Shadows In The Stone Quotes & Sayings

Near the Mexican border, rocky canyons cleave the mountains, laying them aside like broken wedges of gray cheese furred with a dark mold of pinon and juniper that sheds hard shadows on moon glazed stone, etched lithographs in gray and black, taupe and silver. Beneath feathery chamisa a rattlesnake flicks his tongue, following a scent. Along a precarious rock ledge a ring-tailed cat strolls, nose snuffling the cracks. At the base of the stone a peccary trots along familiar foot trails, toward the toes of a higher cliff where a seeping spring gathers in a rocky goblet. In the desert, sounds are dry and rattling: pebbles toed into cracks, hoofs tac-tacking on stone, the serpent rattle warning the wild pig to veer away, which she does with a grunt to the tribe behind her. From the rocky scarp the ring-tailed cat hears the whole population of the desert pass about its business in the canyon below. — Sheri S. Tepper

And then he left the palace to roam the streets of Ombria, where he painted shadows as he searched for light within them, painted thick, barred doors, as he searched in their hewn, scarred grains for what it was they hid, painted high windowless walls as if, rebuilding them stone by stone on paper, he could dismantle them and finally see the secret life behind the real. — Patricia A. McKillip

Shadows in shadows He watches through dreams Wings black as Africa Body strong as stone Done waiting The ravens call. — P.C. Cast

It was an unusual sunset. Having sat behind opaque drapery all day, I had not realized that a storm was pushing in and that much of the sky was the precise shade of old suits of armor one finds in museums. At the same time, patches of brilliance engaged in a territorial dispute with the oncoming onyx of the storm. Light and darkness mingled in strange ways both above and below. Shadows and sunshine washed together, streaking the landscape with an unearthly study of glare and gloom. Bright clouds and black folded into each other in a no-man's land of the sky. The autumn trees took on the appearance of sculptures formed in a dream, their leaden-colored trunks and branches and iron-red leaves all locked in an infinite and unliving moment, unnaturally timeless. The gray lake slowly tossed and tumbled in a dead sleep, nudging unconsciously against its breakwall of numb stone. A scene of contradiction and ambivalence, a tragicomedic haze over all. A land of perfect twilight. — Thomas Ligotti

At street corners, where walls join, I thought I could see some familiar features, like outlines of human faces, the shadows of cheekbones and eyebrows. They are really there, caught in stone for all time, along with the marks left by earthquakes, winters and scourges wrought by men. — Ismail Kadare

Ah, to build, to build! That is the noblest art of all the arts. Painting and sculpture are but images, Are merely shadows cast by outward things On stone or canvas, having in themselves No separate existence. Architecture, Existing in itself, and not in seeming A something it is not, surpasses them As substance shadow. — Henry Wadsworth Longfellow

Shadows stretched from one side of the street to the other, reaching up the walls like fingers as the street lamps came on. In the north, a bank of dark clouds was building above the ridge of mountains, the tops of Buchanan and Crandell already fading into misty half-light. The last pigmented bands of sunset gilded the sides of buildings in orange light, but the rattle of wind against the panes of glass brought with it a promise of rain.
Autumn was coming, but no one save Hunter Slate seemed to notice the change. — Danika Stone

But the boy protected Yorda from the shadows-that-walk-alone. He took her hand, defended her, swung his thin arm, and fought with his tiny frame, driving them back. If the shades dragged her into their realm, she would once again become a prisoner, and the boy would turn to stone, a sad adornment in the castle. Yorda knew this. But the boy did not
even as he did not know that Yorda was the property of the queen of the castle
and he protected her. — Miyuki Miyabe

Don't cut too deep in your first prints."
"But what if we do dig too deep?" a girl in the front asked. "What happens then?"
Giulia reached out to the side, pulling up a print stained with inky shadows, but within its depths, the faint outlines of something else. An echo of what it had been still visible in the second plate.
"Cut too deep," she said, "and your image will keep coming back again and again, no matter how many times you rework it. — Danika Stone

The greenish sky glows up in misty reds, The purple shadows turn to brick and stone,The dreams wear thin, men turn upon their beds, And hear the milk-cart jangle by alone. — Sara Teasdale

Cold as winter, strong as stone;
She faced the darkness all alone.
A silver goddess; a reflection.
A mirage; a recollection.
No return; no turning back.
The past is gone, the future, black.
Serpents gather in their nest,
And she stands above the rest.
Shadows hunt; she hunts the shadow.
The moon is risen; she stands below.
She views her world through the eyes of others.
Black and white; there are no colors,
As she looks down upon a shattered youth.
A shattered mirror shows a shattered truth. — Amelia Atwater-Rhodes

Death lurks in the shadows, just out of view.

