Sea Wall Quotes & Sayings

The only way to meet affliction is to pass through it solemnly, slowly, with humility and faith, as the Israelites passed through the sea. Then its very ways of misery will divide, and become to us a wall, on the right side and on the left, until the gulf narrows before our eyes and we land safe on the opposite sore. — Dinah Maria Murlock Craik

When you drop a glass or a plate to the ground it makes a loud crashing sound. When a window shatters a table leg breaks or when a picture falls off the wall it makes a noise. But as for your heart when that breaks it s completely silent. You would think as it s so important it would make the loudest noise in the whole world or even have some ... Read Moresort of ceremonious sound like the gong of a cymbal or the ringing of a bell. But it s silent and you almost wish there was a noise to distract you from the pain. If there is a noise it s internal. It screams and no one can hear it but you. It screams so loud your ears ring and your head aches. It trashes around in your chest like a great white shark caught in the sea it roars like a mother bear whose cub has been taken. That s what it looks like and that s what it sounds like a trashing panicking trapped great big beast roaring like a prisoner to its own emotions. But that s the thing about love no one is untouchable. — Cecelia Ahern

A hand landed on his ass and urged him on and there was no wall, there were no obstacles, there was only the sea of Margaret, the hot bath of her enveloping love. She put her lips to his ear and whispered warm while cool hands pressed his back and steered him all the way into her. 'You'll never get away. You'll move in with me, we'll get married, we'll have children. You'll be here forever,' she whispered, and in the ocean of her being, he let go of the frightened air trapped in his heart, he exhaled the despair of his soul and he thought with glee: I'm home! I'm home! Thank God, I'm home! — Rafael Yglesias

I finally found him sitting on his balcony. He was leaning back against the wall with his eyes closed. Soft music played, and a cool ocean breeze blew back my hair as I stepped on to the balcony and inhaled the scent of the sea.
"May I join you?" I asked softly.
He didn't bother opening his eyes. "If you like."
The moon in the dark sky looked like a giant white plate dipping its edge into the ocean. We sat quietly for a while. I closed my eyes too and listened to him hum along in harmony with the music.
"You haven't played your guitar in a long time. I miss it," I said when the song was finished.
Ren turned away. "I fear there is no music left in me. — Colleen Houck

Have you ever sailed across an ocean, Donald? On a sail boat surrounded by sea with no land in sight. Without even the possibility of sighting land for days to come. To stand at the helm of your destiny. I want that, one more time. I want to be in the Piazza Del Campo in Sienna. To feel the surge as ten race horses go thundering by. I want another meal in Paris, at L'Ambroisie in the Place Des Vosges. I want another bottle of wine. And then another. I want the warmth of a women in the cool set of sheets. One more night of jazz at the Vanguard. I want to stand on summits and smoke cubans and feel the sun on my face for as long as I can. Walk on the wall again. Climb the tower. Ride the river. Stare at the frescoes. I want to sit in the garden and read one more good book. Most of all I want to sleep. I want to sleep like I slept when I was a boy. Give me that. Just one time. — Anonymous

Men say their pinnacles point to heaven. Why, so does every tree that buds, and every bird that rises as it sings. Men say their aisles are good for worship. Why, so is every mountain glen and rough sea-shore. But this they have of distinct and indisputable glory,
that their mighty walls were never raised, and never shall be, but by men who love and aid each other in their weakness. — John Ruskin

Aegean Islands 1940-41

Where white stares, smokes or breaks,
Thread white, white of plaster and of foam,
Where sea like a wall falls;
Ribbed, lionish coast,
The stony islands which blow into my mind
More often than I imagine my grassy home;

To sun one's bones beside the
Explosive, crushed-blue, nostril-opening sea
(The weaving sea, splintered with sails and foam,
Familiar of famous and deserted harbours,
Of coins with dolphins on and fallen pillars.)

