Russian Poetry Quotes & Sayings

The one that burned the hottest is the first to die. — Marina Tsvetaeva

He loved three things alone:
White peacocks, evensong,
old maps of America.
He hated children crying,
and raspberry jam with his tea,
and womanish hysteria.
...And then he married me.


1911 — Anna Akhmatova

Where does such tenderness come from
And what do I do with it, you, sly,
Adolescent, vagabond singer,
Whose lashes couldn't be longer? — Marina Tsvetaeva

We don't know how to say goodbye,
We wander on, shoulder to shoulder
Already the sun is going down
You're moody, and I am your shadow.
Let's step inside a church, hear prayers, masses for the dead
Why are we so different from the rest?
Outside in the graveyard we sit on a frozen branch.
That stick in your hand is tracing
Mansions in the snow in which we will always be together. — Anna Akhmatova

Mandelstam is the sort of poet who comes along very, very rarely. Even the two Russian poets whose work is often linked with his - Anna Akhmatova and Marina Tsvetaeva - though their work is more "urgent" than most American poetry, seem to me to operate at a lesser charge than Mandelstam. — Christian Wiman

It [Bach's cello suites] is like a great diamond," said [Mischa] Maisky in a thick Russian accent, "with so many different cuts that reflect light in so many different ways. — Eric Siblin

No jewels, save my eyes, do I own, but I have a rose which is even softer than my rosy lips. And a quiet youth said: 'There is nothing softer than your heart.' And I lowered my gaze ...
I wrote back telling Liza that her poems were bad and she ought to stop composing. Sometime later I saw her in another cafe, sitting at a long table, abloom and ablaze among a dozen young Russian poets. She kept her sapphire glance on me with a mocking and mysterious persistence. — Vladimir Nabokov

For one can live in friendship
With verses and with cards, with Plato and with wine,
And hide beneath the gentle cover of our playful pranks
A noble heart and mind. — Alexander Pushkin

I taught myself Russian, which was very, very useful, especially for poetry and in fact if you can't read Pushkin in Russian, you're really missing something. — Clive James

Later, when his desires had been satisfied, he slept in an odorous whorehouse, snoring lustily next to an insomniac tart, and dreamed. He could dream in seven languages: Italian, Spanic, Arabic, Persian, Russian, English and Portughese. He had picked up languages the way most sailors picked up diseases; languages were his gonorrhea, his syphilis, his scurvy, his ague,his plague. As soon as he fell asleep half the world started babbling in his brain, telling wondrous travelers' tales. In this half-discovered world every day brought news of fresh enchantments. The visionary, revelatory dream-poetry of the quotidian had not yet been crushed by blinkered, prosy fact. Himself a teller of tales, he had been driven out of his door by stories of wonder, and by one in particular, a story which could make his fortune or else cost him his life. — Salman Rushdie

I hope for a light grief in old age.
I was born in Rome and it has returned to me.
My autumn was a kind of she-wolf,
And August - the month of Caesars - smiled at me. — Osip Mandelstam

I can't understand Urdu, Bahasa or Russian, but when the Pakistani Faiz, the Indonesian Rendra and the Russian Rosdentvensky declaim, I can feel the living throb of rhythm and music, the warmth and passion of their poetry, as do the hundreds, not a mere roomful, of poetry lovers in the audience. — F. Sionil Jose

Here's how I used to think
you made a book:
a poet comes along,
mouth half open, inspired,
then suddenly the idiot bursts into song -
fancy that! — Vladimir Mayakovsky

The Elm Log
By Alexander Solzhenitsyn
We were sawing firewood when we picked up an elm log and gave a cry of amazement. It was a full year since we had chopped down the trunk, dragged it along behind a tractor and sawn it up into logs, which we had then thrown on to barges and wagons, rolled into stacks and piled up on the ground - and yet this elm log had still not given up! A fresh green shoot had sprouted from it with a promise of a thick, leafy branch, or even a whole new elm tree.
We placed the log on the sawing-horse, as though on an executioner's block, but we could not bring ourselves to bite into it with our saw. How could we? That log cherished life as dearly as we did; indeed, its urge to live was even stronger than ours. — Aleksandr Solzhenitsyn

Lot's Wife

And the just man trailed God's messenger,
his huge, light shape devoured the black hill.
But uneasiness shadowed is wife and spoke to her:
'It's not too late, you can look back still

At the red towers of Sodom, the place that bore you,
the square in which you sang, the spinning-shed,
at the empty windows of that upper storey
where children blessed your happy marriage-bed.'

Her eyes that were still turning when a bolt
of pain shot through them, were instantly blind;
her body turned into transparent salt,
and her swift legs were rooted to the ground.

