Sad Expression Quotes & Sayings

And in the kisses, what deep sweetness! There are women's mouths that seem to ignite with love the breath that opens them. Whether they are reddened by blood richer than purple, or frozen by the pallor of agony, whether they are illuminated by the goodness of consent or darkened by the shadow of disdain, they always carry within them an enigma that disturbs men of intellect, and attracts them and captivates them. A constant discord between the expression of the lips and that of the eyes generates the mystery; it seems as if a duplicitous soul reveals itself there with a different beauty, happy and sad, cold and passionate, cruel and merciful, humble and proud, laughing and mocking; and the abiguity arouses discomfort in the spirit that takes pleasure in dark things. — Gabriele D'Annunzio

No genuine Irishman could relax in comfort and feel at home in a pub unless he was sitting in deep gloom on a hard seat with a very sad expression on his face, listening to the drone of bluebottle squadrons carrying out a raid on the yellow cheese sandwich. — Flann O'Brien

boring you became, Rachel? How ugly? Too sad to get out of bed in the morning, too tired to take a shower or wash your fucking hair? Jesus. It's no wonder I lost patience, is it? It's no wonder I had to look for ways to amuse myself. You've no one to blame but yourself.' His expression changes from contempt to — Anonymous

Well!" said John Slater, after having acknowledged his nose and his likeness; "I could laugh at a jest as well as e'er the best on 'em, though it did tell agen mysel, if I were not clemming" (his eyes filled with tears; he was a poor, pinched, sharp-featured man, with a gentle and melancholy expression of countenance), "and if I could keep from thinking of them at home, as is clemming; but with their cries for food ringing in my ears, and making me afeard of going home, and wonder if I should hear 'em wailing out, if I lay cold and drowned at th' bottom o' th' canal, there - why, man, I cannot laugh at aught. It seems to make me sad that there is any as can make game on what they've never knowed; as can make such laughable pictures on men, whose very hearts within 'em are so raw and sore as ours were and are, God help us." John — Elizabeth Gaskell

It preoccupies me until it's time to leave. It seems such the right expression of grief. I am sad, so in whatever small way I can, I will tear myself apart. They've taken what's on the inside and made it visible. If I thought it wouldn't be inappropriate I'd do it myself. — Jael McHenry

His jaw was tensed, but it was no longer the frightening expression he had in the cafeteria. He seemed sad. The deep, hopeless kind. — Jamie McGuire

She died."
I had to prompt him.
"Soon after?"
"In the early hours of February the nineteenth, 1916." I tried to see the expression on his face, but it was too dark. "There was a typhoid epidemic. She was working in a hospital."
"Poor girl."
"All past. All under the sea."
"You make it seem present."
"I do not wish to make you sad."
"The scent of lilac."
"Old man's sentiment. Forgive me."
There was a silence between us. He was staring into the night. The bat flitted so low that I saw its silhouette for a brief moment against the Milky Way.
"Is this why you never married?"
"The dead live."
The blackness of the trees. I listened for footsteps, but none came. A suspension.
"How do they live?"
And yet again he let the silence come, as if the silence would answer my questions better than he could himself; but just when I had decided he would not answer, he spoke.
"By love. — John Fowles

Next Ashlynn walked up the stairs. Apple expected the princess to exhibit the same eagerness, but her steps were slow. The large mirrors hanging from posts around the pedestal broadcast images of Ashlynn's face to the audience. But the mirrors didn't show the book, so Apple couldn't see Ashlynn's "flash-forward" story, just Ashlynn's face as she watched it. Her expression was nervous, hopeful, and then ... then sad. How could she be sad? Her story ended joyously! It was almost as if Ashlynn had been hoping to see something or someone in her story who didn't show. Ashlynn took the pen and closed her eyes as she quickly signed. — Shannon Hale

Thanks for staying with me last night," I said, stroking Toto's soft fur. "You didn't have to sleep on the bathroom floor."
"Last night was one of the best nights of my life."
I turned to see his expression. When I saw that he was serious, I shot him a dubious look. "Sleeping in between the toilet and the tub on a cold, hard tile floor with a vomiting idiot was one of your best nights? That's sad, Trav."
"No, sitting up with you when you're sick, and you falling asleep in my lap was one of my best nights. It wasn't comfortable, I didn't sleep worth a shit, but I brought in your nineteenth birthday with you, and you're actually pretty sweet when you're drunk."
"I'm sure between the heaving and purging I was very charming."
He pulled me close, patting Toto who was snuggled up to my neck. "You're the only woman I know that still looks incredible with your head in the toilet. That's saying something. — Jamie McGuire

