Scene You Been Gone Quotes & Sayings

Lydia had been fantasizing about him to the point she nearly drove him insane with it. It had taken four days for his energy to weaken inside her enough that he could go and visit her without fear she would throw him across the town in a gust of wind, and thus cause a scene. Although, getting run out of town after one day would be a new MacGregor record. — Michelle M. Pillow

I think the writer is initially set going by literature more than by life. When there are many writers all employing the same idiom, all looking out on more or less the same social scene, the individual writer will have to be more than ever careful that he isn't just doing badly what has already been done to completion. The presence alone of Faulkner in our midst makes a great difference in what the writer can and cannot permit himself to do. Nobody wants his mule and wagon stalled on the same track the Dixie Limited is roaring down. — Flannery O'Connor

It's been me all along," said September slowly. "Me who gave up my shadow, me who went down into Fairyland-Below and Fairyland-Lower-Than-That to wake up the Prince. Me who shot the poor Minotaur. You oughtn't just hand the whole business over the moment a Prince comes on the scene. I've got to see it through, don't you see? The Hollow Queen is hollow because she's missing the part of her that's me. We've got to come together again. And he can't do a thing about that. — Catherynne M Valente

It was the first time in my life that I had been aware of my own existence. It was the first time in my life I had realized that I was alive. And if I was alive, then I could die, and I mean forever. Forever dead. Not heaven, not eternal life on some other plane ... just darkness, curtain, scene. Permanently. And that was the key to my new religion, I figured. That's why life was so fucking great. I want that day back. I want to be nine again and be told, Nomi: someday you'll be gone, you'll be dust, and then even less than dust. Nothing. There's no other place to be. This world is good enough for you because it has to be. Go ahead and love it. — Miriam Toews

I also think within the scene, a specific scene - if I were to play a part that I played 10 years ago now, my interpretation of that scene would be totally different. I would be making different choices. Because I can't somehow subtract all of the experiences that I've had in my life. And it's fascinating to see, because somewhere I'm very reflective in that. You know, I've been playing basically actually close to 40 years old, so I'm somewhere lost in age in this movie. But it's been fascinating to see that I can't subtract that time. — Jake Gyllenhaal

I can hardly believe what these 12 caricatures [about Prophet Muhammad] have caused in the world. We Danes feel like we have been placed in a scene in the wrong movie. But I don't see the fight as a clash of civilizations. Rather, we must focus on avoiding exactly this type of conflict. We have to return to dialogue, to mutual understanding and to an acknowledgement of freedom of opinion. — Anders Fogh Rasmussen

It was the usual noontime university scene, but as I sat watching it with renewed attention, I became aware of a certain fact. In his or her own way, each person I saw before me looked happy. Whether they were really happy or just looked it, I couldn't tell. But they did look happy on this pleasant early afternoon at the end of September, and because of that I felt a kind of loneliness that was new to me, as if I were the only one here who was not truly part of the scene. Come to think of it, what scene had I been part of in recent years? — Haruki Murakami

He had spent a lifetime cleansing his mind of poison. He had searched his heart, found the corruption, and removed it. He had torn away the lies - lies he'd been told and had believed, and lies he had devised and used against himself. This was his mastery - the purification of the mind and the recovery of authenticity. This scene symbolized the mastery of death, the awakening. — Miguel Ruiz

Doug returned five minutes later and shook his head. "Sorry kid. She's single, but she doesn't think you're her type. She's into the Goth and vampire scene. You're too mainstream for her." I was sipping a glass of water and nearly choked on it.
"That," said Peter, as soon as Doug was gone, "is what we call irony."
"How is that possible?" exclaimed Cody. "I am a vampire. I should be exactly what she wants."
"Yeah, but you don't look like one," I said. If Gabrielle had been a Trekkie, he might have had a shot tonight. — Richelle Mead

We just wanted to get as far away from the rap-rock scene as possible, because its been done and other bands do it better than us anyway. — Adam Rich

Sooner or later your fingers close on that one moist-cold spud that the spade has accidentally sliced clean through, shining wetly white and giving off the most unearthly of earthly aromas. It's the smell of fresh soil in the spring, but fresh soil somehow distilled or improved upon, as if that wild, primordial scene has been refined and bottled: eau de pomme de terre. You can smell the cold inhuman earth in it, but there's the cozy kitchen to, for the smell of potatoes is, at least by now, to us, the smell of comfort itself, a smell as blankly welcoming as spud flesh, a whiteness that takes up memories and sentiments as easily as flavors. To smell a raw potato is to stand on the very threshold of the domestic and the wild. (241) — Michael Pollan

The weather is quite delicious. Yesterday, after writing to you, I strolled a little beyond the glade for an hour and a half and enjoyed myself
the fresh yet dark green of the grand Scotch firs, the brown of the catkins of the old birches, with their white stems, and a fringe of distant green from the larches, made an excessively pretty view. At last I fell asleep on the grass, and awoke with a chorus of birds singing around me, and squirrels running up the trees, and some woodpeckers laughing, and it was as pleasant and rural a scene as I ever saw, and I did not care one penny how any of the beasts or birds had been formed. — Charles Darwin

