Quotes & Sayings About Shadows Of Trees

I did not want to think about people. I wanted the trees, the scents and colors, the shifting shadows of the wood, which spoke a language I understood. I wished I could simply disappear in it, live like a bird or a fox through the winter, and leave the things I had glimpsed to resolve themselves without me. — Patricia A. McKillip

I was walking in a meadow, the source of a small brook, when the sun at last, just before setting, after a cold, gray day, reached a clear stratum in the horizon, and the softest, brightest morning sunlight fell on the dry grass and on the stems of the trees in the opposite horizon and on the leaves of the shrub oaks on the hillside, while our shadows stretched long over the meadow east-ward, as if we were the only motes in its beams. It was such a light as we could not have imagined a moment before, and the air also was so warm and serene that nothing was wanting to make a paradise of that meadow. — Henry David Thoreau

It was earliest morning, when even small trees cast long shadows and scarlet foxes trot denward through the dew like flecks of fire. — Gene Wolfe

Should at that moment the full moon Step forth upon the hill, And memories hard to bear at noon, By moonlight harder still, Form in the shadows of the trees,
Things that you could not spare And live, or so you thought, yet these All gone, and you still there, A man no longer what he was, Not yet the thing he planned ... — Edna St. Vincent Millay

And all over the countryside, he knew, on every crest and hill, where once the hedges had interlaced, and cottages, churches, inns, and farmhouses had nestled among their trees, wind wheels similar to those he saw and bearing like vast advertisements, gaunt and distinctive symbols of the new age, cast their whirling shadows and stored incessantly the energy that flowed away incessantly through all the arteries of the city ... The great circular shapes of complaining wind-wheels blotted out the heavens ... — H.G.Wells

Trees surrounded them from all sides, casting long inky shadows that would, at another time, have been scary. But there was no point in being scared of what might be lurking in the shadows when the biggest bad, of all big bads, was gazing at her intently. — Caroline Hanson

It was an unusual sunset. Having sat behind opaque drapery all day, I had not realized that a storm was pushing in and that much of the sky was the precise shade of old suits of armor one finds in museums. At the same time, patches of brilliance engaged in a territorial dispute with the oncoming onyx of the storm. Light and darkness mingled in strange ways both above and below. Shadows and sunshine washed together, streaking the landscape with an unearthly study of glare and gloom. Bright clouds and black folded into each other in a no-man's land of the sky. The autumn trees took on the appearance of sculptures formed in a dream, their leaden-colored trunks and branches and iron-red leaves all locked in an infinite and unliving moment, unnaturally timeless. The gray lake slowly tossed and tumbled in a dead sleep, nudging unconsciously against its breakwall of numb stone. A scene of contradiction and ambivalence, a tragicomedic haze over all. A land of perfect twilight. — Thomas Ligotti

What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it? After all, shadows are cast by objects and people. There is the shadow of my sword. But there are also shadows of trees and living creatures. Would you like to denude the earth of all the trees and all the living beings in order to satisfy your fantasy of rejoicing in the naked light? — Mikhail Bulgakov

It was magic to be above [the clouds], to see their uppermost contours, the way they caught the light and held it, their vast shadows moving upon the face of the earth. I wished I could open the window and know what the world sounded like at that altitude. I thought about the solitude of that world, how it must be inhabited by the voice of the wind, only. ... I thought about what my crows saw as they flew above canyons and treetops, the birds-eye view of life. They would recognize specific trees, perches, and nesting sites from a completely different perspective than I could. Their maps differed from mine; they knew the topography, the contours of the landscape, on a much grander scale. — Elizabeth J. Church

They rode out together from the shadows of the trees, leaving the Bala Hissar and the glowing torch of the burning Residency behind them, and spurred away across the flat lands towards the mountains ...
And it may even be that they found their Kingdom. — M.M. Kaye

When all of the family was stilled in sleep, when the streetlamp a few paces from the house shone at night and made grotesque shadows of the trees upon the house, when the river sighed off into the darkness, when the trains hooted on their way to Montreal far upriver, when the winds swished in the soft treeleaves and something knocked and rattled on the old barn, you could stand in the road and look at this home and know that there is nothing more haunting than a house at night when the family is asleep, something strangely tragic, something beautiful forever. — Jack Kerouac

I had spent many nights in the jungle looking for game, but this was the first time I had ever spent a night looking for a man-eater. The length of road immediately in front of me was brilliantly lit by the moon, but to right and left the overhanging trees cast dark shadows, and when the night wind agitated the branches and the shadows moved, I saw a dozen tigers advancing on me, and bitterly regretted the impulse that had induced me to place myself at the man-eater's mercy. I lacked the courage to return to the village and admit I was too frightened to carry out my self-imposed task, and with teeth chattering, as much from fear as from cold, I sat out the long night. As the grey dawn was lighting up the snowy range which I
was facing, I rested my head on my drawn-up knees, and it was in this position my men an hour later found me fast asleep; of the tiger I had neither heard nor seen anything. — Jim Corbett

The ride through the ancient walled town of Maienfeld, past vineyards and gently rolling fields and then up, up to where the snow still lay deep in the purple shadows underneath the fir trees, was an experience which called for silence. Glancing back, Heidi saw that Marta was no longer paying any attention to the chickens. She had lifted her face to the glorious mountains with their glistening peaks and awe-inspiring glaciers. Of what was she thinking? Did they thrill this little stranger as they had always thrilled her? Would she, too, learn to love them? — Charles Tritten

