Sad Face With Quotes & Sayings

All movement stops and I walk in the timeless sadness of existence,
tenderness flowing thru the buildings,
my fingertips touching reality's face,
my own face streaked with tears in the mirror
of some window - at dusk -
where I have no desire -
for bonbons - or to own the dresses or Japanese
lampshades of intellection - — Allen Ginsberg

I'm trying to tell him everything will be all right, but how can I say it with a straight face? My son's no idiot. He knows when I'm lying.
The medicine won't taste bad.
The bath is not hot.
Daddy will be safe.
Lies. — Suzanne Hayes

You ask me whether I am in good spirits. How could I not be so? As long as Faith gives me strength I will always be joyful. Sadness ought to be banished from Catholic souls ... the purpose for which we have been created shows us the path; even if strewn with many thorns, it is not a sad path. It is joyful even in the face of sorrow. — Pier Giorgio Frassati

No genuine Irishman could relax in comfort and feel at home in a pub unless he was sitting in deep gloom on a hard seat with a very sad expression on his face, listening to the drone of bluebottle squadrons carrying out a raid on the yellow cheese sandwich. — Flann O'Brien

She was just so sad. Her whole face hung with it, like sadness was her personal gravity. — Michelle Tea

You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer. — Norton Juster

When you remember me, it means that you have carried something of who I am with you, that I have left some mark of who I am on who you are. It means that you can summon me back to your mind even though countless years and miles may stand between us. It means that if we meet again, you will know me. It means that even after I die, you can still see my face and hear my voice and speak to me in your heart.
For as long as you remember me, I am never entirely lost. When I'm feeling most ghost-like, it is your remembering me that helps remind me that I actually exist. When I'm feeling sad, it's my consolation. When I'm feeling happy, it's part of why I feel that way.
If you forget me, one of the ways I remember who I am will be gone. If you forget, part of who I am will be gone. — Frederick Buechner

I stop dead in my tracks when I see Nash leaning against the wall right outside the ladies' room. His legs are crossed casually at the ankle, as his arms are crossed casually over his chest. His smile is faint. And sad.
Finally, he straightens and steps toward me. He doesn't stop until he is mere inches from me, forcing me to tilt my face up just to maintain eye contact.
He brushes his thumb over the ridge of my cheekbone at the corner of my eye. I wonder briefly if I missed a streak of mascara.
"I'm so sorry," he whispers, closing his eyes as if in pain. His face is etched with regret and it tugs at my heart.
"Don't be. You can't control other people. I just hope I haven't embarrassed you too badly, or ruined any important business connections you were hoping to make."
"I don't care about business connections. Not at this cost. — M. Leighton

I am a shadow. I walk the wet roads under the dim light of the pale lamps, in the darkest hour of the cold dull nights.
I walk past the silent graveyard of the dead memories, towards the city of chaos plagued with gloom.
I do not exist, but in the eyes of the shattered souls. In the chapter of an old book. In the poem. In the smile of a wrecked and in the tear of a broken spirit.
Listen me in the songs told in the times long forgotten.
Search for me in the churchs and temples, bars and brothels,pitch black nights and the colorless days.
Dive down in your deepest part of your soul. And you will find my home.
I have many faces but I have no face of my own. I am a shadow. — Foaad Ahmad

[Fireheart] was interrupted by a screech from Cloudtail. "Fireheart! Fireheart, Brightpaw isn't dead!"
Fireheart spun around and raced across the clearing to crouch beside Brightpaw. Her white-and-ginger fur, which, she had always kept so neatly groomed, was spiky with drying blood. On one side of her face the fur was torn away, and there was blood where her eye should have been. One ear had been shredded, and there were huge claw marks scored across her muzzle. — Erin Hunter

When I sat up he was looking at me. His face was hopeful and unbelieving and also a little sad, and I wondered if it was anything like my father's face when he looked at my mother all those years ago at the Dead Sea, setting in motion a train of events that had finally brought me here, to the middle of nowhere, with a boy I'd grown up with but hardly knew. — Nicole Krauss

Her face was working and twitching with passion, but his looked up at the sky, still quiet, neither angry nor afraid, but a little sad. — C.S. Lewis

I want you to think of two different situations. First, remember times when you've felt your best, at the top of your game, alive and vibrant. Pay attention to your posture, the muscles in your face, your breathing. Then, I want you to think of occasions where you've felt sick or anxious. Don't just think of people. Think of activities. This will help us reveal what makes you happy. Pay attention to how your body responds to these scenarios - it will serve as your biggest indicator in the future when you're actually doing things." This woman was damn brilliant. "And remember, it's okay to feel sad, but just try to limit your bouts with it to an hour a day. Let it all out, give yourself that time to heal, nurture and comfort yourself. You won't heal unless you grieve. Grieving is good."
"Good grief?"
"Yes. It takes courage to grieve. — Stephanie Klein

I'm fine right here."
All patience, he bent down until his face was close to hers. "What you are is hoping to get drunk enough so that you can take a few punches at someone without worrying about the consequences. With me, you don't have to get drunk, you don't have to worry. You can take all the punches you want."
"Why?"
"Because you have something sad in your eyes and it gets to me. — J.D. Robb

Gwynn, she was always talking about wanting to be drunk and honestly I did want to encourage that, I wanted to go to a bar with her and let all the stuff sobriety pushed down be released so I could catch it in my palms and finally kiss her. She was just so sad. Melancholy was a fleshy wave permanently cresting on her face, she had to speak through it when she talked. — Michelle Tea