To know the gear and skill of sailing,
The drenching race for home and the sail-white houses,
Stories of Turks and smoky ikons,
Cry of the bagpipe, treading
Of the peasant dancers;

The dark bread
The island wine and the sweet dishes;
All these were elements in a happiness
More distant now than any date like '40,
A. D. or B. C., ever can express. — Bernard Spencer

The smell of the sea swept over the wall and in through the empty window-hole, wide and wild with a million intoxicating secrets. I don't trust that smell. It hooks us somewhere deeper than reason or civilization, in the fragments of our cells that rocked in oceans before we had minds, and it pulls till we follow mindlessly as rutting animals ... It lures us to leap off high cliffs, fling ourselves on towering waves, leaves behind everyone we love and face into thousands of miles of open water for the sake of what might be on the far shore. — Tana French

We walked through a high hallway into a bright rosy-colored space, fragilely bound into the house by French windows at either end. The windows were ajar and gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-colored rug, making a shadow on it as wind does on the sea.
The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. I must have stood for a few moments listening to the whip and snap of the curtains and the groan of a picture on the wall ... — F Scott Fitzgerald

With no small amount of swagger, Gavin Greyling said, "I remember Gavin fucking Guile, who won the False Prism's War, who outwitted the Thorn Conspirators and ended the Red Cliff Uprising. Gavin Guile, who brought low pirate kings and bandit lords, who ended the Blood Wars with wits and one deadly wave of his hand, who brought justice to the Seven Satrapies. Gavin Guile, who hunted wights and criminals, who built Brightwater Wall in less than a week, who aborted the birth of gods, destroyed at least two bane, and killed a god full fledged at Ruic Head. Gavin Guile, who faced a sea demon and lived, saving all the people of Garriston and the Blackguard, too. Gavin Guile, who sank Pash vecchio's great ship Gargantua with a rat. Gavin Guile, who armed us for war and gave the Blackguard the seas entire with ou sea chariots and hull wreckers. Gavin Guile, heart of our heart, our Promachos, the one who goes before us in war, who came and conquered and will come again. — Brent Weeks

Wealth from trade was the mainspring of Western material advance; the visible agents of change were great guns. These came of age in Europe in the 15th century. On land their potency in reducing castle walls favoured central over local power, since in general only monarchs could afford siege-trains; so nation-states were consolidated and extended into great territorial empires. At sea, guns transformed sailing ships into mobile castles virtually impregnable to opponents who lacked equally powerful ordnance. With the ocean-going gunned warship, western Europe began to extend around the globe. — Peter Padfield

Keep puffing on the bubble until it breaks its confining walls and becomes the sea of joy. — Paramahansa Yogananda

He is a boy sleeping against the mosque wall, ejaculates wet dreaming into a thousand cunts pink and smooth as sea shells ... — William S. Burroughs

Count the times. The number of times you have seen the silence of another world seep though a crack. The number of times you have heard the sea trying to escape from the blue painted wall. — Jay Woodman

It is moonlight. Alone in the silence
I ascend my stairs once more,
While waves remote in pale blue starlight
Crash on a white sand shore.
It is moonlight. The garden is silent.
I stand in my room alone.
Across my wall, from the far-off moon,
A rain of fire is thrown.
There are houses hanging above the stars,
And stars hung under the sea,
And a wind from the long blue vault of time
Waves my curtains for me.
I wait in the dark once more,
swung between space and space:
Before the mirror I lift my hands
And face my remembered face. — Conrad Aiken

Like unto ships far off at sea, Outward or homeward bound, are we. Before, behind, and all around, Floats and swings the horizons bound, Seems at its distant rim to rise And climb the crystal wall of the skies, And then again to turn and sink, As if we could slide from its outer brink. Ah! it is not the sea, It is not the sea that sinks and shelves, But ourselves That rock and rise With endless and uneasy motion, Now touching the very skies, Now sinking into the depths of ocean. Ah! if our souls but poise and swing Like the compass in its brazen ring, Ever level and ever true To the toil and the task we have to do, We shall sail securely, and safely reach The Fortunate Isles, on whose shining beach The sights we see, and the sounds we hear, Will be those of joy and not of fear! — Henry Wadsworth Longfellow

I tumble over and over, till the force of the deluge carries me away, out the door and into the passage. Photos of my family tumble from the wall and are swallowed by the sea. Her mouth opens and closes as she calls my name, but I'm already out of reach. — S.A. Partridge

The chief difference between big-game fishing and weightlifting is that weightlifters never clutter up their library walls with stuffed barbells — Ed Zern

