Scene 3 Quotes & Sayings

It wasn't easy telling my family that I'm gay. I made my carefully worded announcement at Thanksgiving. It was very Norman Rockwell. I said, 'Mom, would you please pass the gravy to a homosexual?' She passed it to my father. A terrible scene followed. — Bob Smith

We all now tell stories by cutting from one dramatic scene to the next, whereas Victorian novelists felt free to write long passages of undramatic summary. — Ken Follett

IS [Islamic State] has played a major role in helping Bashar al-Assad to reposition Syria on the international scene. Now, it is almost impossible to come up with a solution that would exclude him. The political game appears to be very cynical indeed. — Tariq Ramadan

[Beneatha Younger:] ... He said everybody ought to learn how to sit down and hate each other with good Chrisitan fellowship.
[excerpt from Act II, Scene 3] — Lorraine Hansberry

The most refined abstractions of logic conduct to a view of life, which, though startling to the apprehension, is, in fact, that which the habitual sense of its repeated combinations has extinguished in us. It strips, as it were, the painted curtain from this scene of things. I confess that I am one of those who are unable to refuse my assent to the conclusions of those philosophers who assert that nothing exists but as it is perceived. — Percy Bysshe Shelley

Under the rules of colonialism, everything goes to and comes from the mother country. In 1870, the colony of Turks and Caicos was asked to send a crest to England so that a flag for the colony could be designed. A Turks and Caicos designer drew a crest that included Salt Cay saltworks with salt rakers in the foreground and piles of salt. Back in England, it was the era of Arctic exploration, and, not knowing where the Turks and Caicos was, the English designer assumed the little white domes were igloos. And so he drew doors on each one. And this scene of salt piles with doors remained the official crest of the colony for almost 100 years, until replaced in 1968 by a crest featuring a flamingo. — Mark Kurlansky

The best preparation for acting is life - observing life and people and observing yourself. All that becomes your library. So when you have to research a part, a scene or an emotion, you go into the library and get what you need. — Kate Capshaw

Somebody always leaves a banana-skin on the scene of tragedy. — Graham Greene

There is magic in the web Shakespeare (Othello, Act 3, Scene 4) — William Shakespeare

And the creature run from the cur? There thou mightst behold the great image of authority: a dog's obeyed in office.
Thou rascal beadle, hold thy bloody hand.
Why dost thou lash that whore? Strip thine own back.
Thou hotly lust'st to use her in that kind
For which thou whipp'st her. The usurer hangs the cozener.
Through tattered clothes great vices do appear;
Robes and furred gowns hide all. Plate sin with gold,
And the strong lance of justice hurtless breaks.
Arm it in rags, a pigmy's straw does pierce it.
None does offend - none, I say, none. I'll able 'em.
Take that of me, my friend, who have the power
To seal th' accuser's lips. Get thee glass eyes,
And like a scurvy politician seem
To see the things thou dost not. — William Shakespeare

The submissive will make it through to that final scene, for the word of God will lead the man and woman of Christ "in a straight and narrow course across that everlasting gulf of misery ... and land their souls ... at the right hand of God in the kingdom, to sit down with Abraham, and Isaac, and with Jacob, and with all our holy fathers" (Helaman 3:30) "who have been ever since the world began ... to go no more out." — Neal A. Maxwell

Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh. — David Foster Wallace

You know that scene in 'Runaway Bride' when Julia Roberts puts on the amazing wedding dress and looks at herself in the mirror and goes, 'Swish, swish'? I loved that moment so much when I was a little girl. — Lily James

I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it. — David Zucker

The Last Supper is supposed to be thirteen men. Who is this woman?
Everyone misses it, our preconceived notions of this scene are so powerful that our mind blocks out the incongruity and overrides our eyes. — Dan Brown

We just wanted to get as far away from the rap-rock scene as possible, because its been done and other bands do it better than us anyway. — Adam Rich

