S Y Ryu Quotes & Sayings

It was the face of a human being who'd been constructed exclusively of wounds. Not time or history or ambition, nothing but wounds. The face of a person who could probably kill someone without feeling anything whatsoever. — Ryu Murakami

No forgiveness for lies. — Ryu Murakami

I put the thin fragment of glass, dripping blood, in my pocket, and ran out into the misty road. The doors and windows of the houses were shut, nothing was moving. I thought I'd been swallowed by a huge living thing, that I was turning around and around in its stomach like the hero of some fairy tale. — Ryu Murakami

But what I did sense was an emptiness like a black hole inside of him, and there was no predicting what might emerge from a place like that. — Ryu Murakami

That was with me for years
feeling I wasn't myself. And I do think I wasn't my real self then. Of course, I'm not sure there is such a thing as a real self. You could ransack your innards looking for the real you and never find it
slice yourself open and all you'll find is blood and muscle and bone. — Ryu Murakami

She's like smoke:you think you're seeing her clearly enough,but when you reach for her there's nothing there — Ryu Murakami

Within two or three years of World War II's end, starvation had been basically eliminated in Japan, and yet the Japanese had continued slaving away as if their lives depend on it. Why? To create a more abundant life? If so, where was the abundance? Where were the luxurious living spaces? Eyesores dominated the scenery wherever you went, and people still crammed themselves into packed commuter trains each morning, submitting to conditions that would be fatal for any other mammal. Apparently what the Japanese wanted wasn't a better life, but more things. — Ryu Murakami

It is love of my fan's that always makes me stand firm. — Ryu Si-won

I have been given many teachings by Sarutahiko-no-O-Kami. OKami told me, 'By the work of Takehaya Susanowo no Mikoto, you will worship the Ame no Murakumo KuKamisamuhara Ryu O (Kami of Takemusu) and build an Aiki shrine and dojo.' Then I built the Aiki shrine and dojo in Iwama, Ibaragi prefecture in 1940. — Morihei Ueshiba

After hanging up the phone Aoyama sank back back on the sofa feeling like a balloon in a warm blue sky. — Ryu Murakami

But sometimes things happen that no one hopes for. Events that cause everything you've worked towards, the life you've carefully constructed piece by piece, to come tumbling down all around you. No one is to blame, but you're left with a wound you can't heal on your own and can't believe you'll ever learn to accept, so you struggle to escape the pain. Only time can heal wounds as deep as that - a lot of time - and all you can really do is place yourself in its hands and try to consider the passing of each day a victory. You tough it out moment by moment, hour by hour, and after some weeks or months you begin to see signs of recovery. Slowly the wound heals into a scar. — Ryu Murakami

When I went on anyway, my body began to grow cold, and I thought I
was dead. Face pale, my dead self sat down on a bench and began to turn
toward my real self, who was watching this hallucination on the screen of the
night. My dead self came nearer, just as if it might want to shake hands with my
real self. That's when I panicked and tried to run. But my dead self pursued me
and finally caught me, entered me and controlled me. I'd felt then just the way I
felt now. I felt as if a hole had opened in my head from which consciousness
and memory leaked out and in their place the rash crowded in, and a cold like
spoiled roast chicken. But that time before, shaking and clinging to the damp
bench, I'd told myself, Hey, take a good look, isn't the world still under your
feet? I'm on this ground, and on this same ground are trees and grass and ants
carrying sand to their nests, little girls chasing rolling balls, and puppies running. — Ryu Murakami

The blazing sun beat down on the concrete of the museum's front yard- Reverend Ryu Yosop felt as if the heat were sucking up all the moisture in his brain and heart. What different colors he and his brother Yohan must have used as each of them painted their own picture of home, of the carnage. These people have constructed yet a different vision of their own, Yosop thought to himself, but it all stems from the same nightmare, the one we created together. — Hwang Sok-yong

When I was taught the Gyokko Ryu Koshijutsu Kihon Gata, there were in this engendering of
fundamental form the eight methods. *I was told that this kihon happo is the origin of all budo.
So I say to you earnestly, you make this the basis and teach it to your students. — Toshitsugu Takamatsu

You don't know what cold is until you've experienced the cold you feel when the blood is draining out of your body. — Ryu Murakami

But why is it that if you imagine a baby who smells of milk, for example, you can't help smiling? Why is there such an agreement around the world about what is or isn't a foul smell? Who decided what smells bad? Is it impossible that somewhere in this world there are people who, if they sat next to a homeless fellow they'd get the urge to snuggle up to him, but if they sat next to a baby they'd get an urge to kill it? — Ryu Murakami

