Shakespeare S Plays Quotes & Sayings

It is immensely rewarding to work carefully with Shakespeare's language so that the words, the sentences, the wordplay, and the implied stage action all become clear - as readers for the past four centuries have discovered. It may be more pleasurable to attend a good performance of a play - though not everyone has thought so. But the joy of being able to stage one of Shakespeare's plays in one's imagination, to return to passages that continue to yield further meanings (or further questions) the more one reads them - these are pleasures that, for many, rival (or at least augment) those of the performed text, and certainly make it worth considerable effort to "break the code" of Elizabethan poetic drama and let free the remarkable language that makes up a Shakespeare text. — William Shakespeare

In actual fact, however, the revolt of Ibsen and Shaw against the conventional nineteenth century drama could very well be described as a return to Shakespeare, as an attempt once again to present human beings in their historical and social setting and not, as playwrights since the Restoration had done, either as wholly private or as embodiments of the social manners of a tiny class. Shakespeare's plays, it is true, are not, in the Shavian sense, "dramas of thought," that is to say, not one of his characters is an intellectual: it is true, as Shaw says, that, when stripped of their wonderful diction, the philosophical and moral views expressed by his characters are commonplaces, but the number of people in any generation or society whose thoughts are not commonplace is very small indeed. On the other hand, there is hardly one of his plays which does not provide unending food for thought, if one cares to think about it. — W. H. Auden

Books have survived television, radio, talking pictures, circulars (early magazines), dailies (early newspapers), Punch and Judy shows, and Shakespeare's plays. They have survived World War II, the Hundred Years' War, the Black Death, and the fall of the Roman Empire. They even survived the Dark Ages, when almost no one could read and each book had to be copied by hand. They aren't going to be killed off by the Internet. — Vicki Myron

You know how they categorize Shakespeare's plays, right? If it ends with a wedding, it's a comedy. And if it ends with a funeral, it's a tragedy. — Robyn Schneider

Shakespeare pulls on us and demands the best of us. You never successfully wrestle one of his plays to the ground and say, 'See? That's It!' — Jack O'Brien

You travel the world, you go see different things. I like to see Shakespeare plays, so I'll go - I mean, even if it's in a different language. I don't care, I just like Shakespeare, you know. I've seen Othello and Hamlet and Merchant of Venice over the years, and some versions are better than others. Way better. It's like hearing a bad version of a song. But then somewhere else, somebody has a great version. — Bob Dylan

Shakespeare scholars just sigh and consign the book to the great pantheon of revelations .. I am accustomed to fanatics who get a funny look in the eye when they come to speak to me how about the Earl of Oxford or Marlowe really wrote the plays. She spoke rationally, and it's an intelligently readable book, but it floats way above the facts, as I told her. — William Shakespeare

Classical plays require more imagination and more general training to be able to do. That's why I like playing Shakespeare better than anything else. — Vivien Leigh

Shakespeare is God, of course. I have studied his plays for the vast majority of my sentient life. When I was a kid, my parents found an old copy of the LP recording of Richard Burton in John Gielgud's Broadway production of Hamlet and they gave it to me for my birthday. I listened to it till the grooves wore thin and I was off and running. — Ken Ludwig

On, I don't think I'm a genius!' cried Josie, growing calm and sober as she listened to the melodious voice and looked into the expressive face that filled her with confidence, so strong, sincere and kindly was it. 'I only want to find out if I have talent enough to go on, and after years of study be able to act well in any of the good plays people never tire of seeing. I don't expected to be a Mrs. Siddons or a Miss Cameron, much as I long to be; but it does seem as if I had something in me which can't come out in any way but this. When I act I'm perfectly happy. I seem to live, to be in my own world, and each new part is a new friend. I love Shakespeare, and am never tired of his splendid people. Of course I don't understand it all; but it's like being alone at night with the mountains and the stars, solemn and grand, and I try to imagine how it will look when the sun comes up, and all is glorious and clear to me. I can't see, but I feel the beauty, and long to express it. — Louisa May Alcott