Who mourns one woman in a holocaust?
Surely her death has no significance?
Yet in my heart she never will be lost,
she who gave up her life to steal one glance.

1922-24 — Anna Akhmatova

I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path. — Edward Hirsch

Composers need words, but they do not necessarily need poetry. The Russian composer, Aleksandr Mossolov, who chose texts from newspaper small ads, had a good point to make. With revolutionary music, any text can be set to work. — James Fenton

He loved three things
in this life:
Vespers, white peacocks,
And old maps of America,
Didn't love children crying,
Raspberries with tea,
Or feminine hysteria
... And I
was his wife. — Anna Akhmatova

A play is basically a long, formalistic polemic. You can write it without the poetry, and if you do, you may have a pretty good play. We know this because we see plays in translation. Not many people speak Norwegian or Danish or whatever guys like Ibsen spoke, or Russian - yet we understand Chekhov and the others. — David Mamet

Between the ages of ten and fifteen in St. Petersburg, I must have read more fiction and poetry - English, Russian and French - than in any other five-year period of my life. I relished especially the works of Wells, Poe, Browning, Keats, Flaubert, Verlaine, Rimbaud, Chekhov, Tolstoy, and Alexander Blok. On another level, my heroes were the Scarlet Pimpernel, Phileas Fogg, and Sherlock Holmes. In other words, I was a perfectly normal trilingual child in a family with a large library. At a later period, in Western Europe, between the ages of 20 and 40, my favorites were Housman, Rupert Brooke, Norman Douglas, Bergson, Joyce, Proust, and Pushkin. Of these top favorites, several - Poe, Jules Verne, Emmuska Orezy, Conan Doyle, and Rupert Brooke - have lost the glamour and thrill they held for me. The others remain intact and by now are probably beyond change as far as I am concerned. — Vladimir Nabokov

I was born in the night of the second and third
Of January, ninety-something-or-other,
An unreliable year, and the centuries
Surround me with fire. — Osip Mandelstam

How can the confessor teach/ those who are lost and sick at heart,/ when he himself, among the sinners,/ is worst, and most forsaken?/ It is only a game we play/ with other people's sins./ Besides, everyone knows/ that everyone lies confessing. — Yevgeny Yevtushenko

The Last Toast

I drink to our demolished hose,
to all this wickedness,
to you, our loneliness together,
I raise my glass -

And to the dead-cold eyes,
the lie that has betrayed us,
the coarse, brutal world, the fact
that God has not saved us.

1934 — Anna Akhmatova

So many requests, always, from a lover!
None when they fall out of love.
I'm glad the water does not move
under the colourless ice of the river.

And I'll stand - God help me! - on this ice,
however light and brittle it is,
and you...take care of our letters,
that our descendants not misjudge us,

That they may read and understand
more clearly what you are, wise, brave.
In your glorious biography
No row of dots should stand.

Earth's drink is much too sweet,
love's nets too close together.
May my name be in the textbooks
of children playing in the street.

When they've read my grievous story,
may they smile behind their desklids...
If I can't have love, if I can't find peace,
give me a bitter glory.


1913 — Anna Akhmatova

I don't know if you're alive or dead.
Can you on earth be sought,
or only when the sunsets fade
be mourned secretly in my thought?

All is for you: the daily prayer,
the sleepless heat at night,
and of my verses, the white
flock, and of my eyes, the blue fire.

No-one was more cherished, no-one tortured
me more, not
even the one who betrayed me to torture,
not even the one who caressed me and forgot. — Anna Akhmatova

The Wedding Ring

Although the lamp was out, above its darkness
I saw the bright reflection of a flame.
My soul is bare, stripped to the purest bareness;
It has escaped, transcended all its bounds.

A man, I held desire my dearest treasure.
but I give it, myself, my sacred pain,
my prayers, my ecstasies - all these, O Father,
I give with love to You, most loving one.

And so the hour of limitless surrender
enclosed me in a cloak of flames like wings;
empowered me with the power of Your commandment,
and clothed me in Your holy veil of fire.