I foresee all: how I'll annoy
You deeply, by my sad confession:
What bitter scorn in your expression,
How proud the glance you'll employ!
What can I hope for? With what aim
Reveal my soul, and thereafter
Open myself to endless blame,
Prompting your malicious laughter? — Alexander Pushkin

As he was marched away, Evan looked back over his shoulder at me. Through his grief-stricken expression, he smiled. So sad, so full of love, and so full of what might have been. Then he was gone — Emma Scott

You're letting me go?"
He curled his upper lip, his expression painfully bitter as he took a step back from me.
"Apparently ... I never had a hold of you." He turned sharply, and without another word striding down the street into the dark.
Braden never once looked back and that was a good thing.
If he had, he'd have seen Jocelyn Butler crying real tears for the first time in a long time, and he would have known that I'd lied. And lied big. For anyone who saw me, knew they were watching a heart in the process of it breaking. — Samantha Young

Finny never tells anyone how he is feeling; you just have to know him well enough to understand when he is sad or scared. Today his expression does not tell me how he feels about me being over here. Either he couldn't care less, or he could be annoyed. — Laura Nowlin

No matter how old and glorious the models, sad indeed is the woman who sees fashion as a means of self-expression rather than an agent of social control. — Julie Burchill

When we say to people, 'I will pray for you,' we make a very important commitment. The sad thing is that this remark often remains nothing but a well-meant expression of concern. But when we learn to descend with our mind into our heart, then all those who have become part of our lives are led into the healing presence of God and touched by him in the center of our being. We are speaking here about a mystery for which words are inadequate. It is the mystery that the heart, which is the center of our being, is transformed by God into his own heart, a heart large enough to embrace the entire universe. Through prayer we can carry in our heart all human pain and sorrow, all conflicts and agonies, all torture and war, all hunger, loneliness, and misery, not because of some great psychological or emotional capacity, but because God's heart has become one with ours. — Henri J.M. Nouwen

Simon," said a voice at his shoulder, and he turned to see Izzy, her face a pale smudge between dark hair and dark cloak, looking at him, her expression half-angry, half-sad. "I guess this is the part where we say goodbye? — Cassandra Clare

Day just smiles at me, an expression so sad that it breaks through my numbness, and I begin to cry. Those bright blue eyes. Before me is the boy who has bandaged my wounds on the streets of Lake, who has guarded his family with every bone in his body, who has stayed by my side in spite of everything, the boy of light and laughter and life, of grief and fury and passion, the boy whose fate is intertwined with mine, forever and always.
"I love you," he whispers. "Can you stay awhile? — Marie Lu

But laugh?" He pressed the flat of his hand against my stomach. "Here lives laugh." He ran his finger straight up to my mouth and spread his fingers. "Push back laugh is not good. Not healthy."
"Also cry?" I asked. I traced an imaginary tear down my cheek with one finger.
"Also cry." He put his hand on his own belly. "Ha ha ha," he said, pressing his hand to show me the motion of his stomach. Then his expression changed to sad. "Huh huh huh," he heaved with exaggerated sobs, pressing his stomach again. "Same place. Not healthy to push down. — Patrick Rothfuss

As the young husband and wife lay in each other's arms, each contemplating past, present, and future, Clint recognized the music as the adagietto from Gustav Mahler's fifth symphony. It was one of the most famous movements in the entire symphonic repertoire, but it was also one of the most debated. Mahler ostensibly composed the adagietto as a love song to his wife, Alma, but when played at the much slower tempo preferred by many conductors, the music instead evokes a feeling of profound melancholy. After almost eighty years, musicologists and aficionados still couldn't agree whether the music was supposed to be happy or sad, whether it was an expression of intense love and devotion or of unmitigated despair. Clint was struck by the irony that this music would be playing at this moment in his life, and his mouth curled into an ambivalent smile. Was he happy? Was he sad? Would he ever again be certain? — William T. Prince

