Sad She's The Girl Quotes & Sayings

She frowned. "God, that's sad. You want to be with her but the sex part - " I shuddered. "Ewg. You are far too young to say that word." The girl's eyes shone. "What word? Sex?" I put my hands over my ears. "Gah." Molly grinned and enunciated. "But the bleep part would make her lose control." I coughed uncomfortably, lowering my hands. "Basically. Yeah." "Why don't you tie her up? — Jim Butcher

Always quick with the wit. It's your defense, isn't it? Little girl doesn't want the world to know how sad she is, how damaged. Your words, your attitude, all a big misdirection. A magician's trick. — Chuck Wendig

Then the girl spoke to the child. She told him she'd rather it remain this way between them.
That she'd rather their story not move from this place, even if the child didn't understand her; that it remain in this desire, even if that meant she put herself to death. Not a real death, mind you, but a dead death, where you don't hurt, where you're never sad, you're never punished, nothing.
She said, 'It should be completely impossible.'
She said, 'It should be desperate. — Marguerite Duras

First, it's okay to be sad. It's okay to feel things. Remember that. Second, be a kid for as long as you can. Play games, Travis. Be silly" - her eyes glossed over - "and you and your brothers take care of each other, and your father. Even when you grow up and move away, it's important to come home. Okay?"
My head bobbed up and down, desperate to please her.
"One of these days you're going to fall in love, son. Don't settle for just anyone. Choose the girl that doesn't come easy, the one you have to fight for, and then never stop fighting. Never" - she took a deep breath - "stop fighting for what you want. And never" - her eyebrows pulled in - "forget that Mommy loves you. Even if you can't see me." A tear fell down her cheek. "I will always, always love you. — Jamie McGuire

You want to hear it? Fine. It's a simple story really, about a pretty girl who was pretty stupid. She let a man touch her because she was scared to say no, and then she told her parents because she was scared to say nothing. Then they were scared to do anything that might ruin their pretty little lives, so they told the girl that it was nothing. That just being touched wasn't enough to fight for. Too scared to prove them wrong, she kept going like it was nothing, and she let more people touch her, never knowing that she was handing out pieces of herself. Or, hell, maybe she knew deep down, and she just hated herself so much that she was glad to be rid of them. And life wasn't pretty, but it also wasn't scary until she met a man with two names who touched her without taking and made her miss the pieces she had lost. And now things aren't just scary, they're fucking terrifying, and I can't do it. I can't live like this, knowing all that I've ruined and that it can't be fixed. — Cora Carmack

Ophelia,' said the boy. He said it very quietly. She didn't like the way he said that at all. He sounded sad and as though he expected more from her.
'And how do you know my name anyways?' she said. 'I never told you it, not once.'
'I heard it once, a long time ago.'
He was full of mysterious sentences like that. — Karen Foxlee

I didn't know. All I know was that the sex was terrific. And that the hippie was cute. She loved sweet pickles. She liked the name Willie. She even liked Apocalypse Now. She was not a vegeterian. These were all on the plus side. But, once I introduced her to my friends, at the time, and they were all stuck-up asshole Lit majors and they made fun of her and she understoond what was going on and her eyes, usually blue, too blue, vacant, were sad. And I protected her. I took her away from them. ('Spell Pynchon,' they asked her, cracking up.) And she introduced me to her friends. And we ended up sitting on some Japanese pillows in her room and we all smoked some pot and this little hippie girl with a wreath on her head, looked at me as I held her and said, The world blows my mind'. And you know what?
I fucked her anyway. — Bret Easton Ellis

She died."
I had to prompt him.
"Soon after?"
"In the early hours of February the nineteenth, 1916." I tried to see the expression on his face, but it was too dark. "There was a typhoid epidemic. She was working in a hospital."
"Poor girl."
"All past. All under the sea."
"You make it seem present."
"I do not wish to make you sad."
"The scent of lilac."
"Old man's sentiment. Forgive me."
There was a silence between us. He was staring into the night. The bat flitted so low that I saw its silhouette for a brief moment against the Milky Way.
"Is this why you never married?"
"The dead live."
The blackness of the trees. I listened for footsteps, but none came. A suspension.
"How do they live?"
And yet again he let the silence come, as if the silence would answer my questions better than he could himself; but just when I had decided he would not answer, he spoke.
"By love. — John Fowles