You have noticed that the truth comes into this world with two faces. One is sad with suffering, and the other laughs; but it is the same face, laughing or weeping. When people are already in despair, maybe the laughing face is better for them; and when they feel too good and are too sure of being safe, maybe the weeping face is better for them to see. — Black Elk

There are two ways to tell the story. Funny or sad. Guys like it funny, with lots of gore and a grin on your face when you get to the end. Girls like it sad, with a thousand-yard stare out to the distance as you gaze upon the horrors of war they can't quite see. Either way, it's the same story. — Phil Klay

Sam," she said.
"I'm trying!"
"Sam," she repeated.
"No," he spat, hearing her tone. "No!"
He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough.
"Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't."
She knew he wasn't speaking to her.
The water hit her neck.
"Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words.
"Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under. — Sarah J. Maas

Rina!" I shouted, but the radio was up loud -something sad and gooey- and she didn't hear me. I hit the horn, twice, startling the minivan with a Pro-Choice sticker in front of me, which quickly changed lanes. We kept cruising neck and neck, with Rina full-out brawling now, singing along with the radio, tears running down her face, completely oblivious to both me and the speed limit. I reached under my seat and searched around until I came up with an empty plastic Coke bottle, which I then hurled at her windshield. she jerked back from the wheel as it bounced off, then whipped her around, eyes wide, and finally saw me.
"Shit!" she screamed, hitting the automatic window control to open the one nearest me. "What the hell are you doing? — Sarah Dessen

Under a smoky streetlamp I stood face to face with my beloved and pricked my fingers against the diamond studs of her immaculate shirt front. Being tall, she slipped her hands naturally about my hips and pulled me close. And being bold, I put my mouth on hers and this time went inside and told her all the things I'd been longing to. Dark and sweet, the elixir of love is in her mouth. The more I drink, the more I remember all the things we've never done. I was a ghost until I touched you. Never swallowed mortal food until I tasted you, never understood the spoken word until I found your tongue. I've been a sleep-walker, sad somnambula, hands outstretched to strike the solid thing that could awaken me to life at last. I have only ever stood here under this lamp, against your body, I've missed you all my life. — Ann-Marie MacDonald

For nonconformity the world whips you with its displeasure. And therefore a man must know how to estimate a sour face. The by-standers look askance on him in the public street or in the friend's parlour. If this aversation had its origin in contempt and resistance like his own, he might well go home with a sad countenance; but the sour faces of the multitude, like their sweet faces, have no deep cause, but are put on and off as the wind blows and a newspaper directs. — Ralph Waldo Emerson

His fingers splayed out while my heart slammed against his hand.
"How did i ever stay away from you ? I heard this calling out for me everyday." I could feel is breath across my face,his words so sad,filled with so much regret."Did you here mine?"
"yes",I breathed out as my whole body began to shake under his."My heart only beat because I could still feel your love.It was the only thing i had. — A.L. Jackson

When do you have to get back?" I say, nudging him with my elbow.
I bite into the sandwich Caleb got me from the cafeteria line. I am nervous to have him here, mixing the sad remains of my family life with the sad remains of my Dauntless life. What will he think of my friends, my faction? What will my faction think of him?
"Soon," he says. "I don't want anyone to worry."
"I didn't realize Susan had changed her name to 'Anyone,'" I say, raising an eyebrow.
"Ha-ha," he says, making a face at me. — Veronica Roth

I'm not staying with him for the pain. It's what he says in his sleep. When he's moaning, he whispers. The cry he utters with a face so full of sorrow.
"So ... "
" ... rry ... "
"I'm sorry ... "
It makes me sad that no one hears his apology. — SHOOWA

I've got some bad news for you, Larry. The sad truth is, I'd rather pull out my fingernails one by one than sleep with you." She slipped out of the low-slung car. "Your breath stinks, Lar, and let's just face it - you're a creep." She slammed the door with such force he winced visibly. — Christine Feehan

You know, Maneck, the human face has limited space. My mother used to say, if you fill your face with laughing, there will be no more room for crying."
"What a nice saying," he answered bitterly.
"Right now, Dinabai's face, and Om's, and mine are all occupied. Worrying about work and money, and where to sleep tonight. But that does not mean we are not sad. It may not show on the face, but it's sitting inside here." He placed his hand over his heart. "In here, there is limitless room- happiness, kindness, sorrow, anger, friendship- everything fits in here. — Rohinton Mistry

He saw the face of his brother on Thanksgiving night, saw Jim's sad weary eyes, and his heart broke, as if his brother were more important than God himself, or God himself was speaking through Jim as he might speak through anyone put in our inevitable or accidental path, anyone who threatened to call us back to ourselves, who looked at us with eyes that reflected a heart as broken as our own, as fragile, as disappointed. — Anne Rice

But at home, that same day he'd jumped into the fountain, he'd gotten so anxious, pacing around the living room listening to his parents try to calm him, that he suddenly just lost it completely and slapped his face. He immediately started crying, confused and guilty, looking up at his parents like he had no idea how it happened. And, really, that's the way it always was with the hitting. It would happen so fast, his body shaking to release the tension that built up from all the thoughts swirling through his mind and all the air he was having trouble breathing and all the loud beating of his own heart ringing in his ears. It had to get out and that was the path it chose. Slap. Instant relief. — John Corey Whaley

I once saw a convict who had been twenty years in prison and was being released take leave of his fellow prisoners. There were men who remembered his first coming into prison, when he was young, careless, heedless of his crime and his punishment. He went out a grey-headed, elderly man, with a sad sullen face. He walked in silence through our six barrack-rooms. As he entered each room he prayed to the ikons, and then bowing low to his fellow prisoners he asked them not to remember evil against him. — Fyodor Dostoyevsky

