Say It To My Face Picture Quotes & Sayings

Piece by Piece Piece by piece They tear at you: Peeling away layers of being, Lying about who you are, Speaking for your dreams. In the squalor of their eyes You are an outlaw. Dressing you in a jacket of lies - tailor-made in steel - You fit their perfect picture. Take it off! Make your own mantle. Question the interrogators. Eyeball the death in their gaze. Say you won't succumb. Say you won't believe them When they rename you. Say you won't accept their codes, Their colors, their putrid morals. Here you have a way. Here you can sing victory. Here you are not a conquered race Perpetual victim - the sullen face in a thunderstorm. Hands/minds, they are carving out A sanctuary. Use these weapons Against them. Use your given gifts - they are not stone. — Luis J. Rodriguez

I thought about the word 'profile' and what a weird double meaning it had. We say we're looking at a person's profile online, or say a newspaper is writing a profile on someone, and we assume it's the whole them we're seeing. But when a photographer takes a picture of a profile, you're only seeing half the face ... It's never the way you would remember seeing them. You never remember someone 'in profile.' You remember them looking you in the eye, or talking to you. You remember an image that the subject could never see in a mirror, because you are the mirror. A profile, photographically, is perpendicular to the person you know. — David Levithan

And I remember that the editors wanted to have a witness to say that this was really the case, because it was a very sharp picture of the just the face, the head of the fetus inside the womb. — Lennart Nilsson

What phrase was that, sir?" "You said something about interviewing people face to - - " He shook his head, his tongue dabbing quickly at his lips. "I would rather not say it. I think you know what I mean. The phrase conjured up the most striking picture of the two of us breathing - breathing one another's breath." The Solarian shuddered. "Don't you find that repulsive?" "I don't know that I've ever thought of it so." "It seems so filthy a habit. And as you said it and the picture rose in my mind, I realized that after all we were in the same room and even though I was not facing you, puffs of air that had been in your lungs must be reaching me and entering mine. With my sensitive frame of mind - - " Baley said, "Molecules all over Solaria's atmosphere have been in thousands of lungs. Jehoshaphat! They've been in the lungs of animals and the gills of fish." "That — Isaac Asimov

Now the moon is high; and the great house, needing habitation more than ever, is like a body without life. Now it is even awful, stealing through it, to think of the live people who have slept in the solitary bedrooms, to say nothing of the dead. Now is the time for shadow, when every corner is a cavern and every downward step a pit, when the stained glass is reflected in pale and faded hues upon the floors, when anything and everything can be made of the heavy staircase beams excepting their own proper shapes, when the armour has dull lights upon it not easily to be distinguished from stealthy movement, and when barred helmets are frightfully suggestive of heads inside. But of all the shadows in Chesney Wold, the shadow in the long drawing-room upon my Lady's picture is the first to come, the last to be disturbed. At this hour and by this light it changes into threatening hands raised up and menacing the handsome face with every breath that stirs. — Charles Dickens

I wanted to say a certain thing to a certain man, a certain true thing that had crept into my head. I opened my head, at the place provided, and proceeded to pronounce the true thing that lay languishing there - that is, proceeded to propel that trueness, that felicitous trularity, from its place inside my head out into world life. The certain man stood waiting to receive it. His face reflected an eager accepting-ness. Everything was right. I propelled, using my mind, my mouth, all my muscles. I propelled. I propelled and propelled. I felt trularity inside my head moving slowly through the passage provided (stained like the caves of Lascaux with garlic, antihistamines, Berloiz, a history, a history) toward its debut on the world stage. Past my teeth, with their little brown sweaters knitted of gin and cigar smoke, toward its leap to critical scrutiny. Past my lips, with their tendency to flake away in cold weather - — Donald Barthelme

RULES OF LYING:
1. Figure out your lie before you open your mouth.
2. Play on your opponent's sympathies and weaknesses
3. Dance around the lie with distracting truth. They're far more convincing.
4. Picture the lie in your head as if it were the truth. They want to see how it's coming up.
5. Never forget which is the lie and which is the truth.
6. If you say something that brings you trouble, pretend that was actually the lie. Lie and say you were joking before, and aren't you funny? It's a quick escape from a sticky situation. It's the liars trapdoor.
7. Avoid it if at all possible.
8. Keep up your poker face. Never have a "tell" or a physical gesture that will give yourself away and let your opponent know your bluffing. — Kristin Walker

We give to God of our strength, not our weakness. But we also say: "Da lifneh mi ata omed" - Know before whom you stand. We know what we are in the face of that. We see the full picture - God and ourselves. We cannot see ourselves as more than we are because we see how much greater is the reality. But we must not lessen our value in our own eyes either, because we are a necessary part of this reality. It is no small thing that we are able to "stand" and to address that reality.
It would be good if we could approach life the way we approach prayer, knowing before whom we stand. — Ovadya Ben Malka

If so, it is inaccurate to say that the majority 'enjoy bad pictures'. They enjoy the ideas suggested to them by bad pictures. They do not really see the pictures as they are. If they did, they could not live with them. There is a sense in which bad work never is nor can be enjoyed by anyone. The people do not like the bad picture because the faces in them are like those of puppets and there is no real mobility in the lines that are meant to be moving and no energy or grace in the whole design. These faults are simply invisible to them; as the actual face of the Teddy-bear is invisible to an imaginative and warm-hearted child when it is absorbed in its play. It no longer notices that the eyes are only beads. — C.S. Lewis

Visualize the conversations your friends have about how they all knew you'd never be able to make it. Imagine having to explain quitting to every single person who knew you were going to BUD/S. You have to face them. You have to live with many of them. Imagine trying to find a way to overcome the shame of failing. How long is it going to take for them to stop thinking of you as a failure, a quitter, a pussy? How long until anyone takes anything you say seriously again? Visualize being sent to a crappy ship, an undesignated Seaman. Imagine, if you will, a life below deck where you spend 18 hours chipping paint and repainting the spot you chipped. Imagine not seeing the sun for days or weeks at a time. This picture is worse than anything in BUD/S. Experience the shame and humiliation of quitting once in your head. Feel how much you hate yourself for giving up on your dream. Then never, ever, ever experience it in real life. — Mark Owens

Her learning to sew (from a book Yankel brought back from Lvov) coincided with her refusal to wear any clothes that she did not make for herself, and when he bought her a book about animal physiology, she held the pictures to his face and said, "Don't you think it's strange, Yankel, how we eat them?"
"I've never eaten a picture."
"The animals. Don't you find that strange? I can't believe I never found it strange before. It's like your name, how you don't notice it for so long, but when you finally do, you can't help but say it over and over, and wonder why you never thought it was strange that you should have that name, and that everyone has been calling you that name for your whole life."
"Yankel. Yankel. Yankel. Nothing so strange for me."
"I won't eat them, at least not until it doesn't seem strange to me. — Jonathan Safran Foer