Few coffee shops have books, fewer have good books, and even less will have one book that can change your whole life. Now, the question is: How many people can find that book? And, among those who do, how many will read it? Because, you see, life always provides opportunities, but not many can see them, when they're just there, waiting to be found, when they come our way, even if in the most unexpected place in the world. One has to be very sharp to recognize a window of opportunity in a wall of illusions. And the ability to redirect attention, demands that one can be capable as well of knowing his own limitations in the vast sea of energy and vibrations. Now, I could be talking about a book, a group or a person, as the axiom remains true to itself. — Robin Sacredfire

Then, all of a sudden, those pea-green lawns where the first scarlet poppies were flowering, those canary-yellow fields which striped the tawny hills sloping down to a sea full of azure glints, all seemed so trivial to me, so banal, so false, so much in contrast with Ayl's person, with Ayl's world, with Ayl's idea of beauty, that I realized her place could never have been out here. And I realized, with grief and fear, that I had remained out here, that I would never again be able to escape those gilded and silvered gleams, those little clouds that turned from pale blue to pink, those green leaves that yellowed every autumn, and that Ayl's perfect world was lost forever, so lost I couldn't even imagine it any more, and nothing was left that could remind me of it, even remotely, nothing except perhaps that cold wall of gray stone. — Italo Calvino

This royal throne of kings, this sceptered isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands,
This blessed plot, this earth, this realm, this England. — William Shakespeare

Through the window of my mask I see a wall of coral, its surface a living kaleidoscope of lilac flecks, splashes of gold, reddish streaks and yellows, all tinged by the familiar transparent blue of the sea. — Jacques-Yves Cousteau

There was a single blue line of crayon drawn across every wall in the house. What does it mean? I asked. A pirate needs the sight of the sea, he said and then he pulled his eye patch down and turned and sailed away. — Brian Andreas

Finnick!" Something between a shriek and a cry of joy. A lovely if somewhat bedraggled young woman
dark tangled hair, sea green eyes
runs toward us in nothing but a sheet. "Finnick!" And suddenly, it's as if there's no one in the world but these two, crashing through space to reach each other. They collide, enfold, lose their balance, and slam against a wall, where they stay. Clinging into one being. Indivisible.
A pang of jealousy hits me. Not for either Finnick or Annie but for their certainty. No one seeing them could doubt their love. — Suzanne Collins

Arin had taken position on the mountainside wall. He didn't see a ship enter the harbor.
But he saw a hawk--a small one, a kestrel--swoop over the city and dive toward the general.
The man pulled a tube from its leg and opened it. He went still.
He disappeared into the ranks of soldiers.
The Valorian army stopped its assault.
Then Arin's feet were moving along the wall, racing to face the sea, and although he couldn't have said that he knew what had happened, he knew that something had changed, and in his mind there was only one person who could change his world.
Another hawk was perched on the seaside battlements. It eyed him--head cocked, beak sharp, talons tight on stone. Snow laced its feathers.
The message it bore was short.

Arin,

Let me in.

Kestrel — Marie Rutkoski

When your chair is positioned facing the wall, you see the wall. When it is positioned facing the sea, you see the sea. The same is true for us. Perspective is everything. Align with the divine. — Tehya Sky

His books are kept on freestanding shelves hung at different angles on a sea-green wall. They defy gravity, as good books should. — David Levithan

A flock of small birds took off from the wall of the fort. They moved like a length of dark silk caught by the breeze as they headed out to sea. Behind them, the sky was the colour of forget-me-nots. The sun blazed. — Sara Sheridan

Jake did not say anything; he looked up at the sky and the wall of gray mist ahead of us, he watched the stern of the Romanie lift sluggishly to the high sea. "Dick," he said later, "do you notice how she wallows in it like something tired of the struggle? She hasn't got any kick left; she wants to lay down her head and die. — Daphne Du Maurier

Out in the Field, Down by the Sea, The Hour has peal'd, Whoever ye be, Daughter of Erin, Scotia's Son, Let us be daring, - Let it be done. It is time for The Choosing, - Americans all, No more refusing The Cry, and the Call, - For the Grain to be sifted, For the Tyrants to fall, As the Low shall be lifted, - Americans all . . . Till the end of the Story, Till the end of the Fight, Till the last craven Tory Has taken to Flight, Let us go to the Wall, Let us march thro' the Pain, Americans all, Slaves ne'er again. — Thomas Pynchon

Tyrion, Jon, Dany, Stannis and Melisandre, Davos Seaworth, and all the rest of the characters you love or love to hate will be along next year (I devoutly hope) in A Dance with Dragons, which will focus on events along the Wall and across the sea, just as the present book focused on King's Landing. - George R. R. Martin June 2005 — George R R Martin

I put my pen to the paper and began to write. I'd made so many wishes for so many couples quietly in my head as they drove away, but writing the words out made it seem more real, possible. For them, and maybe for me.
FOR YOU, I WISH FOR SECOND CHANCES.