But a sad fatality hung over this young girl. She had been given to seven husbands, all of whom had perished in the bride-chamber. — Soren Kierkegaard

All those posters and PSAs and health class presentations on body image and the way you can burst blood vessels in your face and rupture your esophagus if you can't stop ramming those sno balls down your throat every night, knowing they'll have to come back up again, you sad weak girl.
Because of all this, Coach surely can't tell a girl, a sensitive, body-conscious teenage girl, to get rid of the tender little tuck around her waist, can she?
She can.
Coach can say anything.

And there's Emily, keening over the toilet bowl after practice, begging me to kick her in the gut so she can expel the rest, all that cookie dough and cool ranch, the smell making me roil. Emily, a girl made entirely of donut sticks, cheese powder, and haribo.
I kick, I do.
She would do the same for me. — Megan Abbott

Where did you hear that song?" I ask her without sitting up.
"From the HC," she says, blushing. "A little girl sang it. It's soothing."
"It's sad."
"Most things are. — Pierce Brown

There once was a girl who found herself dead.
She peered over the ledge of heaven
and saw that back on earth
her sister missed her too much,
was way too sad,
so she crossed some paths
that would not have crossed,
took some moments in her hand
shook them up
and spilled them like dice
over the living world.
It worked.
The boy with the guitar collided
with her sister.
"There you go, Len," she whispered. "The rest is up to you. — Jandy Nelson

I am trying to see things in perspective. My dog wants a bite of my peanut butter chocolate chip bagel. I know she cannot have this, because chocolate makes dogs very sick. My dog does not understand this. She pouts and wraps herself around my leg like a scarf and purrs and tries to convince me to give her just a tiny bit. When I do not give in, she eventually gives up and lays in the corner, under the piano, drooping and sad. I hope the universe has my best interest in mind like I have my dog's. When I want something with my whole being, and the universe withholds it from me, I hope the universe thinks to herself: "Silly girl. She thinks this is what she wants, but she does not understand how it will hurt. — Blythe Baird

Ohh,' said the girl with a sad tilt of her head.
It was a response Sejal would hear a lot in the following weeks and which she would eventully come to understand meant, 'Ohh, India, that must be so hard for you, and I know because I read this book over the summer called The Fig Tree (which is actually set in Pakistan but I don't realize there's a difference) about a girl whose parents sell her to a sandal maker because everyone's poor and they don't care about girls there, and I bet that's why you're in our country even, and now everyone's probably being mean to you just because of 9/11, but not me although I'll still be watching you a little too closely on the bus later because what if you're just here to kill Americans?'
There was a lot of information encoded in that one vowel sound, so Sejal missed most of it at first. — Adam Rex

Do you like Cam?" the girl asked me casually. I wondered how she knew him - I thought he'd been a nobody just like me.
"I barely even know him," I told her, and her face relaxed. She was relieved. I recognized that look in her eyes - dreamy and hopeful. It must have been the way I looked when I used to talk about Conrad, used to try to think of ways to insert his name into conversation. It made me sad for her, for me. — Jenny Han

I tried to love Dad and not hate him for his fake cheer and the way he gets dressed. I tried to imagine what Mom saw in him back when she was an architect. I tried to put myself in the shoes of someone who finds every little thing he does a total delight. It was sad, though, because the thought of him and all his accessories always made me sick. I wished I'd never made the connection about Dad being a gigantic girl, because once you realize something like that, it's hard to go back. — Maria Semple

Grace wasn't so sure. She had become accustomed to the photograph, of course, seeing it every day, but she didn't envy Nancy Beaton. The girl looked sad, Grace thought, and all of that shining material bunched behind her looked heavy, as if it were weighing her down. She didn't look like a shooting star about to streak across a dark sky, she looked anchored to the earth. Trapped. Like a butterfly in a jar. — Sarah Painter

