Scene Building Quotes & Sayings

Whenever someone told her not to think about something, it had quite the opposite effect. Once she knew she shouldn't dwell on something, it took on even more importance in her mind. — Joanne Fluke

In a large mass of muscle deprived of its circulation, the rate at which the recovery process can go on, after severe stimulation, depends on the rate at which oxygen can reach the fibres by diffusion. — Archibald Hill

A woman has to change her nature if she is to be a wife. She has to learn to curb her tongue, to suppress her desires, to moderate her thoughts and to spend her days putting another first. She has to put him first even when she longs to serve herself or her children. She has to put him first even if she longs to judge for herself. She has to put him first even when she knows best. To be a good wife is to be a woman with a will of iron that you yourself have forged into a bridle to curb your own abilities. To be a good wife is to enslave yourself to a lesser person. To be a good wife is to amputate your own power as surely as the parents of beggars hack off their children's feet for the greater benefit of the family. — Philippa Gregory

Before the scene, before the paragraph, even before the sentence, comes the word. Individual words and phrases are the building blocks of fiction, the genes that generate everything else. Use the right words, and your fiction can blossom. The French have a phrase for it - le mot juste - the exact right word in the exact right position. — Nancy Kress

As the Maestro is never loath to tell us, a human who suffers from too much ambition succeeds only in exemplifying the Creator's own lack of anticipation. The D.K., wishing His Vision to be innovative, had created the human will as an instinct all but free of Him. Once again, God had miscalculated. — Norman Mailer

I don't want to be a star, merely dying. — Leonard Cohen

Being in the building with Sarah Palin that night is a transformative and oddly unsettling experience. It's a little like having live cave-level access for the ripping-the-heart-out-with-the-bare-hands scene in Indiana Jones and the Temple of Doom. — Matt Taibbi

I began as a dramatist in the theater, so I'm always thinking about how a story moves, what it looks like, how to engage the senses, how dialogue sounds, what feels authentic and sounds real, what's funny, how to build distinctive and original characters - all the aspects of playwriting, scene-building, the architecture of dramatizing. — Adriana Trigiani

But sometimes we crave the love of those we're afraid to hate. — Anthony Breznican

Conclusion The — Anthony Banks

But it is true that sometimes an enveloping darkness aids one to clearer vision; as in a panorama building, for example, where the obscurity about the entrance prepares one better for the climax, and gives the scene depicted a more real and vivid appearance. — Pierre Loti

No secret that I enjoy motor sports and cars in particular, building cars, building custom cars. Part of that scene. I love the flow of the cars and I love the art part of them. I love the sleekness and the uniqueness of each car that you can dream up. — James Hetfield

We learned this week that Mitt Romney is building a car elevator in his house. An elevator for your cars. I get the feeling this guy wants to be president so he has a place to live while he's remodeling his beach house ... I'm not worried that this guy is out of touch. I'm worried he's Batman. I could see Mitt as Batman. He hears about a robbery, he changes into the magic underwear, he rushes to the crime scene, and he helps the crooks manage their new money. — Bill Maher

At one point in the story, following a brazen daytime bank robbery, Electro is shown escaping from the authorities by climbing up the side of a building, as easily as Spider-Man . . . we see one observer exclaim, "Look!! That strangely-garbed man is racing up the side of the building!" A second man on the street picks up the narrative: "He's holding on to the iron beams in the building by means of electric rays - using them like a magnet!! Incredible!"

