Sean Kendrick Quotes & Sayings

They're saying that you and Sean Kendrick were burning up the cliffs." Tommy spins me again and grins at me. "And when I say you and Sean Kendrick, I mean you and Sean Kendrick. And by burning, I mean burning. — Maggie Stiefvater

I hope you won't wait for Sean Kendrick to realize that he's lonely. — Maggie Stiefvater

That's a poor match, Sean Kendrick," says a voice at my elbow. It's the other sister from Fathom & Sons, and she follows my gaze to Puck. "Neither of you are a housewife."
I don't look away from Puck. "I think you assume too much, Dory Maud."
"You leave nothing to assumption," Dory Maud says. "You swallow her with your eyes. I'm surprised there's any of her left for the rest of us to see. — Maggie Stiefvater

Come now, you can move faster than that! Everyone says you were a spitfire on the cliffs this morning." I let him spin me at that. "They do?" "They're saying that you and Sean Kendrick were burning up the cliffs." Tommy spins me again and grins at me. "And when I say you and Sean Kendrick, i mean you and Sean Kendrick. And by burning, I mean burning." I jerk to a stop and spin him instead. I pretend he's talking about racing. 'You worried? — Maggie Stiefvater

Make sure the seaweed lies flat.'
'Okay.'
'Leave an inch below the knee.'
'Okay.'
'It's got to be loose enough to put a finger in the top.'
'Sean Kendrick.' I say it emphatically enough that the stallion's ears prick toward me. ( ... )
Sean doesn't appear to be at all apologetic. 'I think you'd better let me do that after all.'
'You're the one who had me in here in the first place.' I say. 'Now I think it's you who doesn't trust me.'
'It's not just you,' He replies.
I glower at him. 'Well, I'll tell you what. I'll hold him and you wrap. That way, when it's done wrong, there's only yourself to slap. And take your jacket. I'm tired of holding it. — Maggie Stiefvater

I can't really believe that it's over. "I'll speak for her." Every face turns to where Sean Kendrick stands a little apart from the crowd, his arms crossed. "This island runs on courage, not blood," he says. His face is turned towards me, but his eyes are on Eaton and his groups. In the hush after he speaks, I can hear my heart thudding in my ears. — Maggie Stiefvater

I will not be your weakness, Sean Kendrick."
"It's late for that, Puck. — Maggie Stiefvater

She doesn't know any better, what a girl like her needs is a man with both his legs on the land. A man who will hold her down so that she doesn't fly away. She doesn't know yet that someone like you looks better on the shelf than in your hand. — Maggie Stiefvater

I'm usually homeboys with the same ni**as I'm rhyming wit/But this is hip-hop and them ni**as should know what time it is/And that goes for Jermaine Cole, Big KRIT, Wale/Pusha T, Meek Millz, A$AP Rocky, Drake/Big Sean, Jay Electron', Tyler, Mac Miller/I got love for you all but I'm tryna murder you ni**as/Tryna make sure your core fans never heard of you ni**as/They dont wanna hear not one more noun or verb from you ni**as — Kendrick Lamar

For a moment I just watch Sean wrap Corr's leg, watching how his shoulders move when they're not hidden by his jacket, how he tilts his head when he's involved in his work. He either hasn't noticed my arrival or he's pretending that he hasn't, and either's fine by me. There's something rewarding about watching a job done well, or at least a job done with everything you've got. I try to put my finger on how it is that Sean Kendrick seems so different to other people, what it is about him that makes him seem so intense and still at the same time, and I think, finally, that it's something about hesitation. Most people hesitate between steps or pause or are somehow uneven about the process. Whether that process is wrapping a leg or eating a sandwich or just living life. But with Sean, there's never a move he's not sure of, even if it means not moving at all. — Maggie Stiefvater

Sean pushes up to his feet and stands there. I look at his dirty boots. Now I've offended him, I think. He says, "Other people have never been important to me, Kate Connolly. Puck Connolly." I tip my face up to look at him, finally. The blanket falls off my shoulders, and my hat, too, loosened by the wind. I can't read his expression
his narrow eyes make it difficult. I say, "And now?" Kendrick reaches to turn up the collar on his jacket. He doesn't smile, but he's not as close to frowning as usual. "Thanks for the cake. — Maggie Stiefvater

I open the door wide to reveal the answer. They all look at Sean standing there with his hands in his pocket and the other hand around loaf of bread and it occurs to me all in a rush as they stare at him that Sean looks a little, just a little, like he's courting. I don't have time to explain the truth of it before Tommy laughs and jumps to his feet. Sean Kendrick, the devil. How are you? — Maggie Stiefvater

Puck Connolly," says the old man. "Don't be looking at him like that." Such a statement is too tantalizing to ignore. "Who is he?" "Lord, that's Sean Kendrick, — Maggie Stiefvater

I think of Sean folded low over the red stallion, riding bareback at the top of the cliffs. Of the easy way they had with each other when I met him to look at the uisce mare. I think, even, of the way Sean looked when he stood on the bloody festival rock and said his name, and then Corr's, like it was just one fact after the other. Of the way he said "the sky and the sand and the sea and Corr" to me. And I feel a bite of unfairness, because in everything but name, it seems to me that Sean Kendrick already owns Corr. — Maggie Stiefvater

I say, 'I will not be your weakness, Sean Kendrick.'
Now he looks at me. He says, very softly, 'It's late for that, Puck. — Maggie Stiefvater

Does anyone ask you why you stay, Sean Kendrick?"
"They do."
"And why do you?"
"The sky and the sand and the sea and Corr. — Maggie Stiefvater

He was dead before. He knew it, didn't you see it in his eyes? My jacket."
"Your jacket?" I say, with enough force that my shaky voice makes Corr start. "How about 'my jacket, please.' "
Sean Kendrick looks at me, perplexed, and I can see he hasn't a clue of why I'm upset with him. Why I'm upset at all. I can't stop shaking, as if I've taken all of Corr's trembling and made it my own.
"That's what I said," he says after a pause.
"No, it's not."
"What did I say?"
"You said my jacket."
Sean looks a little bewildered now. "That's what I said I said. — Maggie Stiefvater