Rubens Art Quotes & Sayings
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Top Rubens Art Quotes

But why I cry out against Rubens is because he painted undressed people instead of naked ones. — E. M. Forster

But after taking command of the Army of Italy in 1796, Napoleon took organized theft to a new level ... The French also stole art at a new level: Napoleon requested that the government send him experts qualified to judge which paintings his men should steal; priceless canvases by Titian, Raphael, Rubens, and Leonardo da Vinci were shipped to Paris. — Tom Reiss

When sonneteering Wordsworth re-creates the landing of Mary Queen of Scots at the mouth of the Derwent -
Dear to the Loves, and to the Graces vowed,
The Queen drew back the wimple that she wore
- he unveils nothing less than a canvas by Rubens, baroque master of baroque masters; this is the landing of a TRAGIC Marie de Medicis.
Yet so receptive was the English ear to sheep-Wordsworth's perverse 'Enough of Art' that it is not any of these works of supreme art, these master-sonnets of English literature, that are sold as picture postcards, with the text in lieu of the view, in the Lake District! it is those eternally, infernally sprightly Daffodils. — Brigid Brophy

My family's tradition of 'matching-matching' names is so obsessive, it's against the order of nature. When my uncles Anil and Anant married, they took advantage of a heinous custom in Marathi weddings. After the pheras, a dish of uncooked rice is placed before the newlyweds, and whatever name the husband chooses to write in the rice becomes the new name of his wife.
Because marriage in our culture is akin to buying a puppy at a pet shop and saying, 'I am your new owner, and I shall call you Flu y.'
So Anil Adarkar brought home Asha Adarkar (nee Kiran), and Anant Adarkar brought home Anita Adarkar (nee Geeta). And to complete this picture of divine perfection they named their children Aniket, and Ashwini and Ashleysha, respectively. — Nikita Deshpande

However," he continued, "this canvas is preferable to the paintings of that varlet Rubens, with his mountains of Flemish flesh sprinkled with vermilion, his waves of red hair and his medley of colors. — Honore De Balzac

We shall never know what Rubens' children "really looked like," but this need not mean we are forever barred from examining the influence which acquired patterns or schema have on the organization of our perception. It would be interesting to examine this question in an experimental setting. but every student of art who has intensely occupied himself with a family of forms has experienced examples of such influence. In fact I vividly remember the shock I had while I was studying these formulas for chubby children: I never thought they could exist, but all of a sudden I saw such children everywhere. — E.H. Gombrich

I read the NY Times but I don't trust all of it. — David Byrne

I remember the 'Scary Movie' series coming out for sure, and I was a big fan of those. — Nico Tortorella

Sixteen percent of our population is rural, but 40 percent of our military is rural. I don't believe that's because of a lack of opportunity in rural America. I believe that's because if you grow up in rural America, you know you can't just keep taking from the land. You've got to give something back. — Tom Vilsack

In every other science fiction series, humans are at the top of the food chain. In the 'Babylon 5' universe, they're in the bottom third. — J. Michael Straczynski

Characters aren't a fling. They aren't a one-night stand. Getting to know them takes time and hard work. It takes excessive free writes and multiple experiments. — Margaret Foley

By the end of the twentieth century Interpol was ranking art crime as one of the world's most profitable criminal activities, second only to drug smuggling and weapons dealing. The three activities were related: Drug pushers were moving stolen and smuggled art down the same pipelines they used for narcotics, and terrorists were using looted antiquities to fund their activities. This latter trend began in 1974, when the IRA stole $32 million worth of paintings by Rubens, Goya, and Vermeer. In 2001, the Taliban looted the Kabul museum and "washed" the stolen works in Switzerland. Stolen art was much more easily transportable than drugs or arms. A customs canine, after all, could hardly be expected to tell the difference between a crap Kandinksy and a credible one. — Laney Salisbury

We don't find love, love finds us. What you put out into the universe will find its way back to you. — Raneem Kayyali

We will simply say here that, as a means of contrast with the sublime, the grotesque is, in our view, the richest source that nature can offer art. Rubens so understood it, doubtless, when it pleased him to introduce the hideous features of a court dwarf amid his exhibitions of royal magnificence, coronations and splendid ceremonial.
The universal beauty which the ancients solemnly laid upon everything, is not without monotony; the same impression repeated again and again may prove fatiguing at last. Sublime upon sublime scarcely presents a contrast, and we need a little rest from everything, even the beautiful.
On the other hand, the grotesque seems to be a halting-place, a mean term, a starting-point whence one rises toward the beautiful with a fresher and keener perception. The salamander gives relief to the water-sprite; the gnome heightens the charm of the sylph. — Victor Hugo

Whether you think you like Rubens or not, his influence runs through the pathways of painting. Like Warhol, he changed the game of art. — Jenny Saville