Men have external genitalia, while women have internal genitalia. This simple difference makes a lot of difference in how they write about themselves - and how you might write about your characters. Male writers don't often address internal sensation in a character, because they don't experience it (and probably often don't realize consciously that it's there). This accounts for a lot of Really Terrible sex scenes written by men (if you look at the "Bad Sex-Scene Awards" in any given year, you'll see that the vast majority are done by male writers). — Diana Gabaldon

Trust is always a factor. You've just got to look at the big picture, and you've got to look at the small picture - the small picture in the sense that you've got to make every scene work and you've got to deal with what people are presenting you with, too. — Willem Dafoe

Filming movies and TV are vastly different. Film is more of slower pace. You usually have more time to develop characters, and it sometimes takes up to 3 months to film one movie. Sometimes you'll spend half the day filming one scene. TV moves much faster. It takes about 10 days to film an episode. — Chad Lindberg

I really did not expect any Grace to answer, for the laugh was as tragic, as preternatural a laugh as any I ever heard; and, but that it was high noon, and that no circumstances of ghostliness accompanied the curious cachination; but that neither scene nor season favoured fear, I should have been superstitiously afraid. However, the event showed me I was a fool for entertaining a sense even of surprise. — Charlotte Bronte

On a film you can really get away with learning the scene the night before and that's often just not possible with TV, so you have to be a little bit more prepared a little bit more in advance. — Claire Danes

Back at the scene of the rollover they had brought in the dogs, who got one snootful of all the guts and gore scattered all over the place and, after a whispered conference, expressed their regrets and respectfully declined to participate. — Carsten Stroud

A Deap Vally renaissance is going to begin next year and will be our focus for the start of 2013. They will blow the cobwebs off a music scene that has become just a little bit stale. — Ben Lovett

A square space with complicated ceremonies going on in it, the purpose of which is to transform animals into men. Two snakes, moving in opposite directions, have to be got rid of at once. Some animals are there, e.g. foxes and dogs. The people walk around the square and must let themselves be bitten by these animals in each of the four corners . If they run away all is lost. Now the higher animals come on to the scene-bulls and ibexes. Four snakes glide into the four corners. Then the congregation flies out. Two sacrificial priests carry in a huge reptile and with this they touch the forehead of a shapeless animal lump or life-mass. Out of it there instantly rises a human head, transfigured. A voice proclaims: "These are attempts at being. — David Lindorff

I had given myself a sort of early retirement when I left the scene in 1985. All of the people in my family worked until they dropped, including my father. I decided to take a little time to enjoy life. I traveled, built my dream house, rescued a few dogs. My return to music, and acting, was deliberate, part of my musical arc. — J. D. Souther

I become a better actor after I step on a stage in front of, like, 500 people when it's just me, a microphone and my guitar. You don't get as nervous walking into a room in front of 3 or 4 people and to do a scene or to walk on a set. You gain confidence. — Bryan Greenberg

And I'll be sworn 'tis true. Travelers ne'er did lie,
Though fools at home condemn 'em.
---Antonio
(Act III, scene 3, lines 26-27.) — William Shakespeare

But jealous souls will not be answered so.
They are not ever jealous for the cause,
But jealous for they're jealous. It is a monster
Begot upon itself, born on itself. — William Shakespeare

If you got the DVD you can see that George Lucas has taken that person out, as well as the voice, and we shot this scene when we arrived in Australia during the actual filming of Episode 3. — Ian McDiarmid

The floods washed away home and mill, all the poor man had in the world. But as he stood on the scene of his loss, after the water had subsided, brokenhearted and discouraged, he saw something shining in the bank which the waters had washed bare. "It looks like gold," he said. It was gold. The flood which had beggared him made him rich.3 HENRY CLAY TRUMBULL — Eric Ludy

Mainstream media has convinced people that black people aren't relatable. So when a Jewish person comes up to me and is all, 'Oh man, I love that one scene from Episode 3, I watch it over and over again,' I'm so happy. Because that's what I want. — Issa Rae