Now and then I see his reaching hand, uncertain of the blurry image that passes before my eyes, but conscious of the crippling influence of his touch.

Some say Death rears an ugly head, so hideous a view the beholder can scarcely gasp their last breath. Others call him beautiful, a sweet relief to look upon. But these are rumors babbled by the unknowing. For Death is like the gorgon, Medusa, who when perceived, turns the body to stone.

Those who know Death take the knowledge of his shadowed face with them to wherever it is he leads our dearly departed by the hand. All who are left behind must wait their turn to glance into the eyes of the one who will close our mouths forever. — Richelle E. Goodrich

Day now, night now, at head, side, feet,
They stand their vigil in gowns of stone,
Faces blank as the day I was born,
Their shadows long in the setting sun
That never brightens or goes down.
And this is the kingdom you bore me to,
Mother, mother. But no frown of mine
Will betray the company I keep. — Sylvia Plath

A clue is a key which unlocks a box full of keys - those peculiarly tempting arrangements of circumstance and fate are points of departure which lead to infinite realms of mystery that beckon with the taboo of hidden knowledge. I am compelled to follow where the curling finger of intrigue flits seductively among shadows whose origins lie in primeval antiquity. The Forbidden Occult is forever enshrined in the luminous cathedral of my imagination. Every philosopher's stone I look under carries my mind aloft on the fairy wings of discovery to ever higher treasures of exponentially expanding conscious awareness. — Sean Terrence Best

All day, the colours had been those of dusk, mist moving like a water creature across the great flanks of mountains possessed of ocean shadows and depths. Briefly visible above the vapour, Kanchenjunga was a far peak whittled out of ice, gathering the last of the night, a plume of snow blown high by the storms at its summit.
Sai, sitting on the veranda, was reading an article about giant squid in an old National Geographic. Every now and then she looked up at Kanchenjunga, observed its wizard phosphorescence with a shiver. The judge sat at the far corner with his chessboard, playing against himself. Stuffed under his chair where she felt safe was Mutt the dog, snoring gently in her sleep. A single bald lightbulb dangled on a wire above. It was cold, but inside the house, it was still colder, the dark, the freeze, contained by stone walls several feet deep. — Kiran Desai

The canvases which Mr. St. Jones referred to with a paintbrush that was long and slightly bowed: for the most part interiors, or undergrounds, of pocked and craggy holes, rock vaults with mossy floors and slimy walls, or narrow scenic vistas that skinny silver streams squirmed through like sidewinders flipped on their backs, beneath downward grasping tentacles of roots, stalactites dagger-sharp and dangling by threads of stone, stalagmites teetering, all doused, frozen in molten electric white that suggested what a glimpse of hell might be, too beautiful, some still lifes too, great bulbous beets, hoary legumes, giant scallions, white carrots, tomatoes, berries, squash in huge radiant bowls, and portraits, signed by Ionia, of shadows, from which gleamed eyes and teeth and nails and, here and there, a glowing bubble, or scrotum, caught the eye. Near the door a counter clacked but rather quietly. — Douglas Woolf

Finally, he reached his street. It was quiet, blessedly so, and the only sound was his own groan as he lifted his foot to the first stone step at the entrance to Winstead House. The only sound, that was, until someone whispered his name.
He froze. "Anne?"
A figure stepped out of the shadows, trembling in the night. "Daniel," she said again, and if she said anything more, he did not hear it. He was down the stairs in an instant, and she was in his arms, and for the first time in nearly a week, the world felt steady on its axis. — Julia Quinn

The long blue shadows of afternoon advanced before me like cheerful ghosts of last summer's growth, dancing past the withered flower borders and the stiff hedges to fall at the feet of a stone nymph, her cascade of water frozen in her urn. — Stephanie Barron

[Julian]"Remember, Mark is in charge."
"Does he know that?" said Livvy.
Julian sought Mark in the crowd on the steps. He was standing with his hands behind his back, exchanging a mistrustful look with a carved stone gnome. "Your pretense does not fool me, gnome," he muttered. "My eye will be upon you. — Cassandra Clare

It was early evening twilight when we came around a corner ... and there in the road was a red deer stag. He leapt up the bank beside the road and then paused, looking back over his shoulder as we passed. Like a scene in a dream I watched him as he watched me. He was so close ... so still and so beautiful. There was an instant of knowing that my heart was as trapped in this beautiful wildness as my eyes were caught in his calm curious gaze. It was a slowly growing realisation that I had fallen in love a third time ... with this lovely, cold strange world of water and stone, sharp light and deep shadows.
And I would never be the same again. — Michelle Frost