He reads much;
He is a great observer and he looks
Quite through the deeds of men: he loves no plays,
As thou dost, Antony; he hears no music;
Seldom he smiles, and smiles in such a sort
As if he mock'd himself and scorn'd his spirit
That could be moved to smile at any thing.
Such men as he be never at heart's ease
Whiles they behold a greater than themselves,
And therefore are they very dangerous. — William Shakespeare

I can't think of anything worse than calling Shakespeare 'highbrow,' because on the one hand, it's brilliant writing. But his plays were popular. People went to see them. — Timothy Dalton

Faced with a wealth of text but a poverty of context, scholars have focused obsessively on what they can know. They have counted every word he wrote, logged every dib and jot. They can tell us (and have done so) that Shakespeare's works contain 138,198 commas, 26,794 colons, and 15,785 question marks; that ears are spoken of 401 times in his plays; that dunghill is used 10 times and dullard twice; that his characters refer to love 2,259 times but to hate just 183 times; that he used damned 105 times and bloody 226 times, but bloody-minded only twice; that he wrote hath 2,069 times but has just 409 times; that all together he left us 884,647 words, made up of 31,959 speeches, spread over 118,406 lines. — Bill Bryson

In designing the scenery and costumes for any of Shakespeare's plays, the first thing the artist has to settle is the best date for the drama. This should be determined by the general spirit of the play more than by any actual historical references which may occur in it. — Oscar Wilde

Many people know that Shakespeare's dramatic 'canon' was established in 1623 by the publication of the so-called First Folio. That hefty volume contained thirty-six plays. — Michael Dirda

Romeo and Juliet
Romeo and Juliet is a tragic play written early in the career of William Shakespeare about two teenage "star-cross'd lovers" whose untimely deaths ultimately unite their feuding households. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays. Today, the title characters are regarded as archetypal "young lovers". (From Wikipedia) — Jane Austen

It is often noted, for instance, that Shakespeare's plays are full of ocean metaphors ("take arms against a sea of troubles," "an ocean of salt tears," "wild sea of my conscience") and that every one of his plays has at least one reference to the sea in it somewhere. — Bill Bryson

The anti-Stratfordians hold that Shakespeare didn't write Shakespeare's plays - it was another fellow of the same name, or of a different name. In this they invert the megalomaniacal equation and make themselves not the elect, but the superior of the elect. Barred from composing Shakespeare's plays by a regrettable temporal accident, they, in the fantasy of most every editor, accept the mantle of primum mobile, consign the (falsely named) creator to oblivion, and turn to the adulation of the crowd for their deed of discovery and insight - so much more thoughtful and intellectual than the necessarily sloppy work of the writer. — David Mamet

Shakespeare's plays were a great Teutonic Valhalla with brilliant sunshine at times and violent tempests at others. The world to him was a battlefield, but his sense of poetic justice, his sublime faith in life and its infinite resources, guided the battles. — Bjornstjerne Bjornson

In Shakespeare's plays, the mourner hastening to bury his friend is all the time colliding with the reveller hastening to his wine. — Samuel Johnson

...There thou mightst behold the great image of authority: a dog's obey'd in office. - Thou rascal beadle, hold thy bloody hand! Why dost though lash that whore? Strip thine own back; Thou hotly lusts to use her in that kind For which thou whipst her. The usurer hangs the cozener. — William Shakespeare

Shakespeare's plays often turn on the idea of fate, as much drama does. What makes them so tragic is the gap between what his characters might like to accomplish and what fate provides them. — Nate Silver

Shakespeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend; in which the malignity of one is sometimes defeated by the frolick of another; and many mischiefs and many benefits are done and hindered without design. — Samuel Johnson

All of Shakespeare's plays were written under this law of censorship, which is why they are set in the past or in foreign countries, separated from the hot topics of Elizabethan and Jacobean England by the dramatic distance of time or space. — William Shakespeare