In the corrupted currents of this world
Offence's gilded hand may shove by justice,
And oft 'tis seen the wicked prize itself
Buys out the law. . .
(Claudius, from Hamlet, Act 3, scene 3) — William Shakespeare

It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to another. — Stephen Hopkins

For God's sake, let us sit upon the ground
And tell sad stories of the death of kings;
How some have been deposed; some slain in war,
Some haunted by the ghosts they have deposed;
Some poison'd by their wives: some sleeping kill'd;
All murder'd: for within the hollow crown
That rounds the mortal temples of a king
Keeps Death his court and there the antic sits,
Scoffing his state and grinning at his pomp,
Allowing him a breath, a little scene,
To monarchize, be fear'd and kill with looks,
Infusing him with self and vain conceit,
As if this flesh which walls about our life,
Were brass impregnable, and humour'd thus
Comes at the last and with a little pin
Bores through his castle wall, and farewell king!
Act 3, Scene 2 — William Shakespeare

And 'tis a kind of good deed to say well:
And yet words are no deeds.
King Henry VIII. Act 3, Scene 2 — William Shakespeare

Words without thoughts never to heaven go. — William Shakespeare

Light griefs can speak: deep sorrows are dumb." - Seneca, Hippolytus, act ii. scene 3.] A — Michel De Montaigne

I would there were no age between sixteen and three-and-twenty, or that youth would sleep out the rest; for there is nothing in the between but getting wenches with child, wronging the ancientry, stealing, fighting — William Shakespeare

I've worked hard and accomplished what I've accomplished in the heavyweight scene. — Lennox Lewis

Always, in Lincoln's mature theology, there is paradox. There is starting this, yet there is also tenderness; there is melancholy, yet there is also humor: there is moral law, yet there is also compassion. History is the scene of the working out God's justice, which we can never escape, but it is also the scene of the revelation of the everlasting mercy. — Elton Trueblood

You learn your lines as well as you can and you go in there and go with whatever is thrown at you. Sometimes you don't know whether or not they're going to break the scene up, so you don't have to do it all at one time. — Courtney B. Vance

My worrying, for instance, was a scene in which I looked at myself while I had the sensation of being boxed in. I call that worrying, It has happened to me a number of times after that first time. — Carlos Castaneda

I don't hold to the idea that God causes suffering and crisis. I just know that those things come along and God uses them. We think life should be a nice, clean ascending line. But inevitably something wanders onto the scene and creates havoc with the nice way we've arranged life to fall in place. — Sue Monk Kidd

I tend to edit some as I go - partly because one of the reasons I don't outline much is that I don't know what the next scene will be until I've actually written the previous scene. — Ann Leckie

Like any other person who reads a ton of books, I hate many, many books. Oh, how I hate them. I have performed dramatic readings of the books I hate. I have little hate summaries. I have hate impressions. I can act out, scene by hateful scene, some of these books. I can perform silent hate charades. — Sarah Rees Brennan

I love her [Kimberly Peirce]. Incredibly intense is a good way of describing her. Brutally honest. Really sharp. She's a director for actors. That's what she's best at, sitting down with an actor and just getting to the heart of what a scene is. And getting to the heart of not just what the scene is and the character is, but what you are, and how to build that bridge between the "me" and the character, and those emotions. — Joseph Gordon-Levitt

You really have to take your time; you have to know your character and your scene. The line you are about to say comes from the moment right before. It's not what's said, it's what is in between the spaces, it's what's in between the lines; that is the most important to play. — Sarah Shahi

September is a sweep of dusky, purple asters, a sumac branch swinging a fringe of scarlet leaves, and the bittersweet scene of wild grapes when I walk down the lane to the mailbox. September is a golden month of mellow sunlight and still clear days ... Small creatures in the grass, as if realizing their days are numbered, cram the night air with sound. Everywhere goldenrod is full out. — Jean Hersey