Do not let your heart become troubled by the sad spectacle of human injustice. Even this has its value in the face of all else. And it is from this that one day you will see the justice of God rising with unfailing triumph. — Pio Of Pietrelcina

I do not believe in the government of the lash, if any one of you ever expects to whip your children again, I want you to have a photograph taken of yourself when you are in the act, with your face red with vulgar anger, and the face of the little child, with eyes swimming in tears and the little chin dimpled with fear, like a piece of water struck by a sudden cold wind. Have the picture taken. If that little child should die, I cannot think of a sweeter way to spend an autumn afternoon than to go out to the cemetery, when the maples are clad in tender gold, and little scarlet runners are coming, like poems of regret, from the sad heart of the earth - and sit down upon the grave and look at that photograph, and think of the flesh now dust that you beat. I tell you it is wrong; it is no way to raise children! Make your home happy. Be honest with them. Divide fairly with them in everything. — Robert G. Ingersoll

Yes," resumed the Bishop, "you have come from a very sad place. Listen. There will be more joy in heaven over the tear-bathed face of a repentant sinner than over the white robes of a hundred just men. If you emerge from that sad place with thoughts of hatred and of wrath against mankind, you are deserving of pity; if you emerge with thoughts of good-will and of peace, you are more worthy than any one of us. — Victor Hugo

Yossarian was moved by such intense pity for his poverty that he wanted to smash his pale. sad, sickly face with his fist and knock him out of existence — Joseph Heller

Aw, sad face. I came up with that totally off the cuff. No props for off the cuff? — Chloe Neill

Marylou was watching Dean as she had watched him clear across the country and back, out of the corner of her eye
with a sullen, sad air, as though she wanted to cut off his head and hide it in her closet, an envious and rueful love of him so amazingly himself, all raging and sniffy and crazy-wayed, a smile of tender dotage but also sinister envy that frightened me about her, a love she knew would never bear fruit because when she looked at his hangjawed bony face with its male self-containment and absentmindedness she knew he was too mad. — Jack Kerouac

Nothing is so sad, in my opinion, as the devastation wrought by age.
My poor friend. I have described him many times. Now to convey to you the difference. Crippled with arthritis, he propelled himself about in a wheelchair. His once plump frame had fallen in. He was a thin little man now. His face was lined and wrinkled. His moustache and hair, and hair, it is true, were still of a jet black colour, but candidly, though I would not for the world have hurt his feelings by saying so to him, this was a mistake. There comes a moment when hair dye is only too painfully obvious. There had been a time when I had been surprised to learn that the blackness of Poirot's hair came out of a bottle. But now the theatricality was apparent and merely created the impression that he wore a wig and had adorned his upper lip to amuse children! — Agatha Christie

Democritus and Heraclitus were two philosophers, of whom the first, finding the condition of man vain and ridiculous, never went out in public but with a mocking and laughing face; whereas Heraclitus, having pity and compassion on this same condition of ours, wore a face perpetually sad, and eyes filled with tears. I prefer the first humor; not because it is pleasanter to laugh than to weep, but because it is more disdainful, and condemns us more than the other; and it seems to me that we can never be despised as much as we deserve. Pity and commiseration are mingled with some esteem for the thing we pity; the things we laugh at we consider worthless. I do not think there is as much unhappiness in us as vanity, nor as much malice as stupidity. We are not so full of evil as of inanity; we are not as wretched as we are worthless. — Michel De Montaigne

I've been practicin' my morgue face for when I have to go identify your body. Wanna see it? Nick said then he arranged his face in this kind of mock, sad, shocked look and slowly shook his head like a world with vigilante social workers
mystified him. — Kristen Ashley

We do not teach and practice community of goods but we teach and testify the Word of the Lord, that all true believers in Christ are of one body (I Cor. 12:13), partakers of one bread (I Cor. 10:17), have one God and one Lord (Eph. 4). Seeing then that they are one, ... it is Christian and reasonable that they also have divine love among them and that one member cares for another, for both the Scriptures and nature teach this. They show mercy and love, as much as is in them. They do not suffer a beggar among them. They have pity on the wants of the saints. They receive the wretched. They take strangers into their houses. They comfort the sad. They lend to the needy. They clothe the naked. They share their bread with the hungry. They do not turn their face from the poor nor do they regard their decrepit limbs and flesh (Isa. 58). This is the kind of brotherhood we teach. — Menno Simons

With how sad steps, O moon, thou climb'st the skies!
How silently, and with how wan a face! — Philip Sidney

Once this bubble of self-deception is burst and the mask that shielded her and others from what she wished to ignore is lifted, it is difficult for the woman to return to her life as it was. It has been said that "the discovery of a deceiving principle, a lying activity within us, can furnish an absolutely new view of all conscious life." This reawakened awareness changes the upscale abused woman's life forever. Suddenly, new choices stand before her. This can be a frightening and sad phase in therapy, a moment when the woman is grappling with a kaleidoscope of loss and potential future gain. Some women experience this period as the dark night of the soul. It can be sickening to face the truths one has chosen to ignore in hopes of maintaining the status quo. Even if the woman wishes to stay married, she will never perceive her life in the same way again. — Susan Weitzman

Nanda remembers, "His face could express the tiniest of nuances with ease. If he was jealous, there would be a smirk on his face. If he was sad, his eyes reflected it immediately. I consider him the finest actor we have, along with Dilip Kumar. — Lata Khubchandani

If Kindle is upgraded with face recognition and biometric sensors, it can know what made you laugh, what made you sad and what made you angry. Soon, books will read you while you are reading them. — Yuval Noah Harari