Plays are frequently infected with ideas that came from actors or even sound engineers. Some Shakespeare scholars wonder whether some of the Bard's lines came from onstage improvisations by actors. — Clive Thompson

Men and women in their very essence -in their souls if you wish- have natural parity. (...) This was a relatively new idea at the time [of Shakespeare]. It ran counter to the teaching in the Bible -Eve's being made out of Adam's rib to be his helpmate -which was the basis for the idea, held for so long, that women do not have souls of their own but are dependent on their fathers' and husbands' . — Tina Packer

He [Hamlet] sees ghosts and listens to dreams. And when his ghost father tells him that he (Hamlet Senior) was killed by his brother and asks Hamlet Junior to avenge his death, in the right, honorable way, Hamlet says yes, yes, yes, he'll do it.
But somehow he never gets round to it. Not like the other two young men in the play. The Norwegian Prince Fortinbras(...) has made his life [!!] pursuing the honor that his father lost when Hamlet Senior beat him in single combat. (...). When the lord chamberlain,Polonius, is killed, his son, Laertes, returns to the court immediately, demanding restitution, (...).
So there is no shortage of examples of how young men are expected to and do act in this world where honor demands an eye for an eye, a tooth for a tooth, a life for a life. But Hamlet doesn't do it. Instead, he beats up on his girlfriend and he's cruel to his mother. — Tina Packer

Doing Shakespeare once is not fair to the play. I have been in Shakespeare plays when it's not until the last two or three performances when I even understand certain things. In the old days star actors would travel the world doing the same parts over and over again. — Al Pacino

Looking for God-or Heaven-by exploring space is like reading or seeing all Shakespeare's plays in the hope that you will find Shakespeare as one of the characters ... — C.S. Lewis

Shakespeare is the outstanding example of how that can be done. In all of Shakespeare's plays, no matter what tragic events occur, no matter what rises and falls, we return to stability in the end. — Charlton Heston

One reason why Shakespeare's plays remain so popular is that they're now regularly presented in updated stagings with a contemporary flavor. — Terry Teachout

Like Princes crowned they bore them
Like Demi-Gods they wrought,
When the New World lay before them
In headlong fact and thought.
Fate and their foemen proved them
Above all meed of praise,
And Gloriana loved them,
And Shakespeare wrote them plays!
...
Now Valour, Youth, and Life's delight break forth
In flames of wondrous deed, and thought sublime
Lightly to mould new worlds or lightly loose
Words that shall shake and shape all after-time!
Giants with giants, wits with wits engage,
And England-England-England takes the breath
Of morning, body and soul, till the great Age
Fulfills in one great chord:
Elizabeth! — Rudyard Kipling

I love that he's both comic and tragic, and highly poetic but also just dirty at times ... I love that within the world of Shakespeare's plays, the whole world is sort of encompassed in a certain way. — Lauren Groff

WHEN SCHOLARS TALK ABOUT THE SOURCES OF SHAKESPEARE'S PLAYS, they almost always mean printed books like Raphael Holinshed's Chronicles — James Shapiro

Make a mistake in the interpretation of one of Shakespeare's plays, falsely scan a piece of Spenserian verse, and there is unlikely to be an entailment of eternal consequence; but we cannot lightly accept a similar laxity in the interpretation of Scripture. We are dealing with God's thoughts: we are obligated to take the greatest pains to understand them truly and to explain them clearly. — D. A. Carson

I have been right, Basil, haven't I, to take my love out of poetry, and to find my wife in Shakespeare's plays? Lips that Shakespeare taught to speak have whispered their secret in my ear. I have had the arms of Rosalind around me, and kissed Juliet on the mouth. — Oscar Wilde

