Series That Will Leave Quotes & Sayings

Nichelle Nichols had decided leave the original Star Trek series after the first season. Fed up with racist harassment and limitation, culminating with her learning that studio executives were withholding her fan mail, she submitted her resignation. She withdrew it when Dr. Martin Luther King, Jr. convinced her that her role was too important a cultural breakthrough to leave. — Nichelle Nichols

Ryodan finished filling the gas tank, opens the door, and gets back in.
"Ow! If you sit on me one more time." I growl at him, "I'm going to kill you."
"Good luck with that. Don't fucking move every time I get out. You're on my side of the seat again."
"Watch out for my indent," I say crossly.
"Hummer, Mac. Nothing causes indents. Except grenades."
"I have several of those," Jada says. "Persist with your pointless bickering, I'll share one. Pin out."
I ignore her. "I'm cramped. I need to stretch."
"So, get out when I do."
"I'm afraid you'll leave me behind since you can't see me."
"I'd leave you behind if I could see you."
"Christ, would the two of you just shut up?" Dageus growls. You've been at it for hours. I think I have a headache. — Karen Marie Moning

Life is a series of embarrassing moments which leave you feeling alone in your confusion and shame — Miranda Hart

Well, that's simple, Nezra. I ran away from him and swore to him that I'd never do anything he says. You should try it sometime. It's called 'I hate you, leave me alone.' It gets all the psychos foaming at the mouth for more. Add a little 'I'll never love you,' and bam! Instant crazy."

Bartol, Amy A. (2015-03-31). Sea of Stars (The Kricket Series Book 2) (p. 208). 47North. Kindle Edition. — Amy A. Bartol

Life is a series of sudden disappearances, leave-takings without the proper goodbyes. — Kelly Link

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

The attack came without warning, in the pre-dawn stillness on the day they were due to leave. A series of solid concussions shook the walls and sent Simon scrambling from his bunk. Max thrust a handgun at him, which he immediately fumbled and dropped. — A. Ashley Straker

I could almost feel Meghan against me, shaking with sobs as she mourned her Winter prince. I could feel my arms around her as I whispered that it would be okay, that she still had me, and I would never leave. Ant then I wanted to kick myself in the head for thinking that — Julie Kagawa

The paradox of love is that to have it is to want to preserve it because it's perfect in the moment but that preservation is impossible because the perfection is only ever an instant passed through. Love like travel is a series of moments that we immediately leave behind. Still we try to hold on and embalm against all evidence and common sense proclaiming our promises and plans. The more I loved him the more I felt hope. But hope acknowledges uncertainty and so I also felt my first premonitions of loss. — Elisabeth Eaves

I will warn you now; adventures rarely, if ever, end. Once you step out on one you can never leave it behind; it follows you forever. Even if you make it home unharmed, you will never make it home unchanged. — Jenelle Schmidt

I liked working in a series, going to work every day and not having to leave town for long locations. I was producing them and building an audience. — Robert Wagner

And if I use the opportunity to kill you and leave?" the giant said in a tone half-serious half-arch.
"I have never known warriors to be dishonourable. Should you prove me wrong, we will all be dead anyway. There is nothing so ugly as reneging a promise, wouldn't you agree?"
The giant clenched his teeth and looked down. "I would," he murmured. — Michelle Franklin

Jase took a step around the desk, moving closer, narrowing his eyes.
Rebecca placed her hands on her hips, defiance in her stance and voice. "My kids, too."
Two steps brought him in front of her. "You don't have a job if you leave. Your job is here working the ranch with me. If you want to go, go, but don't take off with my children. You can't even fix them dinner."
When she turned, he took hold of her arm, hating this deceit ... and loss. "Why, Rebecca? I've been a good husband to you. — Mary J. McCoy-Dressel

Life is a series of moments and moments are always changing, just like thoughts, negative and positive. And though it may be human nature to dwell, like many natural things it's senseless, senseless to allow a single thought to inhabit a mind because thoughts are like guests or fair-weather friends. As soon as they arrive, they can leave, and even the ones that take a long time to emerge fully can disappear in an instant. Moments are precious; sometimes they linger and other times they're fleeting, and yet so much could be done in them; you could change a mind, you could save a life and you could even fall in love. — Cecelia Ahern

Her remarks caught his consideration and his violet eyes tapered with growing dislike. He was at least dejected in his solitude, and now she had come to ruin his isolation and compel him to speak when he would otherwise be enjoying silence. He pressed his immense body against the bars of the cell in hopes of intimidating her, but the captain remained complacent and unaffected by his display.
"Leave me, woman," he bellowed at her.
"I fear a cannot do that just now. I might need your help, should you wish to give it."
He groaned and turned aside. "I will not assist you."
"It is rather a shame you won't. I was going to offer you your freedom."
The giant turned back and looked at her with hesitation. — Michelle Franklin