I too am my own forerunner, though I sit in the shadows of my trees and seem motionless. — Kahlil Gibran

Grip's favorite painting didn't contain a single figure. 'Seven A.M.' showed distant trees on one side, and on the other a storefront that time had passed by. So still. Some kind of story could probably be told, but one refrained from asking questions. The light and shadows convinced the viewer to exist in the moment. Hopper had drawn sharp lines where the sun cast shadows on the white walls inside the window, while outside the ground gleamed like warm sand. The hands of an old wall clock suggested that the time was seven. Someone who should have been there was somewhere else. Yet nothing was missing. With the morning light streaming down on the ground and in through the window, time might as well have stopped - so the clock always stood at seven.
Just like that, a place where nothing ever changes. — Robert Karjel

My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot,
But being too happy in thy happiness, - -
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease. — John Keats

I read and am liberated. I acquire objectivity. I cease being myself and so scattered. And what I read, instead of being like a nearly invisible suit that sometimes oppresses me, is the external world's tremendous and remarkable clarity, the sun that sees everyone, the moon that splotches the still earth with shadows, the wide expanses that end in the sea, the blackly solid trees whose tops greenly wave, the steady peace of ponds on farms, the terraced slopes with their paths overgrown by grape-vines. — Fernando Pessoa

You must not think of time as a quantity, a period, a measure. Look at the sky," Gwynneth said. "The moon has now slipped away to another night, into another world. It was not the time it was here that you remember, Faolan, but rather the luminescence of the air, the blue shadows cast by the trees in its light. It was not the length of the time but the quality of the moon's light that you felt and remember." Gwynneth paused. "It is the value, the quality that lives on. — Kathryn Lasky

As I age in the world it will rise and spread,
and be for this place horizon
and orison, the voice of its winds.
I have made myself a dream to dream
of its rising, that has gentled my nights.
Let me desire and wish well the life
these trees may live when I
no longer rise in the mornings
to be pleased with the green of them
shining, and their shadows on the ground,
and the sound of the wind in them. — Wendell Berry

A soft breeze settled around our shoulders as we walked into the cemetery. That same breeze made the world around us shiver a little bit. The slick green leaves of the tall trees rustled, and the long curtain of ivy dangling from the branches began to wave. When the ivy blows in the graveyard, it casts the prettiest lacelike shadows on the ground. They remind me of banners, rippling over the dearly departed in silent celebration. — Natalie Lloyd

I fell asleep. But later that night I woke up. There was moonlight coming through the window, and shadows of tree branches fell onto the bed, waving gently in the breeze."
"And then you saw the ghost?"
James laughed. "Dear chap, the branches WERE the ghost. There weren't any trees within a hundred yards of that house. They'd all been cut down years before. I saw the ghost of a tree. — Audrey Niffenegger

I think of the view from a favorite arroyo in the late afternoon, the east slope still bathed in sunlight, the far slope already full of dark shade and lengthening shadows. A cool breeze, as one can look across the plains, out over miles of homes and trees, and hear the faraway hum of traffic on the high-ways and see the golden light filtering through the mist-laden air. — Carey McWilliams

Dawn will come,' I told him quietly. 'The night can be very dark; but I'll stay by you until the sun rises. These shadows cannot touch you while I am here. Soon we'll see the first hint of grey in the sky, the color of a pigeon's coat, then the smallest touch of the sun's finger, and one bird will be bold enough to wake first and sing of tall trees and open skies and freedom. Then all will brighten and color will wash across the earth and it will be a new day. I will stay with you, until then. — Juliet Marillier

Her evil cannot reach us here. Let us burn the ancient tree-mace trees and close off the ancient ways. Tear down the tower, the crown of our barrow, and let us hide ourselves from evil. Let no one leave the mound, and if evil grows, we shall flee farther.
No! Let evil hear the pounding of our feet! Let evil hear our drumming and our chanting songs of war. Let evil fear us! Let evil flee! In any world, may dark things know our names and fear. May their vile skins creep and shiver at every mention of the faeren. Let the night flee before the dawn and darkness crowd into the shadows. We march to war!
- Nudd, the Chestnut King — N.D. Wilson

We'd arrived on the outskirts of a little ski town nestled in the mountains. The sign said WELCOME TO CLOUDCROFT, NEW MEXICO. The air was cold and thin. The roofs of the cabins were heaped with snow, and dirty mounds of it were piled up on the sides of the streets. Tall pine trees loomed over the valley, casting pitch-black shadows, though the morning was sunny. — Rick Riordan

She leaned down and looked at his lifeless face and Leisel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled herself away, she touched his mouth with her fingers ... She did not say goodbye. She was incapable, and after a few more minutes at his side, she was able to tear herself from the ground. It amazes me what humans can do, even when streams are flowing down their faces and they stagger on ... — Markus Zusak

On the Big Blackfoot River above the mouth of Belmont Creek the banks are fringed by large Ponderosa pines. In the slanting sun of late afternoon the shadows of great branches reached from across the river, and the trees took the river in their arms. The shadows continued up the bank, until they included us — Norman Maclean