Grief is not something you know if you grow up wearing feathers with a Charlie Chaplin boyfriend, a love-child papoose, a witch baby, a Dirk and a Duck, a Slinkster Dog, and a movie to dance in. You can feel sad and worse when your dad moves to another city, when an old lady dies, or when your boyfriend goes away. But grief is different. Weetzie's heart cringed in her like a dying animal. It was as if someone had stuck a needle full of poison into her heart. She moved like a sleepwalker. She was the girl in the fairy tale sleeping in a prison of thorns and roses. — Francesca Lia Block

Sometimes I hate the girl I was back then. It's like how, when you see a horror movie, you can't help but feel contempt for the virgin who goes for a walk in the woods after midnight. How can she be so stupid? Doesn't she know she's about to get gruesomely hacked to death?
She should know. That's why it's so hard to watch. Because you want her to know. You want her to defend herself, and you look down on her for not knowing, even though obviously it's the guy who hacks her up who's at fault. — Robin York

It was a sickness," she said. "The girl was sick. She was like the rotten apple that ruins all the other apples. And no one could cure her. She'll have that sickness until the day she dies. In that sense, she was a sad little creature. I would have pitied her, too, if I hadn't been one of her victims. I would have seen her as a victim. — Haruki Murakami

That's what you like in a girl: cute and sad, with enough disorders that you could count them to fall asleep. The kind you can show off at parties as the latest broken thing you fixed. Where will you hang your awards for loving someone who can't walk in a straight line without being supported? Is there room next to your collection of glasses you shattered by holding them too tightly? The blood on your hands does not make you a martyr. Do not curse when your hammers do nothing but scar her. Do not use your words to remind her that everybody else would have left by now. If she could speak, she would tell you: you think it's beautiful to love somebody as light as me but you don't know how heavy I had to be to become this empty. — Lora Mathis

Once upon a time in the Land of Sad, / a girl went on a journey. / She was not a princess, except to her mother... / Her father had vanished some tipsy moons ago, / kidnapped by the pirate Captain Smirnoff. — Susan Browne

FBI Girl is touching and funny, inspiring and tragic, enlightening and sad. I closed the book with tears in my eyes and admiration in my heart for the girl Maura Conlon was and the writer she became. — Beverly Donofrio

John Lennon brought his wife Cynthia, a nice blonde girl and she was horribly put out of sight and stayed home. I know it broke John's heart John wasn't happy about it and she was
because we spoke on the plane. I photographed her and them on the plane coming over. And you know photographs don't lie. They tried putting on a black wig on her for a couple of days and that was the sad part that kept quiet because they wanted them to be like, you know, fresh- which they were — Harry Benson

I could ask him if he think "a lot" means the same as "too many" ... I could tell him that he shouldn't call a girl a slut because someday she might be somebody's mother ... maybe she's a slut because she's lonely, she's sad, she's hoping someone or something will make the lonely and sad go away. — Diana Joseph

Like, if I suggested to a school friend we do something, she could say, 'Sorry, I don't have any money'. Which is something I could never say if the situation was reversed. If I said "I don't have any money', it would really mean "I don't have any money'. It's sad. Like, if a pretty girl says "I look
terrible today, I don't want to go out,' that's OK, but if an ugly girl says the same thing people laugh at her. That's what the world was like for
me. — Haruki Murakami

Madge did the honors. "Are you ... keeping company with Doc Piney?"
Jesse answered carefully. "We are not dating, but we are seeing a lot of each other." Factually true. Revealing nothing.
The three women sat silently for a long moment, sharing glances with each other.
"You know he has a sad history," Walter Lou said finally.
"Of course she knows," Madge said immediately.
"Everybody knows. The question is are you planning on breaking that man's heart again?"
The suggestion was not at all what Jesse expected.
She stuttered out an answer.
"I ... I don't ... I don't think Piney knows me well enough to get his heart broken," she managed finally.
"Oh, Lord, girl," Madge said. "He's a Baxley. A more lovelorn line of men never graced the earth."
"That's the truth of that," Walter Lou agreed. "Those men dote on their women something fierce. — Pamela Morsi