Bernard sank into a yet more hopeless misery.
"But why is it prohibited?" asked the Savage. In the excitement of meeting a man who had read Shakespeare he had momentarily forgotten everything else.
The Controller shrugged his shoulders. "Because it's old; that's the chief reason. We haven't any use for old things here."
"Even when they're beautiful?"
"Particularly when they're beautiful. Beauty's attractive, and we don't want people to be attracted by old things. We want them to like the new ones."
"But the new ones are so stupid and horrible. Those plays, where there's nothing but helicopters flying about and you feel the people kissing." He made a grimace. "Goats and monkeys!" Only in Othello's word could he find an adequate vehicle for his contempt and hatred. — Aldous Huxley

Robert Burton's The Anatomy of Melancholy (1621) was a profoundly important analysis of human states of mind - a kind of early philosophical/ psychological study. He sees 'melancholy' as part of the human condition, especially love melancholy and religious melancholy. His concerns are remarkably close to those which Shakespeare explores in his plays. Ambition, for example, Burton describes as 'a proud covetousness or a dry thirst of Honour, a great torture of the mind, composed of envy, pride and covetousness, a gallant madness' - words which could well be applied to Macbeth. — Ronald Carter

But Shakespeare one gets acquainted with without knowing how. It is a part of an Englishman's constitution. His thoughts and beauties are so spread abroad that one touches them everywhere; one is intimate with him by instinct. No man of any brain can open at a good part of one of his plays without falling into the flow of his meaning immediately. — Jane Austen

I went to drama school for four years at Carnegie Mellon, conservatory training before television comedy. I was doing Shakespeare and Chekov plays. It's about delivering on the promise of a $100,000 education and taking the shackles off and trying the hand at my craft. I'm thrilled with what I've seen so far. — Josh Gad

She [Cressida] knows it is men's sexual desire that makes women "angels" before they have been able to possess them; once possessed, women are "things" [Troilus and Cressida I.2, 225-28, 233-34]. — Tina Packer

It's the remarkable thing about academics: they look at Shakespeare and always see their own faces in him. — Amanda Craig

In such a wild, uncharted place the book of God was vital, for it nourished their spirit and laid boundaries for their conduct. Other subjects simply had no relevance. Trigonometry and calculus would not help them find their way among the mountain trails. Adam Smith's economics were of no consequence in the matter of planting corn and breeding cattle. Nor did they need the essays of Plato or the plays of Shakespeare to teach them how to shoot a rifle, or to make clothes from animal skins, or to clear away the wilderness with their own bare hands. — James Webb

To put it one way, a collection of Shakespeare's plays is richer than a phone book that uses the same number of letters; to put it another, the essence of information lies in the relationships among bits, not their sheer number. — Hans Christian Von Baeyer

During the Government's recent overhaul of GCSEs, I was asked to join a consultative group advising on the English Literature syllabus. It quickly became clear that the minister wanted to prescribe two Shakespeare plays for every 16-year-old in the land. I argued, to the contrary, that there should be one Shakespeare play and one play by anybody except Shakespeare. It cannot be in Shakespeare's interest for teenagers to associate him with compulsion, for his plays and his alone to have the dreaded status of set books. — Jonathan Bate

Art is enchantment and artists have the right of spells ... The success of later Shakespeare is the success of spells, where every element, however uneven, however incredible, is fastened to the next with perfect authority. The enchanted world shimmers but does not waver. A Midsummer Night's Dream is the first of his plays to accomplish this, The Tempest is enchantment's apotheosis. — Jeanette Winterson

[Talking about ancient Greece](...) the great institutions (...) were created by older males who then trained younger males. They all had a strong homoerotic element. (...) This thereby increased the "rightness" of masculinity, never mind that half the world was feminine. That other half was also interested in philosophy, the arts, the law, religion, and athletics, but they had this other task -bringing children to term and nurturing them through the early years of their lives. And doing it again and again. Not that this gave status to women. On the contrary, the man's seed made the child. A woman was simply the receptacle provided by nature to carry the child until it was ready to come out. (...) — Tina Packer