To escape from the weight of the world, I leave my body where it is, in conversation or at dinner, and walk through a series of winding streets to a house standing back from the road. — Jeanette Winterson

Hahaha! You fools really thought you were gonna walk in here and I would show myself like that. No, you're mistaken. I have a few more tricks up my sleeve. You have a long road until you get to me and like I said, Mr. Angel, I'm the last person you'll want to see! In fact, if you're playing attention, you have met me already! However, I'll leave it to my minions to take care of all of you! - Evil One from Revenge of the Gloobas — Angel Ramon Medina

The managing editor shared Bernstein's fondness for doping things out on the basis of sketchy information. At the same time, he was cautious about what eventually went into print. On more than one occasion, he told Bernstein and Woodward to consider delaying a story or, if necessary, to pull it at the last minute if they had any doubts. 'I don't care if it's a word, a phrase, a sentence, a paragraph, a whole story or an entire series of stories,' he said. 'When in doubt, leave it out.'
Carl Bernstein, Bob Woodward — Carl Bernstein

If you can't explain it better leave it... (Dexter Season 2....) — Deyth Banger

To expose the hardships experienced by children who are deprived of the right to attend school, Camfed has produced a series of films about educational exclusion. 'Every Child Belongs in School' provides a glimpse into the lives of children who have been forced by poverty to leave school at a very young age and take a difficult life path. — Ann Cotton

Human beings who leave behind them no great achievements, but only a series of small kindnesses, have not had wasted lives — Charlotte Gray

I stroke them, and they always like that, because old people don't have anyone who touches them, and I get them hooked on a TV series, because nobody wants to die before the final episode. Some of them find comfort in prayer, but there are lots of atheists here, and they don't pray. What's most important is not to leave them on their own. — Isabel Allende

Velvet looks horrified. "If you are fool enough to address King R'jan, you will do it thus and in no other manner! 'My King, Liege, Lord, and Master, your servant begs you grant it leave to speak.'"
"Wow. Totally delusionary there."
"Good luck with that," Ryodan says. "She doesn't beg to speak, or do anything else. You can lock her up, down, and sideways and it's never going to happen."
I beam at him. I had no idea he thought so highly of me. — Karen Marie Moning

I suggest you leave now, or you'll be tied down and gagged until the end of this meeting."
"Tie us down?"
"And gag you," Joseph cheerfully reminded them. — Laura Kreitzer

The liturgy is the place where we wait for Jesus to show up. We don't have to do much. The liturgy is not an act of will. It is not a series of activities designed to attain a spiritual mental state. We do not have to apply will pressure. To be sure, like basketball or football, it is something that requires a lot of practice
its rhythms do not come naturally except to those who have been rehearsing them for years. On some Sundays the soul will indeed battle to even pay attention. In the normal course of worship, we do not have to conjure up feelings or a devotional mood; we are not required to perform the liturgy flawlessly. Such anxious effort ... blind us to what is really going on.
We do have to show up, and we cannot leave early. But if we will dwell there, remain in place, wait patiently, Jesus will show up. — Mark Galli

Just because something is addictive doesn't mean that you will get addicted to it. But ... if your stomach ties up in knots while you count the seconds waiting for a phone call from that special someone ... if you hear a loud buzzing in your ears when you see a certain person's car (or one just like it) ... if your eyes burn when you hear a random love song or see a couple holding hands ... if you suffer the twin agonies of craving for and withdrawing from a series of unrequited crushes or toxic relationships ... if you always feel like you're clutching at someone's ankle and dragged across the floor as they try to leave the room ... welcome to the club. — Ethlie Ann Vare

Prejudice is of ready application in the emergency; it previously engages the mind in a steady course of wisdom and virtue, and does not leave the man hesitating in the moment of decision, skeptical, puzzled and unresolved. Prejudice renders a man's virtue his habit; and not a series of unconnected acts. Through past prejudice, his duty becomes part of his nature. — Edmund Burke

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

Bad art might be defined as a series of bad choices about what to show and what to leave out. — Alain De Botton

Please leave my computer alone.. The only cookies I want to get are the ones I can eat. — Heather Wolf

She shut her eyes to block out the image. This was all kinds of madness. "Tanner."

Matilda opened her eyes at the sound of her voice. It was deep and ragged, almost a growl. Maybe a plea.

"Tanner, what?" he asked, his voice as husky as hers as he flicked his gaze to her face. "Tanner, stop? Tanner, leave?" He slid a hand low on her stomach, the muscles beneath tensing in anticipation. "Tanner touch me?"

