Self Aesthetic Quotes & Sayings

Among the few I have indicated, is there no dynamic man of action, the rebel who will help determine the aspect of the collective expression of tomorrow? Ponder this question and know that to make beautiful creations for the sake of their aesthetic value will have no social significance tomorrow, will be nonsensical self-gratification. Every era contains the conditions for providing a rebel. — Piet Zwart

Aesthetic emotion puts man in a state favorable to the reception of erotic emotion. Art is the accomplice of love. Take love away and there is no longer art. — Remy De Gourmont

By exposing the multiplicity, the facticity, the repetition and stereotype at the heart of every aesthetic gesture, photography deconstructs the possibility of differentiating between the original and the copy. [Photography calls] into question the whole concept of the uniqueness of the art object, the originality of the author, the coherence of the oeuvre within which it was made, and the individuality of so-called self-expression. — Rosalind E. Krauss

For you to sleep well at night, the aesthetic, the quality, has to be carried all the way through. — Walter Isaacson

The Tyr had tried. It had really tried. It must have gone over every element of human psychology, tried desperately to understand the nature of human aesthetic sense ... and then failed, miserably, in every regard. — C.S. Friedman

Keith Haring wrote " You see that's why I work like a dog and I worked like a dog all my life. I am not interested in the academic status of what I am doing because my problem is my own transformation. Thats the reason also why, when people say. " Well you thought this a few years ago and now you say something else," my answer is[laughter]" well, do you think that I have worked like that all those years and not be changed?" This transformation of ones self by ones own knowledge is,I think something rather close to the aesthetic experience. Why should a painter work if he is not transformed by his own painting. — Keith Haring

Aesthetic criticism returns us to the autonomy of imaginative literature and the sovereignty of the solitary soul, the reader not as a person in society but as the deep self, our ultimate inwardness. — Harold Bloom

What is extraordinary about contemporary art is the energy - it has our energy. New energy. Pieces hundreds of years old are beautiful from an aesthetic point of view, but without our modern energy. — Victor Pinchuk

Then there are the fully intentional pleasures, which, although in some way tied up with sensory or perceptual experience, are modes of exploration of the world. Aesthetic pleasures are like this. Aesthetic pleasures are contemplative - they involve studying an object OUTSIDE of the self, to which one is GIVING something (namely, attention and all that flows from it), and not TAKING, as in the pleasure that comes from drugs and drinks. Hence such pleasures are not addictive - there is no pathway to reward that can be short-circuited here, and a serotonin injection is not a cheap way of obtaining the experience of PARISFAL or THE MERCHANT OF VENICE. — Roger Scruton

Novelists of a conservative or more purely aesthetic bent hold up better on the surface, but their novels go in and out of fashion according to relevance or irrelevance. — Jane Smiley

Kitsch parodies catharsis ... It is in vain to try to draw the boundaries abstractly between aesthetic fiction and kitsch's emotional plunder. It is a poison admixed to all art; excising it is today one of art's despairing efforts ... — Theodor Adorno

I receive the reward for my willingness to participate in the object-subject reversal in the form of a private illumination - in the present case, as an aesthetic movedness. The torso, which has no place that does not see me, likewise does not impose itself - it exposes itself. It exposes itself by testing whether I will recognize it as a seer. Acknowledging it as a seer essentially means 'believing' in it, where believing, as noted above, refers to the inner operations that are necessary to conceive of the vital principle in the stone as a sender of discrete addressed energies. If I somehow succeed in this, I am also able to take the glow of subjectivity away from the stone. I tentatively accept the way it stands there in exemplary radiance, and receive the starlike eruption of its surplus of authority and soul. — Peter Sloterdijk

Even the nonreligious may exercise aesthetic judgment in matters of religion, and indeed our age has given the unbelieving a sophisticated taste in religious literature. — Lionel Trilling

In America, the materio-economic conditions relate to a societal, multi-group existence in a way never before know in world history. American Negro nationalism can never create its own values, find its revolutionary significance, define its political and economic goals, until Negro intellectuals take up the cudgels against the cultural imperialism practiced in all of its manifold ramifications on the Negro within American culture. But this kind of revolution would have to be predicated on the recognition that the cultural and artistic originality of the American nation is founded, historically, on the ingredients of a black aesthetic and artistic base. — Harold Cruse