I folded it shut, then put it on the wall before I could change my mind, right above Jilly's. As Michael Salem called out to her and she started his way, I crossed the backyard, moving toward the music. When I looked back at the wish wall from a distance, it was a sea of squares: I couldn't even find mine among them. So many things we ask for, hope for, prayers put out into a world so wide: there was no way they could all be answered. But you had to keep asking. If you didn't, nothing even had a chance of coming true. — Sarah Dessen

That evening we sat in the courtyard of the hotel once more, watching the sun sink below the western isles. I told Alexi what had happened that day. I fancied I could glimpse the grey stone wall of Lismore House on its island hilltop, the red light of the setting sun glinting from the windows, and from there the wasted frame of Jonathan Blake gazing out across the sea, on nothing, his boy waiting for him to die. But it was my fantasy, simply the image on my mind, like the image burned on to your eyes when you have stared too long at the sun, the passing footprint of a creature long gone. — P.B. North

Somewhere or other there must surely be
The face not seen, the voice not heard,
The heart that not yet - never yet - ah me!
Made answer to my word.
Somewhere or other, may be near or far;
Past land and sea, clean out of sight;
Beyond the wandering moon, beyond the star
That tracks her night by night.
Somewhere or other, may be far or near;
With just a wall, a hedge, between;
With just the last leaves of the dying year
Fallen on a turf grown green. — Christina Rossetti

Even the water, grey and listless as it tossed against the harbour wall, seemed fixed in time; as if peering hard enough into its depths would reveal the tips of Peter's fingers, himself still swaying underwater, cradled in the sea's mouth. — Ava Bloomfield

A corner of the night sky, beyond a wall of trees, blooms red. In the lurid, flickering light, he sees that the airplane was not alone, that the sky teems with them, a dozen swooping back and forth, racing in all directions, and in a moment of disorientation, he feels that he's looking not up but down, as though a spotlight has been shined into a wedge of bloodshot water, and the sky has become the sea, and the airplanes are hungry fish, harrying their prey in the dark. — Anthony Doerr

Much of the Netherlands lies considerably below sea level, as you well know. Through the process of building dikes to wall out the salty sea and through pumping the water into canals, the country of the ingenious, resourceful, and doughty Dutch has literally been born of the sea. — Joseph B. Wirthlin

To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning around. Surely our innocent pleasures are not so abundant in this life, that we can afford to despise this or any other source of them. — Thomas Huxley

Every friend whom not thy fantastic will but the great and tender heart in thee craveth, shall lock thee in his embrace. And this because the heart in thee is the heart of all; not a valve, not a wall, not an intersection is there anywhere in nature, but one blood rolls uninterruptedly in endless circulation through all men, as the water of the globe is all one sea, and, truly seen, its tide is one. — Ralph Waldo Emerson

With two eyes you see my face. With three you could see my heart. With two you can see that oak tree there. With three you could see the acorn the oak grew from and the stump that it will one day become. With two you see no farther than your walls. With three you would gaze south to the Summer Sea and north beyond the Wall. — George R R Martin

Beyond the slumpstone wall lay a backyard, a swimming pool. Dappled with morning light and tree shadows, the water glimmered in shades of blue from sapphire to turquoise, as might a trove of jewels left by long-dead pirates who had sailed a sea since vanished. — Dean Koontz

The days, the nights, flow one by one above us. The hours go silently over our lifted faces. We are like dreamers who walk beneath a sea. Beneath high walls we flow in the sun together. We sleep, we wake, we laugh, we pursue, we flee. — Conrad Aiken