I suddenly recalled that it was here in the squalor and gloom of this sunken street, terrorized perhaps by a premonition of the future, that Mona clung to me and with a quivering voice begged me to promise that I would never leave her, never, no matter what happened. And, only a few days later, I stood on the platform of the Gare St. Lazare and I watched the train pull out, the train that was bearing her away; she was leaning out of the window, just as she had leaned out of the window when I left her in New York, and there was that same, sad, inscrutable smile on her face, that last-minute look which is intended to convey so much, but which is only a mask that is twisted by a vacant smile. — Henry Miller

Leslie-Ann set down her own bucket and watched, marveling, as a quarter of an inch of water covered the bottom.
When she looked away, she saw an older kid. She'd seen him around. But usually he was with Orc and she was too scared of Orc ever to get near him.
She tugged on Howard's wet sleeve. He seemed not to be sharing in the general glee. His face was severe and sad.
"What?" he asked wearily.
"I know something."
"Well, goody for you."
"It's about Albert."
Howard sighed. "I heard. He's dead. Orc's gone and Albert's dead and these idiots are partying like it's Mardi Gras or something."
"I think he might not be dead," Leslie-Ann said.
Howard shook his head, angry at being distracted. He walked away. But then he stopped, turned, and walked back to her. "I know you," he said. "You clean Albert's house."
"Yes. I'm Leslie-Ann."
"What are you telling me about Albert?"
"I saw his eyes open. And he looked at me. — Michael Grant

Lying asleep between the strokes of night
I saw my love lean over my sad bed,
Pale as the duskiest lily's leaf or head,
Smooth-skinned and dark, with bare throat made to bite,
Too wan for blushing and too warm for white,
But perfect-coloured without white or red.
And her lips opened amorously, and said
I wist not what, saving one word
Delight.
And all her face was honey to my mouth,
And all her body pasture to my eyes;
The long lithe arms and hotter hands than fire,
The quivering flanks, hair smelling of the south,
The bright light feet, the splendid supple thighs
And glittering eyelids of my soul's desire. — Algernon Charles Swinburne

Slowly he took out the clothes in which, ten years beforem Cosette had left Montfermeil; first the little dress, then the black scarf, then the great heavy child's shoes Cosette could still almost have worn, so small was her foot, then the vest of very thich fustian, then the knitted petticoat, the the apron with pockets, then the wool stockings ... Then his venerable white head fell on the bed, this old stoical heart broke, his face was swallowed up, so to speak, in Cosette's clothes, and anybody who had passed along the staircase at that moment would have heard irrepressible sobbing. — Victor Hugo

After a certain age, we put on a mask of confidence and certainty. In time, that mask gets stuck to our face and we can't remove it. As children, we learn that if we cry we'll receive affection, that if we show we're sad, we'll be consoled. If we can't get what we want with a smile, then we can surely do so with our tears. — Paulo Coelho

You took angel blood. You took a small dose, so the change on your body is small, but ... I can see from your face that you're changing. With injections from Icoru, you'll become a monster. You'll become immortal ... Even though, you'll be no longer human. Already, you're becoming a monster. How sad. You have but one life to live, and you throw it away on this. — Kaori Ozaki

How many times do I have to say I'm sorry before you believe it? That I acknowledge I made a terrible mistake and have done everything I know how to fix it? How can you just freeze me out after that and walk away from everything we had?"
Hurt and resentment swelled inside him, mixing with the anger in a toxic, chaotic mess. "You walked away first," he shot back. "That was your choice." Then I made mine. It was a low blow, even if it was true. But he refused to feel guilty about it, even under the circumstances. He hadn't wanted to have this conversation, but she'd insisted, and he wouldn't lie to her about the way things stood.
Honor's chin came up, her tears evaporating as her eyes sparked with fresh anger. "I did," she admitted quietly, her control merely emphasizing the loss of his own. "I did walk away and it was the absolute worst mistake of my life. I'm sorry, Liam. See? I'm a big enough person to admit it to your face. Are you? — Kaylea Cross

Though the world was hazy, all I could think about was love. And how I'd never had it. How I would never understand what it felt like to fall asleep knowing another person was thinking of you. I would never have someone touch the small of my back as they steered me through a crowd. I would never know the contour of someone's face off-by-heart, and yet not be bored with it. And, as I sank to the grey, chewing-gum stained carpet, all I could think was how sad that was. — Holly Bourne

To me, the summer wind in the Midwest is one of the most melancholy things in all life. It comes from so far away and blows so gently and yet so relentlessly; it rustles the leaves and the branches of the maple trees in a sort of symphony of sadness, and it doesn't pass on and leave them still. It just keeps coming, like the infinite flow of Old Man River. You could
and you do
wear out your lifetime on the dusty plains with that wind of futility blowing in your face. And when you are worn out and gone, the wind
still saying nothing, still so gentle and sad and timeless
is still blowing across the prairies, and will blow in the faces of the little men who follow you, forever. — Ernie Pyle

He dreams he's with a very sad kid and they're in a graveyard digging some dead guy's head up and it's really important, like Continental-Emergency important, and Gately's the best digger but he's wicked hungry, like irresistibly hungry, and he's eating with both hands out of huge economy-size bags of corporate snacks so he can't really dig, while it gets later and later and the sad kid is trying to scream at Gately that the important thing was buried in the guy's head and to divert the Continental Emergency to start digging the guy's head up before it's too late, but the kid moves his mouth but nothing comes out and Joelle van D. appears with wings and no underwear and asks if they knew him, the dead guy with the head, and Gately starts talking about knowing him even though deep down he feels panic because he's got no idea who they're talking about, while the sad kid holds something terrible up by the hair and makes the face of somebody shouting in panic: TOO LATE. — David Foster Wallace

They stood on the porch
and were ready to knock,
when they heard heavy footsteps,
and a turn of the lock.