Hello, friends," said Princess Winter. Ryu dropped his newest stick onto the pile, then sat down, chest high as though he were showing her proper respect. Scarlet scowled. "Suck-up." Winter — Marissa Meyer

I learned two important things about the sound I was searching for: that it had to be indirect, refracted or muffled in some way; and that the sound had to give the impression that it would continue forever- the sound of someone practicing piano heard faintly from an unknown direction, or the sound of gentle rain outside a window, punctuated by drops falling on the casement. — Ryu Murakami

People were infected with the concept that happiness was something outside themselves, and a new and powerful form of loneliness was born. Mix loneliness with stress and enervation, and all sorts of madness can occur. Anxiety increases, and in order to obliterate the anxiety, people turn to extreme sex, violence, and even murder. — Ryu Murakami

People who love horror films are people with boring lives ... when a really scary movie is over, you're reassured to see that you're still alive and the world still exists as it did before. That's the real reason we have horror films - they act as shock absorbers - and if they disappeared altogether, I bet you'd see a big leap in the number of serial killers. After all, anyone stupid enough to get the idea of murdering people from a movie could get the same idea from watching the news. — Ryu Murakami

He wakes! The steel giant wakes! Long, long ago he rose from the sea, with the blood of life streaming from his belly. And then they buried him with thunder ... and ... carrots ... at Stonehenge. But now he wakes again. The Age of Rotten Fish is over; the Age of Steel and Bombs is upon us. And he had come to give us life and strength, to free us form these cells, to restore us once again to baseball and ping pong! Sent by God from the Great Beyond!!! — Ryu Murakami

He invited me to his apartment in the wee hours one morning and pulled out a set of children's building blocks. It seems he used to ride around and around on the Yamanote Line with them, building castles on the floor of the train. — Ryu Murakami

Did you know that only a tiny minority of viruses cause illness in humans? No one knows how many viruses there are, but their real role, when you get right down to it, is to aid in mutations, to create diversity among life forms. I've read a lot of books on the subject-when you don't need much sleep you have a lot of time to read-and I can tell you that if it weren't for viruses, mankind would never have evolved on this planet. Some viruses get right inside the DNA and change your genetic code, did you know that? And no one can say for sure that HIV, for example, won't one day prove to have been rewriting our genetic code in a way that's essential to our survival as a race. I'm a man who consciously commits murders and scares the hell out of people and makes them reconsider everything, so I'm definitely malignant, yet I think I play a necessary role in this world. — Ryu Murakami

Very few people of our generation or the next will reach adulthood without experiencing the sort of unhappiness you can't really deal with on your own. We're still in the minority, so the media lump us together as "The Oversensitive Young", or whatever the latest catchphrase is, but eventually that will change. — Ryu Murakami

Sinteen-years -old girls are probably the most sensitive and perceptive group of people in this entire country. — Ryu Murakami

It was around this time that I'd begun trying to perfect the art of fucking with people's minds. I'd figured out that when someone else was hogging the limelight, you could cut him down to size by bringing up a subject he didn't know anything about. If the other person knew a lot about literature, I'd talk about the Velvet Underground; if he knew a lot about rock, I'd talk about Messiaen; if he knew a lot about classical music, I'd talk about Roy Lichtenstein; if he knew a lot about pop art, I'd talk about Jean Genet; and so on. Do that in a small provincial city and you never lose an argument. — Ryu Murakami

Yeah, he'd said, maybe it's just my idea, but really it always hurts, the times it don't hurt is when we just forget, we just forget it hurts, you know, it's not just because my belly's all rotten, everybody always hurts. So when it really starts stabbing me, somehow I feel sort of peaceful, like I'm myself again. — Ryu Murakami

I remembered reading in a hard-boiled detective novel that if you drink in the same place two nights in a row, the bartender and waiters will remember your face. — Ryu Murakami

I'm sure we've all experienced really malevolent feelings once or twice in our lives, the desire to kill somebody,say.but there's always a braking mechanism somewhere along the line that stop us. — Ryu Murakami

An age where you feel like you could love anyone, where you put everything on the line for the smallest of things. Eighteen. Adults say that it's an age where we laugh if a leaf tumbles by. But back then, we were more serious than any adult, more intense, and had our strength tested. 1997. That was how our eighteen was beginning. — Ryu Si-won