Sentence To Paragraph Quotes & Sayings

Trying to take a feeling from one language, and express it in another is naturally that's my goal. You can't possibly achieve that in a perfect way because there's so many things you have to take into consideration. You know, think about every word, every sentence, every paragraph, and do what you can. — Ann Goldstein

I'm just very, very slow. I would not make it as a journalist, I've got to tell you. I sweat bullets over every sentence, and sometimes, you know, a day will pass and I've written one paragraph, and I've been at the computer for four hours. — Susan Elizabeth Phillips

Life is a cracked surface at best. Fiction is a nice edifice. / every word/sentence/paragraph gives a writer an opportunity to reinforce or deliberately crack the edifice by screwing with meaning, structure, grammar, the fourth wall, etc. / different types and degrees of cracking produce different arrangements of order and chaos. — K.J. Bishop

To get the right word in the right place is a rare achievement. To condense the diffused light of a page of thought into the luminous flash of a single sentence, is worthy to rank as a prize composition just by itself ... Anybody can have ideas
the difficulty is to express them without squandering a quire of paper on an idea that ought to be reduced to one glittering paragraph. — Mark Twain

One thing I'd do was put a great writer's book beside the typewriter and ... type out a beautiful and moving paragraph ... and see those sentences rising up ... and ... think, 'Someday maybe I can write like that ... ' It was like a dream of possibilities for my own self. And maybe I began to know that there was no other way for the sentence ... to ... arouse the same feeling. The someone writing whose words were rising from the typewriter became like a mentor for me ... You shouldn't do it more than a few times because you must get on with your own work. — Gina Berriault

So why is Chinese social networking booming despite the censorship? Part of the reason is the Chinese language. Posts on Twitter and Twitter clones such as Weibo are limited to 140 characters. In English that comes to about 20 words or a sentence with a short link - in effect, a headline. But in Chinese you can write a whole paragraph or tell a whole story in 140 characters. One Chinese tweet is equal to 3.5 English tweets. In some ways, Weibo (which means "microblog" in Chinese) is more like Facebook than Twitter. As far as the Chinese are concerned, if something is not on Weibo, it does not exist. — Michael Anti

Gordon Edgley's sudden death came as a shock to everyone - not least himself. One moment he was in his study, seven words into the twenty-fifth sentence of the final chapter of his new book, And the Darkness Rained upon Them, and the next he was dead. A tragic loss, his mind echoed numbly as he slipped away. — Derek Landy

It's Nathaniel Hawthorne Month in English. Poor Nathaniel. Does he know what they've done to him? We're reading The Scarlet Letter one sentence at a time, tearing it up and chewing on its bones.
It's all about SYMBOLISM, says Hairwoman. Every word chosen by Nathaniel, every comma, every paragraph break
these were all done on purpose. To get a decent grade in her class, we have to figure out what he was really trying to say. Why couldn't he just say what he meant? Would they pin scarlet letters on his chest? B for blunt, S for straightforward? — Laurie Halse Anderson

And that's one thing that helps me is I learn it blandly, vanilla, then I don't try to act it too soon because you start to act it, and you kind of go away from what the next sentence is, what the next paragraph is. So get it down so it kind of can - it's in there so you can then, as I call it, dance on top of it. — Jeff Daniels

But you know how it is with fathers and sons. We can't say what we want to say. We think a nod is a paragraph and a sentence is a book, and, in the end, all that's important is left unspoken. — Peter Kirby

Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to; you only need to get it right once. — Tana French

I like to think of the individual words, then you put the word in the sentence, then you have to think about what that word means in the sentence, then you have to read the sentence in the paragraph - you're sort of building up like that; that's my philosophy. — Ann Goldstein

All your clear and pleasing sentences will fall apart if you don't keep remembering that writing is linear and sequential, that logic is the glue that holds it together, that tension must be maintained from one sentence to the next and from one paragraph to the next and from one section to the next, and that narrative - good old-fashioned storytelling - is what should pull your readers along without their noticing the tug. — William Zinsser