Instead I just stand there, tears running down my cheeks in nameless emotion that tastes of joy and of grief. Joy for the being of the shimmering world and grief for what we have lost. The grasses remember the nights they were consumed by fire, lighting the way back with a conflagration of love between species. Who today even knows what that means? I drop to my knees in the grass and I can hear the sadness, as if the land itself was crying for its people: Come home. Come home.
There are often other walkers here. I suppose that's what it means when they put down the camera and stand on the headland, straining to hear above the wind with that wistful look, the gaze out to sea. They look like they're trying to remember what it would be like to love the world. — Robin Wall Kimmerer

If you pinch the sea of its liberty, though it be walls of stone or brass, it will beat them down. — John Cotton

In the passing of an instant everything stopped and there he stood at the bottom of the ocean in perfect stillness. He gazed into a strange and eerie light that seemed to draw closer as the fear in his heart faded. An amazing tunnel was extending towards him, smooth shiny walls in the night. Reaching his hand out to touch it he wondered; if he were to die in that moment, where would the life inside him go? His heart, bursting with unspent love and the breathtaking happiness in his soul, just disappearing into the ocean. Two more handfuls of salt dissolving in a world barely able to justify its own existence.

He heard a rushing sound as the sea inhaled again just before it struck him in the chest. A wall of sand and stones that blew him off his feet and sent him back out, his last thought escaping him in a long trail of bubbles.

'Stop fighting now Thomas - it's over. — Kevin Keely

Various stars. Various kings.
Various sunsets, signs, cursory insights.
Many minute attentions, many knowledgeable watchers,
Much cold, much overbearing darkness.

Various long midwinter Glooms.
Various Solitary and Terrible Stars.
Many Frosty Nights, many previously Unseen Sky-flowers.
Many people setting out (some of them kings) all clutching at stars.

...

Various people coming home (some of them kings). Various headlights.
Two or three children standing or sitting on the low wall.
Various winds, the Sea Wind, the sound-laden Winds of Evening
Blowing the stars toward them, bringing snow. — Alice Oswald

SAPPHIRE AND DIAMONDS

When I look up at Heaven,
I see the souls of those who died
Beaming down at me,
Wanting to scream: "I'm still alive!",
Wishing to scribble across the sapphire sky -
Letters to their loved ones,
But a million dark oceans stand between us,
Between those who passed and the living,
Between those of us still stuck below,
And those who have crossed over the threshold of time -
Where what seems like eternity
Is really only a few minutes.
So you see, there is no reason to weep over the shining ones -
For even though the space that separates us is limitless,
The wall of time that divides us is only paper-thin.
And one day, we shall all reunite with them,
When our souls are released like fish
Back into the vast shimmering sea
To shine together like
Glittering diamonds. — Suzy Kassem

Bilbo's Last Song

Day is ended, dim my eyes,
But journey long before me lies.
Farewell, friends! I hear the call.
The ship's beside the stony wall.
Foam is white and waves are grey;
Beyond the sunset leads my way.
Foam is salt, the wind is free;
I hear the rising of the Sea.

Farewell, friends! The sails are set,
The wind is east, the moorings fret.
Shadows long before me lie,
Beneath the ever-bending sky,
But islands lie behind the Sun
That I shall raise ere all is done;
Lands there are to west of West,
Where night is quiet and sleep is rest.

Guided by the Lonely Star,
Beyond the utmost harbour-bar,
I'll find the heavens fair and free,
And beaches of the Starlit Sea.
Ship, my ship! I seek the West,
And fields and mountains ever blest.
Farewell to Middle-earth at last.
I see the Star above my mast! — J.R.R. Tolkien

But it is rather derogatory that your dwelling-place should be only a neighborhood to a great city,
to live on an inclined plane.I do not like their cities and forts, with their morning and evening guns, and sails flapping in one's eye. I want a whole continent to breathe in, and a good deal of solitude and silence, such as all Wall Street cannot buy,
nor Broadway with its wooden pavement. I must live along the beach, on the southern shore, which looks directly out to sea,
and see what that great parade of water means, that dashes and roars, and has not yet wet me, as long as I have lived. — Henry David Thoreau

Block City
What are you able to build with your blocks?
Castles and palaces, temples and docks.
Rain may keep raining, and others go roam,
But I can be happy and building at home.
Let the sofa be mountains, the carpet be sea,
There I'll establish a city for me:
A kirk and a mill and a palace beside,
And a harbor as well where my vessels may ride.
Great is the palace with pillar and wall,
A sort of a tower on top of it all,
And steps coming down in an orderly way
To where my toy vessels lie safe in the bay.
This one is sailing and that one is moored:
Hark to the song of the sailors on board!
And see on the steps of my palace, the kings
Coming and going with presents and things! — Robert Louis Stevenson

