alive again, until I could taste his new lips and run my fingers through his new hair. We could be young and beautiful again ... — Chelsie Shakespeare

Havna ye heard how the ancient Greeks associated sparrows with Aphrodite, the goddess of love?"...
"Och, 'tis no story. 'Tis the truth I give: When sparrows mated, it was due to their abandoned nature." His head inclined so he could whisper a kiss to her neck, sending shivers from her shoulders to the soles of her feet. "Even Chaucer and Shakespeare wrote about the sparrow's lustful conduct. — Vonnie Davis

If I'm serious, yes, I'd like to have done what Shakespeare did ... to act and write. You learn so much from acting. One of our great writers, Alan Bennett, does both supremely well. When I write a story, I tend to speak it aloud as I'm writing it. — Michael Morpurgo

A mental shutdown can happen when a young person is put in front of a Shakespeare play. My pieces are designed to release young audiences into the story and then creep up with the real Shakespeare, almost by stealth. — Tim Crouch

Shakespeare gives you these clues - these little pieces of gold dust, I call them. They tell you so much about the story, the character, the drive, the intentions. It's like a gift. — Christian Camargo

There's a reason Tony Stark makes fun of 'Thor,' and mentions 'Shakespeare' in the park in 'The Avengers.' It's great to play high drama and comedy alongside a modern story. — Joss Whedon

And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story. — Julie Taymor

We have already shown by references to the contemporary drama that the plea of custom is not sufficient to explain Shakespeare's attitude to the lower classes, but if we widen our survey to the entire field of English letters in his day, we shall see that he was running counter to all the best traditions of our literature. From the time of Piers Plowman down, the peasant had stood high with the great writers of poetry and prose alike. Chaucer's famous circle of story-tellers at the Tabard Inn in Southwark was eminently democratic. — William Shakespeare

He would reach for me in the middle of the night, nearly every single night, wrapping one of those solid arms around my waist and pulling me in close. So. Close. — Chelsie Shakespeare

In ordinary times we get along surprisingly well, on the whole, without ever discovering what our faith really is.If, now and again, this remote and academic problem is so unmannerly as to thrust its way into our minds, there are plenty of things we can do to drive the intruder away. We can get the car out or go to a party or to the cinema or read a detective story or have a row with a district council or write a letter to the papers about the habits of the nightjar or Shakespeare's use of nautical metaphor. Thus we build up a defense mechanism against self-questioning because, to tell the truth, we are very much afraid of ourselves. — Dorothy L. Sayers