I've seen knives pierce the chest,
Children dying in the road
Crawling things hooked and baited,
Rapists bound and then castrated,
Villains singed in public square.
Yet none these sights did make me cringe
Like when my Love cut all her hair. — Roman Payne

We must give as much weight to the arousal of the emotions and to the expression of moral and aesthetic values as we now give to science, to invention, to practical organization. One without the other is impotent. — Lewis Mumford

A cultured society that has fallen away from its religious traditions expects more from art than the aesthetic consciousness and the 'standpoint of art' can deliver. The Romantic desire for a new mythology ... gives the artist and his task in the world the consciousness of a new consecration. He is something like a 'secular saviour' for his creations are expected to achieve on a small scale the propitiation of disaster for which an unsaved world hopes. — Hans-Georg Gadamer

Espresso consumption is an aesthetic experience,like tasting a vintage wine or admiring a painting, — Andrea Illy

Camp taste turns its back on the good-bad axis of ordinary aesthetic judgment. Camp doesn't reverse things. It doesn't argue that the good is bad, or the bad is good. What it does is to offer for art, and life, a different - a supplementary - set of standards. — Susan Sontag

After illuminating the work of Rembrandt, Caravaggio, Louise Bourgeois, Balthus, and other modern artists, Mieke Bal again demonstrates her extraordinary flair for cultural criticism in taking on the work of Doris Salcedo, exploring the philosophical and aesthetic stakes of this committed political art and the relation between beauty, violence, and memory. A tour de force. — Jonathan Culler

Over the last three centuries our historical reception of folk and fairy tales has been so negatively twisted by aesthetic norms, educational standards and market conditions that we can no longer distinguish folk tales from fairy tales nor recognize that the impact of these narratives stems from their imaginative grasp and symbolic depiction of social realities. Folk and fairy tales are generally confused with one another and taken as make-believe stories with no direct reference to a particular community or historical tradition. Their own specific ideology and aesthetics are rarely seen in the light of a diachronic historical development which has great bearing on our cultural self-understanding. — Jack D. Zipes

In reality no food is valued solely for its nutritive power and no garment or house solely for the protection it affords against cold weather and rain ... the demand for goods is widely influenced by metaphysical, religious, and ethical considerations, by aesthetic value judgments, by customs, habits, prejudice, tradition, changing fashions, and many other things. — Ludwig Von Mises

Aesthetic culture is not the high-road to all the virtues, and, indeed, certain of the vices have been known to infest it. Neither, on the other hand, is there any special grace in ugliness. Art is only utterance. It must express something; and the vital question is, what does it express? — Lewis Foreman Day

The existence of the world is justified only as an aesthetic phenomenon. — Friedrich Nietzsche

A game may be as integral to a culture, as true an object of human aesthetic appreciation, as admirable a product of creativity as a folk art or a style of music; and, as such, it is quite as worthy of study. — Michael Dummett

Schinkel's aesthetic was not a crudely materialistic "truth to material" affair ... but rather an attempt to inform iron and other industrial materials with an appropriate beauty through the direct collaboration of the artist in the manufacturing process. — Karl Friedrich Schinkel

The aesthetic discussion of photography is dominated by the concept of time. Photographs appear as devices stopping time and preserving fragments of the past, like flies in amber. — Peter Wollen

While originating in acts of imagination, orthodoxies paradoxically seek to control the imagination as a means of maintaining their authority. The authenticity of a person's understanding is measured according to its conformity with the dogmas of the school. While such controls may provide a necessary safeguard against charlatanism and self-deception, they also can be used to suppress authentic attempts at creative innovation that might threaten the status quo. The imagination is anarchic and potentially subversive. The more hierarchic and authoritarian a religious institution, the more it will require that the creations of the imagination conform to its doctrines and aesthetic norms. Yet — Stephen Batchelor

The highest aim of the aesthetic being is to find the Divine through beauty; the highest Art is that which by an inspired use of significant and interpretative form unseals the door of the spirit. — Sri Aurobindo

So long as the most vulnerable people in our population are consigned to places that the rest of us will always shun and flee and view with fear, I am afraid that educational denial, medical and economic devastation, and aesthetic degradation will be inevitable. — Jonathan Kozol