They spoke no more of the small news of
the Shire far away, nor of the dark shadows and perils that
encompassed them, but of the fair things they had seen in
the world together, of the Elves, of the stars, of trees, and the
gentle fall of the bright year in the woods. — J.R.R. Tolkien

Twenty minutes into our walk away from the wall put us deep in a forest of fir, pine, cottonwood, and aspen trees. The lush forest floor was alive and danced with shadows cast from an endless parade of swaying trees. As we approached early evening it was cool and peaceful. The sound of the trees moving in the wind high above seemed like a friendly traveling companion, calling us farther and farther into the depths of the forest. — Patrick Carman

Notwithstanding the fog which rose around, I perceived the walls and roofs of the houses of Soissons, with a half-moon peering from behind them. I alighted, and, with a heart fully acknowledging the sublimity of nature, gazed upon the imposing scene. A grasshopper was chirping in the neighboring field; the trees by the road side were softly rustling; and I saw, with the mind's eye, Peace hovering over the plain, now solitary and tranquil, where Caesar had conquered, Clovis had exercised his authority, and where Napoleon had all but fallen. It shows that men - even Caesar, Clovis, and Napoleon - are only passing shadows; and that war is a fantasy which terminates with them; whilst God - and Nature, which comes from God - and Peace, which comes from Nature - are things of eternity. — Victor Hugo

SEEN ACROSS TEN MILES OF sunlit water, Lorbanery was green, green as the bright moss by a fountain's rim. Nearby, it broke up into leaves, and tree-trunks, and shadows, and roads, and houses, and the faces and clothing of people, and dust, and all that goes to make up an island inhabited by men. Yet still, over all, it was green: for every acre of it that was not built or walked upon was given up to the low, round-topped hurbah trees, on the leaves of which feed the little worms that spin the silk that is made into thread and woven by the men and women and children of Lorbanery. At dusk the air there is full of small grey bats who feed on the little worms. They eat many, but are suffered to do so and are not killed by the silk-weavers, who indeed account it a deed of very evil omen to kill the grey-winged bats. For if human beings live off the worms, they say, surely small bats have the right to do so. — Ursula K. Le Guin

What people had had shed and left
a pair of shoes, a shooting cap, some faded skirts and coats in wardrobes
those alone kept the human shape and in the emptiness indicated how once they were filled and animated; how once hands were busy with hooks and buttons; how once the looking-glass had held a face; had held a world hollowed out in which a figure turned, a hand flashed, the door opened, in came children rushing and tumbling; and went out again. Now, day after day, light turned, like a flower reflected in water, its sharp image on the wall opposite. Only the shadows of the trees, flourishing in the wind, made obeisance on the wall, and for a moment darkened the pool in which light reflected itself; or birds, flying, made a soft spot flutter slowly across the bedroom floor. — Virginia Woolf

The tears grappled with her face.
Rudy, please, wake up, Goddamn it, wale up, I love you. Come on, Rudy, come on, Jesse Owens, don't you know I love you, wake up, wake up, wake up..
But nothing cared ...
She leaned down and looked at his lifeless face and Liesel kissed her best friend, Rudy Steiner, soft and true on his lips. He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. She kissed him long and soft, and when she pulled hersel away, she touched his mouth with her fingers. Her hands were tremblin, her lips were fleshy, and she leaned in once more, this time losing control and misjudging it. Their teeth collided on the demolised world of Himmel Street. — Markus Zusak

Tracker Marks was of a different opinion. Though he seemed more white than a white man, he had no time for their ways. For him his dress, his deportment was no different than staying downwind in the shadows of trees when hunting, blending into the world of those he hunted, rather than standing out from it. Once he had excelled at the emu dance & the kangaroo dance; then his talent led him to the whitefella dance, only now no-one was left of his tribe to stand around the fire & laugh & praise his talent for observation & stealthy imitation.
The whites have no law, he told Capois Death, no dreaming. Their way of life made no sense whatsoever. Still, he did not hate them or despise them. They were stupid beyond belief, but they had a power, & somehow their stupidity & their power were, in Tracker Marks's mind, inextricably connected. But how? he asked Capois Death. How can power & ignorance sleep together? Questions to which Capois Death had no answer. — Richard Flanagan

And so I lay awake, smoking and reflecting on many things, but, being of a practical turn of mind, chiefly on how we were to give those Masai villains the slip. It was a beautiful moonlight night, and, notwithstanding the mosquitoes, and the great risk we were running from fever from sleeping in such a spot, and forgetting that I had the cramp very badly in my right leg from squatting in a constrained position in the canoe, and that the Wakwafi who was sleeping beside me smelt horribly, I really began to enjoy myself. The moonbeams played upon the surface of the running water that speeded unceasingly past us towards the sea, like men's lives towards the grave, till it glittered like a wide sheet of silver, that is in the open where the trees threw no shadows. Near the banks, however, it was very dark, and the night wind sighed sadly in the reeds. — H. Rider Haggard

He created waterfalls for her out of the morning dew, and from the colored pebbles of a meadow stream he made a necklace more beautiful than emeralds, sadder than pearls. She caught him in her net of silken hair, she carried him down, down, into deep and silent waters, past obliteration. He showed her frozen stars and molten sun; she gave him long, entwined shadows and the sound of black velvet. He reached out to her and touched moss, grass, ancient trees, iridescent rocks; her fingertips, striving upwards, brushed old planets and silver moonlight, the flash of comets and the cry of dissolving suns. — Robert Sheckley

