Shakespeare Comedy Quotes & Sayings

Either to die the death or to abjure
For ever the society of men.
Therefore, fair Hermia, question your desires;
Know of your youth, examine well your blood,
Whether, if you yield not to your father's choice,
You can endure the livery of a nun,
For aye to be in shady cloister mew'd,
To live a barren sister all your life,
Chanting faint hymns to the cold fruitless moon.
Thrice-blessed they that master so their blood,
To undergo such maiden pilgrimage;
But earthlier happy is the rose distill'd,
Than that which withering on the virgin thorn
Grows, lives and dies in single blessedness. — William Shakespeare

BOTTOM
There are things in this comedy of Pyramus and Thisby that will never please. First, Pyramus must draw a sword to kill himself; which the ladies
cannot abide. How answer you that?

SNOUT
By'r lakin, a parlous fear.

STARVELING
I believe we must leave the killing out, when all is done.

BOTTOM
Not a whit: I have a device to make all well.
Write me a prologue; and let the prologue seem to
say, we will do no harm with our swords, and that
Pyramus is not killed indeed; and, for the more
better assurance, tell them that I, Pyramus, am not
Pyramus, but Bottom the weaver: this will put them
out of fear.

QUINCE
Well, we will have such a prologue; and it shall be
written in eight and six.

BOTTOM
No, make it two more; let it be written in eight and eight. — William Shakespeare

A comedy isn't about being funny ... a comedy is about characters who dare to know that they may choose a happy ending after all. — Gary D. Schmidt

You know how they categorize Shakespeare's plays, right? If it ends with a wedding, it's a comedy. And if it ends with a funeral, it's a tragedy. — Robyn Schneider

I have always considered The Merry Wives one of the worst plays, if not altogether the worst, that Shakespeare has left us. The wit for the most part is dreary or foolish; the tone is coarse and farcical; and the characters want the fine distinctive touches he so well knew how to give. If some luckless wight had written such a comedy in our time, I should like to see what the critics would say to it? — George Henry Lewes

Joy and grief are never far apart. In the same street the shutters of one house are closed, while the curtains of the next are brushed by shadow of the dance. A wedding-party returns from church, and a funeral winds to its door. The smiles and the sadness of life are the tragi-comedy of Shakespeare. Gladness and sighs brighten and dim the mirror he beholds. — Robert Aris Willmott

I love the romantic comedy genre. It's a genre rich with many of the best movies ever made and I try to treat it with the respect that Shakespeare treated it with. — Nicholas Stoller

Your Honor's players, hearing your amendment,
Are come to play a pleasant comedy,
For so your doctors hold it very meet,
Seeing too much sadness hath congealed your blood,
And melancholy is the nurse of frenzy.
Therefore they thought it good you hear a play
And frame your mind to mirth and merriment,
Which bars a thousand harms and lengthens life. — William Shakespeare

I got into musical comedy because of Shakespeare, not because of singing. They needed someone to understudy Richard Burton. I was also going to musical auditions because the agent I had insisted I go to them. — John Cullum

If it really was Queen Elizabeth who demanded to see Falstaff in a comedy, then she showed herself a very perceptive critic. But even in The Merry Wives of Windsor, Falstaff has not and could not have found his true home because Shakespeare was only a poet. For that he was to wait nearly two hundred years till Verdi wrote his last opera. Falstaff is not the only case of a character whose true home is the world of music; others are Tristan, Isolde and Don Giovanni. — W. H. Auden

I went from an unemployed actor's life to doing stand-up comedy, and that was fortuitous. It's not the usual way the crow flies, going from being in a TV sketch show to playing one of Shakespeare's finest characters, but, hey, that's the way it has happened. — Catherine Tate

If the distinction is not held too rigidly nor pressed too far, it is interesting to think of Shakespeare's chief works as either love dramas or power dramas, or a combination of the two. In his Histories, the poet handles the power problem primarily, the love interest being decidedly incidental. In the Comedies, it is the other way around, overwhelmingly in the lighter ones, distinctly in the graver ones, except in Troilus and Cressida
hardly comedy at all
where without full integration something like a balance is maintained. In the Tragedies both interests are important, but Othello is decidedly a love drama and Macbeth as clearly a power drama, while in Hamlet and King Lear the two interests often alternate rather than blend. — Harold Clarke Goddard

Don Pedro - ( ... )'In time the savage bull doth bear the yoke.'
Benedick - The savage bull may, but if ever the sensible Benedick bear it, pluck off the bull's horns and set them in my forehead, and let me be vildly painted; and in such great letters as they writes, 'Here is good horse for hire', let them signify under my sign, 'Here you may see Benedick the married man. — William Shakespeare