When what to their
curious eyes should loom,
but a wicked old witch
holding a broom.
Her cape--how it shimmered!
Her face--oh, how scary!
Her hat was so pointy,
it frightened the fairy!

The wicked witch said,
"Welcome. We have a surprise."
And the children yelled,
"Run! It's not a disguise!"

The monsters were sad
when the kids ran away.
They wanted the children
to come in and play.

The wicked witch said,
"We can have our own fun!
Come on, little monsters,
the night's just begun!"

The monsters all cheered
as they danced with delight,
"Happy Halloween to all--
and to all a fright night! — Natasha Wing

A distant warm look entered Major Danby's eyes. "It must be nice to live like a vegetable," he conceded wistfully.
"It's lousy," answered Yossarian.
"No, it must be very pleasant to be free from all this doubt and pressure," insisted Major Danby. "I think I'd like to live like a vegetable and make no important decisions."
"What kind of vegetable, Danby?"
"A cucumber or a carrot."
"What kind of a cucumber? A good one or a bad one?"
"Oh, a good one, of course."
"They'd cut you off in your prime and slice you up for a salad."
Major Danby's face fell. "A poor one, then."
"They'd let you rot and use you for fertilizer to help the good ones grow."
"I guess I don't want to live like a vegetable, then," said Major Danby with a smile of sad resignation. — Joseph Heller

At the Ball

I chanced to see you. Music played,
Vain chatter filled the place.
It seemed as though a veil were laid
Across your secret face.

Your eyes alone were sad; your way
Of speaking ravished me,
As though I heard a far pipe play,
And on the shores the sea.

How welcome was your look of thought,
Your figure tall and slight;
And that clear laugh with sadness fraught
Is in my heart to-night.

And when the noise of day is stilled
Once more they come to me,
Those eyes with so much sadness filled,
That voice, with gaiety.

Down to the depths of sleep I go,
Where dreams uncaptured move.
But do I love you? Who can know?
Yet this, I think, is love. — Alexei Tolstoy

Clem rubbed at her face with her cuff and gave a quick, rueful smile. 'It's just so sad. It's the umpteenth time I've read it, and I will always think it will have a different ending. But it never does. — Anna Hope

Upturned face.
Parted lips.
The good-night kiss he couldn't leave without.
Only, Megan's lips were stiff and unyielding. She didn't pull away. It might almost have been better if she had. Instead, she'd allowed the kiss to occur, taking it with the same cool detachment offered in her words. — Mira Lyn Kelly

The patterns overhead shifted so that, had she an imagination prone to hysteria, she could easily convince herself something hid in the curtains above her head. She imagined a face in the shadows and folds of fabric, a face with sad, hollow eyes. The sliver of light shining through a crack in the window curtains disappeared. Shadows deepened and swirled and the face became even more uncannily real. — Carolyn Jewel

He pointed at Brother Jeremiah, who had come to a halt in front of a statue just slightly taller than he was, its base overgrown with moss. The statue was of an angel. The marble of the statue was so smooth it was almost translucent. The face of the angel was fierce and beautiful and sad. In long white hands the angel held a cup, its rim studded with marble jewels. Something about the statue tickled Clary's memory with an uneasy familiarity. There was a date inscribed on the base, 1234, and words inscribed around it: NEPHILIM: FACILIS DESCENSUS AVERNI.
"Is that meant to be the Mortal Cup?" she asked.
Jace nodded. "And that's the motto of the Nephilim - the Shadowhunters - there on the base."
"What does it mean?"
Jace's grin was a white flash in the darkness. "It means 'Shadowhunters: Looking Better in Black Than the Widows of our Enemies Since 1234.'"
"Jace - "
It means, said Jeremiah, The descent into Hell is easy. — Cassandra Clare

Both the children were looking up into the Lion's face as he spoke these words. And all at once (they never knew exactly how it happened) the face seemed to be a sea of tossing gold in which they were floating, and such a sweetness and power rolled about them and over them and entered into them that they felt they had never really been happy or wise or good, or even alive and awake, before. And the memory of that moment stayed with them always, so that as long as they both lived, if ever they were sad or afraid or angry, the thought of all that golden goodness, and the feeling that it was still there, quite close, just round some corner or just behind some door, would come back and make them sure, deep down inside, that all was well. — C.S. Lewis

You don't even like me, remember?" That's what I try to say. What actually comes out of my mouth is closer to a baby's first attempt at babbling.
"Shh." He runs his fingertips along my cheek, caressing my face. "Hush. I'm right here." He looks at me with deep anguish in his eyes. Like there's so much he wants to tell me but feel it's too late now.
I want to stroke his face and tell him that it will be okay. That everything will be all right.
And I wish so badly that it would be. — Susan Ee

People always say the greatest love story in the world is Romeo and Juliet. I don't know. At fourteen, at seventeen, I remember, it takes over your whole life." Alice was worked up now, her face flushed and alive, her hands cutting through the night-blooming air. "You think about nobody, nothing else, you don't eat or sleep, you just think about this ... it's overwhelming. I know, I remember. But is it love? Like how you have cheap brandy when you're young and you think it's marvelous, just so elegant, and you don't know, you don't know anything ... because, you've never tasted anything better. You're fourteen."
It was no time for lying. "I think it's love"
You do?"
I think maybe it's the only true love."
She was about to say something, and stopped herself. I'd surprised her, I suppose. "How sad if you're right," she said, closing her eyes for a moment. "Because we never end up with them. How sad and stupid if that's how it works. — Andrew Sean Greer