Somewhere there is a Dona of tomorrow, a Dona of the future, of ten years away, to whom all of this will be a thing to cherish, a thing to remember. Much will be forgotten then, perhaps, the sound of the tide on the mud flats, the dark sky, the dark water, the shiver of the trees behinds us and the shadows they cast before them, and the smell of the young bracken and the moss. Even the things we said will be forgotten, the touch of hands, the warmth, the loveliness, but never the peace that we have given to each other, never the stillness and the silence. — Daphne Du Maurier

Here's what I love about painting. It's not about words or voice or tone or point of view or narrative arc (perish the thought); it's about the way certain branches stick straight out from the trunks of certain trees; it's about the clouds that you can barely see as well as the ones that pile on top of each other; it's about the swoop of telephone wires and the shapes and colors of shadows. A real painter recently told me that all artists want to draw telephone wires. — Abigail Thomas

The best teachers have showed me that things have to be done bit by bit. Nothing that means anything happens quickly
we only think it does. The motion of drawing back a bow and sending an arrow straight into a target takes only a split second, but it is a skill many years in the making. So it is with a life, anyone's life. I may list things that might be described as my accomplishments in these few pages, but they are only shadows of the larger truth, fragments separated from the whole cycle of becoming. And if I can tell an old-time story now about a man who is walking about, waudjoset ndatlokugan, a forest lodge man, alesakamigwi udlagwedewugan, it is because I spent many years walking about myself, listening to voices that came not just from the people but from animals and trees and stones. — Joseph Bruchac

I was so distracted when walking out of the restroom that I hadn't noticed Rose standing nearby with Dimitri Belikov. They stood arm in arm, smiling at my surprise. I hadn't seen Dimitri tonight, and his black and white guardian attire told me why. He was on duty here and had undoubtedly been one of the shadows darting among the trees of the greenhouse, keeping a watch on everyone. He must be on break now because there was no way he'd be standing so casually here, even with Rose, otherwise. And really, "casual" for Dimitri meant he could still leap into battle at any moment.
They were a striking couple. His dark-haired, dark-eyed looks matched hers, and they were both dazzlingly attractive. It was no wonder Adrian had fallen for her, and I felt surprised at how uncomfortable that memory made me. Like Sonya and Mikhail, there was a bond of love between Rose and Dimitri and Rose that was almost palpable. — Richelle Mead

Me dad planted that tree,' she said absently, pointing out through the old cracked window.
The great beech filled at least half the sky and shook shadows all over the house.
Its roots clutched the slope like a giant hand, holding the hill in place. Its trunk writhed with power, threw off veils of green dust, rose towering into the air, branched into a thousand shaded alleys, became a city for owls and squirrels. I had thought such trees to be as old as the earth, I never dreamed that a man could make them. Yet it was Granny Trill's dad who had planted this tree, had thrust in the seed with his finger. How old must he have been to leave such a mark? Think of Granny's age, and add his on top, and you were back at the beginning of the world. — Laurie Lee

Lonely trees are not lonely; they have their eternal companies: Songs of the birds; shadows of the clouds; lights of the Moon; whispers of the winds ... Lonely trees are not lonely! — Mehmet Murat Ildan

We kept walking, our shadows moving in shifting blobs over the ground. The sound of river rocks rattled under our feet. We turned along a bend in the stream and a curtain of poplar trees came into view, shivering in the distance, showing the white backsides of their leaves. I watched them for a while until an ancient, aching sorrow rose up in my chest. It was a familiar feeling. Something in the mute, unconscious trees resonated inside me, something so deep and fundamental it failed to remember its own source anymore. I watched the poplars flickering against the hard blue of the sky. What is sorrow? I thought. What is sorrow but old, worn out joy? — Jon Raymond

It wasn't what lay at the end of her road that frightened Ammu as much as the nature of the road itself. No milestones marked its progress. No trees grew along it. No dappled shadows shaded it. No mists rolled over it. No birds circled it. No twists, no turns or hairpin bends obscured even momentarily, her clear view of the end. This filled Ammu with an awful dread, because she was not the kind of woman who wanted her future told. She dreaded it too much. So if she were granted one small wish perhaps it would have been Not to Know, Not to know what each day hed in store for her. Not to know where she might be, next month, next year. Ten years on. Not to know which way her road might turn and what lay beyond the bend. — Arundhati Roy

I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene. — Grandma Moses

The moon was full, shining enough light down for Scarlet to make out the hundreds of gravestones lined up in the wet grass and the dozens of standing tombs that rose up in various places throughout the yard.
Giant trees swayed in the winter wind, throwing shadows across the grounds and making it look like the darkness was alive.
Graveyards were much more frightening at night than they were during the day.
An owl hooted.
A wolf howled.
A bat flapped across the night sky before her, wings silhouetted by the giant moon.
Are you kidding me?
It was like the graveyard knew Scarlet had entered and wanted to make it the creepiest experience ever. — Chelsea Fine

Consider the many special delights a lawn affords: soft mattress for a creeping baby; worm hatchery for a robin; croquet or badminton court; baseball diamond; restful green perspectives leading the eye to a background of flower beds, shrubs, or hedge; green shadows - This lawn, a carpet all alive/With shadows flung from leaves' - as changing and as spellbinding as the waves of the sea, whether flecked with sunlight under trees of light foliage, like elm and locust, or deep, dark, solid shade, moving slowly as the tide, under maple and oak. This carpet! — Katharine Sergeant Angell White

When you enter a grove peopled with ancient trees, higher than the ordinary, and shutting out the sky with their thickly inter-twined branches, do not the stately shadows of the wood, the stillness of the place, and the awful gloom of this doomed cavern then strike you with the presence of a deity? — Seneca.

