Saint Paul Trois Ch C3 A2teaux 1948 Quotes & Sayings

You can see the whole entire world in the eyes of a person who knows how to simply stand there and take all of it into him but then you can look into the eyes of someone else and the whole entire world goes away and all that's left is you. — C. JoyBell C.

Another reason I think the novel will survive is that the reader has to work in a novel. In a film, you are presented with someone else's imagination exactly bodied out. The marvelous thing about a novel is that every reader will imagine even the very simplest sentence slightly differently. — John Fowles

That day, they jumped into the river together. It was hot and nobody needed any clothes. — C. JoyBell C.

Because,if you didn't allow yourself to love, you would risk losing everything. — Camilla Lackberg

I don't ask people to keep me. — C. JoyBell C.

By a persistent effort of will it is possible to change the whole body. The athlete must always keep in mind this concept of change and progression. He must never accept his limitations as being permanent, because they are not. — Emil Zatopek

It's a fine line between Saturday night and Sunday morning. — Jimmy Buffett

And at that moment, Thibaut knew he was a murderer. He had murdered his brother that night; he had taken away his brother's soul. — C. JoyBell C.

He's better now, Loo. He's taking care of the cats. — C. JoyBell C.

Lucy seemed to be imprisoned by a legion of people in her life who always wanted what was right for her. And as a result, in the eyes of everyone, she had everything ... and yet she always, always felt she had nothing. No one. — C. JoyBell C.

It was him, it was always him, they only needed to stand there with their feet buried into the muddy moss and look at each other; to feel each other. Time stopped, movement disappeared and it was both the beginning of everything and the end of everything else. They had each other and there was no name, no title to it other than they just had each other. There was no necessity to be practical, what they had and what they were, was of their own and in their own and I think nothing in the world could have made Lucy happier than to have what they had, to be what they were. — C. JoyBell C.

And that was it; it was so easy for her. My own memories did not even belong to me. But I knew she was wrong. I had seen that comet. I knew it as well as I knew my own face, my own hands. My own heart. — Sarah Dessen

Loo, life is black and white. You don't know what's good for you, because you don't see the black and white! You don't see where the black lines end and where the white lines begin! You're going to grow up to be no good if you keep on that way. It's impractical. I only have one child, and I won't have her growing up to be impractical. I can't think of a worse thing to be than impractical! — C. JoyBell C.

To me, no painter has ever quite understood the light, the distances, the aboriginal ghostliness of the American West as well as Maynard Dixon. The great mood of his work is solitude, the effect of land and space on people. While his work stands perfectly well on its claims to beauty, it offers a spiritual view of the West indispensable to anyone who would understand it. — Thomas McGuane

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye. — Robert Smithson

A bitch always smokes." He looks back at Lucy. "A bitch is the opposite of a whore. A bitch doesn't need anybody. Or she wants people to think she doesn't need anybody. And she smokes to prove it. — C. JoyBell C.