S Weil Quotes & Sayings

Libraries are sanctuaries from the world and command centers onto it: here in the quiet rooms are the lives of Crazy Horse and Aung San Suu Kyi, the Hundred Years' War and the Opium Wars and the Dirty War, the ideas of Simone Weil and Lao-Tzu, information on building your sailboat or dissolving your marriage, fictional worlds and books to equip the reader to reenter the real world. They are, ideally, places where nothing happens and where everything that has happened is stored up to be remembered and relived, the place where the world is folded up into boxes of paper. Every book is a door that opens onto another world, which might be the magic that all those children's books were alluding to, and a library is a Milky Way of worlds. — Rebecca Solnit

I was trying to discover examples of a living restoration, trying to go beyond discussions about correct historic colors, materials, and techniques.
I looked to the past for guidance, to find the graces we need to save. I want to be an importer. This is not nostalgia; I am not nostalgic. I am not looking for a way back. "From where will a renewal come to us, to us who have devastated the whole earthly globe?" asked Simone Weil. "Only from the past if we love it."
What I am looking for is the trick of having the same ax twice, for a restoration that renews the spirit, for work that transforms the worker. We may talk of saving antique linens, species, or languages; but whatever we are intent on saving, when a restoration succeeds, we rescue ourselves.
Howard Mansfield, The Same Ax Twice: Restoration and Renewal in a Throwaway Age — Howard Mansfield

In 1975, ... [speaking with Shiing Shen Chern], I told him I had finally learned ... the beauty of fiber-bundle theory and the profound Chern-Weil theorem. I said I found it amazing that gauge fields are exactly connections on fiber bundles, which the mathematicians developed without reference to the physical world. I added, "this is both thrilling and puzzling, since you mathematicians dreamed up these concepts out of nowhere." He immediately protested: "No, no. These concepts were not dreamed up. They were natural and real." — Chen-Ning Yang

I'm Opera Singer. I can sing Brecht, Weil. — Nina Hagen

A rhythm becomes a habit when we can no longer hear the music. — Sharon Weil

Simone Weil is a mystery that should keep us all humble, and I need it more than most. Also she's the example of the religious consciousness without a religion which maybe sooner or later I will be able to write about. — Flannery O'Connor

I'm from East Berlin. I grew up in the Bertold Brecht, Kurt Weil tradition, also in the old hippie tradition. — Nina Hagen

Community is a context and can either facilitate or inhibit the movement of change for the individual. — Sharon Weil

Change moves incrementally from breath to breath and moment to moment, allowing for course-correction along the way. — Sharon Weil

I didn't find this memoir of these two eccentric people so different from doing my memoirs of De Sade or Simone Weil. My parents in their own way are as odd as Sade. — Francine Du Plessix Gray

Like Pascal, Nietzsche, and Simone Weil, Kierkegaard is one of those writers whom it is very difficult to estimate justly. When one reads them for the first time, one is bowled over by their originality . . . and by the sharpness of their insights. . . . But with successive readings one's doubts grow, one begins to react against their overemphasis on one aspect of the truth at the expense of all the others, and one's first enthusiasm may all too easily turn to an equally exaggerated aversion. Of all such writers, one might say that one cannot imagine them as children. The more we read them, the more we become aware that something has gone badly wrong with their affective life; . . . it is not only impossible to imagine one of them as a happy husband or wife, it is impossible to imagine their having a single intimate friend to whom they could open their hearts. — W. H. Auden

Museums matter only to the extent that they are perceived to provide communities they serve with something of value beyond their mere existence." - STEPHEN WEIL — G. Wayne Clough

A beautiful woman, Simone Weil said, seeing herself in the mirror, knows "This is I." An ugly woman knows with equal certainty, "This is not I." Maud knew this neat division represented an over-simplification. The doll-mask she saw had nothing to do with her, nothing. — A.S. Byatt

We have to imagine something before we can build the infrastructure that will allow it to exist. We have failed here on both fronts: in imagination and in reality. Our great weirdos, from Emily Dickinson to Simone Weil to Coco Chanel, are seen as outliers, as not relevant to the way we think through what we want out of life. It's the same way we discuss radical feminist writers like Dworkin and Firestone. Dworkin is unhinged, Firestone is too eccentric to be taken seriously. — Jessa Crispin

Change occurs on a continuum and does not move in a straight line. — Sharon Weil

Just as we build a house or a cathedral with the same kind of stone, so we may use the same common and homely metaphors and images to convey truths on widely separated planes of discourse. ...And the highest is often best conveyed in terms of the lowest... In exploring the highest reaches of experience, we need a language as fresh and living as the truths with which we are in contact. For most mystics, this is the language of nerve tips.

E.W.F. Tomlin on Simone Weil's use of language. — E.W.F. Tomlin

Force," Simone Weil wrote, "is as pitiless to the man who possesses it, or thinks he does, as it is to its victims; the second it crushes, the first it intoxicates."2 — Chris Hedges

[Simone Weil's] life is almost a perfect blend of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny. — Flannery O'Connor

Simone Weil was absolutely right- beauty and affliction are the only two things that can pierce our hearts. Because this is so true, we must have a measure of beauty in our lives proportionate to our affliction. No more. Much more. Is this not God's prescription for us? Just take a look around. — John Eldredge