So let me stretch my hand out to my brother;
I look in the Face of You, the Fount of Life,
and in the radiance of transfigured torture
I bear my cross, light as a wedding ring. — Zinaida Gippius

And you, my friends who have been called away,
I have been spared to mourn for you and weep,
not as a frozen willow over your memory,
but to cry to the world the names of those who sleep.
What names are those!
I slam shut the calendar,
down on your knees, all!
Blood of my heart,
the people of Leningrad march out in even rows,
the living, the dead: fame can't tell them apart. — Anna Akhmatova

The tradition of Russian literature is also an eastern tradition of learning poetry and prose by heart. — Ryszard Kapuscinski

I'm kissing you now - across
The gap of a thousand years. — Marina Tsvetaeva

One should write only those books from whose absence one suffers. In short: the ones you want on your own desk. — Marina Tsvetaeva

Not sorry, not calling, not crying
All will pass like smoke of white apple trees
Seized by the gold of autumn,
I will no longer be young. — Sergei Yesenin

After a night of insomnia the body gets weaker,
Becomes dear but no one's - not even your own. — Marina Tsvetaeva

A chestnut-haired child
Cheering up, went
and stood in his stall.
And took the whole incident
like a young colt -
and to live seemed worthwhile,
and to labor,
worthy. — Vladimir Mayakovsky

But then he touched the flowers
With the dry tips of his fingers.
Tell me how men kiss you.
Tell me how you kiss. — Anna Akhmatova

How quiet the writing, how noisy the printing. — Marina Tsvetaeva

Native Soil

There's
Nobody simpler than us, or with
more pride, or fewer tears.
(1922)

Our hearts don't wear it as an amulet,
it doesn't sob beneath the poet's hand,
nor irritate the wounds we can't forget
in our bitter sleep. It's not the Promised Land.
Our souls don't calculate its worth
as a commodity to be sold and bought;
sick, and poor, and silent on this earth,
often we don't give it a thought.
Yes, for us it's the dirt on our galoshes,
yes, for us it's the grit between our teeth.
Dust, and we grind and crumble and crush it,
the gentle and unimplicated earth.
But we'll lie in it, become its weeds and flowers,
so unembarrassedly we call it - ours. — Anna Akhmatova

Muse

When at night I wait for her to come,
Life, it seems, hangs by a single strand.
What are glory, youth, freedom, in comparison
with the dear welcome guest, a flute in hand?

She enters now. Pushing her veil aside,
she stares through me with her attentiveness.
I question her: 'And were you Dante's guide,
dictating the Inferno?' She answers: 'Yes. — Anna Akhmatova

Slavery has been outlawed in most arab countries for years now but there are villages in jordan made up entirely of descendants of runaway Saudi slaves. Abdulrahman knows he might be free, but hes still an arab. No one ever wants to be the arab - its too old and too tragic, too mysterious and too exasperating, and too lonely for anyone but an actual arab to put up with for very long. Essentially, its an image problem. Ask anyone, Persian, Turks, even Lebanese and Egyptians - none of them want to be the arab. They say things like, well, really we're indo-russian-asian european- chaldeans, so in the end the only one who gets to be the arab is the same little old bedouin with his goats and his sheep and his poetry about his goats and his sheep, because he doesnt know that he's the arab, and what he doesnt know wont hurt him. — Diana Abu-Jaber

Poor land, poor land, what do you mean
to the heart that moves in me?
Poor love, poor love, poor wife of mine,
why do you weep so bitterly?

(from Retribution book 2, I) — Alexander Blok

I teach a lecture course on American poetry to as many as 150 students. For a lot of them, it's their only elective, so this is their one shot. They'll take the Russian Novel or American Poetry, so I want to give them the high points, the inescapable poets. — Robert Hass

Politics
How can I, that girl standing there,
My attention fix
On Roman or on Russian
Or on Spanish politics?
Yet here's a travelled man that knows
What he talks about,
And there's a politician
That has read and thought,
And maybe what they say is true
Of war and war's alarms,
But O that I were young again
And held her in my arms! — W.B.Yeats

One of the most brilliant Russian writers of the twentieth century, Yevgeny Zamyatin belongs to the tradition in Russian literature represented by Gogol, Leskov, Bely, Remizov, and, in certain aspects of their work, also by Babel and Bulgakov. It is a tradition, paradoxically, of experimenters and innovators. Perhaps the principal quality that unites them is their approach to reality and its uses in art - the refusal to be bound by literal fact, the interweaving of reality and fantasy, the transmutation of fact into poetry, often grotesque, oblique, playful, but always expressive of the writer's unique vision of life in his own, unique terms. — Mirra Ginsburg

There are Four of Us

I have turned aside from everything,
from the whole earthly store.
The spirit and guardian of this place
is an old tree-stump in water.

We are brief guests of the earth, as it were,
and life is a habit we put on.
On paths of air I seem to overhear
two friendly voices, talking in turn.

Did I say two?...There
by the east wall's tangle of raspberry,
is a branch of elder, dark and fresh.
Why! It's a letter from Marina.


November 1962 (in delirium) — Anna Akhmatova