A lazy finger stroked the skin just above the waist band of her boxers, the sensation coursing white hot need straight between her legs. — Amy Andrews

I think that by now, in the very beginning when I first joined the show, General Landry was like a new kid in school. I was coming into a situation I didn't really know much about, and now, after a couple of years, the character's kind of mellowed and gotten comfortable working at the command center and very comfortable with his troops. What they always do with these shows is they always leave them open-ended. The SG-1 franchise has been so successful for the network, that they always want to keep it open, an option to do it again in some way, whether that's a movie or a series, or whatever. — Beau Bridges

Bree stared down at Bernardo's still form. The monitor was the only sound in the room apart from his deep breathing. Alessandro had gone down to the cafeteria with Will and Gianni to grab something to eat before they left for home. Bree lied and told him that she wanted to check in with Tina and her mother Roxanna for a few minutes before they left. Even unconscious, the son of a bitch was formidable and Bree felt nervous around him. "Why don't you do everyone a favour and just die already?" Bree said. No response. Bree sneered and shook her head, turning to leave. "You could always smother me with a pillow," a groggy voice said behind her, making her heart nearly stop. Bree whirled around wide-eyed and met Bernardo's dark gaze. She forced herself to shrug and crossed her arms. "Do you think Alessandro would forgive you for murdering his father?" Bernardo asked. They both knew the answer to that. — E. Jamie

What do you see in him anyway?" "He doesn't leave the toilet seat up." I smiled bitterly — Jayde Scott

The things that don't happen to us that we'll never know didn't happen to us. The nonstories. The extra minute to find the briefcase that makes you late to the spot where a tractor trailer mauled another car instead of yours. The woman you didn't meet because she couldn't get a taxi to the party you had to leave early from. All of life is a series of nonstories if you look at it that way. We just don't know what they are. — Anita Shreve

Issa knelt down in front of her, taking her hands in his. Until the end of time, I will love you. You are the moon in my endless night. I have never abandoned this world, even when I desperately wanted to, and I will never leave you, either. — Lisa Kessler

Sam had a DVD in his hand. He said, "Yesterday I sent Edilio to the power plant to get two things. First, a cache of automatic weapons from the guardhouse.
"Machine guns?"
"Yeah. Not just for us to have, but to make sure the other side doesn't get them."
"Now we have an arms race," Astrid said.
Her tone seemed to irritate Sam. "You want me to leave them for Caine?"
"I wasn't criticizing, just ... you know. Ninth graders with machine guns; it's hard to make that a happy story."
Sam relented. He even grinned. "Yeah. The phrase 'ninth graders with machine guns' isn't exactly followed by 'have a nice day'. — Michael Grant

That's life. It's a series of knock-down, drag-out fights with yourself and others that will leave you lying on the ground bruised and bloody and drooling all over your shag carpeting. But all that doesn't define you, your reaction to it does. Your environment doesn't make you who you are, your choices - your beliefs, do. — J.S.B. Morse

Series finales have that responsibility to leave you feeling good about entire series. You want to feel like the viewer closes the book satisfied. And if you strike out on the finale it skews how you feel about the entire series. — Shawn Ryan

The more we become sensitive to our own journey the more we realize that we are leaving and coming back every day, every hour. Our minds wander away but eventually return; our hearts leave in search of affection and return sometimes broken; our bodies get carried away in their desires then sooner or later return. It's never one dramatic life moment but a constant series of departures and returns. — Henri J.M. Nouwen

We tend to see life as a continuum, Julie, but really, it's a series of phases, generating a series of different selves. You leave one life behind and start another. And each time, a different version of yourself emerges. — Michelle Richmond

When I was a med student, the first patient I met with this sort of problem was a sixty-two-year-old man with a brain tumor. We strolled into his room on morning rounds, and the resident asked him, "Mr. Michaels, how are you feeling today?" "Four six one eight nineteen!" he replied, somewhat affably. The tumor had interrupted his speech circuitry, so he could speak only in streams of numbers, but he still had prosody, he could still emote: smile, scowl, sigh. He recited another series of numbers, this time with urgency. There was something he wanted to tell us, but the digits could communicate nothing other than his fear and fury. The team prepared to leave the room; for some reason, I lingered. "Fourteen one two eight," he pleaded with me, holding my hand. "Fourteen one two eight." "I'm sorry." "Fourteen one two eight," he said mournfully, staring into my eyes. And then I left to catch up to the team. He died a few months later, buried with whatever message he had for the world. — Paul Kalanithi

My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking truly through colour. Feeling that because of my illness I would not be able to paint very much longer, I worked like a man obsessed on these little 'Meditations' (a long series of small paintings he made during the last years of his life, with as main motif the schema of a face, ed.). And now I leave these small but, to me, important works to the future and to people who love art. — Alexej Von Jawlensky

The nice thing about a series is you can end on cliffhangers all the time. You can be like, 'You know what? Here we go, this person just died, end of book.' And with the end of the series, you're very conscious of all the plotlines that were left hanging. There's a balance there to wrap those up but still leave it exciting. — Richelle Mead