In Madame Bovary Flaubert never allows anything to go on too long; he can suggest years of boredom in a paragraph, capture the essence of a character in a single conversational exchange, or show us the gulf between his soulful heroine and her dull-witted husband in a sentence (and one that, moreover, presages all Emma's later experience of men). ( ... ) This is one of the summits of prose art, and not to know such a masterpiece is to live a diminished life. — Michael Dirda

In my office I have a sign that says, 'Don't think. Just write!' and that's how I work. I try not to worry about each word, or even each sentence or paragraph. For me, stories evolve. Writing is a process. I rewrite each sentence, each manuscript, many times. — David A. Adler

If you're afraid you can't write, the answer is to write. Every sentence you construct adds weight to the balance pan. If you're afraid of what other people will think of your efforts, don't show them until you write your way beyond your fear. If writing a book is impossible, write a chapter. If writing a chapter is impossible, write a page. If writing a page is impossible, write a paragraph. If writing a paragraph is impossible, write a sentence. If writing even a sentence is impossible, write a word and teach yourself everything there is to know about that word and then write another, connected word and see where their connection leads. — Richard Rhodes

Reading requires actual concentration. If you skipped a paragraph, or even an important sentence, you could lose the entire story. With most TV shows, though, you didn't have to concentrate at all. You could space out for a good ten minutes, then come back and still figure out what was going on. — Daniel Ehrenhaft

Write a love letter, a love paragraph, or a love sentence to your spouse, and give it quietly or with fanfare! You may someday find your love letter tucked away in some special place. Words are important! 6. Compliment your spouse in the presence of his parents or friends. You will get double credit: Your spouse will feel loved and the parents will feel lucky to have such a great son-in-law or daughter-in-law. — Gary Chapman

I count it a high honor to belong to a profession in which the good men write every paragraph, every sentence, every line, as lovingly as any Addison or Steele, and do so in full regard that by tomorrow it will have been burned, or used, if at all, to line a shelf. — Alexander Woollcott

Start with a word. A word leads to a sentence, which leads to a paragraph, which leads to a chapter, which leads to a manuscript, which leads to a book ... just start with a word! — Mark Pettinger

If I see a phrase that strikes me as ugly, I'll delete it. Or, if I find a way to say something a bit more freshly than it was expressed originally, I'll do it. Ultimately, you want to try to leave behind the best possible paragraph or sentence. — Tim O'Brien

Writers are in control of editing processes - making a sentence better, cutting out a paragraph. But the initial outpouring has very little to do with conscious control or manipulation. — Siri Hustvedt

Mystics love to make things as obscure as possible, I've learned, and never use a sentence when a paragraph of riddles will do. Priests, savants, politicians, and barristers are much the same.

The ambitious believe that if you want people to think you're smart, pose as pretentiously as possible and charge a premium for confusion and wasted time. — William Dietrich

I have tried to find a configuration of comfort for you. A word, a sentence, a paragraph that would make you feel better, validated, vindicated, justified in your needs and wants. (...) You are not alone in this need for more, or in falling prey to the sway of expectation. Every person the world over has a ideal. These quintessential assumptions affect every relationship we cultivate, be it family, friendships or even romantic bonds. The truth of the matter is that we cannot hold people to our pie-in-the-sky notions. — Tamara Thiel

I usually do at least a dozen drafts and progressively make more-conscious decisions. Because I've always believed stories are closer to poems than novels, I spend a lot of time on the story's larger rhythms, such as sentence and paragraph length, placement of flashbacks and dialogue. — Ron Rash

The introductory statement for Paul's famous paragraph on marriage in Ephesians is verse 21: "Submit to one another out of reverence for Christ."1 In English, this is usually rendered as a separate sentence, but that hides from readers an important point that Paul is making. In the Greek text, verse 21 is the last clause in the long previous sentence in which Paul describes several marks of a person who is "filled with the Spirit." The last mark of Spirit fullness is in this last clause: It is a loss of pride and self-will that leads a person to humbly serve others. From this Spirit-empowered submission of verse 21, Paul moves to the duties of wives and husbands. — Timothy J. Keller