We'll act as if all this were a bad dream.
A bad dream.
To the person in the bell jar, blank and stopped as a dead baby, the world itself is the bad dream.
A bad dream.
I remembered everything.
I remembered the cadavers and Doreen and the story of the fig tree and Marco's diamond and the sailor on the Common and Doctor Gordon's wall-eyed nurse and the broken thermometers and the Negro with his two kinds of beans and the twenty pounds I gained on insulin and the rock that bulged between sky and sea like a gray skull.
Maybe forgetfulness, like a kind snow, would numb and cover them.
But they were part of me. They were my landscape. — Sylvia Plath

I looked past him, to the sea framed in the arched opening of the wall, to the line formed where the water met the sky. The world was not round, I realized. The world was a plate.
'Please,' he whispered. 'Don't.'
Unlike Rurick, Plesec did not die confused. — Rick Yancey

Feel this," says Harold Bazin, and crouches and brings her hand to a curved wall which is completely studded with snails. Hundreds of them. Thousands.
"So many," she whispers.
"I don't know why. Maybe because they're safe from gulls? Here, feel this, I'll turn it over." Hundreds of tiny, squirming hydraulic feet beneath a horny, ridged top: a sea star. "Blue mussels here. And here's a dead stone crab, can you feel his claw? — Anthony Doerr

The question we Americans need to address, before it is answered for us, is: Does this First World nation wish to become a Third World country? Because that is our destiny if we do not build a sea wall against the waves of immigration rolling over our shores ... Who speaks for the Euro-Americans, who founded the USA? ... Is it not time to take back America? — Pat Buchanan

Purple snow capped mountains marched off in either direction, with clouds floating around their middles like fluffy belts. In a massive valley between two of the largest peaks, a ragged wall of ice rose out of the sea, filling the entire gorge. The glacier was blue and white with streaks of black, so that it looked a hedge of dirty snow left behind on a sidewalk after a snowplow had gone by, only four million times as large. — Rick Riordan

I like to think that when I fall,
A rain-drop in Death's shoreless sea,
This shelf of books along the wall,
Beside my bed, will mourn for me. — Robert W. Service

He clasps the crag with crooked hands; Close to the sun in lonely lands, Ringed with the azure world, he stands. The wrinkled sea beneath him crawls; He watches from his mountain walls, And like a thunderbolt he falls. — Alfred The Great

Who can tell?
Your living is an organized hell.
The mansion of your mind just an oversized cell.
The pressure, everything is done to a measure.
In the sea of competition sunk like a treasure.
Like a feather falling slow spiraling to the floor.
Strung up like a broken violin to your course.
Opportunity is knocking at your door,
But you never left a welcome mat (It doesn't matter anymore.).
Or anyhow, but you're too late to turn back.
Fate pushing you into the wall like a thumbtack.
Ain't no comebacks in this game of life.
Roll the dice again,
Roll it once, never twice.

Keep on going, and taste the stars.
Keep on growing, and raise the bar.
You're living life for the As down to the Zs,
After one drop you got a fountain to seize.

Wanna break from the world, but the world wanna break you,
The weight makes your backbone curl up and make you. — Tablo

Huge knots of sea-weed hung upon the jagged and pointed stones, trembling in every breath of wind; and the green ivy clung mournfully round the dark and ruined battlements. Behind it rose the ancient castle, its towers roofless, and its massive walls crumbling away, but telling us proudly of its own might and strength, as when, seven hundred years ago, it rang with the clash of arms, or resounded with the noise of feasting and revelry. — Charles Dickens

Partying on the Malecon

One of the most exciting areas in Havana is the Malecon, a protective sea wall which buffers the northern edge of the Vedado neighborhood of Havana, from the Straits of Florida. Busiest during weekends, it is the most popular place to stroll and is an unrivaled meeting spot for guys and dolls. For this activity the primary party area is the corner of the Malecon and La Rampa, and for a country as poor as Cuba the Malecon offers a reasonable form of entertainment and people watching. Although there are nightclubs in Havana, spending an evening along the Malecon, is probably the best way to enjoy the pulse of Havana and offers visitors a chance to interact with friendly locals. — Hank Bracker