Why would you want to make them happy?" Amberdrake turned back to his little friend, and sat with a sad smile on his face. "Because they are bitter, unhappy people, and very little else makes them happy. They say what they do out of envy, for any number of reasons. It may be because I lead a more luxurious life than they, or at least they believe I do. It may be because there are many people who do call me friend, and those are all folk of great personal worth; a few of them are people that occupy high position and deservedly so. Perhaps it is because they cannot do what I can, and for some reason, this galls them. But they have so little else that gives them pleasure, I see no reason to deprive them of the few drops of enjoyment they can extract from heaping scorn and derision on me." Gesten shook his head. "Drake, you're crazy. But I already knew that. I'm getting some sleep; this is all too much for me. Good night." "Good night, Gesten," Amberdrake said — Mercedes Lackey

Her face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered "Listen," a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour. — F Scott Fitzgerald

Shared grief is just pride with a sad face. — Matt Chandler

It must be nice to have someone to write to. I've never had the luxury of love letters," Maxon said, a sad smile on his face. "Has she kept her word?"
Aspen was moving pillows from the other bed to prop under my head, avoiding eye contact with either Maxon or myself.
"Writing is difficult," he said. "But I do know she's with me, no matter what. I don't doubt it. — Kiera Cass

You think I like this?" I say defensively. "Trust me, I don't need this headache in my life." I swallow a mouthful of beer. "Hey. You know Twilight?" He blinks. "Excuse me?" "Twilight. The vampire book." His wary eyes study my face. "What about it?" "Okay, so you know how Bella's blood is extra special? Like how it gives Edward a raging boner every time he's around her?" "Are you fucking with me right now?" I ignore that. "Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he's attracted to his mother or some shit? Or is there actually a biological reason why we're drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?" "Are you seriously dissecting Twilight right now?" God, I am. This is what Allie has reduced me to. A sad, pathetic loser who goes to a bar and forces his friend to participate in a Twilight book club. — Elle Kennedy

He nodded, brushed hair off my face, and headed from the kitchen.
"I hate being a teenager."
"Why?"
"Hormones." With a sad half smile, he left. — Jodi Meadows

Hey, Arnold," he said. I looked up 'in love with a white girl' on Google and found and article about that white girl named Cynthia who disappeared in Mexico last summer. You remember how her face was all over the papers and everybody said it was such a sad thing?"
"I kinda remember," I said.
"Well this article said that over two hundred Mexican girls have disappeared in the last three years in that same part of the country. And nobody says much about that. And that's racist. The guy who wrote the article says people care more about beautiful white girls than they do about everybody else on the planet. White girls are privileged. They're damsels in distress."
So what does that mean?" I asked.
"I think it means you're just a racist asshole like everybody else. — Sherman Alexie

Shinji slowly fell forward onto his face. Debris bounced up on impact. It took less than thirty seconds for the rest of his body to die. The memento of his beloved uncle
the earring worn by the woman he loved
was now stained with the blood running down Shinji's left ear, reflecting the glow from the red flames of the farm building.
And so the boy known as the Third Man, Shinji Mimura, was dead. — Koushun Takami

People thank God when God no longer sits on the throne. The angels descend down to deliver miracles because they are trying to maintain the face of God. In the end, you must place your hopes and prayers with the angels. It has become quite sad in Heaven without its puppet master. — Lionel Suggs

MY MOM SAYS IT'S TIME for me to give up now, and that what I'm doing is futile. She's upset, so her accent is thicker than usual, and every statement is a question. "You no think is time for you to give up now, Tasha? You no think that what you doing is futile?" She draws out the first syllable of futile for a second too long. My dad doesn't say anything. He's mute with anger or impotence. I'm never sure which. His frown is so deep and so complete that it's hard to imagine his face with another expression. If this were even just a few months ago, I'd be sad to see him like this, but now I don't really care. He's the reason we're all in this mess. — Nicola Yoon

I started toward the barn and was grateful that the wind was still. About halfway up the drive, my heart began to beat an irregular rhythm as I caught sight of Cricket coming toward me. My breath caught in my throat. This girl. This tiny little girl had such incredible power over me with her big, blue, round, sad eyes. Her unusual face, her unusually striking face. Her pert nose. The faint laugh lines around her eyes and mouth. And I didn't know her, didn't really even know if she and I were anything alike but that didn't stop me from wishing we shared a future ... even if she did belong to someone else. — Fisher Amelie

A tall, thin, middle-aged man with a long, gray Jovian beard stood outside the Hermitage Museum with an expression of absolute shattered regret.
Tatiana instantly reacted to his face. What could make a man look this way? He was standing next to the back of a military truck, watching young men carry wooden crates down the ramp from the Winter Palace. It was these crates the man looked at with such profound heartbreak, as if they were his vanishing first love.
"Who is that man?" she asked, tremendously affected by his expression.
"The curator of the Hermitage."
"Why is he looking at the crates that way?"
Alexander said, "They are his life's sole passion. He doesn't know if he is ever going to see them again. — Paullina Simons

Al Gore, best described by CNN sound tech Mark A. as "amazingly lifelike"; Steve Forbes, with his wet forehead and loony giggle; G.W. Bush's patrician smirk and mangled cant; even Clinton himself, with his big red fake-friendly face and "I feel your pain." Men who aren't enough like human beings even to hate-what one feels when they loom into view is just an overwhelming lack of interest, the sort of deep disengagement that is often a defense against pain. Against sadness. In fact, the likeliest reason why so many of us care so little about politics is that modern politicians make us sad, hurt us deep down in ways that are hard even to name, much less talk about. It's way easier to roll your eyes and not give a shit. You probably don't want to hear about all this, even. — David Foster Wallace