Every time we moved on, I joined a different class in a different school with different girls until, aged 13, my father had taken the decision to pull me out of school altogether. Everything I needed, he reasoned, could be found within the rich language of Shakespeare's plays at which, by then, I was something of an old hand. — Felicity Kendal

I was too young that time to value her,
But now I know her. If she be a traitor,
Why, so am I. We still have slept together,
Rose at an instant, learned, played, eat together,
And wheresoe'er we went, like Juno's swans,
Still we went coupled and inseparable. — William Shakespeare

Mobile phones would have wrecked the plots of most of Shakespeare's plays. — Jackie French

I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies. — Umberto Eco

All the great Shakespeare plays are about killing. 'Alas, poor Yorick,' that's about death. And in 'Romeo and Juliet' everyone up ends up dying. The greatest dramas in the world are all about sex, violence and death. — Ray Winstone

Immersing myself in Shakespeare's plays, reading them closely under the guidance of a brilliant, plain-spoken professor changed my life: It opened up the great questions; it put my petty problems into perspective. It got me out of bed in the mornings and kept me in the library late into the night. — Jhumpa Lahiri

Let's say there was a burning building and you could rush in and you could save only one thing: either the last known copy of Shakespeare's plays or some anonymous human being. What would you do? — Woody Allen

When I started in the theater, I'd do plays by Shakespeare or Ibsen or Chekhov, and they all created great women's roles. — Annette Bening

Exposure is about, among other things, the ferocity of the press and the way - in an echo of some of Shakespeare's plays - the modern media creates heroes to destroy them. — Mal Peet

Under the greenwood tree,
Who loves to lie with me
And tune his merry note,
Unto the sweet bird's throat;
Come hither, come hither, come hither.
Here shall he see
No enemy
But winter and rough weather. — William Shakespeare

It may take a decade or two before the extent of Shakespeare's collaboration passes from the graduate seminar to the undergraduate lecture, and finally to popular biography, by which time it will be one of those things about Shakespeare that we thought we knew all along. Right now, though, for those who teach the plays and write about his life, it hasn't been easy abandoning old habits of mind. I know that I am not alone in struggling to come to terms with how profoundly it alters one's sense of how Shakespeare wrote, especially toward the end of his career when he coauthored half of his last ten plays. For intermixed with five that he wrote alone, Antony and Cleopatra, Coriolanus, The Winter's Tale, Cymbeline, and The Tempest, are Timon of Athens (written with Thomas Middleton), Pericles (written with George Wilkins), and Henry the Eighth, the lost Cardenio, and The Two Noble Kinsmen (all written with John Fletcher). — James Shapiro

A witty and informative professor posits that more authors do not choose titles borrowed from Shakespeare's sonnets and plays for the reason some people claim not to have partners: "All the good ones are taken." — Thomas C. Foster

I played a little basketball, but basketball interfered with theater season. That's when we did our term plays and did nutshell versions of Shakespeare for English classes. And, believe me, I got a fair amount of looks from the guys on the team. 'You're in theater but you can play football?' — Dennis Haysbert

A brilliant treatment of the history of Purgatory in England and its survivals and echoes throughout Shakespeare's plays, above all Hamlet. — Carol Zaleski

I think reading Shakespeare's plays when I was young was extremely important. He had the ability to make utter strangers come alive. — Rita Dove

[Shakespeare realized that] Women are able to understand themselves better on a personal level and survive in the world if they dress in men's clothing, thus living underground, safe (...). The presence of women disguising themselves as men dictates that the play be a comedy; women remaining in their frocks, a tragedy. In four great tragedies -Julius Caesar, Hamlet, Othello, and King Lear- almost all the women die (...).
How much the women have to adhere to the rules and regulations of their enviroment makes a large difference. Once Rosalind [disguised as a man in As You Like It] has run away from the court, she has no institutional structures to deal with. Ophelia [in her frocks] is surrounded tightly by institutional structures of family, court, and politics; only by going mad can be get out of it all. — Tina Packer