I missed my entrance in a production of 'Blade to the Heat' at Thick Description in San Francisco. I came into the scene very late and hugged the punching bag. I had no idea what to do! Unfortunately, that mishap was recorded for archives at UC Berkeley. It goes down in history. — Colman Domingo

When I work, I like to just kind of stay quiet, stay to myself. I like to walk around a lot and figure out what's gonna happen in the scene and try to get my head straight. — Kenneth Choi

I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life. — Ryan Gosling

There are some things I like about L.A. You can have a really healthy lifestyle, and I love running with the dogs on the beach. It's just the social scene is horrific! — Mischa Barton

The actor always must be in the scene, not above the scene. To communicate any larger ideas is my problem; it's how the narrative is constructed and directed that hopefully does it. — James Gray

Just to be seen strolling to or from a helicopter on the White House lawn, shouting an evasive answer to Sam Donaldson, must seem to the Reagans not quite satisfactory enough of a 7 PM presence, and this inane scene certainly galls the press. — Thomas B. Griffith

The bodybuilding world has lost one of its greatest legends. I had a chance to speak with Steve Michalik a year ago at The Upper State Bodybuilding competition. We laughed and shared our personal opinions about bodybuilding [today's scene and how it was in the past]. Steve, we'll miss you. R.I.P. — Lee Haney

It argued a special genius; he was clearly a case of that. The spark of fire, the point of light, sat somewhere in his inward vagueness as a lamp before a shrine twinkles in the dark perspective of a church; and while youth and early middle-age, while the stiff American breeze of example and opportunity were blowing upon it hard, had made the chamber of his brain a strange workshop of fortune. This establishment, mysterious and almost anonymous, the windows of which, at hours of highest pressure, never seemed, for starers and wonderers, perceptibly to glow, must in fact have been during certain years the scene of an unprecedented, a miraculous white-heat, the receipt for producing which it was practically felt that the master of the forge could not have communicated even with the best intentions. — Henry James

The scene had been a nightmare, one of those insane nightmares where the most normal objects become infinitely menacing. — Philippa Gregory

I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing. — Stephen Sommers

I think that sharpens the intention of a scene and clarifies a story's arc. Of course, I don't seek the questions until after I've written a scene - or maybe after I've daydreamed it. — Edan Lepucki

So I was hugely thrilled that my first scene ever on camera was with Hal Holbrook. — Anthony Edwards

When the film was presented in New York, the distributor reproduced the fountain scene on a billboard as high as a skyscraper. My name was in the middle in huge letters, Fellini's was at the bottom, very tiny. Now the name of Fellini has become very great, mine very little. — Anita Ekberg

He moved closer to her, his face just inches away from her. They stood motionless. Jason looked deep into her eyes. He tore away her barriers and locked eyes. His nose two inches away, he slightly tilted his face and looked at her lips. She slightly turned her face at the opposite angle. — Mark A. Cooper

The painter doesn't try to reproduce the scene before him ... he simplifies and eliminates until he knows exactly what stirred him, sets this down in color and line as simply and as powerfully as possible and so translates his impression into an aesthetic emotion. — David Milne

The chief reason warfare is still with us is neither a secret death-wish of the human species, nor an irrepressible instinct of aggression, nor, finally and more plausibly, the serious economic and social dangers inherent in disarmament, but the simple fact that no substitute for this final arbiter in international affairs has yet appeared on the political scene. — Hannah Arendt

As for my identity within the context of New York nightlife? I left in the '90s, so I'm not part of the scene anymore. I'll always be interested in what's happening downtown, and I try and keep up with the changing faces on social media. — James St. James

A uniform cordoned off the area with crime scene tape. The M.E. pulled in and parked. There were two EMT trucks idling at the edge of the lot. I'd stayed close to the back door, and one of the Rangeman guys had taken a position two feet from me, standing at parade rest. No doubt in my mind he'd take a bullet for me rather than face Ranger over a dead Stephanie. — Janet Evanovich