The diaphanous gown of the Milky Way shifted through scattered stars and all wishes made upon them. It gathered its silky folds as her eyes adjusted to darkness through spasms of beauty and joy.
Florescent mists wandered the shadows, brushing trees softly with moon glow. — Edward Fahey

Again the starter and the engine, and after a minute or two the rattle and pop of gravel as the DeSoto eased backward out of the barn. It gleamed darkly and demurely, like a ripe plum. Its chrome was polished, hubcaps and grille, and the side walls of the tires were snowy white. There was a preposterous beauty in all that shine that made her laugh. Jack put his arm out of the window, waiving his hat like a visiting dignitary, backed into the street, and floated away, gentling the gleaming dirigible through the shadows of arching elm trees, light dropping on it through their leaves like confetti as it made its ceremonious passage. — Marilynne Robinson

Tendrils of mist slithered over the forest floor, around the base of trees. Xander noticed that some of it had climbed the porch pillars and drifted, almost invisibly, over the shingles of the porch roof. It reminded him of an old TV series Dean's dad had bought on DVD: Dark Shadows. It was about a creepy old house and a vampire who lived there. Barnabas, Xander remembered. — Robert Liparulo

He would have told her - he would have said, it matters not if you are here or there, for I see you before me every moment. I see you in the light of the water, in the swaying of the young trees in the spring wind. I see you in the shadows of the great oaks, I hear your voice in the cry of the owl at night. You are the blood in my veins, and the beating of my heart. You are my first waking thought, and my last sigh before sleeping. You are - you are bone of my bone, and breath of my breath. — Juliet Marillier

Since I was a small boy, I had watched that forest for enemies or for game, and I knew its every mood and shading, how the sunlight fell through the leaves and where the shadows gathered. It held no mysteries for me but much of memory. I had played there as a child with Yance, Jubal, and Brian, later with Noelle. We had climbed its trees, picked berries there, and played hide-and-seek under its branches. — Louis L'Amour

She realized that a child's mind is like a shallow brook which ripples and dances merrily over the stony course of its education and reflects here a flower, there a bush, yonder a fleecy cloud; and she attempted to guide my mind on its way, knowing that like a brook it should be fed by mountain streams and hidden springs until it broadened out into a deep river, capable of reflecting in its placid surface, billowy hills, the luminous shadows of trees and the blue heavens, as well as the sweet face of a little flower. — Helen Keller

The same is true of stories and legends that haunt urban space like superfluous or additional inhabitants. They are the object of a witch-hunt, by the very logic of the techno-structure. But [the extermination of proper place names] (like the extermination of trees, forests, and hidden places in which such legends live) makes the city a 'suspended symbolic order.' The habitable city is thereby annulled. Thus, as a woman from Rouen put it, no, here 'there isn't any place special, except for my own home, that's all ... There isn't anything.' Nothing 'special': nothing that is marked, opened up by a memory or a story, signed by something or someone else. Only the cave of the home remains believable, still open for a certain time to legends, still full of shadows. Except for that, according to another city-dweller, there are only 'places in which one can no longer believe in anything. — Michel De Certeau

I still remember - so vividly I can smell the gentle fragrance of the spring air - the afternoon when I decided, after thinking everything over, to abdicate from love as from an insoluble problem. it was in May, a May that was softly summery, with the flowers around my estate already in full bloom, their colors fading as the sun made its slow descent. Escorted by regrets and self-reproach, I walked among my few trees, I had dined early and was wandering, like a symbol, under the useless shadows and faint rustle of leaves. And suddenly I was overwhelmed by a desire to renounce completely, to withdraw once and for all, and I felt an intense nausea for having had so many desires, so many hopes, with so many outer conditions for attaining them and so much inner impossibility of really wanting to attain them. — Fernando Pessoa

Gavin stood within the trees, observing her from the shadows. He watched the basket rise to her nose as she closed her eyes to sniff at its contents. A smile told him it smelled delicious, but she didn't open the container to pinch off a sample. Instead, the basket lowered to swing at her side as it had previously done.

All at once the air was filled with soft singing--a sweet, merry tune comprised of ludicrous lyrics. It was impossible not to grin at the words.