You're Shane, right?'
He inched away from her and managed a quick nod as he twisted the rag he held in his fingers.
'Heidi sad you were willing to teach me how to ride.' Her expression shifted from entertained to confused, as if she was wondering why no one had mentioned he was a can or two shy of a six-pack.
'A horse,' he clarified, then wanted to kick himself. What else but a horse? Did he think she was here to learn to ride his mother's elephant?
One corner of Annabelle's perfect, full mouth twitched. 'A horse would be good. You seem to have several.'
He wanted to remind himself that he was usually fine around women. Smooth even. He was intelligent, funny and could, on occasion, be charming. Just not now, with his blood pumping and his brain doing nothing more than shouting "it's her, it's her" over and over again.
Chemistry, he thought grimly. It could turn the smartest man into a drooling idiot. Here he was, proving the theory true. — Susan Mallery

If we understand many more things than other people, we owe it to our nervous system which is far more disturbed. One says 'I'm sad' but no one realizes what is the cause of his/her sadness; it may come from the stomach; or from a tune we have just listened to and which failed to impress us on the spot; or it may come from frustrated sexual desire ... It is not easy to see beyond symbolic forms of expression. People don't realize that you can negate the progress of humanity because your feet hurt. It is important to see beyond that which is given; and yet, once you see it, nothing matters. — Emil Cioran

Once I asked Mina why she danced so smoothly while most of the other women made abrupt, jerky movements, and she said that many of the women confused liberation with agitation. 'Some ladies are angry with their lives,' she said 'and so even their dance becomes an expression of that.' Angry women are hostages of their anger. They cannot escape it and set themselves free, which is indeed a sad fate. The worst of prisons is a self-created one. (p.162) — Fatema Mernissi

He broke off, and she fancied that he looked sad. She could not be sure, for the Machine did not transmit nuances of expression. It only gave a general idea of people- an idea that was good enough for all practical purposes, Vashti thought.
The imponderable bloom, declared by a discredited philosophy to be the actual essence of intercourse, was rightly ignored by the Machine, just as the imponderable bloom of the grape was ignored by the manufactures of artificial fruit. Something "good enough" had long since been accepted by our race. — E. M. Forster

Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's flattering me," thought the princess, and she turned away and went on reading. Julie, however, was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous (sometimes it was as if rays of light came from them in sheaves), were so beautiful that very often, despite the unattractiveness of the whole face, those eyes were more attractive than beauty. But the princess had never seen the good expression of thise eyes, the expression they had in moments when she was not thinking of herself. As with all people, the moment she looked in the mirror, her face assumed a strained, unnatural, bad expression. — Leo Tolstoy

Even a happy life has a sad day. We fail to provide a context which says it's okay to cry, it's okay to be sad. So I think making the space for suffering is so important and making space for this expression of feelings in community. — Marianne Williamson

Lloyd glanced over at Luxe as if to say 'do you belief this shit' but Luxe had tears in her eyes as she looked at Keisha with a sad expression on her face. — Leo Sullivan

A tall, thin, middle-aged man with a long, gray Jovian beard stood outside the Hermitage Museum with an expression of absolute shattered regret.
Tatiana instantly reacted to his face. What could make a man look this way? He was standing next to the back of a military truck, watching young men carry wooden crates down the ramp from the Winter Palace. It was these crates the man looked at with such profound heartbreak, as if they were his vanishing first love.
"Who is that man?" she asked, tremendously affected by his expression.
"The curator of the Hermitage."
"Why is he looking at the crates that way?"
Alexander said, "They are his life's sole passion. He doesn't know if he is ever going to see them again. — Paullina Simons

MY MOM SAYS IT'S TIME for me to give up now, and that what I'm doing is futile. She's upset, so her accent is thicker than usual, and every statement is a question. "You no think is time for you to give up now, Tasha? You no think that what you doing is futile?" She draws out the first syllable of futile for a second too long. My dad doesn't say anything. He's mute with anger or impotence. I'm never sure which. His frown is so deep and so complete that it's hard to imagine his face with another expression. If this were even just a few months ago, I'd be sad to see him like this, but now I don't really care. He's the reason we're all in this mess. — Nicola Yoon

Every word, facial expression, gesture, or action on the part of a parent gives the child some message about self-worth. It is sad that so many parents don't realize what messages they are sending. — Virginia Satir