In the course of aesthetic experience, the perceiver may be overwhelmed by this 'mere object', overcome with emotion, altered to the very roots of his being.[ ... ] The experience of beauty involves an exchange of power, and as such, it is often disorienting, a mix of humility and exaltation, subjugation and liberation, awe and mystified pleasure.[ ... ] Many people, fearing a pleasure they cannot control, have vilified beauty as a siren or a whore. Since at one time or another though, everyone answers to 'her' call, it would be well if we could recognize the meaning of our succumbing as a valuable response, an opportunity for self-revelation rather than defeat.[ ... ] It entails a flexibility and empathy toward 'Others' in general and the capacity to see ourselves as both active and passive without fearing that we will be diminished in the process. — Wendy Steiner

The world, art, and self explain each other: each is the aesthetic oneness of opposites, — Eli Siegel

Mankind's self-alienation has reached such a degree that it can experience its own destruction as an aesthetic pleasure of the first order. — Jerry Mander

The whole aesthetics of computers very much feeds into my OCD. They fill my head with obsessionalities and my actions become very repetitive. It seems quite inimical to the dreamy state out of which fiction comes which seems so much less causally repetitive than the way one works on computers. — Will Self

But how can we venture to reprove or praise the universe! Let us beware of attributing to it heartlessness and unreason or their opposites: it is neither perfect nor beautiful nor noble, and has no desire to become any of these; it is by no means striving to imitate mankind! It is quite impervious to all our aesthetic and moral judgments! It has likewise no impulse to self-preservation or impulses of any kind; neither does it know any laws. Let us beware of saying there are laws in nature. There are only necessities: there is no one to command, no one to obey, no one to transgress ... — Friedrich Nietzsche

A sort of egotistical self-evaluation is unavoidable in those joys in which erudition and art mingle and in which aesthetic pleasure may become more acute, but not remain as pure. — Marcel Proust

Nowhere does Niemeyer set out a specific aesthetic. In "The Autonomous Man" he notes that the imagination can be used for good or ill. In the broadest sense, he believed that the imagination could move either in the direction of autonomy, creating self-enclosed systems, or in the direction of participation, that is, a deepening of our sense of the mystery that surrounds our existence. — Gregory Wolfe

How women dressed every single day back in those days is seen as kind of incredible - it must have taken so much time. But there's something so romantic about that because it's so different to how we dress. That aesthetic is so appealing, it's not what we're used to nowadays. — Lily Collins

Physical separateness can never be overcome by electronics, but only by 'conviviality,' by 'living together' in the most literal physical sense. The physically divided are also the conquered and the controlled. 'True desires' - erotic, gustatory, olfactory, musical, aesthetic, psychic, & spiritual - are best attained in a context of freedom of self and other in physical proximity & mutual aid. Everything else is at best a sort of representation. — Hakim Bey

The painter doesn't try to reproduce the scene before him ... he simplifies and eliminates until he knows exactly what stirred him, sets this down in color and line as simply and as powerfully as possible and so translates his impression into an aesthetic emotion. — David Milne

In truth, nothing could be more opposed to the purely aesthetic interpretation and justification of the world which are taught in this book than the Christian teaching, which is, and wants to be, only moral and which relegates art, every art, to the realm of lies; with its absolute standards, beginning with the truthfulness of God, it negates, judges, and damns art. — Friedrich Nietzsche

Man's first expression, like his first dream, was an aesthetic one. Speech was a poetic outcry rather than a demand for communication. Original man, shouting his consonants, did so in yells of awe and anger at his tragic state, at his own self-awareness and at his own helplessness before the void. — Barnett Newman

I do not believe that human lives may be made the means for satisfying an artist's desire for self-expression. We must demand, rather, that every man should be given, if he wishes, the right to model his life himself, as far as this does not interfere too much with others. Much as I may sympathize with the aesthetic impulse, I suggest that the artist might seek expression in another material. Politics, I demand, must uphold equalitarian and individualistic principles; dreams of beauty have to submit to the necessity of helping men in distress, and men who suffer injustice; and to the necessity of constructing institutions to serve such purposes. — Karl R. Popper