"Rainbows paint the sky 'til the sun melts their colors.
Swinging in the wind, whiskered cattails purr.
The pigs gallop by and snort at the moon,
While frogs kiss the lizards and princesses too." — Richelle E. Goodrich

The snow drifted down and down, all in ghostly silence, and lay thick and unbroken on the ground. It was a place of whites and blacks and greys. White towers and white snow and white statues, black shadows and black trees, the dark grey sky above. A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same. — George R R Martin

The world we inhabit is abundant beyond our wildest imagination. There are trees, dreams, sunrises; there are thunderstorms, shadows, rivers; there are wars, flea bites, love affairs; there are the lives of people, Gods, entire galaxies. The simplest human action varies from one person and occasion to the next-how else would we recognize our friends only from their gait, posture, voice, and divine their changing moods? Only a tiny fraction of this abundance affects our minds. This is a blessing, not a drawback. A superconscious organism would not be superwise, it would be paralyzed. — Paul Feyerabend

Mother I had a beautiful house in Shingdi a vegetable garden Vines of bitter gourd lettuce English spinach and tousled coconut trees Coconuts fell on my darling husbands head One day we made love under the tree Now I was pregnant just like my orchard full of fruits with the love child Oh I ran as hard as I could from the shadow These were shadows of time shadows of the past ... — Mehreen Ahmed

But at some point in her passage, the trees began to change. They stretched taller, and the soft, pale bark darkened, roughened. She put her hand to a tree and touched the lichen growing dark green upon brown, and it felt like old cork, dry and crumbling. Here the sun mellowed, took on the cast of late afternoon, and the shadows seemed to fall a bit longer; the forest had sunk into a deeper silence, magnifying what sounds did arise. The sudden, quick crash of a fox bounding through the brush was as loud as the slam of a great wooden door. — Malinda Lo

The sky is stained pink and purple, and the shadows are thick, stark brush strokes on the ground. But the air is still warm, and several trees are crowned with tiny green leaves.
I like seeing the Wilds this way: skinny, naked, not yet clothed in spring. But reaching, too, grasping and growing, full of want and a thirst for sun that gets slaked a little bit more every day. Soon the Wilds will explode, drunk and vibrant. — Lauren Oliver

Light is important to us humans. It influences our moods, our perceptions, our energy levels. A face glimpsed among trees, dappled by the shadows and the green-tinged light reflected from the forest, will seem quite different to the same face seen on a beach in hard, dry, sunlight, or in a darkening room at twilight, with the shadows of a venetian blind striped across it like a convict's uniform. — John Marsden

Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new film, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. — Jim Jarmusch

Afterwards
Mostly you look back and say, "Well, OK. Things might have been different, sure, and it's not too bad, but look - things happen like that, and you did what you could."
You go back and pick up the pieces. There's tomorrow. There's that long bend in the river on the way home. Fluffy bursts of milkweed are floating through shafts of sunlight or disappearing where trees reach out from their deep dark roots.
Maybe people have to go in and out of shadows till they learn that floating, that immensity waiting to receive whatever arrives with trust. Maybe somebody has to explore what happens when one of us wanders over near the edge and falls for awhile. Maybe it was your turn. — William Stafford

I felt all the ways in which this world seemed so, so enormous
the height of the trees, the hush and tick of the forest, the shift of the sunlight and shadows
but also so, so removed. — Emily M. Danforth

It seems to me that we all look at Nature too much, and live with her too little. I discern great sanity in the Greek attitude. They never chattered about sunsets, or discussed whether the shadows on the grass were really mauve or not. But they saw that the sea was for the swimmer, and the sand for the feet of the runner. They loved the trees for the shadow that they cast, and the forest for its silence at noon. — Oscar Wilde

Before the Battle:
Music of whispering trees
Hushed by the broad-winged breeze
Where shaken water gleams;
And evening radiance falling
With reedy bird-notes calling.
O bear me safe through dark, you low-voiced streams.
I have no need to pray
That fear may pass away;
I scorn the growl and rumble of the fight
That summons me from cool
Silence of marsh and pool,
And yellow lilies islanded in light.
O river of stars and shadows, lead me through the night. — Siegfried Sassoon

But would you kindly ponder this question: What would your good do if
evil didn't exist, and what would the earth look like if all the shadows
disappeared? After all, shadows are cast by things and people. Here is the
shadow of my sword. But shadows also come from trees and living beings.
Do you want to strip the earth of all trees and living things just because
of your fantasy of enjoying naked light? You're stupid. — Mikhail Bulgakov

Through the same cold sunlight, colder as the day declines, and through the same sharp wind, sharper as the separate shadows of bare trees gloom together in the woods, and as the Ghost's Walk, touched at the western corner by a pile of fire in the sky, resigns itself to coming night, they drive into the park. — Charles Dickens

IT WAS A DARK AND STORMY NIGHT.
In her attic bedroom Margaret Murry, wrapped in an old patchwork quilt, sat on the foot of her bed and watched the trees tossing in the frenzied lashing of the wind. Behind the trees clouds scudded frantically across the sky. Every few moments the moon ripped through them, creating wraithlike shadows that raced along the ground.
The house shook.
Wrapped in her quilt, Meg shook.
...
The window rattled madly in the wind, and she pulled the quilt close about her. Curled up on one of her pillows, a gray f luff of kitten yawned, showing its pink tongue, tucked its head under again, and went back to sleep. — Madeleine L'Engle

Bound for your distant home"

Bound for your distant home
you were leaving alien lands.
In an hour as sad as I've known
I wept over your hands.
My hands were numb and cold,
still trying to restrain
you, whom my hurt told
never to end this pain.