He knew that people were staring at him. He looked different. Even different from other Erasers. He wasn't as - seamless. He didn't look as human as the rest of them did when they weren't morphed. He kind of looked morphy all the time. He hadn't seen his plain real face in - a long time.
"I know who you are."
Ari almost jumped - he hadn't noticed the boy slide onto the bench next to him.
He frowned down at the small, open face. "What?" he growled. This was when the little boy would get scared and probably turn and run. It always happened.
The boy smiled. "1 know who you are," he said, pointing at Ari happily.
Ari just snarled at him.
The boy wiggled with excitement. "You're Wolverine!"
Ari stared at him.
"You look awesome, dude," said the boy. "You're totally my favorite. You're the strongest one of all of them and the coolest too. I wish 1 was like you."
Ari almost gagged. No one had ever, ever said anything like that to him. — James Patterson

One by one the angels had come to the top of Har Megiddo where I sat, holding her body close to mine after she'd died. I'd fought alongside them in battle, but up close, when they stood quietly watching us, they looked as beautiful as they looked unreal. the angels weren't supposed to feel emotions, but they were all weeping. All of them. Their tear stained their flawless faces like rain running in rivulets across stone. Azrael was the only one of then who came to me, knelt in front of me and took her from my arms. He was the angel of death come to carry his sister home. I din't want to give her up, knowing it would be the last time I ever saw her face. I had died on that wretched hill with her. — Courtney Allison Moulton

You reach a certain age when reality grabs you by the scruff of the neck and shouts in your face:"Hey, look, this is what life is." And you have to open your eyes and look at it, listen to it, smell it: people who don't like you, things you don't want to do, things that hurt, things that scare you, questions without answers, feelings you don't understand, feelings you don't want but have no control over.
Reality.
When you gradually come to realise that all that stuff in books, films, television, magazines, newspapers, comics - it's all rubbish. It's got nothing to do with anything. It's all made up. It doesn't happen like that. It's not real. It means nothing. Reality is what you see when you look out of the window of a bus: dour faces, sad and temporary lives, millions of cars, metal, bricks, glass, rain, cruel laughter, ugliness, dirt, bad teeth, crippled pigeons, little kids in pushchairs who've already forgotten how to smile ... — Kevin Brooks

You scan the cheering bleachers for the strange boy's face: handsome, reserved, with the eye patch, a little dramatic, a little scary. You finally find him sitting there in the middle of the sixth row. He is wearing a dark green army jacket and is staring back at you. He looks sad and beautiful, like a watercolor in a hospital room. — Joe Meno

The dreams fresh on her mind, she wrote about the Ada she remembered. The obituary wasn't the sad, plodding list of mother and father, dead children, and surviving family. It honored a strong, funny woman. She proofed it a second time with a smile on her face. Ada would have slapped her knee and crowed along with her. — Laura Trentham

The two thought themselves alone. But all the while, one watched with the night-wide eyes of love. While they paced the pebbled paths between the silent flowers' spiked arrays, sage Thyme spied upon each pale sigh, peeping between bloom and leaf. And while they sat side by side and hand in hand on the stained stone bench beneath the spreading wisteria, Thyme watched unwinking from the midnight face of the mute sundial. And while they lay lazy on the soft grass, swearing the sweet oaths of love and longing, and whispering as they parted that though long lives might pass like a night and the New Sun sunder the centuries, yet never should they ever part, Thyme crept and cried, counting seconds that spilled with the sand from the hourglass, and scenting the soft breezes that cooled the child's burning cheek with his sad spice. The — Gene Wolfe

I can't get why people are afraid of books or films which are horror. What's the scary of the film "Cube 1,2,3" - Yeah it was brutal I get scary, but after an hour I'm fine. I just continue to live my life. I check out "Saw", the most brutal film ever watched, yeah I could have some kind a bad thoughts and other stuff about the film. Like to think that this guy "Saw", is there with the bike, but after few days everything it went on the right path. I had chance to see what is the real face of the killers - "Saw" and what does goverment do "Cube"!

GreenMile was a sad story, I still can't believe that Stephen King has written it! — Deyth Banger

The sun, through the filter of the trees, glints green off the cells of her suit, outlines her soft curves. I'm overcome with visions of my father poring over his books, and the wet, verdant forest floor, and newts pausing over toxic yellow candy, and leaves flying up from the impact of Bryan's body hitting the ground. Another, confused part of me hears my father's voice calling the refs scum, trash, slime. With flashes of fury at Marisa, mixed with a sad, all-consuming longing that feels dangerously like love, I pluck her hands from my face and push her away. -from Fireseed One — Catherine Stine

If you have walked into a museum recently - whether you did so to attend an art exhibition or to escape from the police - you may have noticed a type of painting known as a triptych. A triptych has three panels, with something different painted on each of the panels. For instance, my friend Professor Reed made a triptych for me, and he painted fire on one panel, a typewriter on another, and the face of a beautiful, intelligent woman on the third. The triptych is entitled What Happened to Beatrice and I cannot look upon it without weeping.
I am a writer, and not a painter, but if I were to try and paint a triptych entitled The Baudelaire Orphans' Miserable Experiences at Prufrock Prep, I would paint Mr. Remora on one panel, Mrs. Brass on another, and a box of staples on the third, and the results would make me so sad that between the Beatrice triptych and the Baudelaire triptych I would scarcely stop weeping all da — Lemony Snicket