The internationalization of art becomes a factor contributing to the estrangement of art from the artist. The sum of works of all times and places stands against him as an entity with objectives and values of its own. In turn, since becoming aware of the organized body of artworks as the obstacle to his own aesthetic self-affirmation, the artist is pushed toward anti-intellectualism and willful dismissal of the art of the past. — Harold Rosenberg

One of the staples of discussion about basic aesthetic principles is that art has to exist for its own self and cannot be prostituted to advance any particular cause or point of view. Perfect nonsense, of course, but that doesn't keep it from being repeated ad nauseam. — Douglas Wilson

In his person, life, death and resurrection, Jesus Christ is the 'form of God'. As presented in the New Testament writings, the words, actions and sufferings of Jesus form an aesthetic unity, held together by the 'style' of unconditional love. Love is always beautiful, because it expresses the self-diffusiveness of being, and so is touched by being's radiance, the pulchrum. But the unconditional, gracious, sacrificial love of Jesus Christ expresses not just the mystery of being - finite being - but the mystery of the Source of being, the transcendent communion of love which we call the Trinity.25 Thus through the Gestalt Christi, the love which God is shines through to the world. This is Balthasar's basic intuition. — Hans Urs Von Balthasar

My last album as J. Tillman, 'Singing Ax,' that was really a premeditated death rattle of the aesthetic precedent I had set. I realized I wasn't creating spontaneously; I was enforcing all these parameters. I was too self-loathing or something, and there was this obvious dissonance between my conversational voice and creative voice. — J. Tillman

Don't hate the media; become the media. — Jello Biafra

We learn to understand ourselves in and through it because the artwork is not a timeless present for a pure aesthetic consciousness (i.e., it is not an encounter with an object for which one can only express feelings of pleasure or displeasure), but rather, a real encounter with a world that presents itself historically. The self-understanding that occurs in relation to the experience of art, Gadamer tells us, is only possible when our experiencing is not discontinuous with "the unity and integrity of the other."17 — James Risser

In photography we must learn to seek, not the 'picture,' not the aesthetic of tradition, but the ideal instrument of expression, the self-sufficient vehicle for education. — Laszlo Moholy-Nagy

Somaaesthetics can be provisionally defined a the critical meliorative study of one's experience and use of one's body as a locus of sensory-aesthetic appreciation (aesthesis) and creative self-fashioning. It is therefore also devoted to the knowledge, discourses, and disciplines that structure such somatic care or can improve it. — Richard Shusterman

Could we imagine that beauty itself doesn't just exist in society's version of aesthetic perfection? Beauty also emerges from places and things that tell us stories. — Maureen Chiquet

John Milton has, since his own lifetime, always been one of the major figures in English literature, but his reputation has changed constantly. He has been seen as a political opportunist, an advocate of 'immorality' (he wrote in favour of divorce and married three times), an over-serious classicist, and an arrogant believer in his own greatness as a poet. He was all these things. But, above all, Milton's was the last great liberal intelligence of the English Renaissance. The values expressed in all his works are the values of tolerance, freedom and self-determination, expressed by Shakespeare, Hooker and Donne. The basis of his aesthetic studies was classical, but the modernity of his intellectual interests can be seen in the fact that he went to Italy (in the late 1630s) where he met the astronomer Galileo, who had been condemned as a heretic by the Catholic church for saying the earth moved around the sun. — Ronald Carter

She kept her other hand tucked into the front pocket of her hoodie, self-conscious of the two prosthetic fingers, despite the meticulous attention the plastic surgeon had paid to their aesthetic appearance. — John Burley

Emerson said that a library is a magic chamber in which there are many enchanted spirits. They wake when we call them. When the book lies unopened, it is literally, geometrically, a volume, a thing among things. When we open it, when the book surrenders itself to its reader, the aesthetic event occurs. And even for the same reader the same book changes, for the change; we are the river of Heraclitus, who said that the man of yesterday is not the man of today, who will not be the man of tomorrow. We change incessantly, and each reading of a book, each rereading, each memory of that rereading, reinvents the text. The text too is the changing river of Heraclitus. — Jorge Luis Borges

The personality trait most associated with an interest in the arts is called openness, the tendency to seek out novelty in intellectual, aesthetic, and emotional pursuits. — Adam Grant