He was standing apart from the others, a dark, brooding figure concealed in shadows.
Jacob Stone was a man who was at home in shadows.
Ever since Emily had first become aware of his existence five years ago, she had understood that he prowled the fringes of her family's world. He was part bodyguard, part troubleshooter and, to Emily's way of thinking, part enforcer for Ravenscroft International. Like the last of the lobo wolves, he was rarely seen in broad daylight, let alone in the firm's executive suites or at its glittering social functions. And the only times he had been invited into her father's private study were on those occasions when Emily had needed rescuing from her latest predicament. — Jayne Ann Krentz

Aelin took a step forward.
One step, as if in a daze.
She loosed a shuddering breath, and a small, whimpering noise came out of her - a sob.
And then she was sprinting down the alley, flying as though the winds themselves pushed at her heels.
She flung herself on the male, crashing into him hard enough that anyone else might have gone rocking back into the stone wall.
But the male grabbed her to him, his massive arms wrapping around her tightly and lifting her up. Nesryn made to approach, but Aedion stopped her with a hand on her arm.
Aelin was laughing as she cried, and the male was just holding her, his hooded head buried in her neck. As if he were breathing her in.
"Who is that?" Nesryn asked.
Aedion smiled. "Rowan. — Sarah J. Maas

It is part," Rollo writes home to the elder Dr. Groast in Lancashire, in elaborate revenge for childhood tales of Jenny Greenteeth waiting out in the fens to drown him, "part of an old and clandestine drama for which the human body serves only as a set of very allusive, often cryptic programme-notes- it's as if the body we can measure is a scrap of this programme found outside in the street, near a magnificent stone theatre we cannot enter. The convolutions of language denied us! the great Stage, even darker than Mr Tyrone Guthrie's accustomed murk ... Gilt and mirroring, red velvet, tier on tier of box seats all in shadows too, as somewhere down in that deep proscenium, deeper than geometries we know of, the voices utter secrets we are never told ... — Thomas Pynchon

A song she heard
Of cold that gathers
Like winter's tongue
Among the shadows
It rose like blackness
In the sky
That on volcano's
Vomit rise
A Stone of ruin
From burn to chill
Like black moonrise
Her voice fell still ... — Robert Fanney

Change was incessant, and change perhaps would never cease. High battlements of thought, habits that had seemed as durable as stone, went down like shadows at the touch of another mind and left a naked sky and fresh stars twinkling in it. — Virginia Woolf

III
But may I, when alone again I have the city's crush
and tangled noise-skein and the furor
of its traffic all around me,
may I above the mindless swirl
recall sky and the gentle mountain rim
on which the far-off herd curved homeward.
May my spirit be hard as rock
and the shepherd's life to me seem possible-
the way he drifts and turns brown in the sun and with a practiced
stone-throw mends his flock, whenever it frays.
Steps slow, not light, his body pensive,
but in his standing there, majestic. Even now a god
might enter this form and not be lessened.
He lingers for a while, then moves on, like the day itself,
and shadows of the clouds
pass through him, as though space were slowly
thinking thoughts for him. — Rainer Maria Rilke

His bare, fit butt matched the rest of him in exquisite, reflected detail. I blushed, turning my eyes away to focus instead on the shadows outside. I was embarrassed to have peeked, but I knew the image would be ingrained into my mind forever. Another secret. — C.L.Stone

I'd fought alongside them in that battle, but up close, when they stood quietly watching us, they looked as beautiful as they looked unreal. The angels weren't supposed to feel emotion, but they were weeping. All of them. Their tears stained their flawless faces like rain running in rivulets across stone. — Courtney Allison Moulton

There was a feeling, not sudden, but complete, as though I had been given a small object to hold unseen in my hands. Precious as opal, smooth as jade, weighty as a river stone, more fragile than a bird's egg. Infinitely still, live as the root of Creation. Not a gift, but a trust. Fiercely to cherish, softly to guard. The words spoke themselves and disappeared into the groined shadows of the roof. — Diana Gabaldon

... I suddenly discerned at my feet, crouching among the rocks for protection against the heat, the marine goddesses for whom Elstir had lain in wait and whom he had surprised there, beneath the dark glaze as lovely as Leonardo would have painted, the marvelous Shadows, sheltering furtively, nimble and silent, ready at the first glimmer of light to slip behind the stone, to hide in a cranny, and prompt, once the menacing ray had passed, to return to the rock or the seaweed over whose torpid slumbers they seemed to be keeping vigil, beneath the sun that crumbled the cliffs and the etiolated ocean, motionless lightfoot guardians darkening the water's surface with their viscous bodies and the attentive gaze of their deep blue eyes. — Marcel Proust

And must I now begin to doubt - who never doubted all these years? My heart is stone, and still it trembles. The world I have known is lost in the shadows. Is he from heaven or from hell? And does he know, that granting me my life today, this man has killed me, even so.
- Javert — Victor Hugo