But you snatched your lips away
from our bitterest kiss.
You invoked another place
than the dismal exile of this.
You said, 'When we meet again,
in the shadow of olive-trees,
we shall kiss, in a love without pain,
under cloudless infinities.'

But there, alas, where the sky
shines with blue radiance,
where olive-tree shadows lie
on the waters glittering dance,
your beauty, your suffering,
are lost in eternity.
But the sweet kiss of our meeting ......
I wait for it: you owe it me ....... — Alexander Pushkin

If one squinted into Cabeswater long enough, in the right way, one could see secrets dart between the trees. The shadows of horned animals that never appeared. The winking lights of another summer's fireflies. The rushing sound of many wings, the sound of a massive flock always out of sight. Magic. — Maggie Stiefvater

He tasted dusty and sweet. He tasted like regret in the shadows of trees and in the glow of the anarchist's suit collection. — Markus Zusak

The boughs of trees stretched high overhead, leaves of dappled green and black mottling the sky. It was called the black forest for more reasons than the inky-black foliage. The wise and cautious seldom travelled by night along its poorly-tended roads, and banditry wasn't the main reason. In the minds of many, shadows of a threat lurked in wait, seeking an opportunity to strike during a moment of weakness. It was known among the old folk that not all who dwelled within the black forest were of human or animal-kind. Some beings were much older and believed far more dangerous. — Mara Amberly

I got a statistic for you right now. Grab your pencil, Doug. There are five billion trees in the world. I looked it up. Under every tree is a shadow, right? So, then, what makes night? I'll tell you: shadows crawling out from under five billion trees! Think of it! Shadows running around in the air, muddying the waters you might say. If only we could figure a way to keep those darn five billion shadows under those trees, we could stay up half the night, Doug, because there'd be no night! — Ray Bradbury

Vidal had his exuberant and stately tower in the most elegant and elevated part of Pedralbes, surrounded by hills, trees, and fairy-tale skies. I would have my sinister tower rising above the oldest, darkest streets of the city, surrounded by the miasmas and the shadows of that necropolis which poets and murderers had once called the Rose of Fire. — Carlos Ruiz Zafon

While they drove past the garden the shadows of the bare trees often fell across the road and hid the brilliant moonlight, but as soon as they were past the fence, the snowy plain bathed in moonlight and motionless spread out before them glittering like diamonds and dappled with bluish shadows. — Leo Tolstoy

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don't bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: "It's not where you take things from - it's where you take them to."
[MovieMaker Magazine #53 - Winter, January 22, 2004 ] — Jim Jarmusch

Out there people are working and arguing and laughing, living their beautiful, terrible lives, falling in love and having babies and being bored out of their skulls and feeling depressed, then being consoled by some little thing like watching the patterns the light makes through the leaves of trees, casting shadows on the sidewalks.
I remember the line from that poem now.
Downward to darkness, on extended wings. — Kim Addonizio

Across the continent, on the shores of small tributaries, in the shadows of sacred mountains, on the vast expanse of the prairies, or in the safety of the woods, prayers are being repeated, as they have for thousands of years, and common people with uncommon courage and the whispers of their ancestors in their ears continue their struggles to protect the land and water and trees on which their very existence is based. And like small tributaries joining together to form a mighty river, their force and power grows. — Winona LaDuke

The streams buck like rams in a tent / whips crack and from the hills come the crookedly combed /shadows of the shepherds. /black eggs and fools' bells fall from the trees. / thunder drums and kettledrums beat upon the ears of the donkeys. / wings brush against flowers. / fountains spring up in the eyes of the wild boar. — Hans Arp

Walking under Dusk, Moonlit leaf shadows were cast on my skin from the trees above, every step I took was taking a step deeper into magic. Silent whispers of mystical mouthes pulling me in deeper. Then the lights from inside the house turned on. A few seconds later, the fence lights went on. Just like that, the leafy ghosts on my skin ran away and the faery voices ran home. It seems like the creations of man kill magic in so many ways - even the light bulb does this! Oh to be a race of people designing magical things, if someone could capture pieces of Moonlight and place it in a jar; or other things like that, then we could stop killing the magic and be filled with it instead. Or maybe we are already always filled with it. It's the bringing out that we have trouble with. Stop being a doorknob, darling! Be magical, instead! — C. JoyBell C.

Like black hulks the shadows of the great trees ride at anchor on the billowy sea of grass. — Henry Wadsworth Longfellow

When the sun is covered by clouds, objects are less conspicuous, because there is little difference between the light and shade of the trees and the buildings being illuminated by the brightness of the atmosphere which surrounds the objects in such a way that the shadows are few, and these few fade away so that their outline is lost in haze. — Leonardo Da Vinci

He led the way in under the huge branches of the trees. Old beyond guessing, they seemed. Great trailing beards of lichen hung from them, blowing and swaying in the breeze. Out of the shadows, the hobbits peeped, gazing back down the slope: little furtive figures that in the dim light looked like elf-children in the deeps of time peering out of the Wild Wood in wonder at their first Dawn. — J.R.R. Tolkien

Shadows of a thousand years rise again unseen, Voices whisper in the trees, "Tonight is Halloween!" — Dexter Kozen