There are few humanities that could surpass in discipline, in beauty, in emotional and aesthetic satisfaction, those humanities which are called mathematics, and the natural sciences. — Robert Watson-Watt

The novel may stimulate you to think. It may satisfy your aesthetic sense. It may arouse your moral emotions. But if it does not entertain you it is a bad novel. — W. Somerset Maugham

Mormonism has this great cheesy aesthetic - when you watch their videos, it's almost as if they're about to flash a smile at the camera and burst into song. Mormon cheesiness is so close to musical cheesiness. — Matt Stone

The wine itself has aesthetic value; but what it is for a wine to have aesthetic value cannot be understood without making reference to the experience to tasting it — Tim Crane

Form follows profit is the aesthetic principle of our times. — Richard Rogers

Only men are capable of aesthetic greatness. — Brian Sewell

They are not aesthetic like a puppy or a kitten. In fact, they always look drunk to me. Look at that one - you'd swear he had been hitting the gin. — Kerry Greenwood

These Taoists' ideas have greatly influenced all our theories of action, even to those of fencing and wrestling. Jiu-jitsu, the Japanese art of self-defence, owes its name to a passage in the Tao-teking. In jiu-jitsu one seeks to draw out and exhaust the enemy's strength by non-resistance, vacuum, while conserving one's own strength for victory in the final struggle.
In art the importance of the same principle is illustrated by the value of suggestion. In leaving something unsaid the beholder is given a chance to complete the idea and thus a great masterpiece irresistibly rivets your attention until you seem to become actually a part of it. A vacuum is there for you to enter and fill up the full measure of your aesthetic emotion. — Okakura Kakuzo

Nobody believes me when I say that my long book is an attempt to create a world in which a form of language agreeable to my personal aesthetic might seem real. But it is true. — J.R.R. Tolkien

Annabhau Sathe's Akalechi Gosht (The Dimwit's Tale) performed in front of the temple. This had also been banned. We did not know when the police would arrive and arrest the performers. This satire was like no other we had seen; it had no kings and queens. It spoke of the exploitation we saw around us, offering an aesthetic analysis of our situation. It played all night and we learned some new songs. 'Daulatichya raja, utoon Sarjya, haak de shejaaryaala re, shivari chalaa' ('Oh kings of wealth, Sarjya, wake up, listen to what your neighbours say, let's go back to the fields') and 'Aamhi dhartichya lekra bhaagyavaan' ('We are the fortunate sons of the earth'). — Daya Pawar

It's [Into the Badlands] something that's very, very different and I think that's why it divided critics initially because they didn't understand it or get it. They didn't understand or have a knowledge of what we were trying to do. Bringing in the Asian martial arts aesthetic to American television. For us, these are the people who will make the show a hit or a failure in future seasons. So it's for us to respect them and interact and see what they have to say. — Miles Millar

In reality, there is a single integral community of the Earth that includes all its component members whether human or other than human. In this community every being has its own role to fulfill, its own dignity, its own inner spontaneity. Every being has its own voice. Every being declares itself to the entire universe. Every being enters into communion with other beings.

In every phase of our imaginative, aesthetic, and emotional lives we are profoundly dependent on this larger context of the surrounding world. — Thomas Berry

I find the aesthetics of the 20th century hopelessly barren. — Twyla Tharp

A rich poet from Harvard has no sense in his mind, except the aesthetic. — Beatrice Wood

The discrepancy is that the ethical self should be found immanently in the despair, that the individual won himself by persisting in the despair. True, he has used something within the category of freedom, choosing himself, which seem to remove the difficulty, one that presumably has not struck many, since philosophically doubting everything and then finding the true beginning goes one, two, three. But that does not help. In despairing, I use myself to despair, and therefore I can indeed despair of everything by myself. But if I do this, I cannot come back by myself. It is in this moment of decision that the individual needs divine assistance, whereas it is quite correct that in order to be at this point one must first have understood the existence-relation between the aesthetic and the ethical; that is to say, by being there in passion and inwardness, one surely becomes aware of the religious - and of the leap. — Soren Kierkegaard

Scientific understanding is often beautiful, a profoundly aesthetic experience which gives pleasure not unlike the reading of a great poem. — Paul Nurse