My father's face, when he said that, dissolved into a stillness, a sad expression, sadder than human feeling. — Jonathan Safran Foer

The look on Deathbringer's face was so obvious - so real and sad - that Starflight had the weird experience of being able to see what his own expression must be every time he thought of Sunny. — Tui T. Sutherland

I want to write something that means something to someone ... the reminds them of what a second, a moment, really is ... or that assures them that we are just as lost as they are. I want to write an emotion they are too fragile to let loose, so that my words can do the expression for them, the feeling for them. I want to write beyond the basics and the cliches ... I want to write you, I want to write a long walk on a starry night, I want to write an exhale or an inhale ... or suffocation.
I want to write as clear as my voice could be heard ... that is, if I had anything to say. — Augusten Burroughs

He's fast asleep, curled up at the other end of my bed, looking peaceful. The expression on his face says he's not really sad, and he's not overcompensating for his sadness by acting all crazy or silly, he's just ... content. And that makes me glad, because more than anything else, I want him to be happy. — Miranda Kenneally

In the early morning as dawn was just beginning to streak through the cabin windows, Jack was stirred awake by the soft sound of slightly off-key humming. He found Mel nestled into the crook of his arm, her breath tickling his chest. She was purring, humming, her lips moving slightly, as though singing. It might've troubled him if her expression had been sad or disturbed. But she was smiling. She snuggled closer, throwing a leg over his. And this sleepy little music, contented, drifted out of her. He could count on one hand the number of times he'd spent the entire night in bed with a woman. And already, he couldn't imagine waking up alone. He pulled her closer knowing he'd never been happier in his life. — Robyn Carr

Do you know where the past and the present intersect?" Jac asked him.
"Where?"
"In your mind, only. It's the only point. Otherwise, the past is further away than the furthest galaxy. We know it, intuitively, because we understand the irrevocability of past action, and sometimes that makes us sad." He looked into Gordius's face, trying to read his expression, but the fellow wouldn't make eye-contact with him. "But it ought not to make us sad. Another name for that irrevocable gap between past and present is
freedom. — Adam Roberts

You can't cure people of their character,' she read.
After this he had crossed something out then gone on, 'You can't even change yourself. Experiments in that direction soon deteriorate into bitter, infuriated struggles. You haul yourself over the wall and glimpse new country. Good! You can never again be what you were! But even as you are congratulating yourself you discover tied to one leg the string of Christmas cards, gas bills, air letters and family snaps which will never allow you to be anyone else. A forty-year-old woman holds up a doll she has kept in a cardboard box under a bed since she was a child. She touches its clothes, which are falling to pieces; works tenderly its loose arm. The expression that trembles on the edge of realizing itself in the slackening muscles of her lips and jaw is indescribably sad. How are you to explain to her that she has lost nothing by living the intervening years of her life? How is she to explain that to you? — M. John Harrison

I have this rage that I can't explain. It's sad. — Peter Davis

It doesn't really matter what a person decides to do, or how radically a person plays with gender. What matters, I think, is how aware a person is of the options. How sad for a person to be missing out on some expression of identity, just for not knowing there are options — Kate Bornstein

What makes today's popular atheism so depressing is neither its conceptual boorishness nor its self-righteousness but simply its cultural inevitability. It is the final, predictable, and unsurprisingly vulgar expression of an ideological tradition that has, after many centuries, become so pervasive and habitual that most of us have no idea how to doubt its premises or how to avert its consequences. This is a fairly sad state of affairs, because those consequences have at times proved quite terrible. — David Bentley Hart

I love nine hundred and ninety nine facial expressions of Jemma Garner, none of them is sad look. — Rea Lidde

Flowers have an expression of countenance as much as men or animals. Some seem to smile; some have a sad expression; some are pensive and diffident; others are plain, honest and upright, like the broad faced sunflower and the hollyhock. — Henry Ward Beecher

I turned to see his expression. When I saw that he was serious, I shot hum a dubious look. "Sleeping in between the toilet and the tub on a cold, hard tile floor with a vomiting idiot was one of your best nights? That's sad, Trav."
"No, sitting up with you when you're sick and you falling asleep in my lap was one of my best night." ( ... ) "Thanks, Trav. I won't make you babysit me again."
He leaned against his pillow. "Whatever. No one can hold your hair back like I can. — Jamie McGuire