Because women are such potent ingredients of men's imaginations, we see how much power men feel women have over them, and how women must be suppressed, defanged, or idealized in one way or another. How, with Eve, they are often thought to be the root of the evil in the world -which says more about the man or men who wrote that story than about Eve herself. Eve is curious and wants knowledge, not power over others. [...] Both onstage and offstage, women have two levels of understanding concerning how to behave -one, to behave the way men want them to behave and forget that what they want might be different; two, to find out how they really feel and decide whether or not they are going to act on it! — Tina Packer

If you look at Shakespeare's history plays, what the setting of monarchy allows is this extraordinary intensification of emotions and predicament. — Tom Hooper

I've done maybe twelve of Shakespeare's plays. I was with the Royal Shakespeare Company for years. Whatever influence that has never leaves you. If you learn to drive a car, and you learn the right way if there is ever a right way. You learn the good aspects, you learn to drive properly. And that never leaves you. — Charles Dance

Let's not play games, Mr. Cratchett," I replied. "I wanted to let you know that I'll be coming in for an appointment with Mr. Raisin on Tuesday morning at eleven o'clock. I shall need about an hour and would prefer it if we were not disturbed during that time. I hope that he will be free at that hour but just so you both know, if he is not, then I am perfectly willing to sit in your office until he is free. I shall bring a book with me to pass the time. I shall bring two, if need be. I shall bring the complete works of Shakespeare if he insists on keeping me waiting interminably and those plays will get me through the long hours. But I will not leave until I have seen him, are we quite clear on that? Now, I wish you a very pleasant Sunday, Mr. Cratchett. Enjoy your lunch, won't you? Your breath smells of whisky. — John Boyne

You know I can't stand Shakespeare's plays, but yours are even worse. — Leo Tolstoy

Despite modifying his writing to suit the audiences, despite writing plays to draw large crowds, despite using other people's materials and copying plotlines from history, Shakespeare remains the preeminent artist of the English language and his reputation has reached such stratospheric heights as to border on idolatry (or Bardolatry as some people call it). Shakespeare was a product of his time and learned from his peers, but his plays transcend his time as all great works do - his genius is his own. As Ralph Waldo Emerson put it, Where is the master who could have taught Shakespeare? — William Shakespeare

Shakespeare's plays are more violent than 'Scarface.' — Al Pacino

Learning (Shakespeare's plays) ... in school was a bit of a bore. — Al Pacino

The difficulty in the way of writing a children's play is that Barrie was born too soon. Many people must have felt the same about Shakespeare. We who came later have no chance. What fun to have been Adam, and to have had the whole world of plots and jokes and stories at one's disposal. — A.A. Milne

Life is the tragedy,' she said bitterly. 'You know how they categorize Shakespeare's plays, right? If it ends with a wedding, it's a comedy. And if it ends with a funeral, it's a tragedy. So we're all living tragedies, because we all end the same way, and it isn't with a goddamn wedding. — Robyn Schneider

You're just trying on different identities, like everyone in those Shakespeare plays. And the people we pretend at, they're already in us. That's why we pretend them in the first place. — Gayle Forman

You've never heard of the Trickster King?" Puck asked, shocked.
The girls shook their heads.
"The Prince of Fairies? Robin Goodfellow? The Imp?"
"Do you work for Santa?" Daphne asked.
"I'm a fairy, not an elf!" Puck roared. "You really don't know who I am! Doesn't anyone read the classics anymore? Dozens of writers have warned about me. I'm in the most famous of all of William Shakespeare's plays."
"I don't remember any Puck in Romeo and Juliet," Sabrina muttered, feeling a little amused at how the boy was reacting to his non-celebrity.
"Besides Romeo and Juliet!" Puck shouted. "I'm the star of a Midsummer Night's Dream!"
"Congratulation," Sabrina said flatly. "Never read it. — Michael Buckley