Knowing that Draco's hopeful face had probably been drilled into him by months of practice did not make it any less effective, Harry observed. Actually it did make it less effective, but unfortunately not ineffective. The same could be said of Draco's clever use of reciprocation pressure for an unsolicited gift, a technique which Harry had read about in his social psychology books (one experiment had shown that an unconditional gift of $5 was twice as effective as a conditional offer of $50 in getting people to fill out surveys). Draco had made an unsolicited gift of a confidence, and now invited Harry to offer a confidence in return ... and the thing was, Harry did feel pressured. Refusal, Harry was certain, would be met with a look of sad disappointment, and maybe a small amount of contempt indicating that Harry had lost points. — Eliezer Yudkowsky

I've accomplished everything I wanted out of life, like way beyond my wildest dreams. Anything from here on is just icing. Seriously, if you find out that I died tomorrow, I'm fine. Don't be sad for me, because I'm not sad. I died with a smile on my face. — Ryan Dunn

Then she saw him stop and wipe his brow with his handkerchief. Once, twice. And then once again. But she did not see the grin of relief spread over his face. That she did not see because her eyes had filled with tears. And the geraniums, they were just as sad. In any case, that's how they smelled. — Wolfgang Borchert

All the things that you said when you thought I wasn't there,
I just tell them to my corner, 'cause no one else would care.
That way, when I'm with you, I can keep a cheerful face,
But for the moment, I really just need some space. — Margo T. Rose

I want to know when you're worried, when you're angry or happy or sad. You can probably do the same to me, though I'm slightly better at shielding my emotions. More practice."
"A shadow crossed his face, a flicker of pain, before it was gone. "Unfortunately, the longer we're together, the harder hiding it will become, for both of us." He shook his head and gave me a wry smile. "One of the hazards of having a faery in love with you. — Julie Kagawa

Do you know where the past and the present intersect?" Jac asked him.
"Where?"
"In your mind, only. It's the only point. Otherwise, the past is further away than the furthest galaxy. We know it, intuitively, because we understand the irrevocability of past action, and sometimes that makes us sad." He looked into Gordius's face, trying to read his expression, but the fellow wouldn't make eye-contact with him. "But it ought not to make us sad. Another name for that irrevocable gap between past and present is
freedom. — Adam Roberts

Here I am in the garden laughing an old woman with heavy breasts and a nicely mapped face how did this happen well that's who I wanted to be at last a woman in the old style sitting stout thighs apart under a big skirt grandchild sliding on off my lap a pleasant summer perspiration that's my old man across the yard he's talking to the meter reader he's telling him the world's sad story how electricity is oil or uranium and so forth I tell my grandson run over to your grandpa ask him to sit beside me for a minute I am suddenly exhausted by my desire to kiss his sweet explaining lips. — Grace Paley

She's got this dreamy look going - her everything's-right-with-the-world-why-isn't-it-right-with-you-Tally? face. It's such a carryover from high school that I almost laugh. — Katherine Owen

That was it. Shogo stopped breathing. The dim yellow light falling from the ceiling of the pilothouse shone on his pale face. He seemed at ease.
"Shogo!" Shuya yelled. He still had more to say. "You'll see Keiko! You'll be happy with her! You're
"
It was too late. Shogo couldn't hear anything anymore. But his face just looked so damned peaceful.
"Damn it." Shuya's lips trembled along with his words. "Damn it."
Holding Shogo's hands, Noriko was crying.
Shuya also put his hand on Shogo's thick hand. A thought occured to him. He searched through Shogo's pockets and found the red bird call. He pressed it into Shogo's right hand and closed his hands over it so he could hold it. Shuya then finally burst into tears. — Koushun Takami

He looks sad. Or maybe that's just how he looks when he isn't doing something else with his face. — Audrey Niffenegger

If we are demoralized, sad and only complain, we'll not solve our problems. If we only pray for a solution, we'll not solve our problems. We need to face them, to deal with them without violence, but with confidence - and never give up. If you adopt a non-violent approach, but are also hesitant within, you'll not succeed. You have to have confidence and keep up your efforts - in other words, never give up. — Dalai Lama

Lloyd glanced over at Luxe as if to say 'do you belief this shit' but Luxe had tears in her eyes as she looked at Keisha with a sad expression on her face. — Leo Sullivan

He was skinny with soft hair, and his thick, murky eyes watched as the stranger played one more song in the heavy room. From face to face, he looked on as the man played and the woman wept. The different notes handled her eyes. Such sadness. — Markus Zusak

I watch my loved ones weep with sorrow,
death's silent torment of no tomorrow.
I feel their hearts breaking, I sense their despair,
United in misery, the grief that they share.
How do I show that, I am not gone ...
but the essence of life's everlasting song
Why do they wee? Why do they cry?
I'm alive in the wind and I am soaring high.
I am sparkling light dancing on streams,
a moment of warmth in the fays of sunbeams.
The coolness of rain as it falls on your face,
the whisper of leaves as wind rushes with haste.
Eternal Song, a requiem by Avian of Celieria
from Crown of Crystal Flame by C.L. Wilson — C.L. Wilson

How did I ever stay away from you?" Gentle fingertips caressed my cheeks, my lips, ran over my chin and down my neck. His palm came to rest on my chest, his fingers splayed out over my heart. It thrummed in devotion against his hand. "I heard this calling out for me every day." His breath whispered across my face, his words so sad, filled with so much regret. "Did you hear mine? — A.L. Jackson