There are three feelings inspired by this scene. The first is wonder as to why people rarely use the phrase "strangely-garbed" anymore. The second is nostalgia for the bygone era when pedestrians would routinely narrate events occurring in front of them, providing exposition for any casual bystander. And the third is pleasure at the realization that Electro's climbing this building is actually a physically plausible use of his powers. — James Kakalios

When I read a story, I relive the moment from which it sprang. A scene burned itself into me, a building magnetized me, a mood orseason of Nature's penetrated me, history suddenly appeared to me in some tiny act, or a face had begun to haunt me before I glanced at it. — Elizabeth Bowen

I grew up in a very celebratory town. We celebrate everything, from life to death and everything in between. So a lot of dramatics come into my aesthetic. And I'm an actor, so that adds more to the dramatic - I don't mean over-the-top. The main thing is never to be boring. — Bryan Batt

I don't need Hollywood. With or without them, I'll be fine. But I'll admit it would be nice to have them on board. — Russell Peters

But two years into our parties, I surveyed the scene from the corner and wondered, Why are we having these parties? What were we making, coming together like that? We were trying to prove that we had everything because we had parties, but I began to feel like we had nothing but parties. If anyone from the future could look back on what we were building, I was sure they would say, That could only have been built by slaves. — Sheila Heti

AFTER HAMILTON'S DEATH, I remained at Richmond Hill for ten days. I confess that I was not prepared for the response to our interview. Apparently no one had ever fought a duel in the whole history of the United States until Aaron Burr invented this diabolic game in order to murder the greatest American that ever lived (after George Washington, of course). Over night the arrogant, mob-detesting Hamilton was metamorphosed into a Christ-like figure with me as the Judas - no, the Caiaphas who so villainously despatched the godhead to its heavenly father (George Washington again) at Weehawk, our new Jerusalem's most unlikely Golgotha. I — Gore Vidal

Across the street at the New Orleans headquarters of the Lighthouse for the Blind - a two-story building attached to a four-story stucco lighthouse - another Christmas party was under way, and Wright watched as the sightless guests arrived. Then, before his eyes, a curious scene unfolded. As they were greeted by their hosts, the blind whites were escorted to a large room at the front of the house, whereas the blind Negroes were taken to the rear, where they stayed. Separated. Transfixed, Wright had to look twice before it dawned on him: 'They couldn't see to segregate themselves — Gilbert King

Plot and scene are still the hardest things for me, though I think they're the building blocks of what makes a story work. — Dan Chaon

Long afterward Amory thought of sophomore spring as the happiest time of his life. His ideas were in tune with life as he found it; he wanted no more than to drift and dream and enjoy a dozen new-found friendships through the April afternoons. — F Scott Fitzgerald

This scene was little more than a somewhat hollow ceremonial gesture. The real work of the conference had already begun, by a far smaller, more elite, and far less disparate set of individuals. All were white Westerners of elite backgrounds with more congruent temperaments and, as it turned out, goals. The first unofficial meetings between the leaders of the Big Four peacemakers - dubbed the Supreme Council - and their aides had been taking place for a week in a smaller chamber in the same building, and the maneuverings were afoot. It was nine weeks since the armistice — David A. Andelman

Because it was the original 4 guys, and the dynamic of those 4 guys interacting together that had the power. — Ronnie Montrose

We are born into this world with a life-long hunger for food ...
We are born into this world with a life-long hunger for love ... — Jose N. Harris

It's no sin to admit that you feel vulnerable and lost. — Phoebe Snow

I know exactly what it's like to stand on top of a tall building or in a high place and look down and go, 'Ohhhh my God.' I try to get into that place every time I write a scene like that. And definitely when I write the action scenes, I get overheated and my heart goes really fast. I get very involved. — Veronica Roth

Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I'm very glad that it's happening. — A-Trak

I went on into the lab. Robert and Renny were both there, standing uncertainly together and looking as if they didn't quite know what their characters would do when the eye-fucker struck again, and didn't really want to hear anybody tell them. I told them anyway. "Let's go," I said. They both blinked at me like uncertain owls. "Go?" Robert said. Renny licked his lips. "Crime scene," I said. "Nothing like it for learning about crime scenes." They looked at each other like they were both hoping the other would come up with a really good way to suggest we go for coffee instead, but neither of them did, and so we followed Vince downstairs and out of the building. — Jeff Lindsay