But nothing was said about chicken farming anymore. Once, long after it was too late for farming, he might catch her crying and pet her a bit. 'What's the matter, little baby? You got a fever? You want to take the night off?' She might murmur something about candling eggs, but he wouldn't be able to understand what she meant. And after a while she cried on without knowing what she meant either, as a girl cries over a bad dream long after the dream is forgotten.
In time the tears dried. She could no longer cry over anything. All the tears had been shed, all the laughs had been had; all the long spent. Leaving nothing to do but to sit stupefied, night after night, under lights made soft beside music with a beat, to rise automatically when someone wearing pants pointed a finger and said 'that one there. — Nelson Algren

When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she'd gone and I'd felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving. — Roman Payne

You and I both know there's got to be some greater storyline for you than 'girl gets heart broken, was sad forever'. I think a nice one would be 'girl gets heart broken, was sad for a while but in her heartbreak she found freedom, friends, and the ability to look back and laugh at all she'd learned. She now lives her life on her own terms and still has fantastic hair.' — Taylor Swift

Why was fabulousness important? The world was a scary, sad place and adornment was one of the only ways she knew to make herself and the people around her forget their troubles. That was why she had opened her store almost five years ago. Everyone who entered the little square white house with miniature Corinthian columns, cherub statues, and French windows seemed to leave carrying armloads of newly handmade and well spruced-up recycled vintage clothing, humming sixties girl-group songs, seventies glam and punk, eighties New Wave one-hit wonders, or nineties grunge, doing silly dances, and not caring what anyone thought.
Weetzie loved the old dresses she found and sold, because they had their own secret histories. She always wondered where, when, and how they had been worn. What they had seen. Old dresses were like old ladies. — Francesca Lia Block

WAR CHILD is the true story of Magdalena (Leni) Janic whose name appears on The Welcome Wall at Sydney's Darling Harbour. The story spans 100 years starting in pre WWII Nazi Germany and ends in the suburbs of Adelaide. It's a window into what life was like for a young illegitimate German girl growing up in poverty, coping with ostracism, bullying, abuse and dispossession as society was falling down around her and she becomes a refugee. But it's also a story of a woman's unconditional love for her family, the sacrifices she made and secrets she kept to protect them. Her ultimate secret was only revealed in a bizarre twist after her death and much to her daughter's (and author) surprise involved her. A memorable tear-jerker! A sad cruel story told with so much love. — Annette Janic

If it makes you feel any better, he's been all sad doll lately too."
"What are you talking about, Chels?"
Chelsea stopped walking and stared at Violet.
"Jay. I'm talking about Jay, Vi. I thought you might want to know that you're not the only one who's hurting. He's been moping around school, making it hard to even look at him. He's messed up ... bad." Just like the other night in Violet's bedroom, something close to ... sympathy crossed Chelsea's face.
Violet wasn't sure how to respond.
Fortunately sympathetic Chelsea didn't stick around for long. She seemed to get a grip on herself, and like a switch had been flipped, the awkward moment was over and her friend was back, Chelsea-style: "I swear, every time I see him, I'm halfway afraid he's gonna start crying like a girl or ask to borrow a tampon or something. Seriously, Violet, it's disgusting. Really. Only you can make it stop. Please make it stop. — Kimberly Derting

The girl's arms jutted out at awkward angles, not quite hands on the hips belligerent but not relaxed either, as if they weren't all the way under the girl's control. "I came to find you."
"I didn't know. If I'd known ... "
"It doesn't matter now." The girl's attention was unwavering. "This is where you are."
"It is at that."
The girl looked sad. Her soil-dark eyes were clouded over by tears she hadn't been able to shed. "I came here to find you."
"I couldn't have known." Maylene reached out and plucked a leaf from the girl's hair.
"Doesn't matter." She lifted a dirty hand, fingernails flashing chipped red polish, but she didn't seem to know what to do with her outstretched fingers. Little girl fears warred with teenage bravado. Bravado won. "I'm here now."
"All right, then." Maylene walked down the path toward one of the gates. She pulled the key from her handbag, twisted it in the lock, and pushed open the gate. — Melissa Marr