Let's dispel the idiotic notion that the plays were not written by Shakespeare. Of course they were written by Shakespeare. How can we look at someone with a body of work like Mozart and say that a human being is not capable of a body of work like Shakespeare's with language? We can't. He wrote the plays. — Paul Barnes

This fellow is wise enough to play the fool;
And to do that well craves a kind of wit:
He must observe their mood on whom he jests,
The quality of persons, and the time,
And, like the haggard, check at every feather
That comes before his eye. This is a practise
As full of labour as a wise man's art
For folly that he wisely shows is fit;
But wise men, folly-fall'n, quite taint their wit. — William Shakespeare

Merciful heaven, Thou rather with thy sharp and sulphurous bolt Splits the unwedgeable and gnarled oak Than the soft myrtle; but man, proud man, Dressed in a little brief authority, Most ignorant of what he's most assured His glassy essence
like an angry ape Plays such fantastic tricks before high heaven As makes the angels weep; who, with our spleens, would all themselves laugh mortal. — William Shakespeare

[Talking about Rosalind in As You Like It] She disguises herself as a boy, drops all the covering inhibitions of "femininity", and really searches for her true self (...) Her disguise gives her the ability to find out about herself, what she really thinks and feels (...). And she can do all this freely, without having anyone in power tell her how women should or should not behave.(...) — Tina Packer

One reason current discussions of justice are so impoverished is that our heterogeneous society does not have many shared texts. Shakespeare's plays are among the few secular texts that remain common enough and complex enough to sustain these conversation. His answers to our dilemmas may not "bear on all points." Yet they teach us not to underestimate the action of the flower. — Kenji Yoshino

I'm fascinated by failure, and I'm fascinated by finality. Shakespeare's historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful. — George Hickenlooper

It's the one touch of nature that makes the whole world kin. (That isn't original. I got it out of one of Shakespeare's plays). However, — Jean Webster

I was already devouring literature and I was the ripe old age of 15 when I decided to be an actor. I just thought plays were the most fantastic way of expressing life. I thought I'd discovered Shakespeare - 'hey, there's a new guy in town, don't know if anyone's read him.' I was just excited about the whole thing, from day one. — Chiwetel Ejiofor

One of the most painful parts of teaching mathematics is seeing students damaged by the cult of the genius. The genius cult tells students it's not worth doing mathematics unless you're the best at mathematics, because those special few are the only ones whose contributions matter. We don't treat any other subject that way! I've never heard a student say, "I like Hamlet, but I don't really belong in AP English - that kid who sits in the front row knows all the plays, and he started reading Shakespeare when he was nine!" Athletes don't quit their sport just because one of their teammates outshines them. And yet I see promising young mathematicians quit every year, even though they love mathematics, because someone in their range of vision was "ahead" of them. — Jordan Ellenberg

If we divide human attributes into "masculine" and "feminine" and strengthen only those attributes that "belong" to that sex, we cut off half of ourselves from ourselves as human beings, condemned forever to search for our other half. The world is in desperate need of multilayered human beings with the voices, stamina, and insight to break through our current calcified ways of doing things, (...) The patriarchal structures of honor, shame, violence, and might is right, do as much harm to Hamlet, Edgar, Lear, and Coriolanus as they do to Ophelia, Desdemona, Lady Macduff (...)
(...) To have feelings, intuitive flights of understanding, a desire to have knowledge of what is happening below the surface, to serve. These are often called "feminine" attributes, and it is true that many women in the plays possess them. But they also belong to Kent, Ferdinand, Florizel, Camillo, as well as the women. So they are not "feminine" attributes: they are human attributes. — Tina Packer

You may be able to read Bernard Shaw's plays, you may be able to quote Shakespeare or Voltaire or some new philosopher; but if you in yourself are not intelligent, if you are not creative, what is the point of this education? — Jiddu Krishnamurti