Actors are so fortunate. They can choose whether they will appear in tragedy or in comedy, whether they will suffer or make merry, laugh or shed tears. But in real life it is different. Most men and women are forced to perform parts for which they have no qualifications. Our Guildensterns play Hamlet for us, and our Hamlets have to jest like Prince Hal. The world is a stage, but the play is badly cast. — Oscar Wilde

Aidan: "From the moment I laid eyes on her she was trouble to my concentration, my libido, and my mental health. After six weeks of pursuit, I'd trapped her between my upraised arms against a book case, somewhere betwixt Shakespeare and Voltaire. "I want the witchcraft in your lips," I'd whispered. Instead of arguing, she grabbed me by the ears. She'd been soft lips, liberal tongue and nipping teeth. I'd contributed a willing body and a vulgar groan. She'd drawn away, licked her lips and ducked underneath my arms. When she was about three yards from me, she's tilted her head up like a siren on the bow of a ship and pursed a devil-may-care smile at me before she bowed. She'd challenged me to pursue her, and I'd intended to, but when I pushed off, the bookcase fell backwards. I tumbled into a heap of literary tombs. I could still hear her laughing when the library's elevator door chimed closed. — Elizabeth Marx

I wanted to play a TV detective because it's a rite of passage; I wanted to experience every area of acting. I haven't done comedy or as much Shakespeare as I had intended. — Olivia Williams

The best actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical-pastoral, tragical-historical, tragical-comical-historical-pastoral, scene individable, or poem unlimited. Seneca cannot be too heavy, nor Plautus too light. For the law of writ and the liberty, these are the only men.
Polonius — William Shakespeare

Well, what do you know? Fakespeare! — Hillary DePiano

I love physical comedy. I love Oscar Wilde, I love Shakespeare comedies, I love improv. — Elizabeth Banks

As regards structure, comedy has come a long way since Shakespeare, who in his festive conclusions could pair off any old shit and any old fudge-brained slag (see Claudio and Hero in Much Ado) and get away with it. But the final kiss no longer symbolizes anything and well-oiled nuptials have ceased to be a plausible image of desire. That kiss is now the beginning of the comic action, not the end that promises another beginning from which the audience is prepared to exclude itself. All right? We have got into the habit of going further and further beyond the happy-ever-more promise: relationships in decay, aftermaths, but with everyone being told a thing or two about themselves, busy learning from their mistakes. So, in the following phase, with the obstructive elements out of the way (DeForest, Gloria) and the consummation in sight, the comic action would have been due to end, happily. But who is going to believe that any more? — Martin Amis

Friendship is constant in all other things
Save in the office and affairs of love.
Therefore all hearts in love use their own tongues.
Let every eye negotiate for itself,
And trust no agent; for beauty is a witch
Against whose charms faith melteth into blood. — William Shakespeare

I trained in Shakespeare, and that's all comedy, even when it's tragedy. — Olivia Thirlby

I went to drama school for four years at Carnegie Mellon, conservatory training before television comedy. I was doing Shakespeare and Chekov plays. It's about delivering on the promise of a $100,000 education and taking the shackles off and trying the hand at my craft. I'm thrilled with what I've seen so far. — Josh Gad

There are things I've given up on
Like recording funny answering machine messages.
It's part of growing older
And the human race as a group has matured along the same lines.
It seems our comedy dates the quickest.
If you laugh out loud at Shakespeare's jokes
I hope you won't be insulted
if I say you're trying too hard.
Even sketches from the original Saturday Night Live
seem slow-witted and obvious now. — David Berman

I tend to look at the world more from Voltaire's perspective. Incidentally, if you haven't read Candide lately, it's a fabulous book. It's riotously, laugh-out-loud funny in a way that no Shakespeare comedy will ever be. — George Meyer

In high school, we barely brushed against Ogden Nash, Lewis Carroll, Edward Lear, or any of the other so-unserious writers who delight everyone they touch. This was, after all, a very expensive and important school. Instead, I was force-fed a few of Shakespeare's Greatest Hits, although the English needed translation, the broad comedy and wrenching drama were lost, and none of the magnificently dirty jokes were ever explained. (Incidentally, Romeo and Juliet, fully appreciated, might be banned in some U.S. states.) This was the Concordance again, and little more. So we'd read all the lines aloud, resign ourselves to a ponderous struggle, and soon give up the plot completely. — Bob Harris

The myriad-minded man, our, and all men's, Shakespeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments. A proper farce is mainly distinguished from comedy by the licence allowed, and even required, in the fable, in order to produce strange and laughable situations. The story need not be probable, it is enough that it is possible. — Samuel Taylor Coleridge