I started out as a poet who primarily wanted to write about image and moment. Over the years I've been trying to teach myself how to do plot and scene. My first story collection had the most issues with the plotlessness, and when I was writing my second collection I was teaching myself how to make things happen. — Dan Chaon

One of the most important long-term changes that arose as a result of this case was the creation of the "murder bag" for use by police. Spilsbury had been shocked to see police officers having to remove rotting flesh and body parts from the scene of the crime using their bare hands. To address this problem, a series of meetings were held between Scotland Yard and Spilsbury, which led to the development of the murder bag, which contained rubber gloves, tweezers, evidence bags, a magnifying glass, compass, ruler, and swabs. Such a bag is now an essential part of any major inquiry and may contain various items, depending on the specific department. Common modern additions include a fiberglass brush, lifting tape, powder, utility knife, scissors, a blood test, a semen test, swabs, alcohol hand spray, scalpels, and goggles — Nigel McCrery

I've always been a player that likes to get round the back and get crosses in for other people. When I first burst on to the scene some people only saw the goals I was scoring. More recently they've taken notice of the goals I've set up. It is nice to be recognized for that. — Michael Owen

Duran Duran blared from the car stereo. The woman, two silver bracelets on the hand she dangled out the window, cast a glance in my direction. I could have been a Denny's restaurant sign or a traffic signal, it would have been no different. She was your regular sort of beautiful young woman, I guess. In a TV drama, she'd be the female lead's best friend, the face that appears once in a cafe scene to say, What's the matter? You haven't been yourself lately. — Haruki Murakami

I've been told, and I think I recognize it, that there's a cinematic quality to my writing, with a sense of image and place and scene - and, some would say, my tendency to finish my books the way Hollywood finishes its films. — Khaled Hosseini

One night I dreamed I was walking along the beach with the Lord. Many scenes from my life flashed across the sky.
In each scene I noticed footprints in the sand. Sometimes there were two sets of footprints, other times there was one only.
This bothered me because I noticed that during the low periods of my life, when I was suffering from anguish, sorrow or defeat, I could see only one set of footprints, so I said to the Lord,
You promised me Lord,
that if I followed you, you would walk with me always. But I have noticed that during the most trying periods of my life there has only been one set of footprints in the sand. Why, when I needed you most, have you not been there for me?"
The Lord replied, "The years when you have seen only one set of footprints, my child, is when I carried you. — Mary Stevenson

The institutional scene in which American man has developed has lacked that accumulation from intervening stages which has been so dominant a feature of the European landscape. — Daniel J. Boorstin

I became aware of applause. It seemed natural. I had been living in the world of romantic comedy and this was the final scene. But it was real. The entire University Club dining room had been watching. I decided to complete the story according to tradition and kissed Rosie. — Graeme Simsion

Helena had been standing by her window looking out to sea, breathing in the fresh air and admiring the picturesque scene of a small ship sailing into the harbor.
She had not been able to think of anything other than Mikolas for days.
From LONGING the 3rd chapter of TRUE LOVE — Destin Bays

I think in this country we're committed to developing plays, and many plays I've seen have been rewritten too much. The scenes are tight, the play ends at the right time, you know exactly what the scene is about, but it seems flat; you can almost see that too many hands have been on the play. The individual voice is gone. — A.R. Gurney

He smiled down at the baby, and kissed him on the head. "I give you my blessing, Leo. First male great-grandchild! I have a feeling you are special, like Hazel was. You are more than a regular baby, eh? You will carry on for me. You will see her someday. Tell her hello for me."
"Bisabuelo," Ezperanza said, a little more insistently.
"yes, yes." Sammy chuckled. "El viejo loco rambles on. I am tired, Ezperanza. You are right. But I'll rest soon. It's been a good life. Raise him well, nieta."
The scene faded.
Leo was standing on the deck of the Argo II, holding Hazel's hand. The sun had gone down, and the ship was lit only by bronze lanterns. Hazel's eyes were puffy from crying.
What they'd seen was too much. The whole ocean heaved under them, and now for the first time Leo felt as if they were totally adrift.
"Hello, Hazel Levesque," he said, his voice gravelly. — Rick Riordan

Hark ye, friend; you have been a burgher of this great city. What matter whether you have lived in it but five years or three? If you have observed the laws of the corporation, the length or shortness of the time makes no difference. Where is the hardship, then, if Nature, that planted you here, orders your removal? You cannot say you are sent off by a tyrant or an unjust judge. No; you quit the stage as fairly as a player does that has his discharge from the master of the revels. But I have only gone through three acts, and not held out till the end of the fifth, you say. Well, but in life three acts make the play entire. He that ordered the first scene now gives the sign for shutting up the last. You are neither accountable for one nor the other. — Marcus Aurelius

As a writer myself, my job has very often been to also write on the job. So you get the script and a vague idea of how the scene might work, and you then add funny words or change the script. I'm not the world's best writer or the world's best actor, but I can do that thing where I can fix - or ruin - fix-slash-ruin, add quirk, add value. — Sally Phillips

