Sand The Wood Quotes & Sayings
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I had to trust life, since I was young enough to believe that life loved the person who dared to live it. I — Maya Angelou

Poetry is above all a concentration of the power of language, which is the power of our ultimate relationship to everything in the universe. It is as if forces we can lay claim to in no other way, become present to us in sensuous form. The knowledge and use of this magic goes back very far: the rune; the chant; the incantation; the spell; the kenning; sacred words; forbidden words; the naming of the child, the plant, the insect, the ocean, the configuration of stars, the snow, the sensation in the body. The ritual telling of the dream. The physical reality of the human voice; of words gouged or incised in stone or wood, woven in silk or wool, painted on vellum, or traced in sand. — Adrienne Rich

I love seeing people get excited. — George Clarke

The rockets set the bony meadows afire, turned rock to lava, turned wood to charcoal, transmuted water to steam, made sand and silica into green glass which lay like shattered mirrors reflecting the invasion, all about. The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke. — Ray Bradbury

Of course the Man was wild too. He was dreadfully wild. He didn't even begin to be tame till he met the Woman, and she told him that she did not like living in his wild ways. She picked out a nice dry Cave, instead of a heap of wet leaves, to lie down in; and she strewed clean sand on the floor; and she lit a nice fire of wood at the back of the Cave; and she hung a dried wild-horse skin, tail down, across the opening of the Cave; and she said, 'Wipe your feet, dear, when you come in, and now we'll keep house. — Rudyard Kipling

Culture is a matrix of infinite possibilities and choices. From within the same culture matrix we can extract arguments and strategies for the degradation and ennoblement of our species, for its enslavement or liberation, for the suppression of its productive potential or its enhancement. — Wole Soyinka

It's what we do, we continue on. Yet, what is the point?
There is nothing ahead of us when there is nothing left of us. — D.R. Hedge

Wood is an endlessly adaptive material. You can plane, chisel, saw, carve, sand, and bend it, and when the pieces are the shape you want you can use dovetail joints, tenpenny nails, pegs or glue; you can use lamination or inlay or marquetry; and then you can beautify it with French polish or plain linseed oil or subtle stains. And when you go to dinner at a friend's house, the candlelight will pick out the contours of grain and line, and when you take your seat you will be reminded that what you are sitting on grew from the dirt, stretched towards the sun, weathered rain and wind, and sheltered animals; it was not extruded by faceless machines lined on a cold cement floor and fed from metal vats. Wood reminds us where we come from. — Nicola Griffith

Oh my God," Mrs. McIntire screamed. She'd dropped to her knees, the dark sand and water soaking into her jeans. "Neely!"
Mr. McIntire held his wife while she screeched her daughter's name over and over. "She's going to be fine, sweetie," he kept saying.
I really wanted to believe him.
"Is she on the other side?" I paced the shore. I couldn't see anything except a piece of driftwood lying at the water's edge. "I don't see her."
Mr. McIntire didn't answer, only pointed across the rolling water.
A log had washed up on the shore. It looked like maybe the water had rubbed all the bark off and left a naked, saturated trunk behind.
"Tell me where she is." Aggravated, I stared until my eyes blurred with stress. "All I see is a damn log."
"Son," Sheriff Mills said from behind me. "That ain't a log. — K.D. Wood

Sweep the garden, any size, said the roshi. Sweeping, sweeping alone as the garden grows large or small. Any song sung working the garden brings up from sand gravel soil through straw bamboo wood and less tangible elements Power song for the hands Healing song for the senses what can and cannot be perceived of the soul. — Olga Broumas

She geared her ass to holy-shit-it's-going-to-eat-me speed and didn't think the soles of her flip-flops hit the ground until she reached the door to her own little business. (Angie) — Annie Nicholas

Who do you think made this world an' the things 'at's in it? Maybe it's your notion 'at somebody about your size whittled it from a block o' wood, scattered a little sand for earth, stuck a few seeds for trees, an' started the oceans with a waterin' pot! I don't know what paved streets an' stall feedin' do for a man, but any one 'at's lived sixty year on the ground knows 'at this whole old earth is jest teemin' with work 'at's too big for anything but a God, an' a mighty BIG God at that! — Gene Stratton-Porter

The boy went ahead with the dog, trudging across the sand, maintaining the same lethargic pace. She watched them go. And as she rinsed the sand from the board, she felt restored, somehow lighter. She wanted her old life back, just the two of them, before all the drama. But it wasn't possible. So she'd have to make do with moments like these: perfect and fleeting. — Samantha Wood

The sand where he sat was warm to the touch but the night beyond the fire was sharp with the cold. He got up and dragged fresh wood in under the bridge. He stood listening. The boy didnt stir. He sat beside him and stroked his pale and tangled hair. Golden chalice, good to house a god. Please dont tell me how the story ends. — Cormac McCarthy