When people start writing there is this idea that you have to get everything right first time, every sentence has to be perfect, every paragraph has to be perfect, every chapter has to be perfect, but what you're doing is not any kind of public show, until you're ready for it. — Irvine Welsh

I think it's important to be accurate on the level of the word, but it's also important to be accurate at the level of the sentence, at the level of the paragraph. Sometimes you lose sight of that - I remind myself to go back and read. — Ann Goldstein

I just wanted to speak to you about something from the Internal Revenue Code. It is the last sentence of section 509A of the code and it reads: 'For purposes of paragraph 3, an organization described in paragraph 2 shall be deemed to include an organization described in section 501C-4, 5, or 6, which would be described in paragraph 2 if it were an organization described in section 501C-3.' And that's just one sentence out of those fifty-seven feet of books. — Ronald Reagan

What I have in advance are people I want to write about and a problem or problems that I see those people encountering and that I want to explore - it all proceeds sentence by sentence, paragraph by paragraph, and scene by scene. — Chaim Potok

What makes me want to keep reading a nonfiction text is the encounter with a surprising, well-stocked mind as it takes on the challenge of the next sentence, paragraph, — Phillip Lopate

Each story, good and bad, short or long
from that trip to the mall when you saw Santa, to a long, bad illness
they are all a line or a paragraph in our own life manuscript. Two thirds of the way through, even, and it all won't necessarily make sense, but at the end there'll be a beautiful whole, where every sentence of every chapter fits. — Deb Caletti

The commas are the most useful and usable of all the stops. It is highly important to put them in place as you go along. If you try to come back after doing a paragraph and stick them in the various spots that tempt you you will discover that they tend to swarm like minnows into sorts of crevices whose existence you hadn't realized and before you know it the whole long sentence becomes immobilized and lashed up squirming in commas. Better to use them sparingly, and with affection, precisely when the need for each one arises, nicely, by itself. — Lewis Thomas

To understand oneself requires patience, tolerant awareness; the self is a book of many volumes which you cannot read in a day, but when once you begin to read, you must read every word, every sentence, every paragraph for in them are the intimations of the whole. The beginning of it is the ending of it. If you know how to read, supreme wisdom is to be found. — Jiddu Krishnamurti

What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow. — G. M. Trevelyan

I feel that in the past, my style has shown itself to be capable of handling dark and light in the same paragraph, or even in the same sentence. That's something I almost take for granted. I think it was more a concern to get the details right and persuasively recreate the world I was trying to write about. — Michael Chabon

They left. Among the many dumb rules of paragraphing foisted on students in composition courses is the one that says that a paragraph may not consist of a single sentence. Wilkerson ends a richly descriptive introductory chapter with a paragraph composed of exactly two syllables. The abrupt ending and the expanse of blankness at the bottom of the page mirror the finality of the decision to move and the uncertainty of the life that lay ahead. Good writing finishes strong. — Steven Pinker

I wonder which is preferable, to walk around all your life swollen up with your own secrets until you burst from the pressure of them, or to have them sucked out of you, every paragraph, every sentence, every word of them, so at the end you're depleted of all that was once as precious to you as hoarded gold, as close to you as your skin - everything that was of the deepest importance to you, everything that made you cringe and wish to conceal, everything that belonged to you alone - and must spend the rest of your days like an empty sack flapping in the wind, an empty sack branded with a bright fluorescent label so that everyone will know what sort of secrets used to be inside you? — Margaret Atwood

By the time we were knit in our mothers' wombs, our lives were like open books before Him
every sentence read, every paragraph indented, every chapter titled, every page numbered. He knew it all in advance
all the sin, all the selfishness, every weakness. Yet He chose to love us
lavishly. — Beth Moore

It's easy to write a sentence, paragraph, or book. What's difficult is writing the best sentence, paragraph, or book you can write. — Mokokoma Mokhonoana

Read a book without thinking about finishing it. Just read it. Enjoy every word, sentence, and paragraph. Don't wish for it to end, or for it to never end. — Matt Haig