There is a peculiar aesthetic pleasure in constructing the form of a syllabus, or a book of essays, or a course of lectures. Visions and shadows of people and ideas can be arranged and rearranged like stained-glass pieces in a window, or chessmen on a board. — A.S. Byatt

Just because something causes you to have a feeling of aesthetic beauty does not make it a work of art. — Fred Ross

We are so used to thinking of our conscious selves as in charge that all the evidence documenting our lack of control - how much we depend on split-second perceptions and aesthetic judgments - is rather scary. — Shlomo Benartzi

In the past, people couldn't place me. They thought that I was Danish or English or French. They never got that I am Italian. I'm not typical, maybe because my visual education was very mixed. There was a lot of London in my aesthetic: The Face, i-D, British music, and a lot of British fashion ... But I really enjoy this contrast. — Italo Zucchelli

The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system. — Hermann Broch

Ours is thus a realism of lush and leafy spaces rather than deserts, with science regularly revealing new thickets of canopy. Anyone is welcome to go on sharing Quine's aesthetic appreciation of deserts, but we think the facts now suggest that we must reconcile ourselves to life in the rainforest. — Anonymous

Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music. — Leo Ornstein

Originality is another criterion of aesthetic value. We may formulate an originality principle, according to which highly valuable works of art provide hitherto unavailable insights ... Notice that, although originality is a necessary condition of high aesthetic value, it is far from a sufficient condition. Many original works have little or no aesthetic value. An artwork may present a novel but uninteresting perspective, or one that is original but wrong. — James Young

Literature is the aesthetic exploitation of language — Anthony Burgess

There is none more beautiful than the lover of beauty. — Raheel Farooq

Denying Ahab greatness is an aesthetic blunder: He is akin to Achilles, Odysseus, and King David in one register, and to Don Quixote, Hamlet, and the High Romantic Prometheus of Goethe and Shelley in another. Call the first mode a transcendent heroism and the second the persistence of vision. Both ways are antithetical to nature and protest against our mortality. The epic hero will never submit or yield. — Harold Bloom

Aesthetic and utilitarian considerations aside," I said, "Those mittens don't particularly make sense. Why would you want to hitchhike to the North Pole? Isn't the whole gimmick of Christmas that there's home delivery? You get up there, all you're going to find is a bunch of exhausted, grumpy elves. Assuming, of course, that you accept the mythical presence of a workshop up there, when we all know there isn't even a pole at the North Pole, and if global warming continues, there won't be any ice, either."
"Why don't you just fuck off?" the woman replied. Then she took her mittens and got out of there. — Rachel Cohn

I am surprised you shd. say fancy and aesthetic tastes have led me to my present state of mind: these wd. be better satisfied in the Church of England, for bad taste is always meeting one in the accessories of Catholicism. — Gerard Manley Hopkins

Don't say bad words; don't interrupt people; don't shove; don't steal; don't lie. To the child, all these prohibitions appear identical ("It's not nice"). The distinction between the ethical and the aesthetic will come only later, and gradually. Politeness thus precedes morality, or rather, morality at first is nothing more than politeness: a compliance with usage and its established rules, with the normative play of appearances - a compliance with the world and the ways of the world. — Andre Comte-Sponville

The eighteenth-century view of the garden was that it should lead the observer to the enjoyment of the aesthetic sentiments of regularity and order, proportion, colour and utility, and, furthermore, be capable of arousing feelings of grandeur, gaiety, sadness, wildness, domesticity, surprise and secrecy. — Penelope Hobhouse

Because of this false idea, they devised an aesthetic belief in making the exterior of an object a reflection of the practical functions of the interior and of the constructive idea. Yet these analyses of utility and necessity that, according to their beliefs, should be the basis for the construction of any object created by humanity become immediately absurd once we analyze all the object being manufactured today. A fork or a bed cannot come to be considered necessary for humanity's life and health, and yet retain a relative value.
They are 'learned necessities.' Modern human beings are suffocating under necessities like televisions, refrigerators, etc. And in the process making it impossible to live their real lives. Obviously we are not against modern technology, but we are against any notion of the absolute necessity of objects, to the point even of doubting their real utility.'
Asger Jorn — Tom McDonough