The girl didn't notice that her boyfriend's head had transformed into a big microphone. So when she whispered her secrets into his ear, her words echoed trough the city. In her embarrassment, she ran out of the house to hide somewhere. And what she saw scared her: couples with microphone heads walked the streets hand in hand. What a sad new world this was, where everybody had to learn how to hold back from saying things.
Sounds of slammed doors echoued through the city. Apart from this, there was only silence. — Zoltan Komor

I took her dress over to the closet and hung it up. It was funny. It made me feel sort of sad when I hung it up. I thought of her going in a store and buying it, and nobody in the store knowing she was a prostitute and all. The salesman probably just thought she was a regular girl when she bought it. It made me feel sad as hell- I don't know why exactly. — J.D. Salinger

I kept going deeper and deeper into this world of repetition ... The sad thing is, people don't want to believe that the person they're in love with is out of his mind, drinking and using, so if you give them even half an excuse, they're going to want to believe it. A girl with no prior exposure to the disease had to be blissfully unaware of the nefarious tricks of the dope fiend. That's how I was able to get high all summer and autumn and pretend like it wasn't happening. I was saying, 'I'm sick.' I was deteriorating physically and emotionally. Jaime was tolerant, and it did speak well of her character, because she was not the type to abandon ship during a crisis. She didn't consider backing off or bowing out, she was just there, which I can't say about everybody. I don't know if I could say it even about myself. — Anthony Kiedis

So if this were a normal book about a girl with leukemia, I would probably talk a shitload about all the meaningful things Rachel had to say as she got sicker and sicker, and also probably we would fall in love and have some incredibly fulfilling romantic thing and she would die in my arms. But I don't feel like lying to you. She didn't have meaningful things to say, and we definitely didn't fall in love. She seemed less pissed with me after my stupid outburst, but she basically just went from irritable to quiet. — Jesse Andrews

She sighs and the small release of breath bothers me. This girl needs to be off doing things that make her happy. Not standing here with me, confused and torn. It's just further proof that I'm no good to be around. I'm turning one of the happiest people I know into something she was never meant to be.
I'm turning her into me. — Melyssa Winchester

I started toward the barn and was grateful that the wind was still. About halfway up the drive, my heart began to beat an irregular rhythm as I caught sight of Cricket coming toward me. My breath caught in my throat. This girl. This tiny little girl had such incredible power over me with her big, blue, round, sad eyes. Her unusual face, her unusually striking face. Her pert nose. The faint laugh lines around her eyes and mouth. And I didn't know her, didn't really even know if she and I were anything alike but that didn't stop me from wishing we shared a future ... even if she did belong to someone else. — Fisher Amelie

She was the right girl at the right time. She had only a small repertory of Child ballads, never trained her pure soprano and annoyed some purists because she was indifferent to the origins of her material and sang everything 'sad'. — Joan Didion

Well
" My mother paused, and her tone was reflective in that way that is inevitably sad, because the past is sad. "What I remember," she said, "is that you were always such a dear little girl. — Curtis Sittenfeld

He looked sad. 'It's hard to believe of her. She always seemed such a sweet girl.'

Sorrow rolled her eyes. 'Your problem, Tomas, is that your natural paranoia is in constant tension with an almost pathological desire to believe the best of people. Sweet tells you nothing. Fuck it, I could be sweet if the occasion demanded.'

They looked at each other. Caraway's lips twitched. Sorrow glared at him for a moment before conceding. 'Maybe not. But you take my point. — A.F.E. Smith

Ana was the original sad girl. She held the unofficial title long before her death. We all became sad girls after that. At her funeral, everyone wore black because it was customary and because it was the color that best defined Ana. — Lang Leav

A raped girl is bad for the family: it shows that they can't protect their women; that they have little social standing; and that they're not respectable. It's worse for the victim because once a woman, or a girl - or a boy - is known as the target of a rape she becomes so despised, so shamed, so worthless that she turns into public property. No one is raped only once. — Louise Brown

When I was young and had no sense
In far-off Mandalay
I lost my heart to a Burmese girl
As lovely as the day.
Her skin was gold, her hair was jet,
her teeth were ivory;
I said, "For twenty silver pieces,
Maiden, sleep with me."
She looked at me, so pure, so sad,
The loveliest thing alive,
And in her lisping, virgin voice,
Stood out for twenty-five. — George Orwell