Even at brightest noon, it's always
Full moon in my country. In these streets of
Tropic stone and Malay blood, daylight is
Moonlight mugging me on every corner
Where human shadows loll in an atmosphere
Both lunar and lunatic.
And while from either pole we're
Half a world and seas away, this
Might as well be
An arctic archipelago, where as
The sun burns the colder it gets.
This might as well be
Equatorial Antarctica... — Luis H. Francia

The fanged shadows boiled out behind them, howling for blood, their voices creaking with the sound of snapping bones. The fallen of Hethor's own party seemed to be swept up in the pursuit, dead correct people on their trail, keening, crying, blaming. Rivers of red flowed rapidly across the stone dock in the twilight, slippery sticky blood overtaking their flight to make them trip and slide headfirst into stone bollards or pitch screaming into the sea. — Jay Lake

A radiant glow enveloped Alaura. Soft eruptions of various shades of effervescent green danced in the air and frolicked in the locks of her dark blonde hair. Whispers of yellows and blues revealed themselves near the skin, kissing the air with each leap. — Diane Lynn McGyver

Take my memories of my mother, and the feelings that went with them. I do not want to know them at all. Take the ache in my throat when I think of Molly, take all the sharp-edged, bright-colored days I recall with her. Take their brilliance and leave me but the shadows of what I saw and felt. Let me recall them without cutting myself on their sharpness. Take my days and nights in Regal's dungeons. It is enough to know what was done to me. Take it to keep, and let me stop feeling my face against that stone floor, hearing the sound of my nose breaking, smelling and tasting my own blood. Take my hurt that I never knew my father, take my hours of staring up at his portrait when the great hall was empty and I could do so alone. Take my - Fitz. Stop. You give her too much, there will be nothing left of you. — Robin Hobb

Behind them in the garden the little stone house brooded among the shadows. It was lonely but not forsaken. It had not yet done with dreams and laughter and the joy of life; there were to be future summers for the little stone house; meanwhile, it could wait. And over the river in purple durance the echoes bided their time. — L.M. Montgomery

O Moon that rid'st the night to wake
Before the dawn is pale,
The hamadryad in the brake,
The Satyr in the vale,
Caught in thy net of shadows
What dreams hast thou to show?
Who treads the silent meadows
To worship thee below?
The patter of the rain is hushed,
The wind's wild dance is done,
Cloud-mountains ruby-red were flushed
About the setting sun:
And now beneath thy argent beam
The wildwood standeth still,
Some spirit of an ancient dream
Breathes from the silent hill.

Witch-Goddess Moon, thy spell invokes
The Ancient Ones of night,
Once more the old stone altar smokes,
The fire is glimmering bright.
Scattered and few thy children be,
Yet gather we unknown
To dance the old round merrily
About the time-worn stone.
We ask no Heaven, we fear no Hell,
Nor mourn our outcast lot,
Treading the mazes of a spell
By priests and men forgot. — Gerald Gardner

A city finds its life through the humans who inhabit it. When they go, what is truly left? Just silent stones, witnesses to the history but mute in its telling, remaining thus while slowly turning to rubble. It saddens me that life's moments are thus lost, that one cannot experience the past in the same rich vibrancy as the present. You live the moments and then relegate them to memory, now just two-dimensional shadows, pictures without depth, stripped of their purest emotion, their tactile connections no longer accessible. You try to recall, but can bring back only a fraction of the event lived. The rest is gone, never to be as full and complete as it was in that one place at that one time. That was what I thought as I studied these stone remains; that all the tangible things experienced here abide somewhere in time, but can never again be wholly re-animated, now just ghosts imbedded in the crumbling walls and in the fading memories of those who once lived here. — Michael Puttonen

Three Rings for the Elven-kings under the sky,
Seven for the Dwarf-lords in halls of stone,
Nine for Mortal Men, doomed to die,
One for the Dark Lord on his dark throne
In the Land of Mordor where the Shadows lie.
One Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them.
In the Land of Mordor where the Shadows lie. — J.R.R. Tolkien

What are the unreal things, but the passions that once burned one like fire? What are the incredible things, but the things that one has faithfully believed? What are the improbable things? The things that one has done oneself. No, Ernest; life cheats us with shadows, like a puppet- master. We ask it for pleasure. It gives it to us, with bitterness and disappointment in its train. We come across some noble grief that we think will lend the purple dignity of tragedy to our days, but it passes away from us, and things less noble take its place, and on some grey windy dawn, or odorous eve of silence and of silver, we find ourselves looking with callous wonder, or dull heart of stone, at the tress of gold-flecked hair that we had once so wildly worshipped and so madly kissed. — Oscar Wilde