Sad Dying Love Quotes & Sayings
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Top Sad Dying Love Quotes

On the flight over to Chicago, I thought of a story Mom had once told me from her days as a pediatric nurse.
"There was this little boy I was taking care of," she said "and he was terminally ill,and we all knew it,but he kept hanging on and hanging on. He wouldn't die, it was so sad.
And his parents were always there with him,giving him so much love and support,but he was in so much pain,and it really was,time for him to go.
So finally some of us nurses took his father aside and we told him, 'You have to tell your son it's okay for him to go. You have to give him permission.' And so the father took his son in his arms and he sat with him in a chair and held on to him and told him over and over, that it was okay for him to go,and,well,after a few moments,his son died. — Anthony Rapp

T nightfall, at
the oppressive moment of transition, a storm of carnivorous mosquitoes rose
out of the swamps, and a tender breath of human shit, warm and sad, stirred
the certainty of death in the depths of one's soul. — Gabriel Garcia Marquez

By seizing every opportunity for kindness, forgiveness, healing, and love that crosses my path each day, I hope that my death, although perhaps sad for some, will be gracefully concluded. — Lisa J. Shultz

No one knows if I'm dying to laugh or to cry
So my verse has
this almost imperceptible thrill
Life is sad, the world is crazy!
Not worth killing yourself for it
Not for anyone
For no love
Life goes on, indifferently! — Mario Quintana

I tried to go to sleep with my headphones still on, but then after a while my mom and dad came in, and my mom grabbed Bluie from the shelf and hugged him to her stomach, and my dad sat down in my desk chair, and without crying he said, 'You are not a grenade, not to us. Thinking about you dying makes us sad, Hazel, but you are not a grenade. You are amazing. You can't know, sweetie, because you've never had a baby become a brilliant young reader with a side interest in horrible television shows, but the joy you bring us is so much greater than the sadness we feel about your illness.'
'Okay,' I said.
'Really,' my dad said. 'I wouldn't bullshit you about this. If you were more trouble than you're worth, we'd just toss you out on the streets.'
'We're not sentimental people,' Mom added, deadpan. 'We'd leave you at an orphanage with a note pinned to your pajamas. — John Green

May with its light behaving
Stirs vessel, eye and limb,
The singular and sad
Are willing to recover,
And to each swan-delighting river
The careless picnics come
In living white and red.
Our dead, remote and hooded,
In hollows rest, but we
From their vague woods have broken,
Forests where children meet
And the white angel-vampires flit,
Stand now with shaded eye,
The dangerous apple taken.
The real world lies before us,
Brave motions of the young,
Abundant wish for death,
The pleasing, pleasured, haunted:
A dying Master sinks tormented
In his admirers' ring,
The unjust walk the earth.
And love that makes impatient
Tortoise and roe, that lays
The blonde beside the dark,
Urges upon our blood,
Before the evil and the good
How insufficient is
Touch, endearment, look. — W. H. Auden

Death pulls people from our spaces so often and we accept it as our final payment for having been here and having lived, however big or small. We don't always have time to notice how things have changed in the absence of some of them. But then death pulls away someone we love, and we find that time. In here, we notice everything; growing grass and fingernails, and songs that end in a minor key. We are too sad to do anything else but watch a clock, applying seconds, minutes, and hours to the trauma and the lacerations. Time, the forever healer, they say. We find the time to wonder how everyone else is moving on, around our paralyzed selves. Ourselves unsure of roads and trees and birds and things. It all blurs and words aren't words anymore. We find the time to attempt to figure a way to rethink everything we thought about this world and why we came to it. — Darnell Lamont Walker

And the next day the gondolier came with a train of other gondoliers, all decked in their holiday garb, and on his gondola sat Angela, happy, and blushing at her happiness. Then he and she entered the house in which I dwelt, and came into my room (and it was strange indeed, after so many years of inversion, to see her with her head above her feet!), and then she wished me happiness and a speedy restoration to good health (which could never be); and I in broken words and with tears in my eyes, gave her the little silver crucifix that had stood by my bed or my table for so many years. And Angela took it reverently, and crossed herself, and kissed it, and so departed with her delighted husband.
And as I heard the song of the gondoliers as they went their way
the song dying away in the distance as the shadows of the sundown closed around me
I felt that they were singing the requiem of the only love that had ever entered my heart. — W.S. Gilbert

It made her sad, thinking about the consequences of their anger, their thirst for revenge. Her husband was gone, ripped from her, and for what? People were dying, and for what? She thought how things could've gone so differently, how they'd had all these dreams, unrealistic perhaps, of a real change in power, an easy fix to impossible and intractable problems. Back then she'd been unfairly treaded, but at least she'd been safe. There had been injustice, but she'd been in love. Did that make it okay? Which sacrifice made more sense? — Hugh Howey

But we who remain shall grow old
We shall know the cold
Of cheerless
Winter and the rain of Autumn and the sting
Of poverty, of love despised and of disgraces,
And mirrors showing stained and aging faces,
And the long ranges of comfortless years
And the long gamut of human fears ...
But, for you, it shall forever be spring,
And only you shall be forever fearless,
And only you have white, straight, tireless limbs,
And only you, where the water-lily swims
Shall walk along the pathways thro' the willows
Of your west.
You who went West,
and only you on silvery twilight pillows
Shall take your rest
In the soft sweet glooms
Of twilight rooms ... — Ford Madox Ford

I love music videos, I really do. I think it's kind of sad that it's a dying art form. — Adam Levine

Mario'd fallen in love with the first Madam Psychosis programs because he felt like he was listening to someone sad read out loud from yellow letters she'd taken out of a shoebox on a rainy P.M, stuff about heartbreak and people you loved dying and U.S. woe, stuff that was real. It is increasingly hard to find valid art that is about stuff that is real in this way. The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that's really real uncomfortable and they get embarrassed. It's like there's some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn't happy. — David Foster Wallace

Darling gave him a sad smile. "Maris and I have been to hell and home together. Back to back, we have defended each other with everything we possess. Anytime we needed to turn to someone, we called each other. Until today. When he thought he was dying, it was your voice he wanted to hear last. Not mine. Honestly, a part of me is a little hurt. I've never had to share him before with anyone. But I love him enough to let him go. His happiness means everything to me." "Me, too." Darling hugged him close. "Thank you for calling me." "Thank you for saving him." He pulled back and offered his hand to Ture. "Brothers?" "Brothers." * — Sherrilyn Kenyon

Grief is not something you know if you grow up wearing feathers with a Charlie Chaplin boyfriend, a love-child papoose, a witch baby, a Dirk and a Duck, a Slinkster Dog, and a movie to dance in. You can feel sad and worse when your dad moves to another city, when an old lady dies, or when your boyfriend goes away. But grief is different. Weetzie's heart cringed in her like a dying animal. It was as if someone had stuck a needle full of poison into her heart. She moved like a sleepwalker. She was the girl in the fairy tale sleeping in a prison of thorns and roses. — Francesca Lia Block

I have to leave now, but please know i'll be with you always. When you hear meadowlarks in the spring and see geese flying across the field in the fall, think of me. But please don't be sad. I always wanted you to be happy. Remember I will love you always. There were so many things I wanted to do still, so many things left to say to all of you. I wasn't afraid of dying. It was just leaving all of you that was so hard. We can't see beyond, but this much I know: I loved you all so much, and it was heaven having your love in return. — B.K. Loren