I have always been a little disconcerted by the passion women have for behaving beautifully at the deathbed of those they love. Sometimes it seems as if they grudge the longevity which postpones their chance of an effective scene. — W. Somerset Maugham

It argued a special genius; he was clearly a case of that. The spark of fire, the point of light, sat somewhere in his inward vagueness as a lamp before a shrine twinkles in the dark perspective of a church; and while youth and early middle-age, while the stiff American breeze of example and opportunity were blowing upon it hard, had made the chamber of his brain a strange workshop of fortune. This establishment, mysterious and almost anonymous, the windows of which, at hours of highest pressure, never seemed, for starers and wonderers, perceptibly to glow, must in fact have been during certain years the scene of an unprecedented, a miraculous white-heat, the receipt for producing which it was practically felt that the master of the forge could not have communicated even with the best intentions. — Henry James

It would have been so easy to believe every word he said and drive off with him into the moonlight like a scene from a fairy tale. But I wasn't meant for happily ever after in my past life, and it was starting to seem like this one wouldn't be any different. — Michelle Madow

I've been arguing on the side of a dirt road with a petulant singer who's wearing a guitar on his back. This entire scene is a mess, and maybe we're a mess, too. But it's still him and still me, and there's still that feeling of possibility - the one that sparks like a Roman candle inside me as his lips touch mine. And it's a start. — Emery Lord

I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up ... not using ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research. — Brian Regan

There are times when I'm driving home after a day's shooting, thinking to myself, That scene would've been so much better if I had written it out. — Larry David

It might be, too - doubtless it was so, although she hid the secret from herself, and grew pale whenever it struggled out of her heart, like a serpent from its hole - it might be that another feeling kept her within the scene and pathway that had been so fatal. There dwelt, there trode, the feet of one with whom she deemed herself connected in a union that, unrecognised on earth, would bring them together before the bar of final judgment, and make that their marriage-altar, for a joint futurity of endless retribution. — Nathaniel Hawthorne

What we, or at any rate what I, refer to confidently as memory
meaning a moment, a scene, a fact that has been subjected to a fixative and thereby rescued from oblivion
is really a form of storytelling that goes on continually in the mind and often changes with the telling. Too many conflicting emotional interests are involved for life ever to be wholly acceptable, and possibly it is the work of the storyteller to rearrange things so that they conform to this end. In any case, in talking about the past we lie with every breath we draw. — William Maxwell

This is a throwback to the Aristotelian conception of nature, banished from the scene at the birth of modern science. But I have been persuaded that the idea of teleological laws is coherent, and quite different from the idea of explanation of the intentions of a purposive being who produces the means to his ends by choice. In spite of the exclusion of teleology from contemporary science, it certainly shouldn't be ruled out a priori. Formally, the possibility of principles of change over time tending toward certain types of outcome is coherent, in a world in which the nonteleological laws are not fully deterministic. — Thomas Nagel

We were born ahead of our time. Don't forget that the riot-grrl scene had a lot to do with making The Slits a legend, and that didn't happen until the early '90s. We couldn't get together before then, because the legend hadn't been built yet. In the 2000s, we've become bigger than life in that way. It's become really important for The Slits to be here now, but idealistically, we should have done it in the '90s. — Ari Up

This was a really amazing part of your adventure, Hamlet. You're sure that, should you ever one day write a book about this story or perhaps a stage production, you'd DEFINITELY include this scene. Why, you'd have to be literally crazy to write a story where you journey to England, get attacked by pirates - actual pirates! - but then just sum up that whole adventure in a single sentence. Hah! That'd be the worst. Who puts a pirate-attack scene in their story and doesn't show it to the audience? Hopefully nobody, that's who! Even from a purely structural viewpoint, you've got to give the audience something awesome to make up for all the introspection you've been doing; that just seems pretty obvious is all. — Ryan North

Records subpoenaed from the state Liquor Authority proved that the bar was owned by someone else, not by the witness who had testified to be the owner. The real owner testified that he had closed the bar before the alleged kidnapping, that he had visited it every day during the period of time it has hosted the "kidnapping," and had locked the door as he left and had given no one permission to use it. The bar had been closed for one year before the alleged crime. The irrefutable and obvious conclusion was that, in fact, there was no bar, no "scene" of the alleged crime, and, therefore, no crime. — Assata Shakur

One more word about giving instruction as to what the world ought to be. Philosophy in any case always comes on the scene too late to give it. As the thought of the world, it appears only when actuality is already there cut and dried after its process of formation has been completed ...
When philosophy paints its grey in grey, then has a shape of life grown old. By philosophy's grey in grey it cannot be rejuvenated but only understood. The owl of Minerva spreads its wings only with the falling of the dusk. — Georg Wilhelm Friedrich Hegel

I really did not expect any Grace to answer, for the laugh was as tragic, as preternatural a laugh as any I ever heard; and, but that it was high noon, and that no circumstances of ghostliness accompanied the curious cachination; but that neither scene nor season favoured fear, I should have been superstitiously afraid. However, the event showed me I was a fool for entertaining a sense even of surprise. — Charlotte Bronte

The scene had been a nightmare, one of those insane nightmares where the most normal objects become infinitely menacing. — Philippa Gregory