Mother's estate - our estate - a thousand acres centered in a million more. Lawns the size of small prairies with grass so perfect it beckoned a body to lie on it, to nap on its soft perfection. Noble shade trees making sundials of the Earth, their shadows circling in stately procession; now mingling, now contracting to midday, finally stretching eastward with the dying of the day. Royal oak. Giant elms. Cottonwood and cypress and redwood and bonsai. Banyan trees lowering new trunks like smooth-sided columns in a temple roofed by sky. Willows lining carefully laid canals and haphazard streams, their hanging branches singing ancient dirges to the wind. — Dan Simmons

I let myself go. I thought little of the houses and trees, but applied colour stripes and spots to the canvas ... Within me sounded the memory of early evening in Moscow - before my eyes was the strong, colour-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows. — Wassily Kandinsky

The night was fading. It was too early to be called dawn yet, but Taylor could just make out the outline of Will's weary, unshaven face. His deep blue eyes were the only color in the gray world of rain and shadows.
Will leaned in, and his mouth covered Taylor's, rough but sweet, his tongue seeking Taylor's. Taylor opened willingly to that kiss, forgetting for a second his scratched, scraped hands and the rain running down the back of his neck. They kissed a lot these days, especially for men who had never been much for kissing. Taylor had become expert in all Will's kisses, from the hungry, lustful kisses that always made his own cock rise so fast it hurt, to the tender, almost cherishing kisses that Will generally saved for when he thought Taylor was sleeping. That dawn kiss beneath the pine trees rippled through him like an electric shock, a reminder that, tired, wet, and lost as they might be, so long as they were together, they were all right. — Josh Lanyon

Oh my son," sighed Ama. "I was talking to the shadows of the pomegranate trees. At least they will be here when we are all gone. — Tariq Ali

The smells, the shadows, even the dappled pale trunks of the plane trees lifted my spirits — Donna Tartt

Every true artist does feel, consciously or unconsciously, that he is touching transcendental truths; that his images are shadows of things seen through the veil. In other words, the natural mystic does know that there is something there, something behind the clouds or within the trees; but he believes that the pursuit of beauty is the way to find it; that imagination is a sort of incantation that can call it up. — Gilbert K. Chesterton

Puck laughed, shaking his head at the prince's expression. "Looks like you just got scolded by a gremlin, Your Magesty," he chuckled and crossed his arms. "Ah, can't say I'm not gonna miss you two. We had some fun times, right, princeling? Sadest past is, I won't ever hear ice-boy complain that I'm corrupting you again. But, I guess all good things mus come to an end." He sighe'd, gave Kierran a friendly arm punch and raised his hand. "See ya'round kid. Try not to let those Slim Shadys suck out all your fun. Ethan Chase?" Puck winked at me. "I'm sure I'll see you again, whether you like it or not."
"Yeah," I deadpanned. "So looking forward to it." Puck laughed again. "Don't you forget it. Until the next adventure kiddos." Sticking his hands into his pockets, the Great Prankster sauntered off, whistling until he reached the edge of the trees and vanished into the shadows. — Julie Kagawa

The quiet troubling of the river, and the clean, washed stones, and the green all about, and the trees trying to drown their shadows, and the mountain going up and up behind, there is beautiful it was. — Richard Llewellyn

She stepped out from among their shifting confusion of lovely lights and shadows. A circle of grass, smooth as a lawn, met her eyes, with dark trees dancing all around it. And then
Oh Joy! For he was there: the huge Lion, shining white in the moonlight, with his huge black shadow underneath him. — C.S. Lewis

The dusk here does not arrive on the shoulders of golden sunsets any more, but on the heels of long, encroaching shadows of untraceable trees in the distance, gloomy parallel patterns that cascade over the undulating landscape of unevenly dispersed corpses and other things. — Mirza Waheed

The night was shadows and wind and the smell of a storm on the way, a night for crying until the tears were gone but the ache was left. A night for imagining that you could step out onto the windowsill and say hello to the dark, say I am sad and have the wind say I know. You could say I am alive and the trees would sigh back We are too. You could whisper I am alone and everything ends and the stars in the sky would answer We understand. Or maybe it's ghosts telling you all these things, saying We know, we're alone too, we understand how everything and nothing ends. — Ally Condie

You build your world around someone, and then what happens when he disappears? Where do you go- into pieces, into atoms, into the arms of another man? You go shopping, you cook dinner, you work odd hours, you make love to someone else on June nights. But you're not really there, you're someplace else where there is blue sky and a road you don't recognize. If you squint your eyes, you think you see him, in the shadows, beyond the trees. You always imagine that you see him, but he's never there. It's only his spirit, that's what's there beneath the bed when you kiss your husband, there when you send your daughter off to school. It's in your coffee cup, your bathwater, your tears. Unfinished business always comes back to haunt you, and a man who swears he'll love you forever isn't finished with you until he's done. — Alice Hoffman

The fisherman has a harmless, preoccupied look; he is a kind of vagrant, that nothing fears. He blends himself with the trees and the shadows. All his approaches are gentle and indirect. He times himself to the meandering, soliloquizing stream; he addresses himself to it as a lover to his mistress; he woos it and stays with it till he knows its hidden secrets. Where it deepens his purpose deepens; where it is shallow he is indifferent. He knows how to interpret its every glance and dimple; its beauty haunts him for days. — John Burroughs