In every drop of water, gust of air, speck of earth, and crackle of lightning, she hears the same thing: This world is alive. And it loves her.
A little while later, the storm notices that Jael has fallen asleep. The rain tapers off. The clouds sneak away like they're trying not to wake her. The wind caresses her cheek one last time, then disperses in all directions. It carries with it the memory of this funny girl with the sad green eyes. And it carries with it a little bit of hope that things might change. That the world might become what it was supposed to be. — Jon Skovron

Well, now there is a very excellent, necessary, and womanly accomplishment that my girl should not be without, for it is a help to rich and poor, and the comfort of families depends upon it. This fine talent is neglected nowadays and considered old-fashioned, which is a sad mistake and one that I don't mean to make in bringing up my girl. It should be part of every girl's eductation, and I know of a most accomplished lady who will teach you in the best and pleasantest manner."
"Oh, what is it?" cried Rose eagerly, charmed to be met in this helpful and cordial way.
"Housekeeping!"
"Is that an accomplsihment?" asked Rose, while her face fell, for she had indulged in all sorts of vague, delightful daydreams. — Louisa May Alcott

Is she the only one at fault? For though she's spoiled, and dreadfully so, A girl can't spoil herself, you know. Who spoiled her, then? Ah, who indeed? Who pandered to her every need? Who turned her into such a brat? Who are the culprits? Who did that? Alas! You needn't look so far To find out who these sinners are. They are (and this is very sad) Her loving parents, MUM and DAD. And that is why we're glad they fell Into the garbage chute as well. — Roald Dahl

The whole 1950s notion was find the right girl, get married, move to the suburbs and then hang out with the guys while she stayed home with the babies. I felt that was sort of sad. — Hugh Hefner

I always feel sad for the girl that I was, because it never occurred to me that my mother might comfort me. She has never told me she loved me, and I never assumed she did. She tended to me. She administrated me. — Gillian Flynn

I've seen you, beauty, and you belong to me now, whoever you are waiting for and if I never see you again, I thought. You belong to me and all Paris belongs to me and I belong to this notebook and this pencil. Then I went back to writing and I entered far into the story and was lost in it. I was writing it now and it was not writing itself and I did not look up nor know anything about the time nor think where I was nor order any more rum St. James. I was tired of rum St. James without thinking about it. Then the story was finished and I was very tired. I read the last paragraph and then I looked up and looked for the girl and she had gone. I hope she's gone with a good man, I thought. But I felt sad. — Ernest Hemingway,

She was a wonderful teenage girl who had the miraculous power to cure herself from any wound, either physical or mental. With her own salty tears, she would cleanse her raw wounds. And her breaths were given, as though not to breathe but, rather, to fan her sores. — Khadija Rupa

Perhaps it's time you stopped sulking over an engagement three years broken and bore yourself like a man!" The duke's voice snaps like a whip. "Zeus and Hera, how did I beget such an unruly son?"

"If you've forgotten, perhaps you could summon up the dead and ask my lady mother."

The duke barks a laugh. "You got that tongue from her, that's for certain. But she was obedient to me for all her carping."

"Obedient?" says Lord Anax. The desk creaks and shifts; I think he is leaning against it. "We must remember her very differently."

"Always when it counted, my boy, which is more than can be said of you. I wanted that girl for my daughter, you know."

"Adopt her, then. I believe it's legal."

"First I'd have to kill her parents," says the duke, "and I am given to understand that's frowned upon these days."

"It's gone the same sad way as the right of a father to execute his sons. — Rosamund Hodge

She said she collects pieces of sky, cuts holes out of it with silver scissors, bits of heaven she calls them.
Every day a bevy of birds flies rings around her fingers, my chorus of wives, she calls them.
Every day she reads poetry from dusty books she borrows from the library, sitting in the park, she smiles at passing strangers, yet can not seem to shake her own sad feelings.
She said that night reminds her of a cool hand placed gently across her fevered brow, said she likes to fall asleep beneath the stars, that their streaks of light make her believe that she too is going somewhere.
"Infinity", she whispers as she closes her eyes, descending into thin air, where no arms outstretch to catch her. — Lisa Zaran