Night.
The beach and the sea are in darkness.
A dog passes, going toward the sea wall.
No one walks on the boardwalk, but, on the benches lining it, people sit. They relax. Are silent. Separated from one another. They do not speak.
The traveler passes. He walks slowly, he goes in the same direction as the dog.
He stops. Returns. He seems to be out for a walk. He starts off again.
His face is no longer visible.
The sea is calm. No wind.
The traveler returns. The dog does not return. The sea begins to rise, it seems. Its sounds getting closer. Muffled thudding coming from the river's many mouths. Somber sky. — Marguerite Duras

There were stalls nestled around the castle the way the lights were, not in rows but in odd spots, as if the stalls had grown there or alighted on random places like birds. There was one stall with ringing chimes that was set halfway up a ruined wall, so the customers had to climb sliding pieces of slate to get to it. There were more stalls set in the grassy hollows among the stones and nestled into the corners of the walls. One woman had actually turned a ruined wall into her stall, brightly colored jars arranged on the jagged, protruding shards of stone.
All through the fragments of a lost castle lit by magic moved the people of the Goblin Market. There was a man hanging up knives alongside wind chimes, which made dangerous and beautiful music as they rang together in the sea breeze. There was a boy who looked about twelve stirring something in a cauldron with a rich-smelling cloud handing over it, and bark cups ranged along his stall. — Sarah Rees Brennan

My bed was pushed up hard against the wall just below the window. I loved to sleep with the windows open. Rainy nights were the best of all: I would open my windows and put my head on my pillow and close my eyes and feel the wind on my face and listen to the trees sway and creak. There would be raindrops blown onto my face, too, if I was lucky, and I would imagine that I was in my boat on the ocean and that it was swaying with the swell of the sea. I did not imagine that I was a pirate, or that I was going anywhere. I was just on my boat. — Neil Gaiman

I stumble across the sea of tarmac, finding pavement, concealment and a brick wall. Palms brace against the scrubby surface. My stomach churns and then bubbles over, burning my throat as acrid yellow acid spills from my lips in frothy discomposure. It splatters the pavement like a spray of blood. — Rebecca Clare Smith

It was early spring, 326 BC, in the beautiful city of Chersonesus protected by a haunting deep blue sea and a giant wall. Today was the second day of the Festival of Dionysus. — Destin Bays

Just as you can pick out the voice of a loved one in the tumult of a noisy room, or spot your child's smile in a sea of faces, intimate connection allows recognition in an all-too-often anonymous world. This sense of connection arises from a special kind of discrimination, a search image that comes from a long time spent looking and listening. Intimacy gives us a different way of seeing, when visual acuity is not enough. — Robin Wall Kimmerer

Thanks anyway,' Vanderdecker repeated, and wandered off to have a stare at the sea. It was his equivalent to beating his head repeatedly against a wall. — Tom Holt

A story is a map of the world. A gloriously colored and wonderful map, the sort one often sees framed and hanging on the wall in a study full of plush chairs and stained-glass lamps: painstakingly lettered, researched down to the last pebble and participle, drawn with dash and flair, with cloud-goddesses in the corners and giant squid squirming up out of the sea ... [T]here are more maps in the world than anyone can count. Every person draws a map that shows themselves at the center. — Catherynne M Valente

And just as he had tried, on the southern beach, to find again that unique rounded black pebble with the regular little white belt, which she had happened to show him on the eve of their last ramble, so now he did his best to look up all the roadside items that retained her exclamation mark: the special profile of a cliff, a hut roofed with a layer of silvery-gray scales, a black fir tree and a footbridge over a white torrent, and something which one might be inclined to regard as a kind of fatidic prefiguration: the radial span of a spider's web between two telegraph wires that were beaded with droplets of mist. She accompanied him: her little boots stepped rapidly, and her hands never stopped moving, moving - to pluck a leaf from a bush or stroke a rock wall in passing - light, laughing hands that knew no repose. He saw her small face with its dense dark freckles, and her wide eyes, whose pale greenish hue was that of the shards of glass licked smooth by the sea waves. — Vladimir Nabokov