I try to get a feeling of what's going on in the story before I put it down on paper, but actually most of this breaking-in period is one long, fantastic daydream, in which I think about anything but the work at hand. I can't turn out slews of stuff each day. I wish I could. I seem to have some neurotic need to perfect each paragraph-each sentence, even-as I go along. — William Styron

My favorite "trick" is to stop writing at a point where I know that I can pick up easily the next day. I'll stop in mid-paragraph, often in midsentence. It makes getting out of bed so much easier, because I know that all I'll have to do to be productive is complete the sentence. And by then I'll be seated at my desk, coffee and Oreo cookie at hand, the morning's inertia overcome. There's an added advantage: The human brain hates incomplete sentences. All night my mind will have secretly worked on the passage and likely mapped out the remainder of the page, even the chapter, while simultaneously sending me on a dinner date with Cate Blanchett. — Erik Larson

The marks of this style are weight and clarity of argument, sudden turns of generalization and genial paradox, the telling short sentence to sum a complex paragraph, and unexpected touches of personal approach to the reader, whom he always assumes to be as logical, as learned, as romantic, and as open to conviction as himself. Not that in fact he was easily open to conviction; perhaps 'open to argument' would be a truer description. — Jocelyn Gibb

If my brain were surgically divided by callosotomy tomorrow, this would create at least two independent conscious minds, both of which would be psychologically continuous with the person who is now writing this paragraph. If my linguistic abilities happened to be distributed across both hemispheres, each of these minds might remember having written this sentence. The question of whether I would land in the left hemisphere or the right doesn't make sense - being based, as it is, on the illusion that there is a self bobbing on the stream of consciousness — Sam Harris

The most we can hope for when we write anything is dazzling imperfection. The least we can hope for is accolades from one or two people who don't know us. Spending all afternoon on "the right word" is probably foolish (though I've done it many times), but then again, it may not be. There may be people out there who'll read that nearly-perfect sentence (or paragraph), with its "right word," and they'll nod and smile and say to themselves, "Hey, that's not too bad. — T.M. Wright

The managing editor shared Bernstein's fondness for doping things out on the basis of sketchy information. At the same time, he was cautious about what eventually went into print. On more than one occasion, he told Bernstein and Woodward to consider delaying a story or, if necessary, to pull it at the last minute if they had any doubts. 'I don't care if it's a word, a phrase, a sentence, a paragraph, a whole story or an entire series of stories,' he said. 'When in doubt, leave it out.'
Carl Bernstein, Bob Woodward — Carl Bernstein

I think that if you have a knack for storytelling, and you work really hard at it, you'll have a chance to tap into something deep. But the fact remains that good sentences are hard won. Any writer worth a lick knows constructing a sentence, a paragraph, or a chapter is hard work. — Adam Ross

I find it helpful when I stop for the day to leave the last sentence unfinished or the last paragraph only lightly sketched out, so that when I start again I can pick up where I left off the day before. — Julia Bell

To engage the written word means to follow a line of thought, which requires considerable powers of classifying, inference-making and reasoning. It means to uncover lies, confusions, and overgeneralizations, to detect abuses of logic and common sense. It also means to weigh ideas, to compare and contrast assertions, to connect one generalization to another. To accomplish this, one must achieve a certain distance from the words themselves, which is, in fact, encouraged by the isolated and impersonal text. That is why a good reader does not cheer an apt sentence or pause to applaud even an inspired paragraph. Analytic thought is too busy for that, and too detached. — Neil Postman

If you want to have loving feelings today, do loving things: Flirt with everyone, especially old people and yourself. Pick up some litter in your neighborhood, even though there will be more by Sunday. Get your work done, one inadequate sentence and paragraph at a time. Then go through your draft and take out all the lies and boring parts. Left foot, right foot, left foot, breathe ... Those are the things I am going to do today. — Anne Lamott

Write a word
Put several words together to make a sentence
Put several sentences together to make a paragraph
Put enough paragraphs together and you have a story. — D.B. Macks