Lord, what fools these mortals be! — William Shakespeare

[Shakespeare realized that] Women are able to understand themselves better on a personal level and survive in the world if they dress in men's clothing, thus living underground, safe (...). The presence of women disguising themselves as men dictates that the play be a comedy; women remaining in their frocks, a tragedy. In four great tragedies -Julius Caesar, Hamlet, Othello, and King Lear- almost all the women die (...).
How much the women have to adhere to the rules and regulations of their enviroment makes a large difference. Once Rosalind [disguised as a man in As You Like It] has run away from the court, she has no institutional structures to deal with. Ophelia [in her frocks] is surrounded tightly by institutional structures of family, court, and politics; only by going mad can be get out of it all. — Tina Packer

CASSIO: Dost thou hear, my honest friend?
CLOWN: No, I hear not your honest friend, I hear you.
CASSIO: Prithee, keep up thy quillets. — William Shakespeare

Hopeless and helpless doth AEgeon wend,
But to procrastinate his lifeless end. — William Shakespeare

Sir, he hath not fed of the dainties that are bred in a book; He hath not eat paper, as it were; he hath not drunk ink; his intellect is not replenished; he is only an animal, only sensible in the duller parts ... (Act IV, Scene II) — William Shakespeare

If Shakespeare were alive today and writing comedy for the movies, he would be the head-liner for the Mack Sennett studios. — Robert Benchley

QUINCE
Francis Flute, the bellows-mender.
FLUTE
Here, Peter Quince.
QUINCE
Flute, you must take Thisby on you.
FLUTE
What is Thisby? a wandering knight?
QUINCE
It is the lady that Pyramus must love.
FLUTE
Nay, faith, let me not play a woman; I have a beard coming. — William Shakespeare

Though it make the unskillful laugh, cannot but make the judicious grieve. — William Shakespeare

Shall I compare thee to a Shoggoth? — D.R. O'Brien

Is it not the singularity of life that terrifies us? Is not the decisive difference between comedy and tragedy that tragedy denies us another chance? Shakespeare over and over demonstrates life's singularity - the irrevocability of our decisions, hasty and even mad though they be. How solemn and huge and deeply pathetic our life does loom in its once-and doneness, how inexorably linear, even though our rotating, revolving planet offers us the cycles of the day and of the year to suggest that existence is intrinsically cyclical, a playful spin, and that there will always be, tomorrow morning or the next, another chance. — John Updike

I'm grateful to be working. The most exciting thing for me is that I never get bored - I've done comedy, drama, musical theatre and now Shakespeare. — Sheridan Smith

DESDEMONA: I hope my noble lord esteems me honest.
OTHELLO: Oh, ay, as summer flies are in the shambles,
That quicken even with blowing. O thou weed,
Who art so lovely fair and smell'st so sweet
That the sense aches at thee, would thou hadst ne'er been born!
DESDEMONA: Alas, what ignorant sin have I committed?
OTHELLO: Was this fair paper, this most goodly book,
Made to write "whore" upon? — William Shakespeare

A few people have ventured to imitate Shakespeare's tragedy. But no audacious spirit has dreamed or dared to imitate Shakespeare's comedy. No one has made any real attempt to recover the loves and the laughter of Elizabethan England. The low dark arches, the low strong pillars upon which Shakespeare's temple rests we can all explore and handle. We can all get into his mere tragedy; we can all explore his dungeon and penetrate into his coal-cellar, but we stretch our hands and crane our necks in vain towards that height where the tall turrets of his levity are tossed towards the sky. Perhaps it is right that this should be so; properly understood, comedy is an even grander thing than tragedy. — G.K. Chesterton

There's a reason Tony Stark makes fun of 'Thor,' and mentions 'Shakespeare' in the park in 'The Avengers.' It's great to play high drama and comedy alongside a modern story. — Joss Whedon

Your honour's players, hearing your amendment,
Are come to play a pleasant comedy,
For so your doctors hold it very meet,
Seeing too much sadness hath congealed your blood,
And melancholy is the nurse of frenzy.
Therefore they thought it good you hear a play,
And frame your mind to mirth and merriment,
Which bars a thousand harms and lenghtens life. — William Shakespeare

Comedy keeps the heart sweet; but we all know that there is wholesome refreshment for both mind and heart in an occasional climb among the pomps of the intellectual snow-summits built by Shakespeare and those others. — Mark Twain

Life is the tragedy,' she said bitterly. 'You know how they categorize Shakespeare's plays, right? If it ends with a wedding, it's a comedy. And if it ends with a funeral, it's a tragedy. So we're all living tragedies, because we all end the same way, and it isn't with a goddamn wedding. — Robyn Schneider

DEMETRIUS
Relent, sweet Hermia: and, Lysander, yield
Thy crazed title to my certain right.
LYSANDER
You have her father's love, Demetrius;
Let me have Hermia's: do you marry him. — William Shakespeare

If Shakespeare thought comedy worthwhile, that means the rest of us can take a break from tragedy now and then without betraying our calling, even if the modern professional intellectual, a poseur by nature, has yet to discover this. — Mark Helprin